Category Archives: strong women

Feb10

Muslim Girls Rise: Inspirational Champions of Our Time by Saira Mir illustrated by Aaliya Jaleel

Women you have heard of, some you are meeting for the first time. Some you like, some you disagree with, women that cover, women that don’t, some young, others older, some athletic, some academic, some a little bit of both. One fictional, a few political, but in the end, all strong women of today, all Muslim, all unique, from all over the world, all known for paving the way for others to follow.

In 42 pages, 19 females are highlighted and illustrated to inspire Muslim and non Muslim boys and girls alike, but really Muslim girls will get the most out of it. Sure a female gets mentioned here or there in other compilations of influential people of our time, but this one, well, this one seems mostly for us.

There are famous females in science, activism, fashion, film, sport, education, media influencers, make-up artists, you name it, and Muslim’s participate, so finally a book shining a light on the best of the best. With each person getting a full two page spread, a few tidbits about who they are and what they are “famous” for are detailed in easy to read sentences that inspire, and if you haven’t heard of them before, enough general knowledge to get acquainted. A few felt a little generic, but once you have a name, Googling them or researching them, is obviously, not difficult.

I wish there was a bit more information detailing who was chosen and why. At first I thought it was US or “western” movers and shakers, but then you have Maria Toorpakai Wazir, the tennis player in Pakistan, and Shirin Ebadi from Iran. So then I thought ok, they are all contemporary, but Maryam Mirzakhani passed away in 2017. Needless to say, one could argue that the list is arbitrary, and I think I would agree.

One could also argue, that these women may make history for notable things, but that they might say or do things that you might take issue with, and again, I agree. They are people, they are fallible, and diverse, and have different perspectives and life experiences, but that’s ok, infact I think that might even be the point. We all have different passions, and paths, and views and yet at the end of the day we should be able to lift each other up and inspire. I think every person who reads this book will find someone that sounds or feels or looks like them, and that is a good thing, no, a great thing!

My favorite was the Kamala Khan entry, because I didn’t realize the G. Willow Wilson was Muslim. I erroneously assumed the other co-creator, Sana Amanat gave Kamala’s back story and home life its sense of OWN Voice, and I love that I learned I was wrong from a book.

The illustrations are right on and do an amazing job of conveying the character and the inspiration of the collection. The book is much needed and I hope they do a similar style book for Muslim women in other time periods.

Special gratitude and appreciation to Gayartri Sethi (IG @desibookaunty) for gifting me this book for no other reason than to share the power and strength of women, and being a leader in that, by sending me a beautiful book. May I learn from your generosity and pay it forward! Thank you.

Jan27

Teach Us Your Name by Huda Essa illustrated by Diana Cojocaru

Posted on January 27, 2020 by islamicschoollibrarian

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Teach Us Your Name by Huda Essa illustrated by Diana Cojocaru

This book will resonate and empower anyone who has a “different” name, and hopefully provide insight and awareness for us all. This 32 page picture book for grades 1st and up has a self empowering message, a confidence building approach, and problem solving tips to achieve a desired goal in a respectful way. Written by a Muslim author, the book’s text is well done, unfortunately the pictures are inconsistent to me, some are beautiful and detailed, others seem rushed and unfinished.

There are 20 letters in Kareemalayaseenadeen’s name, and the first day of school is such a stress for her. She fears the teacher stumbling over her name, the other children laughing, and her unable to tell them how to pronounce her name correctly. Her mom tries to explain that for some people the kids at school have hard names, and that for some people her name is easy.

She reflects that in fact no one has ever made fun of her for her name, but that in history class she never sees her name, or on TV or in movies or on key chains. She can hardly fit her name on her worksheets, and fitting it on banners is impossible too. Eventually the kids kust call her Karma-Deen and even though she dislikes it, she is too shy to speak up.

Over the summer, Kareemalayaseenadeen goes on vacation to visit family. She doesn’t even think much about her name where everyone can pronounce it and say it with ease. Her Sittee though, has heard about her anxiety and sits with her to help her work through it.

Sittee asks Kareemalayaseenadeen if she knows that her name means “excellent guidance” and that her name is a big part of her. If she doesn’t like her name she isn’t liking an important part of herself. She then urges her grandaughter to guide others on the proper way to pronounce her name.

On the flight home, she ponders her grandma’s words and how to guide others to proper pronouncation, without being rude or settling on them shortening her name. When she gets home she puts her plan in to action. And it works!

When Kareemalayaseenadeen grows up, she becomes a teacher and each year she reads this book she has written (the one I’m reviewing) and asks her students to teach her how to say their names.

The importance of how valuing someones name values the person and their family and culture is really one that as a society we have to keep working on. We can say names from Lord of the Rings, and Star Wars and Game of Thrones with no problem, so why can’t we try and pronounce someone’s name who is real and next to us and important to us? We have become lazy, and we need to do better, this book is sweet and kind and should really be read regularly as a reminder to us all, that names are beautiful.

There is nothing religious about the book or even culture specific. There is a hijabi in the illustration of the market place in the unspecified “overseas country” and the name Kareemalayaseenadeen has Arabic bits, but a lot of names do as well, grandma is refereed to as Sitti, but isn’t defined, so the book is definitely meant for eveyone, especially those who will never find their name on a mug at a gift shop!

Jan24

Shatter Me by Tahereh Mafi

Posted on January 24, 2020 by islamicschoollibrarian

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In many ways this 338 page dystopian YA fiction book focuses more on romance than the super human powers the 17 year old protagonist has and the role she will play in the resistance. That isn’t to say the book is bad, just that it isn’t as high action, or reform-a-broken-world, or even use-my-super-powers-to-save-myself-and-those-around-me as I had hoped. It is more a lot of self loathing, desire, and anger. That being said, I am on the fence about reading the rest of the series, as this is the start of a six book series, with two “half” novellas interjected in and being told from other characters’ perspectives. If this was a show pilot, however, I would let Netflix automatically start the next episode until I had binge watched the entire season, not necessarily because the story is great, or the characters amazing, or the writing stellar, but because it is easy and fun and you really want to suspend belief and know who all these attractive mutated teens running a broken world are, and yes you will roll your eyes at the syrupy sweet lust filled pages, but it is YA so maybe I’m just overly cynical and 15 year olds and up will enjoy it. It is an AR 4.3, but the language, violence, and romantic build ups should not be read by 4th graders.

SYNOPSIS:

The book starts with Juliette counting how many days she has been locked up in a cell, 264, void of human interaction of any sort and hinting at the reason her parents feared her and turned her in. She is then joined by a male cellmate, Adam, one she slowly realizes she remembers from her youth and is in love with. As he asks her questions we learn a bit about her power and the state of the world. Juliette can kill people with her touch and apparently has killed someone, a child. Her parents, along with everyone else, have always feared her, and not being hugged or touched her whole life has definitely been a painful existence for her. Adam is a soldier and can touch her, he is also planted to learn about her as part of his job. Warner, another teen, is in charge of a soldiers in the Reestablishment and has been following Juliette for a long time trying to see how they can weaponize her and use her for their cause. Adam was playing a role, and now Juliette will have to play one in a world where the food is fake, the clouds the wrong color, and artifacts of culture and life before it all fell apart are destroyed and deemed illegal. Along the way she will have to see the world in shades of gray and be willing to forgive and understand that people are not just for or against the way things, are, that sometimes you just have to do things to survive and protect the ones you love.

WHY I LIKE IT:

With all the talk of Iran in the news, I felt compelled to read a book with a Persian character, or at least by a Persian author, so I revisited the works of Iranian-American Muslim Tahereh Mafi. The book reminds me of a Bollywood drama from the 90s where the hero and heroine do everything suggestive, except kiss, in this book they do a lot, but I guess don’t quite cross a line. The scenes with Adam and Juliette are too much at times, where the story building about her understanding herself, her world, and what her powers can be, too little. The stage however, is set for the book and characters to grow in the series and with that optimism of knowing that the story stretches on, I have to hope the twists and turns make for a more interesting ride than this first book presents. Most of the drama is already spelled out on the back cover, she can kill people just by touching them, she wrestles with seeing herself as a monster, or as being more than human. It really doesn’t start getting good until she finds others like her, but then she is bored of them and the book ends. The book has a huge following, so much like perhaps the Twilight series, maybe I’m just too cynical, and not in the target demographic, or maybe I need to keep reading.

FLAGS:

There is violence, *SPOILER* Juliette accidentally kills a child. There is language, there is suggestive talk, there are romantic passages with kissing and touching. For a book about a character who can’t touch, I feel like the majority of the book is about her touching and being touched.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club, because I feel like it really is just a book setting the stage for what more is to come and because it ends so abruptly it feels almost like a teaser, yes a 300+ page teaser. I was hoping that I could at least suggest it to readers of Hunger Games, City of Ember, The Giver, etc., but I don’t think it spends enough time on the crisis of the world at hand, and the adjustments made by a select few to appeal to the same readers. It really is a romance, at least thus far, and the destruction of life and the environment just a back drop for their storyline.

Jan10

Luv Ya Bunches by Lauren Miracle

Posted on January 10, 2020 by islamicschoollibrarian

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A book about 5th grade friendships told from the perspective of four different girls in a variety of styles: instant messages, chatroom conversations, video scripts, and traditional text. The author seems to have a checklist of diverse characters and afflictions that all must make an appearance in the 335 page story. It is written on an AR 4.4, but with one of the main characters having two moms, details of a suicide mentioned, talk of pole dancing, male anatomy joked about, thongs, crushes, and mental illness, four girls coming together to form friendships and take down a bully, might raise more questions for young readers than they are ready to handle. Yasaman the Muslim girl in the group, also borders on perpetuating more stereotypes than she breaks, and while I definitely don’t think this book is a good fit for 4th and 5th graders, I don’t really recommend it for readers of any age, there are just better books out there.

SYNOPSIS:

Asian American Katie-Rose doesn’t have friends, unless you count her neighbor Max, but she doesn’t. She dreams of having blond haired Camilla as a best friend, but the Camilla she went to Pioneer camp with is not the Milla at school who hangs out with Modessa (aka Medussa) and Quin, and is popular. Katie-Rose also dreams about being a cinematographer or director, she isn’t sure yet, but she loves to imagine scenes and scripts and how things ideally should play out, even when in reality they never quite seem to do so.

Milla, isn’t sure if she wants to stay friends with Modessa and Quin, they aren’t nice and she has a lot more fun with Katie-Rose, but somehow she always ends up going back to the popular crowd. She also has a lot of anxiety and needs various totems with her at all time to feel secure. When her little plastic turtle goes missing, she struggles to stay composed, and her and her turtle will end up changing a lot at Rivendell Elementary.

Violet, is the new girl at school and she is not liking her life at home or at school. Her mom is in a mental hospital and she misses her desperately, her dad brings home fast food every night for dinner and life just isn’t the same since she moved to California. Immediately able to tell who the popular kids are at school, she hasn’t decided which group of friends is the best fit for her, but when she stumbles on Tally the turtle, and doesn’t immediately return it to Milla, she has to understand what that says about her, and figure out if she is strong enough to make things right.

Yasaman is the quiet computer wiz, she is also Turkish-American, Muslim, and a hijabi. She designs a platform where kids who are too young to join Facebook can chat, stream videos and send cupcakes. The only problem is, she has no friends to get to join. When Katie-Rose and her strike up a friendship, the first seeds of the four flower named girls are planted, but it will take all four of them to put Modessa in her place, rescue Tally, and deal with stereotypes, emotions, and family along the way.

WHY I LIKE IT:

I love that a Muslim, muhajaba is included in the quartet, and that her religion, her scarf, her culture, and her belief in Allah, actually are sprinkled in. I don’t love how in the book’s efforts to include such diversity, that it also seems to fall for a lot of the stereotypes that it on the surface seems to be dispelling. Katie-Rose asks her if she even knows what YouTube is before being made aware of how computer savvy she is. All this is to subtly show the assumption that Muslims are not aware of technology and whatnot, and set the record straight, but also regularly thrown in are side comments from Yasaman that her father would never let her wear something, or she wouldn’t be allowed to do that because of her dad, definitely reinforcing a male dominated, authoritarian, out-of-touch patriarchal view. Even her mother, an artist, is shown to demand a lot of Yasaman and be incredibly strict. A lot of things aren’t spelled out, they are just dropped in and assumed that the reader get’s it. But only Yasaman’s parents are portrayed this way. Milla’s two mom’s are caring, Violet and her dad seem close, and Katie-Rose’s parents are rarely highlighted. So, I felt like it was noticeable, and not in a positive way.

I’m still completely confused as why pole dancing and male anatomy made appearances in the book. And the pole dancing reference appeared not once, but twice when Yasaman is talking to an older cousin who is talking about a friend who’s aunt is a pole dancer, and then later when Katie-Rose’s babysitter also mentions the same friend. They also discuss people as being slutty and boy crazy and skanky. The male anatomy isn’t spelled out it is hidden with a girl with major orthodontia reading a Wikapedia page on the greek satyrs, discussing their physical pleasures and talents.

There is also a lot of mental health issues that I’m glad are present, but I’m not sure if they are handled seriously enough. I’m glad they are addressed, because awareness is a good thing, but discussing how someone swallowed pills to commit suicide and even though she changed her mind still died, and not giving any context seems to make the concept come across as a bit trivial to me in its presentation. Same goes for Camilla’s anxiety and Violet’s mom being in a mental hospital. These girls have some major stuff going on that their preoccupation with a snotty group of girls, and the obsession of mud being consumed in an ice cream shake, seems a bit off.

Overall, the girls seem incredible perceptive and articulate in their self reflection and understanding of social personas, that I found their banter completely disjointed. I don’t think the author’s voice is consistent, and the heavy stuff is too much coming from 5th graders in my opinion.

FLAGS:

Stereotypes, and discrimination against Yasaman and her younger sister Nigar. Possible triggers with talk of suicide. Milla has two moms, it is never labeled or made an issue, she just refers to them as Mom Abigail and Mom Joyce. Talk of boy private parts and erections, crushes, pole dancing, words such as skanky, and slutty and dingleberry (poop hanging on) used. There is lying and bullying and retaliation and poetic justice.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t use this book for a book club or even have it in the classroom. I think it gets a bit crass unnecessarily and the cute flowery cover and inside flap, makes it all the more surprising. You might expect some potty humor in other books, but knowing it is there allows the reader to make a decision to read it or not, I would imagine most Muslim parents would see four diverse girls on the cover, one wearing hijab, get excited and hand the book to their 3rd or 4th or 5th grade daughter and have no idea what the book also includes in passing, with no relevance to the story lines highlighted on the inside flaps and back of the book.

Dec27

Internment by Samira Ahmed

Posted on December 27, 2019 by islamicschoollibrarian

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The premise of this book is amazing, the writing and execution of it, unfortunately, falls flat. The failure to set the stage, develop characters the reader cares about, and create a world in the near future that is both riveting and horrifying doesn’t come through in the book’s 387 pages written on an AR 4.7, but meant for high school aged readers grade nine and up.

SYNOPSIS:

Indian-American Layla Amin is 17 and since the census that her family honestly filled out and identified themselves as Muslim, their life under the new president has been shattered to say the least. Her poet father lost his job as a professor, her chiropractic mother has lost numerous patients, Layla has left high school and they all live in fear. With curfews and people they’ve known their whole lives turning on them openly, the book opens with Layla chooses to sneak off to see her Yemeni Jewish boyfriend, David after curfew. The next day suits arrive to take the family to an internment camp in the desert, near the old Manzanar detention camp used to house Japanese Americans during WWII.

The new camp, Mobius, is the first one to house Muslims and the first of many slated to be built. The detainees are divided by ethnic background, Layla’s FEMA trailer is in a block of other Desi families, Arabs a few blocks away, LatinX, converts, etc., all given minders to control them from within their own community. As Layla whines about her cell phone being taken away and how much she misses David, a guard, Jake, takes pity on her and regularly risks his own position and Layla’s, as he sneaks her access to phones, gets her burner cell phones and even sneaks David in so the two can make out. Somewhere along the way it seems Jake and Layla develop feelings for each other, but it really isn’t explored. Layla makes friends and somehow becomes a revolution leader with her writing notes about life on the inside and having Jake and David get them to the media.

Those that speak out against their situation or complain, disappear and never return. The Director of Mobius, ensures it. In their refusal to eat dinner one night, and their protest at the front gate in front of protestors and the media, eventually Layla gets taken, but with her friendly guards, she finds she isn’t completely alone and that she just needs to be brave a little longer, stand up at the right time and get incredibly lucky to be successful in the revolt.

WHY I LIKE IT:

The President in the book is undoubtedly Trump, and I love the passages that reflect how the fictitious America didn’t become racist overnight, but that the leadership allowing it, ignited the ugliness that already existed. It mentions making America great again and really sets the foundation of a simple “what if” that really could happen very easily.

The parts that struggle are the story elements, I really didn’t find myself cheering or even liking Layla, I didn’t find her charismatic or interesting, she was really whiney and flat to me. I didn’t care one bit about her and David’s relationship, it seemed forced and completely not necessary. A friend or concerned neighbor might have been more hope inspiring than a high school boyfriend she is brooding over to save her. Her sneaking out and sneaking him in, all seemed selfish and juvenile for a character who in other arenas seemed pretty mature and level headed. The disconnect is pretty prominent and I really cringed at all of the passages involving the two of them.

There are flash backs to life before the new President, but it isn’t engaging and doesn’t really highlight how horrific life is now, because the lack of character development and world building, everything seems like it has to be said, not shown. Random characters at the camp would show up and then disappear, and we knew nothing about them, so there was no emotional connection or attachment to what happens to them, it really had so much potential to have heart and fear and insanity and it just doesn’t.

Layla identifies as Muslim, and lovingly recalls ayats and duas of her grandmother, but the family firmly believes that “there is no compulsion in religion” and thus doesn’t hide who they are, but don’t visibly display it in their clothing, or actions much either. They don’t have a problem with their daughter having a boyfriend and they support it. Layla and her mom don’t cover, but Layla does show massive respect for the Muslims that do. Layla’s parents seem to pray, Layla doesn’t, but she doesn’t seem against it.

FLAGS:

Lots of kissing between Layla and David, a gay couple that disappears in the camp, flirting between various other characters, violence, oppression, language, death, beatings.

TOOLS FOR LEADING THE DISCUSSION:

I actually feel like this could work as a book club book because the discussion would be so great. Yes, there are flags, but the relationship stuff is so annoying and awkward, I don’t think any kids will find it titilating or compelling at all. The writing is subpar, but the issues brought forth are important, and the students would have infinitely better plot lines for the characters that I think could make the books premise reach closer to its potential.

A letter from the Author: https://www.hachettebookgroup.com/articles/a-letter-from-samira-ahmed-author-of-internment/

Book Club Guide:https://www.hachettebookgroup.com/wp-content/uploads/2018/07/InternmentNovlBookClubGuide.pdf

Review podcast: https://teachnouvelle.com/internment-by-samira-ahmed/

There is a ton online, just google it and Happy Reading

Dec23

Ibn Yunus: The Father of Astronomy by Ahmed Imam

Posted on December 23, 2019 by islamicschoollibrarian

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Ibn Yunus: The Father of Astronomy by Ahmed Imam

This book is part of a new Muslim Scientist Series featuring 24 glossy colorful 8×8 pages highlighting a great Muslim from the Golden Age of Islam. Meant for Muslim children ages 4-7, the book sets out to teach and inspire little Muslims, and does a pretty decent job of presenting it in a memorable easy to understand way. Adults might have to explain and help out a bit, but the book accounts for that too.

The book starts off with some “Notes to Parents and Teachers” about supplemental activities and conversation starters to make the book relevant, and show how beneficial their contributions to science were and still are today.

The book is a simplified biography of Ibn Yunus, and I would imagine the other books: Ibn Majid, Ibn Battuta, Ibn Al-Batar, follow the same pattern. It tells about where he was born and when, and what he is famous for, before telling a bit about his family, an ayat from the Quran that inspired him is then given in English and Arabic and translated, before it shows how he worked toward his goal, and the accomplishments he made in his lifetime that still are used today.

The fun illustrations make Ibn Yunus’s field of study easier to understand and will keep the littler listeners interested. Adults will hopefully also learn something in the reading, and feel the same pride and inspiration of Muslim’s contributions to science.

It is critical to teach our children about the accomplishments and discoveries of Muslims, and this non fiction series is a great introduction to Muslim scientists, scholars, and adventurers, that they might not otherwise learn about.

Dec20

All-American Muslim Girl by Nadine Jolie Courtney

Posted on December 20, 2019 by islamicschoollibrarian

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All-American Muslim Girl by Nadine Jolie Courtney

The power of own voice books is that while you may not agree with everything presented, you appreciate that it is being presented. This 417 page high school young adult book is authentic and relatable and regardless of if you agree with the characters’ approaches, decisions, and understanding, you see and learn something about fictional characters that feels so real that you hopefully will find yourself in “real” life being a bit more understanding, kind, and accepting.

SYNOPSIS:

Allie is 16 and with her red hair and fair skin, she can pass for an all-American teen. The only child of a college history professor and child development psychologist her family moves around a lot, but her dad’s extended family congregates in Dallas, and that is the anchor of family and love that warms the book. Allie’s father Muhammad aka Mo is Circassian and his family speaks Arabic, including Allie’s grandma, Teta, who doesn’t speak any English. Allie’s mom is a convert, but neither practice religion, and while Allie’s mom appreciates it, it is an incredibly hands off topic for Mo. And Allie, well, she doesn’t speak Circassian or Arabic and knows nothing of Islam, and reinvents herself in each new school and city she finds her self in.

With Islamaphobia on the rise and Allie using her white privilege to neutralize a situation on an airplane, the reader sees as soon as they start the book, that Allie has a lot of skills to read people and understand how to handle complex situations, but that she hasn’t yet found her self. As someone who can blend in and transform, the book is her journey to understand her heritage, her beliefs, what she wants in life and move toward finding her voice. Much like Randa Abdel Fattah’s books which often turn the narrative from a Muslim girl rebelling against her faith and parents, this book has a young protagonist rebelling and turning to her faith. The book seems to stem from a auto biographical place and the journey of learning about yourself, accepting yourself, and growing is universal.

Desperate to learn about Islam, Allie starts reading the Quran and hanging out with Muslims. While she knows Islam is not a monolith as she has family who cover, some that don’t, some that pray, some that don’t, some that fast, parents who drink, she still feels on the outside when she begins meeting with some Muslim girls at their weekly Quran study group. As she gets to know the girls, she realizes how truly different Islam is for all of them, and how their experiences shape their views as well. There is a convert, a black Muslim, a lesbian, some girls that cover, some that can’t read Arabic, some that find praying behind men misogynistic, some that feel unmosqued, they listen to music and read horoscopes, and Allie has a boyfriend.

Allie’s boyfriend, Wells, isn’t just incredibly cute and sweet, and accepting as he learns about Allie’s faith and her journey to understand it, but he is also the son of a cable shock jock toting that refugees should be stopped, and Muslims banned, yeah it is complicated. As Allie learns more about who she is, she finds her self lying to everyone, and as she finds the courage to speak her truth, she must accept the consequences it has on those around her that she cares about. Interwoven is a beautiful story line about her and her Teta’s relationship that is heartfelt and genuine and emotionally taxing when tragedy strikes.

WHY I LIKE IT:

I love that this book exists, and that it is written for Muslims and non Muslims alike. I think non Muslims will see that there are all types of Muslims, and we should be reminded that everyone has their own tests and is on their own path. Paradoxically I love that it isn’t preachy, but desperately wish there was more emotional connection to Allah swt and RasulAllah, because honestly its a gaping void that makes some of the story fall flat for me. I get that Islam is different for everyone, but while the book pushes so much that Allie wants to know about it to connect and fit in with her family, I feel like there isn’t much “spirituality” to her approach which kind of makes someone accepting religion seem lacking. Her approach to prayer and fasting is almost robotic, and yes she says she likes it, but there isn’t any emotional resonance in her perhaps having an internal dialogue with God, or crying out to Him when her grandmother is in the hospital, instead it is read this passage from the Quran, or say this prescribed supplication, which makes her conundrum about her boyfriend, seem arbitrary. Allie’s non believing, non practicing parents seem to have a softer spot for God, as Allie’s mom says something to the effect of it is hard to stop believing once you start, and Allie’s mom asserting multiple times that while she doesn’t practice she converted for herself, no one else.

I also kind of struggle with the attempt of getting every type of Muslim in the book to show that there isn’t a good Muslim bad Muslim dichotomy to the larger audience, but as a result seems to make the point that Islam can be changed to fit today’s world and that line makes me a bit nervous. It is fiction, it is quite possibly the author’s own experience, but I felt like the part of continued growth and working to follow the tenants of Islam got left out. We all have our tests, and we all sin, but to just say ok, this is me and this is my Islam and stop there, halts the journey and character’s arc rather abruptly.

I love that the book really does a good job of laying out that there are problems, misogyny, racism, stereotypes, everywhere, not just Islam or religion, but in societal structures too, it is really shown across platforms and very seamlessly. I like that a fair amount of side characters are fleshed out, and compassion extended even when opinions differ. There is a lot of acceptance consistently shown from the characters and those that don’t show it are called out on it as well.

I wanted more on Allie’s dad though, to know what exactly his religious complexity entailed, I felt like I missed something, maybe I did, but just to say his relationship with religion is complicated or complex, left me wondering and wanting for details.

As it seems with so many of these YA books with female Muslim protagonists, the non Muslim boyfriends are absolutely amazing with their understanding, and patience (think A Very Large Expanse of Sea, The Lines We Cross, The Acquaintance), truly fictionalized high school boys, high five.

FLAGS:

There is Islamaphobia, kissing, drinking, death, racism, sexism, LGBTQ characters and discussions. There is lying and talk of sex.

TOOLS FOR LEADING THE DISCUSSION:

This book is a bit advanced for middle school, the concepts and the acceptance of those concepts might not be conducive to Islamic School book clubs of high school level either. That isn’t too say that kids can’t handle it or shouldn’t read it, but I think when presented from a school, it is assumed that you are endorsing an interpretation or practice of Islam, and this book might push that for some.

There aren’t a lot of author interviews or teaching guides, online, but if you do choice to read and discuss, you will be fine, there are a lot of layers, a lot to celebrate, and a lot to relate to in Allie’s story.

Nov29

Lissa: A Story about Medical Promise, Friendship, and Revolution by Sherine Hamdy & Coleman Nye illustrated by Sara Bao & Caroline Brewer

Posted on November 29, 2019 by islamicschoollibrarian

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Lissa: A Story about Medical Promise, Friendship, and Revolution by Sherine Hamdy & Coleman Nye illustrated by Sara Bao & Caroline Brewer

When I first started teaching I wasn’t a big fan of graphic novels, slowly I saw their benefit for struggling readers, and eventually I came to appreciate them as an enhanced tweak in story telling for everyone. This book however takes the concept to the next level, for me anyway. As the inside flap claims, it is a book “that brings anthropological research to life in comic form, combining scholarly insights and accessible, visually-rich storytelling to foster greater understanding of global politics, inequalities, and solidarity.” As a coming of age story of two friends at its core, yet taking on breast cancer, kidney failure, parental loss, different cultures, different religions and with a back drop of the Egyptian revolution, I’d say the book is meant for high school and up. Not so much for content as for understanding and appreciation of all that went it to creating this ethnographic book.

SYNOPSIS:

Unlikely friends Anna and Layla cross economic, religious, and cultural differences to build a life long friendship. The book is divided into three parts: Cairo, Five Years Later, and Revolution. In the first part we see Layla’s family serving as the caretakers of a building and the two young girls bonding over pranks, arrogant tenants, and just being silly. Anna’s family is American and the father works for the oil companies, thus they are financially very well off, however, the father is rather distant and the mother is dying of cancer. The section concludes with the passing of Anna’s mom and the family going to Boston for the funeral.

Five years later finds the girls in college. Layla in medical school and Anna at a university in Boston. Layla’s father is suffering from renal failure and is unwilling to consider a transplant. While Anna is trying to see if she carries the same genes as her mother and if insurance will cover it. She also has to decide if she would want to have a complete double mastectomy, if she would want her breasts reconstructed, if she should do it now or later. She gets a lot of opinions, but ultimately decides to find a way to pay for it and have it done. Her father doesn’t understand, and Layla dismisses it forcing Anna to have to handle it alone. But when news come that Layla’s father isn’t going to make it, she rushes back to Egypt to offer her support.

In the final section, the revolution has spread and Dr. Layla is helping those injured in Tahrir Square during the protests, and Anna is helping to identify bodies despite being attacked for being a foreigner and part of the problem. Anna has kept the secret of her mastectomy from Layla and Layla assumes she has cancer. At odds with their roles in the revolution, and with keeping secrets from each other and their differences in financial opportunities coming to a head, Anna returns to Boston. When Layla’s brother is shot and loses an eye, however, Anna returns to Egypt and the two friends work to keep their relationship.

WHY I LIKE IT:

The book is grounded in so much conflict and turmoil, but fights hard to keep a character based narrative. With two illustrators and two authors trying to convey medical approaches, two cultures, two religion, two friends, and a revolution, the last 70 pages of the 302 page book are details about how the book came about, interviews with the various contributors, a timeline of the revolution, discussion questions, key references and a teaching guide. The book at times was confusing to me, and I’m not sure why, it quickly resolved itself or a flip back a few pages would clarify it, but I think some of the illustrations were just off enough that it complicated things. Anna by and large is depicted oddly on a few pages along with her family as well.

Layla’s family is definitely religious and at times has to challenge their thoughts to understand Anna and their own circumstances too. I think it is handled really well and allows the reader to consider things without answers being clear cut, is it Allah’s will to not have a transplant and accept death as being written for you or to have the transplant and ask Allah to make it successful? By and large the book poses questions through the juxtaposition of the two characters and the experiences they endure, and while it shows the choices they made, it draws the reader in to wonder what they would do in their shoes without judgement. The book provides a lot of facts and leaves them there making it more thought provoking than a simple story.

The characters are often composites of real characters the academic author’s learned about, yet some are directly based on activists and leaders of the revolution. The graffiti artwork is attributed and powerful. There is a lot of information in the notes after the comics end.

FLAGS:

There is death and revolution, Layla’s brother is taking Tramadol, and their are sketches of breasts as Anna learns about her disease and prognosis.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club as I don’t know how much middle schoolers would get out of it and the book is pretty pricey. I would recommend people read it though as it gives a different perspective on numerous things many of us take for granted.

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Nov22

Allies by Alan Gratz

Posted on November 22, 2019 by islamicschoollibrarian

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This is the second Alan Gratz multi-perspective historical fiction novel I’m reviewing for its inclusion of a Muslim character. While in Refugee it seemed a natural choice to include a Muslim family, I was completely shocked that he would feature one in a WWII D-Day novel. With numerous storylines spread over 322 pages the book is quick, fast paced, intense and emotional. An enjoyable read for history lovers and curious kids fifth grade and up, it is an AR 5.6 and older kids will benefit from it too.

SYNOPSIS:

The characters and timeline are fictionalized to all take place on D-Day, June 6, 1944, as the Allied forces and French resistance come together to storm German occupied France on the beaches of Normandy. Many of the details do come from history though as detailed in the Author Notes at the end of the book.

The book starts out following Dee, a German national who left for America to escape the Nazi’s and is now returning in a Higgins boat to fight them. Knowing no one will understand, including his friend Sid, a Jew from New York, he keeps this knowledge to himself and focuses on the task ahead.

Samira and her mother are the focus of the next mission and highlight the role of the French Resistance, the Maquis. What makes their story more meaningful is that they are spies with the French Resistance, but they are French Algerians, not really a part of France at all, and they are Muslim. In Samira’s back story we learn how she must remove her hijab and how she is treated different at school because Algeria and France are at odds. When her mother is taken by the Nazis before she can deliver the message to the Resistance, Samira vows to do it and get her mother back as well.

19-year-old James from Winnipeg Canada is a paratrooper who volunteered for combat to feel empowered after years of bullying. His buddy in the story Sam is a Cree Indian from Quebec, who has few rights at home, and hopes to have more success in the military.

Medic Henry is scrambling along on the beach helping anyone and everyone he can. Having left behind a segregated US, even the military has reservations about African Americans saving and serving. As he performs one heroic act after another being questioned and doubted and insulted all along the way, readers see how ridiculous and infuriating racism is on every level.

We meet Private Bill Richards who drives a Sherman tank and is following in his fathers WWI footsteps. But who is unfortunately killed before reaching Bayeux. And finally we meet Monique Marchand, a French 13 year old girl, who gets caught up in the invasion because she left her swim suit in the beach hut the day before and has returned to retrieve it. Determined to do something other than cower in fear, she starts helping fallen soldiers and meets up with American journalist Dorothy, a strong woman determined to not be stopped on the basis of gender.

All the story lines criss and cross as the invasion is a chaotic mess and everyone is dropped, disembarked, or arriving in the wrong place at the wrong time. Surviving the day is an immediate challenge and not one that everyone will succeed at. The larger success of the mission will depend on some lucky breaks and a whole lot of teamwork.

WHY I LIKE IT:

I love that the story somehow isn’t political at all in the traditional war story, war strategy sense. But the strength at least for me, wasn’t the horrific battle at hand, which is truly violent and abhorrent, but the relationships between the people. The realizing what is driving them, what matters and more importantly how hard our prejudices are. The larger story of the Allies shows British, Americans, and Canadians coming together to defeat he Nazis, but yet, a girl, an African American, and a Cree are treated as “other” irregardless of how beneficial they are even in matters of life and death.

As for the story of Samira, she is a tough girl, both clever and brave. To have a Muslim in an American/westerm story of D-Day and a young girl at that, to me was pretty remarkable. There isn’t mention of faith or anything other than that she is told to take off her scarf and continues to wear a small kerchief on her head anyway, but for Muslim kids all over, this character and how she behaves will spark a sense of extra pride in the Allies success over Hitler, just as the other minority characters will for their representation in such a dramatic event.

FLAGS:

There is a bit of mild profanity. There is violence and death, and blood, not too bad, but the point is clear, the beach isn’t pretty.

TOOLS FOR LEADING THE DISCUSSION:

I think this book would be a great supplement to any WWII history lesson. There are great resources at the end, and maps at the beginning and a high energy, short chaptered book that doesn’t skimp on character building or war intensity.

Author’s website: http://www.alangratz.com

Nov18

Bibi’s Blessing by Lela Usama Goldsmith illustrated by Samantha Morazzani

Posted on November 18, 2019 by islamicschoollibrarian

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Bibi’s Blessing by Lela Usama Goldsmith illustrated by Samantha Morazzani

A wonderful lesson packaged in a sweet story about a girl learning to thank God for blessings, especially ones that don’t seem like blessings at all. The 36 page book is meant for children age 4 and up and with its large 8.5 x 11 glossy full color pages it works well at bedtime and in small groups at story time.

On the island of Lamu, Mwana lives with Bibi, her grandma who’s livelihood depends on making Mofa bread every day. It is Mwana’s job to sell the sorghum ground bread in the streets for people to enjoy at tea time.

One morning a braying donkey frightens Mwana and she trips, spilling all the mofas on the ground. When she tells her grandma what happened and how they have not made any money for the day, her grandma responds, “Thank God for this blessing.”

Not believing Bibi, but being too excited to visit a friend, she doesn’t argue. But then the power goes out and she can’t visit her friend and she gets grumpy. Grandma tells her to “Thank God for this blessing” and explains that sometimes not getting what you want is also a blessing.

With nothing else to do, Mwana goes off to soak the rice pot, but instead accidently soaks the dusty mofas, to which her grandma again says it is a blessing. She starts to feel she can do nothing right, and can’t believe there is any blessings in a pot of mushy mufas.

But, with the power out many shops close and the owner of the donkeys has nothing to feed his animals. He knocks on his neighbors door and Bibi and Mwana have just the thing. He pays them for the food and alhumdulillah all is well, so many blessings from God.

I love that the setting is a place many of us have never heard of and that there is information about Lamu at the end of the book along with a glossary. The author is Muslim, the characters dress Islamically in the illustrations, and have Muslim names, but there is nothing Islamic specific in the text.

Some of the sentences are worded awkwardly, for example, “We live in a small island by the Indian Ocean called Lamu.” You typically say you live “on” an island not “in” it, and islands are in the ocean, not by them. And some sentences read almost as run ons because of multiple conjunctions and their lack of punctuation. I don’t love the illustrations. The faces on many of the pages are really distracting and inconsistent, but the overall story is well done that I’m willing to over look my own critical opinions, and encourage y’all to give the book a try.

Islamic School Librarian

Reviewing Children & YA Islamic Fiction, Books by Muslim Authors, & Books Featuring Muslim Characters

Category Archives: strong women

Muslim Girls Rise: Inspirational Champions of Our Time by Saira Mir illustrated by Aaliya Jaleel

Teach Us Your Name by Huda Essa illustrated by Diana Cojocaru

Shatter Me by Tahereh Mafi

Luv Ya Bunches by Lauren Miracle

Internment by Samira Ahmed

Ibn Yunus: The Father of Astronomy by Ahmed Imam

All-American Muslim Girl by Nadine Jolie Courtney

Lissa: A Story about Medical Promise, Friendship, and Revolution by Sherine Hamdy & Coleman Nye illustrated by Sara Bao & Caroline Brewer

Allies by Alan Gratz

Bibi’s Blessing by Lela Usama Goldsmith illustrated by Samantha Morazzani