Tag Archives: dreams

Kareem Between By Shifa Saltagi Safadi

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Kareem Between By Shifa Saltagi Safadi

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It doesn’t matter how many Word documents you read, Goggle docs you add comments to, and screen shots you revise; to hold a physical book in your hands that you have been blessed to observe from the sidelines through numerous revisions, is mind blowing.  Reading the final version from page 1 to page 324, plus the backmatter, has left me at a loss for words with tears streaming down my cheeks. I truly cannot imagine the book any other way. All past drafts and storylines, were just stepping stones to get the book to this version, and as a fan of literature my whole life, to see this metamorphosis in real time has added to my respect and admiration of authors.  Enough about me though, this review is of the middle grade novel in verse that tells the story of Syrian American Kareem, a loveable boy caught in between choices, siblings, friends, labels, and global acts beyond his control.  He makes mistakes, he tries to make things right, and at the center of it all is his Islamic identity, love of football, and genuinely good heart.  I am biased in that I have self appointed Kareem as my nephew, but even after dozens of readings, I was moved to tears three times during the course of this reading.  I made my teens read the book and they loved it, and like them, we hope we get more Kareem in the future.

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SYNOPSIS:

Kareem loves football, particularly the Bears, and dreams of seeing his Arabic name on an American jersey one day in the NFL.  Unfortunately, he hasn’t made the school team, his best and only friend Adam has moved away, and the coach’s son is offering to talk to his dad for Kareem in exchange for some school help.  Add in a new Syrian kid at school, his mom going to Syria to take care of his grandfather, and the fruition of Executive Order 13769 aka the Muslim Ban, and seventh grade has Kareem scrambling on every down to say the least.

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WHY I LOVE IT:

The football framing, the literary inclusions, the Arabic, the Islam, all combine with such tangible heart to create a seamless read both as a compelling story and as an example of literary craft.  The language is on point and intentional, that even if you don’t know the character or novel referenced, the Arabic words included, or football terminology used, you will be invested in the characters and plot, and find yourself cheering for Kareem.  Often debut authors show promise, but their stories have plot holes, or pacing issues, or inconsistencies, that is not the case with this book.  The crumbs are there that tie everything together, the depth of the characters’ personalities reveal how developed they are, and the timeline keeps the book moving forward.  There are no dry or slow spots in the entire novel, it is easily read in one sitting as you find yourself nervous for Kareem, and curious how it will resolve.

Boys and girls, Muslims and non Muslims, Arabs and non Arabs, all will find themselves drawn to this book, and thinking about the characters, particularly Kareem, long after the final page is read.

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FLAGS:

Some stress and anxiety with missing parents.  Death, bullying, cheating, fighting, lying, racism.

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TOOLS FOR LEADING THE DISCUSSION:

The book is a solid middle grade, but the quality of writing and engaging plot makes it work for a middle school book club read as well.  I cannot wait to share this book widely.

Preorders speak volumes and I truly hope if you are able that you will preorder a copy, you can do so here.  Requesting your local public library to shelve the book is also a tremendous help to signal to publishers what type of stories and OWN voice authentic representation consumers will support.

Three Holidays and a Wedding by Uzma Jalaluddin and Marissa Stapley

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Three Holidays and a Wedding by Uzma Jalaluddin and Marissa Stapley

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I don’t think I have ever sat down and watched a complete Hallmark Channel holiday movie, but I know the stereotypes and I’ve caught enough scenes while hanging out with my grandma to know that reality has to be suspended, there will be a happy ending, and the snow and small town charm is going to be laid on pretty heavy as the wholesome romance plays out.  This book is the literary equivalent of such a movie. So with that in mind, there are somethings I will concede can be overlooked, but religiously there are some things that need to be noted (see below).  I also have to admit that I couldn’t put the book down and read the entire 384 page Adult book in two sittings. The book is told in alternating perspectives: Maryam and Anna.  Maryam and her family are Muslim, the book takes place in 2000 when Ramadan/Eid, Christmas and Hanukkah all took place within days of each other.  Anna celebrates Christmas, but grew up celebrating Hanukkah too.  Even if a romance that has Muslims ok with adopting “Christmas-y” celebrations during the last ten nights of Ramadan no less. is not a book that appeals to you, it is worth noting that this book does an incredible job of not becoming performative.  There is no internalized Islamophobia, self-othering, no over explaining, convincing, justifying or religious or cultural identity crisis. For a book co authored by a Muslim and a non Muslim and traditionally published, I am excited for the precedence this book sets.

SYNOPSIS:

Anna is in a perfect relationship, with the perfect guy, and accidently sees the perfect ring in her boyfriend’s luggage.  With Christmas plans in Toronto to meet Nicks wealthy parents, it is clear that the perfect proposal is also going to happen.  But Anna is not perfect, and who she seems to be to Nick is not who she is or wants to be.  It feels so fake.  With separate flights from Denver to Toronto, getting redirected and stranded in Snow Falls, Ontario gives her the pause she needs to decide what she wants.  She meets Josh, someone in town visiting, which complicates things, and she sorts through her grief of loosing her father and the speed in which her ex step mother moved on, all why becoming good friends with Maryam and her family in this idyllic town that she doesn’t want to leave.

Maryam is the oldest daughter who shoulders the expectation so that her younger sister can live her best life.  She became a pharmacist to carry on the family business, so Saima could be a physician with Doctors Without Borders.  Now Saima has decided that she wants a wedding in Ramadan and Maryam has to plan it. The flight being diverted and the wedding party being stuck in Snow Falls has long ago crush Saif and Maryam sorting through their past and a possible future together.  

The two protagonists, their past, future, love interests are all multiplied by a town full of love and holiday activities, a wedding that might be missed, a Holiday Hoopla show, a movie being filmed, fasting in Ramadan, and wise old Dadu, a former Bollywood director guiding the characters to a happy ending.

WHY I LIKE IT:

The book is an easy read, it really is a guilty pleasure escape from reality and that it comes from a place of- we are Muslim, we fast, we pray, we don’t/shouldn’t date without marriage in mind, and everyone in the book already knows all this makes you feel ok about indulging.  It even has a thread of analyzing parental expectation and peeling back some of the assumptions regarding the disconnect worked in throughout the story.  

It took a few chapters for me to stop fighting and accept that the snow is so bad that the airport is closed, but every store, restaurant, and the roads in the town are open.  That the phones are out, no one has a charger, but the payphone works and food can be ordered and delivered.  That Anna is strolling around in a cocktail dress and can find a sweater, but she can’t find pants, and holiday gifts for everyone were not a problem to obtain.  The book notes the idyllic diversity and amazing payphone, but you really just have to let it go if you are to enjoy the book.

Some things I couldn’t let go though are the Islamic religious portrayals.  The characters note that a wedding in Ramadan is a terrible idea, but for as authentic as the waking up for suhoor and fajr are every day and iftar is every evening, the Muslim wedding party spend the last 10 days and nights of Ramadan watching Bollywood movies, dancing at a music filled mehndi party, planning and performing in an interfaith holiday show, and listening to Christmas music.  I know Ramadan staples of reading Quran, doing thikr, and praying, don’t fit the genre, but there are enough people to make jammat, one night it mentions they go to the musallah for taraweeh salat, but I really wish it was every night, and that more traditional Ramadan foundations were shared.  I did love that why Dadu couldn’t fast was explored, and that when Saima was stressed she went to the musallah, but really Bollywood marathons and parties in Ramadan are uncomfortable even in fiction.

FLAGS:

For Adults and New Adults the book is remarkably clean.  The romance is tame even for YA, the characters are all adults and it is more the Ramadan non worship and Christmas normalization that is more flag worthy to me if a Muslim teen were to read it, than the relationships.  So take what you will from the flags: Anna and Nick seem to live together at the beginning, Anna and Josh hold hands, kiss.  Maryam and Saif hold hands and hug.  Saima and Miraj hug.  There are some other hetero couples that kiss. Mention of Maryam’s prior relationship features her husbands infidelity, and Saif admits to having a girlfriend.  There are a few LGBTQ+ couples in the town that own stores and the inn, but don’t seem to be Muslim, and their relationships are not significant plot points.   Muslims joining in Christmas activities. Alcohol and a pub are mentioned, but Anna partakes, no Muslim characters.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I could do this as an Islamic school book club choice for middle or high school.  But I do want to gush about it with my Lit Sisters.  You can preorder it here https://amzn.to/3L7K9wQ

Girls Rock: Indonesia by Claudia Bellante illustrated by Josefina Schargorodsky

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Girls Rock: Indonesia by Claudia Bellante illustrated by Josefina Schargorodsky

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This book is part of a series that claims to want to bring the world closer to American children.  It is based on a true story, with noted liberties taken regarding the protagonists, and yet the Author’s Note says she went to Indonesia and was unable to meet with the characters whose lives the book is about.  I am not against non Muslims and non Indonesians per se writing a book about Muslims in Indonesia, nor am I naïve to the fact that music inspires many and radicalism is a real threat, but to conflate ideas without explanation, and not containing that OWN voice authenticity or biography feel, really leaves this book fighting against self made stereotypes and trying to seem woke and relevant while maintaining a very Western American paradigm of what it means to be happy and fulfilled.  The book (and series) may have had good intentions, but it just felt off to me, and with a publisher suggested reading age of 5-8, I think this book assumes too much about the readers prior understanding of hijab, Quran, Indonesia, music, heavy metal, radicalization, small village life, culture, Islam, Quran, imams, and prejudice and fails to assist in connecting the concepts, opting to use them interchangeably and ultimately making the 32 page book rather pointless.  I think if older children read it, it is one of those books that makes one feel like they are cultured and supportive of those breaking stereotypes, but I think Indonesian and Muslim readers will just be confused about why a book is supporting sneaking and lying and why music is ok, but loud metal is not, and why a Muslim teacher could have a band years before, but the current characters are receiving backlash now, amongst so many other things.

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The book starts with basic information about Indonesia: Java, Jakarta, religion, and the motto.  It also includes hijab as something some Muslims wear but does not detail why or what it entails.  It then introduces the reader to three girls that go to school and study Quran, as the pride of their parents and village. The girls feel something is missing and while they are “studying” they in reality are often secretly watch YouTube videos after learning about the heavy metal band Metallica from their teacher.

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The girls want to learn to play, but fear their parents will get mad, why they would get mad is not articulated, so they go to their teacher and whisper their passion for heavy metal “as if they are confessing a sin.” Their teacher, Pima, says she used to play in a metal band, and that they can use the instruments in her garage to learn and practice.

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So while their parents think they are studying, they are playing music.  The book says music is not against their dreams, not against Islam, they choose to wear hijab, they start to write their own lyrics, and their teacher arranges for a producer to come listen to them. The girls worry the imam will get mad and so will their parents. When a local interview airs, the teacher asks negative folks, “who says a girl in a hijab can’t play loud music? Does the Quran forbid following your dreams?”

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Pima regrets letting the naysayers deter her from her music dreams, but earlier said her band broke up when the members moved or got married.  The parents seem fine when a festival in Jakarta is about to happen and presumably they live happily ever after.

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The backmatter then throws in radicalism and Muslim feminist groups, and I’m not sure what the takeaway would be for Muslim or non Muslim children reading this book.  I admittedly haven’t read the other books in the series, but I would be skeptical of their portrayal of cultures and religion after reading this one, it isn’t so much that it is wrong, but it just seems to water the reality down to make it more “palatable” and “acceptable” to American children which results in strong themes of “othering” and dismissal.

You are the Color by Rifk Ebeid illustrated by Noor Alshalabi

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You are the Color by Rifk Ebeid illustrated by Noor Alshalabi

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Books like this are hard for me to review, and I have gone back and forth on whether I should post anything or not.  On the one hand, we need books that are unapologetically Palestinian written by Palestinians.  They need to be celebrated and elevated and I want to offer my support to the stories, to the voices, to the authors, illustrators, everyone involved.  On the other hand, if I didn’t love it, why should I shy away from saying so, when I have purchased the book (pre-ordered and changed the shipping address even, to have it delivered to me on vacation because I didn’t want to wait to read it).  The book is emotional, but the last six pages unraveled the whole book for me, and in a picture book particularly of this nature, when you finish- if you don’t have a cathartic pull, you start to find holes in the story as you feel deflated.  The book, I would go out on a limb to say, needs to be discussed and given context even if you are Palestinian.  As someone who is not, I recognize my arrogance in such a statement and am happy to be corrected, but from a literary reviewer standpoint the book needs discussion and additional context.  The Nakba is only articulated in one paragraph in the author’s note.  In the story itself there is no indication that what happened to Thaer happened to so many Palestinians in 1948.  The use of color and how it is depicted in the illustrations is tangible and powerful, but as odd as it is to say, the words got in the way of the story.

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The book starts with Thaer trudging to school in dull sepia filled pages to begrudgingly sit at a desk and begin an art lesson.  He is glad the spitballs are just spitballs and not real explosions, but the tone is still melancholy.  When he sees boys playing soccer he recalls the last time he played soccer, and the memory comes alive in color.  He was in Yafa, it was the day before the Zionists came and took his family’s home.

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The teacher, back in muted tones, asks him to draw what has made him smile, and Thaer gives it a try.  Blue for the color of the sea, green for zeit and za’tar, brown for taboon to get fresh bread, etc..  When he takes the drawings home to his mother, she is not impressed.  Drawings are silly and colors aren’t going to bring Baba and Susu back.

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Defeated, the next day in class, Thaer recalls the men pounding down the door and Baba being shoved in a truck and Susu falling.  The next day at school they hang up some of their pictures and Thaer talks about his sister.  (SPOILER) On the way home Thaer paints the alleyway and brings color to his and his mom’s world.  His mama says that he is the color, and when the following day’s prompt is to draw what you want to be when you grow up it shows Thaer (presumably) on the beach as an adult painting.

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The disconnect for me occurred with the painting of the alleyway.  I was incredibly invested in the story, my heartstrings were being tugged, I was breaking for this character and his experiences, and it all came to a screeching halt because I couldn’t understand where the paint and the alleyway and the mama’s change of heart all manifested from.  As for the ending, I think I know what the author was going for, but it didn’t connect with any of my kids aged 2-15 nor my mother, a 40+ year early elementary veteran teacher.  I wish I could have taken a picture of their faces as she read the book to them.  The frozen expressions of huh and confusion at the end, until my 11 year old to broke the awkward silence to ask if the boy wants to be a painter or a father or an adult?  Those facets coupled with the often advanced vocabulary, makes the book an important one, but one that needs a lot of outside commentary to connect with the readers and to further the conversation about Zionism, al-Nakba, the occupation, and the continued oppression of Palestine.

There are flags of loss, kidnapping, sorrow, violence, etc., that parents will have to gauge if their children can handle. I’m not sure what age group is the best fit, the murder of a young girl, the forced displacement from one’s home, the removal of the father are all heavy themes.  I appreciate that it isn’t “watered down” for a western gaze so to speak, but I wish there was more about what happened to the dad, is there hope he is alive? I wish there was something about this not being an isolated reality for the protagonist and his family.  I wish there was some conversation or connection between the mother and son, because the loss of continuity really derailed the story.

As for the idea of the story, and the use of the illustrations to physically show two worlds I think is a great idea, it just sadly fell apart for me at the end: the faltering conclusion and the loss of emotional buildup that the first two thirds of the story worked so hard to create.

Loujain Dreams of Sunflowers by Uma Mishra-Newbery and Lina Al-Hathloul illustrated by Rebecca Green

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Loujain Dreams of Sunflowers by Uma Mishra-Newbery and Lina Al-Hathloul illustrated by Rebecca Green

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This 40 page early elementary book based on the efforts of the real life woman, Loujain AlHathloul, and her work to change the laws regarding women driving in Saudi Arabia, had a lot of promise.  Unfortunately, the symbolism connecting flying and driving, just didn’t work for me.  No one can flap their arms and fly, so to demand gender equality for an unrealistic action, is a big stretch that ultimately stretches itself too thin.  There is nothing Islamic, except women wearing a hijab in a few illustrations, or even Saudi specific in the book.  It talks of the desert, but the country is unnamed.   Overall, I just had so many questions such as: if she was flying before sunrise- how was she not seen returning from the sunflower patch, can women then never leave an area, are there ways they can fly as passengers, are there other modes of transportation, at what age are children allowed to fly, and so many more, that they prevented me from being inspired by the story.

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The book starts with Loujain believing in her self and knowing that one day she will fly.  She dreams of a place of a million sunflowers, a picture her dad has given her inspires her to seek out bright colors, capture them on film, and hang them in her room.

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In the morning her father straps on his wings, and flies off.  Loujain is not allowed to fly because she is a girl.  Her family tells her that one day she will.  When she tells the kids at school, they laugh at her.  When she pushes her dad to teach her, her mother advocates that he should.

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Loujain and her father practice flying before the sun rises, and finally they make the long journey to see the sunflowers.  Her father takes a picture of Loujain, and it appears the next day in the newspaper.  Other girls are inspired and begin to demand the right to fly too.

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I love the mom in the book, and her encouraging of Loujain’s dad to teach her.  She asks him, “if you don’t support her, who will?” I don’t know why the mom isn’t wearing a hijab on the last page though.  It seems like there is a subtle message there about hijab being legally required as well.

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The book is a reach, and for me it didn’t connect or leave an impression.  The information about the prison sentence and push back to achieve the legal change was far more interesting and memorable, but only a few paragraphs long at the end.

I am Brown by Ashok Banker illustrated by Sandhya Prabhat

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I am Brown by Ashok Banker illustrated by Sandhya Prabhat

This 40 page celebration of diversity within the label “brown” is a sweet and powerful book that shows how the color of our skin is beautiful and perfect while at the same time making it clear that who we are and what we can be is not defined by our appearance.  The book shows adorably illustrated brown children finding strength in different cultures, clothing, religions, languages and dreams, which will hopefully empower children everywhere (and of all colors) to take labels that may have negative connotations and turn them in to positive affirmations of identity and strength.  There isn’t a story with a plot, but with the regular inclusion of a girl with a scarf on, and the mention of a mosque, I thought to highlight it.  The book is perfect for preschool and up.  

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The book starts with a little girl identifying herself as brown, beautiful and being perfect.  It then stretches to her being love, friendship and happiness.

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From there it branches out to a whole cast of kids identifying the variety of things they can be, from a writer to an electrician to a prime minister. the same kids then do and make and work on things before identifying where they come from and what languages they speak.  

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The kids all have different hair on their heads and faces and even no hair at all. They live in different dwellings, they like to do different things. 

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Brown people are not a monolith, the kids show that they eat different foods in different ways, that they wear different clothes.

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People with brown skin are roommates and teachers and friends and classmates.  Some go to temple or church, others a mosque or shrine, some not at all. 

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The book ends with a close up of three smiling faces proclaiming, “I am brown.  I am amazing.  I am You.”

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I’m sure people will argue that if you switch out white for brown the book would be deemed racist, and you are correct it would be.  But as a group that is marginalized as “other” and often the darker brown you are with in the brown subset moves you “value” and “worth” down, makes a book celebrating the strength and beauty of “brown” so necessary and heart warming.  I personally am the lightest “brown” imaginable being only half Pakistani.  So, believe me I have privilege in the desi community, but I don’t find this book offensive at all.  I’ve read this book at least a dozen times and my impressions alternate between beaming with pride and tears that so many beautiful people feel less than because of skin color and yes, anger too,  that people are MADE to feel less than.   May we all be more inclusive, more loving, and more open to the diversity of the human being. Ameen.

Mae Among the Stars by Roda Ahmed illustrated by Stasia Burrington

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Mae Among the Stars by Roda Ahmed illustrated by Stasia Burrington

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Inspired by the early life story of astronaut Mae Jemison this 36 page AR 3.0 children’s picture book is inspiring and encouraging.  It is not a biography of the first African American woman in space for children, infact with the exception of the note at the end, there really are very few specifics about how she went from being discouraged by a teacher to flying in outer space.  That isn’t to say the book isn’t beautiful and impressive, because it is, and it shows how no one should limit your dreams or your success.  The book radiates warmth and determination and for children, preschool to third grade, if desired, offers a way to start a discussion about racism and sexism all while celebrating the amazing accomplishments of Mae Jemison.

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Mae is a dreamer and her homework one day asks her what she wants to be when she grows up, she tells her family she wants to see the Earth from up there, pointing to the sky.  Her mom tells her that she will have to be an astronaut to do that.  Nervous that it might be too lofty of a goal, her family reassures her that if she can dream it and believe it and work hard for it, that anything is possible.

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From then on, Mae reads books about space from the library, plays pretend, and makes herself a space suit from old curtains and a cardboard box.  She dreams about being in space and looking back at Earth, and she tells everyone she can about her dream to be an astronaut.

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At school when the teacher asks what everyone wants to do and be in the future, Mae’s answer gets her laughed at.  Ms. Bell tries to encourage her to be a nurse instead.  Once home, Mae breaks in to tears that her teacher didn’t believe in her.  Mae’s mom tells her that her teacher was wrong and that she hoped Mae didn’t believe her.  She told Mae that no one could stop her from pursuing her dreams.

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With her family’s unwavering support and a lot of hard work, Mae goes to space. The book ends with her keeping her promise of waving to her parents and looking down on Earth.

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The book touches on a lot of powerful issues that I really hope adults will point out and discuss with their children.  Why her teacher didn’t think she could be an astronaut, not as a belittling of the nursing profession, but as a woman of color what would make her teacher think that was her best option.  When and how should we handle when teachers, or people in authority,  do or say something that we disagree with. I also hope that the note at the end that tells more about Dr. Jemison’s accomplishments is poured over again and again and again and appreciated.  Truly she is a hero!

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There is nothing Islamic in the book, I’m assuming the author is Muslim, but honestly I didn’t find anything in my Google searches that would indicate that she is or isn’t.  It is really just my assumption about the name and my wanting to share this inspiring story with beautiful illustrations with the people who frequent my blog.  Enjoy!

There is Greatness in Me by Ameenah Muhammad-Diggins and Amaya Diggins

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This book is powerful.  The repetition, the message, the rhythm, it is something kids of all ages need to hear, and hear often. 

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The concept of positive self-talk, is brought to life in the short, simple, straightforward sentences per page, and shown with illustrations of children dreaming big.  If you can dream it, you can achieve it.  Turning impossible to “I’m possible,” and not getting brought down by others laughing at your dreams.  The book shows that hard work is needed too.  You start with Bismillah, help others when you can, and brush yourself off and get back up when you fall.

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With a forward by Muhammad Ali’s daughter, Maryum “May May” Ali, and written by a Mother and her daughter who at 10 started her own hijab brand for Teens and Tweens, the book isn’t just reassuring words, it is meant to inspire action and confidence.

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I could see teachers reading this 32 page book weekly to their students, aged preschool and up.  It might start to get cheesy for older kids, but they need it too, possibly even more.  I have read it to my children, and when they’ve had hard days asked them to read it to them selves.  It helps, it really does.

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My only criticism of the book is the superficial stuff.  The binding, page quality, and size are fine, but the text is small, and the illustrations are a bit off.  Not bad per say, what they show is actually wonderful, but the faces on some of the kids are misshapen and not uniform in size, and when they are all standing next to each other they look like they have been copy and pasted together, not that there was a single illustrator.  I hesitate to criticize the illustrations, but the book is an important one, and the diversity the pictures show is powerful, really powerful, that I would have hoped for a $15 book the pictures would have been a bit better.  While at the same time, I understand that the book may only have gotten published going this route and for that I am grateful that it exists.  InshaAllah if more people support these types of books and messages, the publishing quality will improve, and all of us will benefit.