Tag Archives: Muslim Author

Nov13

That Can Be Arranged: A Muslim Love Story by Huda Fahmy

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That Can Be Arranged: A Muslim Love Story by Huda Fahmy

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I’m not entirely sure why I didn’t review and highlight the first book, “Yes, I’m Hot in This: The Hilarious Truth About Life in a Hijab” I really should have, so to cut to the chase if you don’t follow the author/illustrator on social media you really should and you should read both her books.  Both are for all ages and while meant for adults, teens and tweens love it as well, I should know I’ve purchased and gifted over a dozen of them. I find my kids thumbing through both books a lot: my (early) teen girl and my tween boys.  Part of is it because the comics are funny, relatable, but more importantly as I’m learning from my kids, because they are curious.  In this book particularly, it is a great example of how Muslim marriages can happen, sure my kids know how my husband and my marriage was “arranged,” but they are constantly surrounded by ideas of dating and crushes and even divorce that I never realized that a book like this, featuring Muslims, actually Islamically contextualizes some of their gleamed information.  The fact that the book is hilarious and clean and rings with such honesty, makes it easier for them to articulate their questions and removes some of the taboo as well.  So, buy it for yourself to enjoy and if you have kids 11 and up in your home, you are ok to let them read it too.

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SYNOPSIS:

It isn’t a chapter book, it is part comic book, part story, part info-graphic, and all biographical.  The book opens with an ayat about spouses from the Quran and follows with an informative and funny message to the reader.  Seriously, I laughed as she explained about drawing herself with hijab in bed and noting that most people don’t read the notes to the reader at the beginning. There are also a list of helpful terms before the introduction begins.  Her story is broken up in to sections to pace and move the story along.  It starts with the ground work of expectations and cultural norms and then tells her story of how she eventually met and married her husband.  Not that it is straight forward, the book is 192 pages.  There is a decent amount of explaining Islam and the role culture plays in the many pitfalls and big decisions along the way.

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WHY I LOVE IT:

I think any female, born Muslim, over the age of 20 will relate to a lot in this, lots of others will as well, but that demographic specifically will find parts very reflective of their own experiences.  I love that it shows the banter between the protagonist and her mother, truly that to me was the heart of the story.  I love that it shows female empowerment and vulnerability at the same time within an Islamic context and unapologetically.  This book is by a Muslim for Muslims, but non Muslims will enjoy it as well.  It dispels and illustrates what an “arranged marriage” can mean for Muslims and shows that there is more than one way to understand the label.

I love the size of the book, the binding and the page quality.  I had no problems with “Yes, I’m Hot in This,” but after seeing the larger size of this book 7 x 8 and the thicker pages, I really preferred this presentation.

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FLAGS:

Clean

TOOLS FOR LEADING THE DISCUSSION:

Obviously not really a candidate for a book club, but I think teen girls would enjoy reading this and laughing about it with a group of friends.

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So fun and so good, alhumdulillah.

Oct26

Hey, Presto! by Nadia Shireen

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Hey, Presto! by Nadia Shireen

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This 32 page picture book about friends learning to appreciate each other is both silly and sweet.  An AR 2.6 the book is great for preschool through third grade and gives lots of teachable moments along the way if you want to make it more than just a fun book.  There is nothing religious, but I believe the author, who is also the illustrator, is Muslim.

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Presto and Monty are best friends.  Presto is a brilliant magician and Monty is good at singing, eating ice cream and making funny faces.  When the carnival comes to town the two decide to put on a show and become famous.

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Monty suggests they take turns being the star of the show, and Monty decides to go first.  Monty isn’t a magician, so Presto stays behind the scenes to make sure the tricks work.  Somehow, this is how it ends up going night after night after night.  Presto never gets his turn.

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Monty gets bossier and bossier, demanding things of Presto and being rude.  Presto is no longer having fun.  When Monty signs a contract to go on TV with his magic show, Presto has had enough and leaves.

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When showtime rolls around, Monty realizes Presto has left and has to try and learn magic real quick.  The show doesn’t get off to a good start when none of the magic tricks work.  As the show goes from bad to worse Monty realizes how bad of a friend he has been.

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Presto watching from home can no longer bare it and rushes to save the day.  Monty promises things will be different and the two of them cook up a new act and realize together their show is perfect.

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Oct23

A Thousand Questions by Saadia Faruqi

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A Thousand Questions by Saadia Faruqi

This 320 page middle grade novel with alternating point of view chapters engulfs you like a warm genuine hug. It does not have a clear climax, it is predictable, and some characters and cultural touch points could have used more detail, but honestly, I couldn’t put it down. As a half American kid who spent my summers in Karachi, so much of the author’s love of her homeland flows so effortlessly from the pages and took me back to my childhood and how the transformation of comparing the two countries moves to seeing the best in both causes growth within your heart and makes leaving so devastatingly hard. Readers of all backgrounds will seamlessly fall in to the story and enjoy the growth of the main characters, while learning a bit about a culture and the similarities of people.

SYNOPSIS:

The back drop is the sweltering heat of a Karachi summer in the middle of elections. Mimi, Maryam, is visiting Pakistan for the first time in her life. It is her mother’s home land, but her grandparents, and her mom aren’t close. They didn’t approve of Mimi’s dad and mom getting married, and even though they have been divorced for years and he has left, Mimi’s mom hasn’t been home in 12 years.

Sakina narrates the other chapters. She is the daughter of Mimi’s grandparent’s cook. She dreams of going to school, but needs help with her English to pass the admissions test. And even if she passes her family needs her income to survive, and her father’s failing health means that she has to take over his job too.

When Mimi arrives at her grandparents home, it is awkward at best. She doesn’t really know her grandparents, she has never had servants before, and her mother is rarely around. That leaves her to get to know Sakina. Sakina finds this odd as the owners of the home rarely “chat” with her and here this American girl wants to get to know her and is fine with helping in the kitchen. The two strike a tentative friendship as Mimi agrees to help Sakina with her english, and Sakina with the permission of Mimi’s grandmother and with the use of the driver, agrees to show her some of the city.

As Mimi takes in the traditional tourists sites she gives Sakina her first taste of ice cream and soda and other “luxuries” she has never experienced. Sakina introduces her to bun kabobs and other local foods. The budding friendship isn’t smooth, mostly because Mimi constantly compares Pakistan to America and Sakina doesn’t understand why Mimi doesn’t have a father. When the girls find out that Mimi’s dad, a journalist, is in Karachi covering the elections, the girls work together to try and find him.

Throughout all of this, Mimi keeps a journal and the entries are letters to her father.

WHY I LIKE IT:

I love that the girls have to navigate their friendship without and often despite interference from adults. I also like that while societal wise one girl is seen as economically privileged and one is not, the book gives enough for even elementary aged children to see that in America Mimi and her mom are financial struggling, but in Pakistan they are not and how that disparity is arbitrary. They also see that family and safety and security are also a part of life’s quality and not country specific. Things that one girl takes for granted are envied by the other, and it goes both ways.

Even for a middle grades book, there were some plot holes. If Mimi had been late night googling and plotting on a secret map all the places her dad had been writing articles from, she should have had a heads up about Pakistan. She knows so little about Islam and has like one shelwar kamees, so it seems a bit of a stretch that she speaks urdu pretty proficiently. I feel like some stumbling with the language or some back story on that would have been great.

Religion is handled as a cultural touch point, neither girl prays, but both find solace in visiting a masjid. Various characters are in sleeveless tops, the athan is heard in the back ground. I wish there would have been a bit more finding of Islam as Mimi found her culture too, but alas it isn’t there.

The majority of the book takes place within the grandparent’s home with the elections being a big part of why they can’t go out, yet the mom goes out a lot, which really rubbed me the wrong way. She took her daughter shopping once to meet an old friend and that is it. Who travels across the world to spend zero time with her kid. I didn’t like the mom at all, and wish there was some background or even some growth on her part. A lot of the minor characters seemed to fizzle as well in terms of having some depth.

There are some cultural and country facts at the end of the book, but within the text I was surprised that more wasn’t shared. I like that it mentioned Karachi was the original capital, but it should have also in the same sentence mentioned that Islamabad is the current, I think readers would assume that Karachi is still the capital of Pakistan.

The book is an OWN voice through and through and the value of that is felt in every sentence. It isn’t all positive and rosy, but it is genuine. The author loves what she is writing about and it shines through leaving the reader with a favorable sense of Pakistan: the country, the culture and the people.

FLAGS:

The book is clean, possibly some tense moments when Sakina’s family is robbed. There is also discussion of marrying someone your parents don’t approve of, divorce, and Mimi’s mom possibly having a boyfriend. Mimi’s mom is an artist and paints pictures of people. There is lying and scheming.

TOOLS FOR LEADING THE DISCUSSION:

I think the book would be a fine choice for an elementary book club, I think any one older will find the book a tad bit predictable. I plan to have my children read it so we can discuss points of view, experiences, universal traits and social economic classes. There are a lot of wonderful lessons wrapped up in a heartfelt story that I can see 4th and 5th grade children benefiting from over and over again.

Oct19

My Monster and Me by Nadiya Hussain and Ella Bailey

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My Monster and Me by Nadiya Hussain and Ella Bailey

This adorable 32 page book about facing worries, anxiety, and fears is told in story format and meant for ages four and up. The personified monster isn’t scary, but he is big, and the little boy learns to talk about him to get him to shrink. The book is engaging, fun, and powerful. I had my teenager who has anxiety read it and she loved it, a few days later as she was forcing herself to get out of the car, she mentioned that she needed to make her monster small. Normalizing mental health, feeling like you aren’t alone, finding the words to explain to others how you feel, having empathy for those that are facing challenges, are all things the book conveys without being preachy or condescending. I think every child, parent, and caregiver, needs to be aware of what children are facing and find ways to be like the gran in the book and listen, so that children suffering aren’t doing so alone. The fact that the author is a Muslim celebrity chef in Britain and the protagonist is a boy with brown skin, makes the message that much more universal.

The book starts out with an unnamed boy introducing himself and his much bigger monster. He doesn’t know when the monster arrived, but it seems he has always been there, and the monster knows all about him.

The monster is big, and when he stands infront of the little boy, the little boy can only see his tummy. At night he snores too. When he asks his mom or dad or brother to take the monster away, the monster hides.

Over time the monster has gotten bossier. When the little boy is getting dressed or brushing his teeth or when he wants to play, the monster is always there, blocking him.

One day after school the monster was there and the little boy tried to lose it, but couldn’t. Gran asked what was wrong when he showed up crying, and the little boy told his grandma all about his monster.

Gran listened quietly and the more the little boy talks, the smaller the monster gets. Pretty soon the boy realizes he can make his monster go away. When he finds the monster later, the little monster is confused, so the boy puts him in his pocket.

The monster is always there, but the little boy can make him behave and he isn’t scary any more. At the end the boy is big, and the monster is little.

I love that the boy finds someone to talk to, and that he accepts that the monster may never leave. Even if you don’t have anxiety or worries, the book is a great metaphor that even little kids can understand to help them cope when stresses do occur. I love the large size of the book, the minimal text and the bright illustrations. Truly a great book that needs to be in classrooms and homes and anywhere kids are.

Oct16

Not the Girls You’re Looking For by Aminah Mae Safi

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Not the Girls You’re Looking For by Aminah Mae Safi

This book did not work for me. Despite the fact that the main character is Muslim and it is Ramadan, no matter how much I wanted to connect with this multicultural lead and her friends, and see myself in her as she navigates high school, I just could not. The writing was choppy 3rd person which distanced the main character for me, the crude language on every page, the drugs and alcohol in every scene, the detailed sexual encounters throughout, the lacking growth of the characters and the muddled point of the book in general made the book difficult to read. The book is an AR 4.9 but content wise is more suited for mature 18 year olds. Even this review might be a little too much, I’ll do my best to keep it clean. Ultimately this book missed the mark for me in showing females defining themselves, celebrating friendships and diversity, or even just creating characters to cheer for as they navigate life.

SYNOPSIS:

Leila is half Iraqi Muslim from her dad’s side and half American Catholic from her mother. She doesn’t know how to pray as her father isn’t religious, but celebrates Ramadan and Christmas and defines the world on her own terms. She is fearless and owns herself, hence she hates her name and goes by Lulu instead. The book opens with her making out with a boy in a closet which she kind of regrets and then goes to join up with her friends at the party to drink and get high and attack one another for their poor choices resulting in drama. In this instance Lulu’s anger pushes a boy in the pool, and then the four friends devise a way to get home and work out the lies they will need to tell to the parents involved. This scenario with only slight variations repeats five or six times in the book.

Lulu is the fearless one, Lo, short for Delores, is the leader, Audrey is an alcoholic math whiz and Emma, not to be underestimated and often is forgotten (literally) is coming out in her first lesbian relationship. Yes these labels are limiting and stereotypical, especially in a book calling for girl power or what not, but sadly that is really the only space they flesh out, not a whole lot more is known about them. The girls defend each other fiercely to outsiders, but are truly awful and angry to one another all the time. They break apart and Lulu doesn’t really know why, so the path back to one another isn’t really cathartic. They pull a prank to get back at a boy that crossed the line with Lulu, but it fizzles when the threat of what the prank could do is enough to keep him away and they don’t have to complete it completely.

Between the parties there are some sub plots that weave in and out. Lulu has to spend time with Iraqi family friends who don’t accept her and are critical, in Arabic, of her mother. This gives some cultural layer to the story, but the characters are pretty flat and petty and hypocritical. The bombings in Paris a few years earlier, and the resulting bullying by classmates hardened Lulu, but there isn’t much info on how awful they treated her or how it defined her, so not much sympathy is garnered by the event nor does it help the reader get inside Lulu’s head. There is also a sweeter love story brewing than the one night stands that define Lulu, but then she goes with her mother to get birth control so she can sleep with him all while making it clear that he isn’t her boyfriend, she just wants to have sex with him- which she does on her seventeenth birthday.

Eventually the girls are back together and gushing with tales of sorrow and personal growth and vows that they will always be like sisters.

WHY I LIKE IT:

I don’t mind the premise so much as the execution of it. I get that people practice Islam differently, but I really don’t get the need to even bring her religion in to such a story. Culture maybe, but even that is a stretch. I don’t know if the story would be better if it was first person, I would like to think so, as not connecting with the main character was such an obstacle for me. I wanted to see her grow and change or at least have clarity in her decisions even if I didn’t agree with them or couldn’t relate to them. I wanted to feel her remorse or the weight of her decisions, but was often just told in passing that something scared her or was hard for her, not shown it. The theme of not belonging anywhere is a legit one, but I don’t know that this book explored it, it just sort of brushed by it almost as a trial to see if the emotions would stick. Which for a character built up to be unapologetic and unafraid to suddenly want a victim label without any real emotional ties, didn’t work for me. There are such holes in the story, that at times things didn’t seem believable or details were so specific with no context that I didn’t get their purpose. I would have loved to know more about her brothers and the tests they went through, or why her family was so loyal to the Arabs around them. I desperately wanted something that showed a different side of Lulu not just the anger and “F everyone who wants to change me” mantra. People are scared of her and she enjoys that power, but I don’t get why they are scared and why she enjoys it. It seems like a big part of her story and of the book in general to miss. Yes she is independent, and I get that can be misread, but she almost seems one dimensional and flat which defies the concept of defining yourself on your own terms and carving out where you want to belong among groups that see you as other, right?

The character is pretty open that she knows little about Islam, she also claims she isn’t interested. She fasts not so much because it is a commandment but more to appreciate poor people. She says this, but actions don’t seem to back it up. She tries not to drink during Ramadan but she still smokes, gets high, makes out, and lies once the sun goes down. At one point she calls a bride and her mother whores, and refuses to apologize, so her dad gets a fatwa issued. Lulu’s mom mentions that something went all Shiite on the situation, so I’m not sure if the fatwa issuing for such a specific thing is a shiite thing or something I’m just not aware of or familiar with as a tool for handling family dramas.

FLAGS:

The whole book really. Sex, drugs, alcohol, sexual assault, lying, cheating, blackout drunk, vaping, talk of orgasms and going down, lesbian relationship, hetero relationships, sexual encounters, language etc etc etc.

TOOLS FOR LEADING THE DISCUSSION:

Would never cross my mind to share or suggest this book. Even religion representation issues aside, I don’t know that there is really a single “healthy” relationship highlighted among the main characters, some of the side characters maybe, but not enough information is given to really make that case. The characters just all seem so angry, not saying teenage years aren’t angry and messy, but this one doesn’t seem to add much perspective to that singular thought unfortunately.

Sep28

The Ghoul by Taghreed Najjar illustrated by Hassan Manasra

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The Ghoul by Taghreed Najjar illustrated by Hassan Manasra

the ghoulThis 36 page book for ages five through eight is a cute story about being brave, facing your fears, challenging your perceptions, celebrating differences and giving friendship a chance.  Recently translated and published in English, this Arabic inspired folktale is timeless and important for readers of all ages to learn from.

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Hasan the Brave is a young boy that lives in a mountain village.  The children are told not to laugh out loud, the adults tiptoe to their fields, and the fear of being eaten by the ghoul that lives in a cave on top of the mountain consumes them all.

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But Hasan isn’t buying it and starts asking questions. Why is everyone afraid of the ghoul, he asks his aunt one day in the olive grove? She tells him because he is covered in hair, has one eye, long claws, sharp teeth and his favorite food is little boys and girls.  Unconvinced Hasan asks his dad if anyone in the village has been hurt by the ghoul.  His dad can’t think of anyone.  He asks his mom if the Ghoul ever ate anyone in the village? She can’t think of anyone, but has heard plenty of rumors and wants him to not disturb the ghoul none-the-less.

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Hasan is tired of being scared and decides he will climb the mountain.  Everyone in the village tries to warn him against it, but he is Hasan the Brave after all and is determined to go.  When he gets to the top of the mountain and relishes at the beautiful view he proclaims that he is fearless and that he won’t be afraid of the ghoul.  Then he sees the ghoul, and after the ghoul sizes him up, the ghoul runs away.

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Hasan goes to investigate why such a monster is scared of him and learns that the ghoul is scared of people because they have two eyes instead of one, they do not have thick hair like him, they have strange hair, small teeth, and they eat ghouls.  Ghouls, Hasan finds out are vegetarians.

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The two laugh at their assumptions, and run off to play together.  From that day on the two are best friends and the people in the village pass on stories to remind future generations to celebrate differences and not let fear rule them again.

There are a few women in hijab, the villagers say inshaAllah, but there is nothing religious in the book.  The illustrations are detailed and colorful in a muted manner.  Overall a fun book with a great lesson.

 

Sep21

Yeti and the Bird by Nadia Shireen

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Yeti and the Bird by Nadia Shireen

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What a sweet story about assumptions, loneliness, friendship and kindness.  An AR 2.0, this 32 page simple picture book tells the story of an accidental meeting, making friends, and the opening of hearts of the forest critters as a result.  Written and illustrated by a Muslim author, the adorable illustrations make the story come to life and provide smiles for kg-2nd graders along the way.

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Yeti is the biggest, hairiest, scariest beast anyone has ever seen.  So no one comes near him, making him very lonely.  But one day a lost bird thunks him on the head.  The Yeti growls, but the bird doesn’t get scared. At all. Instead the little bird tells Yeti about her journey and how she was headed to a hot tropical island for the winter.

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Yeti doesn’t know what to do with the sad little bird, so he picks her up and takes her home.  The next day the two play and laugh.  The forest animals look on in surprise and curiosity.

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As it gets colder, Yeti knows his new friend will need to leave so he studies the map and helps give her directions for the long journey ahead.  Once she leaves, Yeti is even lonelier than before.

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But, alas, new friends are ready to play and the little bird stops by to play when she can.

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Cute and fun and great for littles, to be brave and give a new friend a chance.

Sep11

Betty Before X by Ilyasah Shabazz with Renee Watson

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Betty Before X by Ilyasah Shabazz with Renee Watson

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This 248 middle grades (AR 4.9) fictionalized biography of Betty Sanders, later to be Betty X and then Betty Shabazz, is the early years of her life in Detroit during the 1940s and how she understood her place in her family, and in the community.  Written by her daughter, the book hops around to major events in her life and doesn’t detail a lot of the whys, but rather keeps an 11 year-old-perspective, allowing readers to identify with her family stresses and anger at the racial discrimination and violence that is rampant.  Showing disagreements within the black community allows young readers to broaden their horizons and not see the civil rights as a monolithic point on a timeline, but something that is still ongoing and part of culture still today.  There is nothing Islamic in the book, as this is a glimpse of her childhood long before Nation of Islam, her conversion to Sunni Islam or her Hajj, in fact the majority of the book focuses on her involvement in the Bethel African Methodist Episcopal Church.

SYNOPSIS:

Betty was born in Georgia, as the story goes, but before she was even a year old, Betty’s grandma took her away from her mother and gave her to her aunt, Fannie Mae, to raise.  Having seen a bruise on the baby girl’s neck Grandma Matilda didn’t feel that the young mother was capable to care for Betty.  Fannie Mae showered Betty with love and consistency and treated her like her own daughter.  Betty saw her first lynching while in Fannie Mae’s care and the image stayed with her her whole life.  When Betty was seven her aunt died and Betty went to live with her biological mother, Ollie Mae, in Detroit.

In Detroit, Ollie Mae has married and has three daughters with her husband, Arthur, who also has two sons.  A full house that is religious and disciplined, but for Betty not full of love.  She prays that her mother will look at her the way she looks at her sisters, but that never seems to happen. The family attends Bethel AME church and at age 11 that is when the story gets going.  Betty and her friends sneak out of church to get candy and the cost will probably be a whipping.  Luckily a few of the church ladies like Betty and realize how hard Ollie Mae is on her.  They work to get Betty permission to hang out with girls her own age and try and convince her mother to let her join the Jr. Housewives’ League.  Ollie Mae doesn’t agree with the work of the Housewives, a strong group of women that work to convince others to only support businesses that hire Negroes.  This organization is a major division within the community and the church.  Mrs. Malloy and Mrs. Peck are leaders in the organization, and one of Betty’s friends is for it, while another is against it. This rift affects Betty in many ways.

At age 11 Betty leaves home to go and live with the Malloy family.  A husband and wife who have no children and own a shoe repair shop.  One night turns into two and then she is living there full time and only seeing her siblings and mom at church on Sunday.  She even gets to calling Mrs. Malloy, Mother.  As she comes of age with a new family, and splintering friendships she seeks to make her own family with those that love her, and seeing violence targeted against blacks when a young boy is shot by police in the back, and working with civil rights activists- the icon and leader we know Betty Shabazz to be, is shaped and inspired.

WHY I LIKE IT:

I love that she gets her own story and own voice, not just to be left as someone’s wife.   She is a force before she meets Malcolm and after he is murdered.  Her story is shaped by so many outside influences, but ultimately it is her own and even in her early years the reader feels that.  She seeks out those that love her the way she should be loved, but she doesn’t give up on those that try and leave her either.  She fights for her mother’s praise and doesn’t abandon friends that believe differently than her, which is powerful to see from an 11 year old.  She sees the world around her and takes a stand against that which is wrong, she feels and hurts and doubts, but she gets back up.

I like that she questions if what she is fighting for will make a difference, while simultaneously doesn’t want to take racism quietly.  The day-to-day nuances flesh out the struggle of the civil rights and give a unique perspective that biographies that cover adult lives or larger portions of one’s life don’t necessarily spend time on.  Seeing activism affect a young girl’s friendships will stay with readers,  as well as how desperate she is for her mother’s love, just as seeing how she is treated on a shopping trip will create a sense of universal struggle that make equality in society resonate as being the responsibility of us all, not just those that are being oppressed.

FLAGS:

Racism, violence, murder, lynching, abuse, Betty being born out of wedlock.

TOOLS FOR LEADING THE DISCUSSION:

The book would work for a book club, and would definitely be a great historical fiction touchpoint to bridge with the Black Lives Matter movement.  A classroom discussing Civil Rights and Malcolm X would perhaps get more value from it than a half hour lunch chat, but either way the book should be read, the ideas discussed, and people made aware of Betty Shabazz’s life.

 

 

 

Sep4

The Girl and the Ghost by Hanna Alkaf

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The Girl and the Ghost by Hanna Alkaf

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A book meant for middle grades, 8-12 year olds, that has depth and layers and culture and strength is not something you find very often.  Over 275 pages, the book is at times dark and haunting, but what is truly remarkable is that it doesn’t talk down to young readers and with its pop cultural references and relate-ability,  the book is not dreary.  In fact, the true “haunting” occurs after the book is finished and the concepts of friendship, being alive, and forgiveness stick around and require thought and consideration.  The book is based on a Malyasian folktale, how much is a fleshing out, or simply a starting point, I do not know, but I do know that the characters are memorable, the concept thought provoking, the writing flawless, and the intertwining of Malay culture, Muslim characters and the supernatural, a combination that makes for an enjoyable read.

SYNOPSIS:

When an old witch dies, her pelesit, her ghostly demon, is passed on to her granddaughter Suraya.  Suraya lives with her mother, a teacher, and is lonely and emotionally neglected.  An adventurous girl, the pelesit, keeps the small girl safe, but waits to reveal himself to her in the form of a grasshopper when she is older.  When he does reveal himself to her, she asks him his name, and he doesn’t know it, so she names him Pink.

Suraya and Pink become best friends, and he provides company for her as she receives very little from her mother and has no friends.  Suraya had no knowledge of her grandmother and Pink modifies the stories to leave out how evil, cruel and vindictive she was through him.  As an evil being with no heart these acts never bothered him, although he stopped enjoying them long before she died.  With Suraya however, he feels things.  He is sad that she is unloved by her mother, teased by the other children, and that she doesn’t have the things other kids have.  Suraya is kind, and forgiving, and tries so hard not to let things bother her.  Pink however, with a twitch of his antenna can make things happen.  Bad things.  Things that might at first seem like a part of life, but when Suraya catches on, she scolds Pink.  She makes him promise never to use his magic to hurt people, ever.  He reluctantly agrees, she is his master after all.  Unfortunately he doesn’t keep his promise.

On Pink’s prodding, Suraya makes friends with a new girl at school, Jing, and their friendship makes Pink jealous.  He harms Jing and Suraya decides she no longer wants to be his master.  As a result Pink is determined to make Suraya’s life miserable.  As desperation mounts, Suraya tells her mom about Pink and a pawang is called in to separate the spirit from Suraya.  Something seems off about the pawang, and when Suraya investigates, she realizes that she must save Pink from him.  Together with Jing, Pink and Suraya are off on an adventure against the pawang and might just learn more than Pink’s backstory in their efforts along the way.

WHY I LIKE IT:

I love that Suraya and her family are Muslim and that Jing is not and they are best friends.  Suraya and her family pray, celebrate Eid, give salams when at the graveyard, but obviously also believe in magic and ghosts, and somehow in the story it doesn’t seem to be contradictory or odd.  I love Suraya’s strength.  None of the relationships in her life are good.  Yet, she is good, and she forgives and fights to make those close to her better.  Pink is manipulative and controlling and abusive, but she still fights for him to be treated better and that says more about her, than whatever he is.  Suraya’s mom is distant and neglectful, but yet, there is still realistic hope that their future can be and will be better.  I love that all these layers are there and yet are subtle too.  Kids are smart and they will bring their own experiences, understanding, and expectations to decipher these relationships, and that is amazing.  I love that the characters in the story may be so different than the typical western reader, but they will still see themselves in this poor Malay girl from a small village, in her best friend Jing who lives and breathes Star Wars, or even in the religions pawang who is a power hungry charlatan; toxic friendships and family secrets make the book universal.

FLAGS:

Pink makes it look like blood is on a girls back side, implying a girls fear of leaking, but it isn’t explicit or named.  There is death and dying and supernatural and lying.

TOOLS FOR LEADING THE DISCUSSION:

I am thinking strongly about using this as a book club book, as the discussion would be delicious and varied among the participants.

Interview with the author: https://thequietpond.com/2020/08/20/our-friend-is-here-an-interview-with-hanna-alkaf-author-of-the-girl-and-the-ghost-on-writing-friendship-malaysian-childhoods-being-true-to-your-stories/

 

 

 

Aug28

The Battle by Karuna Riazi

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The Battle by Karuna Riazi

the battle

This claims to be a companion book to The Gauntlet, but it does rely heavily on details from the first to make sense of who some of the characters are as this book does little to explain them and advance their story.  In reality the book is very similar to the first book, but sadly not as fun.  I was disappointed in the 295 page AR 5.2 book, but my fourth and fifth grade boys enjoyed it as they had few expectations and the fast pace kept the book fun.

SYNOPSIS:

It has been four years since Bengali American Ahmad Mirza has left the game world, Paheli, with his sister Farah and her friends.  The old board game has been destroyed and the reboot focuses on a new video game setup.  This time around Ahmad is the main character and with his ADHD he finds himself getting in trouble a lot in school and desperate for a friend.  When a mysterious package holding a video game shows up and Winnie sticks up for him, things are possibly looking up. When all of New York freezes at the insertion of the game, however it clearly is not.  Winnie and Ahmed are off to battle the Architect and MasterMind to unfreeze their beloved city and escape Paheli.

Different battles and characters inch the duo closer to winning, but facing their fears and  being sidetracked by remnants of the last game trying to return make everything complicated.  Ahmed’s uncle returns to the game, giant mice try and help, crazy monkeys distract, and flying rickshaws populate the eastern inspired world filled with Bengali, and Arab references.

WHY I LIKE IT:

I love that it is a Muslim kid with some struggles at the helm, but there is really so very little character building that it ultimately doesn’t count for much in the long run.  Just like the first book, the characters are taken from the “real” world and transported to a game world and they must win the game to return home.  The book is fast paced and fantastical, but I constantly felt confused.  The challenges were disjointed, there wasn’t a clear objective, Ahmed didn’t recall being there before or that Vijay bhai had somehow come back with them, the mice help and then they are absent, and there wasn’t really a big reveal or explanation resolving any of it.  It felt all over the place and with little world building I didn’t feel like I could even picture what Paheli looked like, so forget feeling what the characters felt or imaging the intensity that that the game was running on.  It seemed like an updated version of the first book, but not done as well at all.

FLAGS:

Pretty clean, some intensity, some fighting/battling, death, nothing detailed nor grotesque.

TOOLS FOR LEADING THE DISCUSSION:

I think the book is great to have in a classroom or on a home book shelf especially if the Gauntlet was enjoyed, but I wouldn’t use it as a book club book because it doesn’t offer much to talk about.  There isn’t a cathartic release or even an under current of family and friendship and loyalty, it really is just surface level story telling.