Category Archives: OWN Voice

Jan28

Squire by Sara Alfageeh and Nadia Shammas

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Squire by Sara Alfageeh and Nadia Shammas

squire

This 336 page YA graphic novel set in a fictitious world draws on the authors’ Arab culture and creates relatability for universal readers everywhere.  Themes of coming of age, war, family honor, discrimination, classism, deceit, and friendship, all interweaves with rich illustrations and warmth.  With a few unnamed #muslimsintheillustrations the story shows a lot of heart and with some language, violence, death, and oppression would be best suited for 9th grade and up.

SYNOPSIS:

Aiza and her family belong to the Ornu tribe and are treated as second class citizens in the Bayt-Sajji Empire.  With their traditional arm tattoos and seemingly more plentiful food, they are greatly disliked by the larger community and oppressed at every opportunity.  Aiza dreams of joining the army, rising in ranks, earning citizenship for her family and changing their future.  She also dreams of being a hero.  When she finally convinces her family to allow her to enlist, they also encourage her to hide her identity, and just like that, she is off.

Once in training she is pushed to excel or risk being sent to the front lines.  As she navigates new friendships, harsh instructors, and the shadowy General Hende, Aiza learns there is so much more to war and politicking than meets the eye.  Her life, her loyalties, her understanding of the world will all be tested, as Aiza must decide which path is for her.

WHY I LIKE IT:

The text and illustrations are seamless in conveying a united story, I was a little nervous with two authors, and I like that the story has twists and multitudes.  I loved seeing strong women in the military, as the authors’ say tough girls with swords.  While reading it I was completely submerged in the story and the characters, but writing this review a few days later, I’ve largely forgotten the characters names and quirks.  I’m not sure if it is because I read a digital version, or because the character building is a little lacking.  I don’t know that I was emotionally invested in some of the major plot points because I was not seeing the struggles it was requiring of the character to endure.  Admittedly I have not read a lot of fantasy graphic novels, so I don’t know that I have a lot to compare it to, but I do plan to read a physical copy when I can, and read follow up books in the series, to see if my impression changes.

FLAGS:

Some language, bullying, oppression, violence, death, killing.

TOOLS FOR LEADING THE DISCUSSION:

There is nothing religious in the text, so I wouldn’t use it as a book club selection, but I would definitely shelve it in a school library, classroom, and keep it in mind for readers that love these kind of books.

Jan26

The Boy Who Met a Whale by Nizrana Farook

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The Boy Who Met a Whale by Nizrana Farook

whale

I have a vague memory of being told that this book features a Muslim family when I reviewed the author’s first book, but I can’t find the message, nor recall who sent it and to where.  The text does not suggest any religion by any of the characters, but that being said there are “Islamic” names present in this 195 page middle grades book by a Muslim author and set in Serendib, the old Arabic name for Sri Lanka.  The fast paced story pulls you in and sets three kids up for adventure, overcoming fears, outsmarting adults, and becoming heroes along the way.  I didn’t love this book as much as The Girl Who Stole an Elephant, but it probably isn’t fair to compare them.  The book was released last year in the UK and will release shortly here in the US, I don’t know that I would rush out to purchase it, but I would definitely put it on hold at the library.  It is an adventure filled read from a boy protagonist perspective, it starts with a mutiny, features treasure, plotting, close encounters with a whale, and bringing justice to murderers and thieves.

SYNOPSIS:

Zheng has never had much of a family, and when his Captain’s First Mate and the cook poison their merchant ship crew and leave them to die, Zheng escapes.  He washes up on the shore of Serendib, not far from Galle, and is found by local fisherboy Razi.  Razi is a fisherboy that doesn’t fish, or rather no longer fishes, not since his father was killed by the sea.  Razi just tries to help get Zheng some food and get him out of the sun, but when Marco and Cook question him about the whereabouts of Zheng, he protects the boy and gets himself involved.  Promising not to tell anyone about Zheng, he immediately tells his twin sister Shifa.  Shifa is the rational one int he group and doubts Zheng’s adventure stories.  Her quick thinking and clever sneakiness provides time-and-time again in the book, a chance for the three kids to rescue each other, find the treasure, and return it.  

WHY I LIKE IT:

I love that the book is so fast past and unapologetic.  The descriptions of the island, and the plants and sea life, really is impressive and insightful into a country and culture not often explored in children’s books.  My mommy heart did not like that the kids would just leave for days at a time, and they never even thought that she might be worried, spoiler, she was! 

I like how subtly the grief and loss of the father manifested in Razi.  How he had to reconcile his emotions and start to move forward.  It isn’t in your face, but I would imagine that any child who has gone through something similar, would be reassured by seeing a fictional character experiencing something similar.  It is reinforced by Zheng’s lack of family and his need to find a “home.”

I felt like a few plot holes were too quickly glossed over in the heat of action.  I don’t know that it is a result of carelessness, I think it was more to keep the story fast moving and appropriate for the target audience, but I could have used a little filling in of the gaps: the ease of pulling people in to boats, where Zheng was going at the end and how it was all figured out, how Cook and Marco found Zheng, how everyone in Galle immediately recognized the dagger, why the kids were never killed even though numerous people were drugged at the beginning without a second thought, what the praise was for the returning of the dagger, what the oxen cart owner’s response was to the damaged cart, etc..

I wish there would have been a prayer to Allah swt at some point, or a bismillah, or an Assalamualaikum. The sister’s name, Shifa, and the medicine man that she trains under, Abdul Cader, imply a tinge of Islam, but I would have liked a tiny bit more, the book sets itself for lots to be sprinkled in, the children nearly die multiple times, but it was never there.  

FLAGS:

Death, lying, sneaking, near death experiences, grief, loss, theft.

TOOLS FOR LEADING THE DISCUSSION:

This would be a fun elementary read-a-loud with the short chapters and fast paced action.

Click to access The-Girl-Who-Stole-an-Elephant-Comprehension-worksheet.pdf

Jan21

Good Intentions by Kasim Ali

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Good Intentions by Kasim Ali

good intentions

There is a reason that I read juvenile fiction: from board books to YA, but lately the “New Adult” category has really been tempting me.  Muslamic romance novels, often really need the protagonist to be looking to get married to make the plot work with some authenticity,  which means the main character usually needs to be a bit older than in their teens.  I decided to start my tiptoeing into the genre with this book, because I was intrigued at the racial and mental health themes that the blurb teased.  Sadly after reading the 288 page story, I still was waiting for more racial and mental health insight or enlightenment or perspective or deeper appreciation or anything really.  I kept reading hoping for more character growth, and to find out if the relationship worked.  I understand after finishing, that the book was intentionally more subtle and nuanced, and part of me appreciates it, but I still felt the book ultimately provided too little in either regard for me to feel satisfied or content that I had spent time with the characters.  The abruptness and harshness of the first few chapters, seemed disjointed from the dialogue filled introspective remainder of the book that showed so much potential, but left me feeling strung along for no real purpose.  The book covers mature themes of sexuality, drug use, racism, co-habitation, relationships, culture, mental health, and more.  The characters’ identify as Muslim, but aside from Eid prayers, iftar, and mentioning once that they should pray more, there is nothing religious practiced, mentioned, or contained in the story.

SYNOPSIS:

Told in a variety of timelines that all follow the relationship of Nur and Yasmina, the story begins with Nur finally after four years getting up the nerve to tell his desi parents that he has a Black girlfriend, and wants to marry her.  He leaves out that they have been living together for years, and the book then flips back to how they met and bounces around filling in the gaps that bring them back to the big reveal.

While in college, Nur had just broken up with Saara, but still goes to her fairly regular house parties.  At one such party he meets Yasmina, as a small group at the party sneak off to smoke pot, and he is immediately crushing.  His hungover broken-hearted gay friend Imran calls him out on it immediately, and his roommate Rahat chastises him for going to his ex’s parties.  Nearly all the main characters are met early on, and the rest of the book focuses on Nur and Yasmina growing closer through college, after school, through their early years of jobs and grad school, and the overshadowing of the fact that Nur has yet to tell his family about Yasmina, while Yasmina’s family is fully aware and fully supportive that they are living together.

All the characters are Muslim, but practice is pretty minimally detailed.  Yasmina tells Nur at their first meeting that she wishes she prayed more, and later it is mentioned that her parents were raised strict so they have raised their own children less so.  It is possible that Nur’s mom wears a scarf, but not clear either way, and they don’t seem to be bothered that she is living with her boyfriend.  Nur on one of his visits home goes for Eid prayers with his father, his mother and sister do not go, and it mentions that they are fasting.  Rahat does not find dating is for him, and wants to have a traditional arranged marriage, but it does not disclose if this is because of religious or cultural views.  Imran discusses his family praying and that he had to square away his sexuality with Allah swt more or less.

Nur and Yasmina’s younger sister have mental health afflictions.  Nur has anxiety attacks, and Hawa severe depression.  It does not label or identify or diagnose, this is my assumption, it does detail their experiences though, and how they affect those around them.

WHY I LIKE IT:

I actually enjoyed the writing style and the ease in which it flowed-save the beginning of the book. The beginning was a little crass, almost like the author was trying too hard to get the characters’ environment to read that they were in college.  The crude talking about sex and them talking about their parents’ intimacy and smoking and drinking and being vulgar, was in such contrast to the very subtle nuanced rest of the book that tried to show the layers of Nur and Yasmina’s relationships and lives.  Once I got through it, I genuinely wanted to know if they could make the relationship work.  No I’m not going to spoil it, but that really is why I kept reading.

I was disappointed that the book didn’t draw mental health out in the open.   I also wanted some religious based push back on racism.  It is a big thing in our communities and the book really could have had the characters argue it and make their points, right or wrong, for the disconnect between faith and culture.  It didn’t have to be preachy, or even mean that anyone changed their opinions, but it mentions numerous times, something to the effect of Nur’s parents being racist, but doesn’t detail why that is the suffocating presence in disclosing his relationship.  In four years I would imagine the opportunity to correct his parents way of thinking would have arisen, and he could have challenged it.  I get that might negate Yasmina’s point that Nur is racist, but I think it should have been made more clear then that he didn’t speak up when opportunities presented, otherwise it just seems unexplored and we, the reader, are expected to just accept the characters on face value, when the book really very easily could have nudged us, to self reflect and look inward.

FLAGS:

There is sex, and drugs, and lying, and racism, and all the other flags that adult books often have.  There is one “steamy scene” between Nur and Yasmina, but the rest of the relationship is very mild.  Nothing else is graphic in detailing their day-to-day living, or the day-to-day relationships of the other characters in the book: gay or straight.

TOOLS FOR LEADING THE DISCUSSION:

No. Would never, could never encourage unmarried Muslims living together, fictionally or otherwise.

Jan19

An Ayesha Dean Novelette: The High School Heist by Melati Lum

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An Ayesha Dean Novelette: The High School Heist by Melati Lum

ayesha deen mg

If you are a long time fan of Ayesha Dean and you have been waiting for some children in your life to grow up just a little, so you can share the strong Muslim detective books with them, you are in for treat.  This book is a short novelette for middle grade readers!  It isn’t a prequel detailing her personal backstory, but it does show how she got her first taste of sleuthing at age 13.  If you are new to the series: the book like all the others is Islam centered, fast paced, authentically voiced, and an overall fun read.  Unique to this book is that it is for ages 8 and up, and takes place in Ayesha’s home country of Australia.

SYNOPSIS:

Ayesha is at a new school, she has recently started wearing hijab and she just wants to settle in to it all with friends Jess and Sara.  Things have been going missing from year eight lockers, but it isn’t until Ayesha is a victim does the concern really hit home.  Add to that getting paired with the jerk Dylan Wyley for a project in Indonesian class, and Ayesha is not having a good day.  When she senses some suspicious activity, she is on the case: ready to get her stolen book back, take down a bully, put her Tae Kwon Do training to use, and make it to the library to pray her salat on time.

WHY I LIKE IT:

I really enjoyed the relatable voice of young Ayesha, having read all of the other books in the series, it was sweet to get a peek of her in her younger school days.  I love how much Islam is in the book, and not in a preachy way, but rather in a ‘I’m Muslim and this is how I see the world and this is what I do’ sort of way. I’m not going to lie though, I wanted more backstory on how she became friends with Jess and Sara, how she settled in to living with Uncle Day when her parents died, and all the backstory four books solving crimes around the world just couldn’t get to.  But I fully realize, that is just something I may never get (hint, hint) and will have to be content with the fast paced, culture and Islam rich stories that we thankfully get.  I’m not complaining, I just get overly invested.

To all my arrogant ignorant readers out there, that like me, might be a bit confused about Australian schooling and culture- I embarrassed and humbled myself and annoyed the ever gracious author to learn more about Ayesha’s world.  In Australia the lockers are located in the students’ homeroom classrooms (tute rooms), hence they don’t often padlock them.  High school refers to ages 12-17, and sometimes 11th and 12th grade are called senior school, and “How did you go” is a phrase in Australian English.  See, aren’t you glad I asked, now we know, and can widen our view together.

The only thing that I think I would have liked to see would have been a bit of pause before Ayesha got into a fight.  It is high energy, and she does it to help someone, but I feel like at 13 years old, in a book for 8 year olds, and as someone familiar with Tae Kwon Do, it should have been more articulated that she was nervous to engage in a physical altercation, and was only doing it because she could not diffuse the situation, get the victim away, and thus had to step in.  I recognize that pulling out of the scene might have made it lose momentum, but I felt a little off celebrating a school fight without that pause of introspection.

FLAGS:

Fighting, stealing, bullying, Islamohobia, racism, bigotry.

TOOLS FOR LEADING THE DISCUSSION:
The book is short and for a younger age than I meet with, but I look forward to purchasing the book on February 20, 2022 to have available in the school library for anyone to pick up and read, inshaAllah.

Dec31

Zayd & Musa in The Trouble with School (The Story of Halal Money) by Hafsa Ahsan illustrated by Yusra bint Absar Kazmi and Urooj Khan

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Zayd & Musa in The Trouble with School (The Story of Halal Money) by Hafsa Ahsan illustrated by Yusra bint Absar Kazmi and Urooj Khan

money

This delightful 70 page early chapter book is filled with humor, Islam, and a sweet story that ties it all together.  The book definitely has a teaching agenda, but it carries it with hilarious banter and relatable examples, all while covering a topic not often discussed in children’s books: money.  The book has a few grammar, vocabulary, and consistency concerns, but they are easy to overlook for readers 2nd grade and up.

SYNOPSIS:

Twins Zayd and Musa are very, very different.  Both boys enjoy cricket, but Zayd is more focused and enjoys homework, whereas Musa tends to daydream and often says something funny, but unintentionally.  When Musa makes the case in Science class that food, water, shelter, and money are all needed to survive, the class finds him hysterical.

Musa knows not to argue, his teacher is his elder and he knows he should have taqwa and be respectful, but he doesn’t give up on his idea either.  When the boys’ mom talks about halal money and gives them Islamic references for how money should be handled, Musa has a great idea: kids should be paid to go to school.

Once again, the whole school finds him funny, but Saeed Uncle, a neighbor who helps feed the poor at a roadside stand, doesn’t dismiss Musa’s idea and tells him, in some places kids are paid. And offers to take him and show him.

With references to sahabas who had great wealth and examples of how wealth can be used for good, Musa and Zayd learn numerous lessons, and share them with those around them, in a fun, engaging manner.

WHY I LIKE IT:

I get that the book is preachy, but in my mind, it is a story built around a teaching concept, so it doesn’t bother me.  I love the jokes and the tone.  At times the book is written quite formally, but being the author lives in Karachi, Pakistan, I assume that part of it, is just different standards.  I appreciate the Quran Circle table that lists where the Quran mentions wealth and the glossary.  I didn’t quite get all of the random facts included throughout, as some were about money, others about school, but I think kids will enjoy them none-the-less.  The illustrations are enjoyable, the text bubbles often hilarious (once again, a few I didn’t get).

I liked that it mentioned not drawing faces, and not going somewhere alone with someone you aren’t close with.  It is said in passing, but I love that those little nuggets exist in a book that is about something more, but normalizes and takes advantage of the opportunity to remind children of basic safety and Islamic concepts.

There are some awkward tense changes, and a few gaps in the story, but overall, I really enjoyed it and need to find the first one in the series.

FLAGS:

None

TOOLS TO LEAD THE DISCUSSION:
This would be a great book to use in a middle grades Islam class as a starting point to having students research the Quran and Sunnah to find information on a topic.  The humor will keep kids engaged, and the concept is an important one.  I plan to make all my kids read it, so that we can discuss as a family, and benefit from the lessons presented.

Dec29

Nour’s Secret Library by Wafa’ Tarnowska illustrated by Vali Mintzi

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Nour’s Secret Library by Wafa’ Tarnowska illustrated by Vali Mintzi

library

Set in Daraya, and based on a real events in Syria, as well as the author’s own life in Lebanon, this 32 page elementary and up story does an amazing job of showing relatable childhood adventures and ingenuity shining through even in the most horrific of environments.  The book is inspiring and warm, but the backdrop of war is very much present.  Some young children may be bothered by the images and text, while others will benefit from understanding the humanity that is affected by such violence.  I know the book says the pages are not final, but I wanted to put it out to help drum up interest.  I feel this story would best work in intimate settings where discussion, compassion, and gratitude can all intuitively transpire.

library1

Nour’s best friend is her cousin Amir, they love to read and imagine adventure and secret societies.  As their dream to create a secret club, complete with a secret password and handshake, for them and their friends starts to come to fruition, war arrives first. 

Families are forced to seek shelter away from the bullets at night in their basements, and only are allowed to venture out when absolutely necessary.  Every time Amir goes out, he collects any books he finds, and encourages his friends to do the same.  

library2

They begin sorting the books, and trying to decide what to do with them, when Nour has an idea to create a secret library.  Everyone pitches in when an empty, half destroyed basement is located, and the books are moved and set up on discarded planks of wood.  A boy next door is entrusted with the secret handshake and becomes the deputy librarian.

As word spreads, everyone from boys and girls to soldiers and rescuers, collect books to stock the shelves and checkout books to keep their minds busy.  The library, named Fajr, is open every day from morning to evening and closed during Jummah.  It becomes the city’s best kept secret and a source of hope for the community.

library3

There are references at the back that tell about the true story of the Secret Library in Syria, the author’s memories of hiding in the basement in Lebanon, a glossary of terms, information about Syria, the illustrator’s research, information about the war, and famous libraries in the Middle East.

library4

Dec20

One Sun and Countless Stars by Hena Khan illustrated by Mehrdokht Amini

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One Sun and Countless Stars by Hena Khan illustrated by Mehrdokht Amini

one sun

I don’t think that Hena Khan is necessarily a controversial figure, but some days her work feels very polarizing as some praise her ability to share OWN voice desi American Muslim stories while others feel like she waters down the very stories she is sharing to appease the majority.  Irregardless of our nuanced views, many of us first were made aware of her when we we were swept away in 2012 by the mainstream book, Golden Domes and Silver Lanterns.  Since then she also has published a book about shapes in the same format, and now this counting book that reminds me how beautiful and powerful it is to see Islam so unapologetically presented to all children.

Screen Shot 2021-11-10 at 10.25.04 PM

The author’s note at the end is important:

There are many significant numbers in Islam.  They include one for God, five for the pillars of the religion and daily prayers, seven for the circles pilgrims and visitors walk around the Ka’aba during hajj and more.

Mathematics and astronomy were among the intellectual pursuits of early Muslims.  They helped to develop algebra and used geometry to create the elaborate patterns found in Islamic art.

For this book, I chose concrete and illustratable terms rather than abstract concepts.  The representations for each number focus on things we can count in the world around us.

The book counts the diverse and global parts of a practiced faith.  The unique and the mundane, all beautifully illustrated and richly conveyed.  From cups of tea and shoes taken off for prayer to two hands making dua and four lines of a surah being memorized.  The book counts up to nine and then marvels at the countless stars that we see each night.

The first page is possibly a bit problematic in accuracy.  The tone and framing of starting the day with the sun rising and the sound of the adhan is warm and beautiful, but the adhan is not called at sunrise for the first prayer of the day, fajr.  Fajr begins at dawn.  There are only 21 words on the first page, so I’m inferring a lot about the correlation of the sun and athan that may or may not be present.  It is something frequently misrepresented, so it catches my attention. And yes, the seven tawafs mentioned in the author’s note would also apply to umrah, not just hajj.

Overall, the book is lovely and will remind many of us what made us all celebrate Hena Khan and her stories so many years ago.

Dec17

This Woven Kingdom by Tahereh Mafi

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This Woven Kingdom by Tahereh Mafi

woven

At 512 pages this teen/YA fantasy book immerses you in the lives of two characters pitted against one another that are inevitably, drawn to each other.  The world building is slow, as it seems to spend more time character building and shaping the magical Jinn filled world around the characters, through their eyes, and their interactions, than simply building a world, and then dropping characters in it.  It never seems to drag, but the rising action is not concluded, it in fact ends on a cliff hanger raising the expectation for the next book in the series to take the story toward more action, emotion, and twists.  I absolutely love and applaud the author’s note that articulates and clarifies that this book is not religious in nature and that threads of Islam and Persian culture are just reference points for this completely fictionalized tale.  There is a passionate kiss, and violence, but this book is remarkably clean and an enjoyable read for ages 14 and up.

SYNOPSIS:

The story opens with Alizeh sitting by the fire sewing.  She is freezing, she is always freezing, she is a Jinn, but her veins are ice.  Completely alone, she is working as a maid, but as she is on probation, she lodges in a tiny closet away from the other service members, and is deathly afraid of the dark.  Her loving parents raised her and nourished her, she is educated and strong, but since their deaths she has been on the run, trying simply to survive in a world where Clays forbid Jinn from using their magic.  Alizeh is no ordinary Jinn though, the earth has chosen her to be the future Queen, her ever-changing eyes prove it, but for now, she has no kingdom, no family, no friends, no hope to lead.  Only cryptic riddles given to her by Iblees that she dreads and fears, but warn her of impending dangers.

Kamran is the second storyline that builds the world of Ardunia.  As the crown prince, and future king, he has returned from touring the country and has had his eyes opened to the forces threatening the empire, the inevitable war that is looming, and the shortage of resources that threaten them all.  He is irritable and brooding and acting out of character when he intervenes in an altercation in the streets between a servant girl and a young boy.  This sets off a series of events that will bring Alizeh and Kamran into direct conflict as their worlds intertwine and their passions build.

WHY I LIKE IT:

I love the clarification at the beginning, stating that this is not Islamic and that religious and cultural inspiration was just that, inspiration. It allowed me to get comfortable and enjoy the tale for what it is.  I wasn’t worried about checking things, or worrying about religious impressions and accuracy, it was so freeing, thank you.  I really hope that there is a map in the final physical copy, because I just really like maps.  I liked the Persian numbers and script on the chapters and the references make the book that much richer and fleshed out.

I am admittedly fairly new to fantasy, so I enjoyed the slower pace and character building.  I found it enveloping and smooth, there were small conflicts, but the subtle world building through understanding the characters, and their perspectives, was a nice framing for a story that very easily could have dragged, but in reality flew by.  The only point that I found unrefined, was how much Alizeh knew of her past and the impact it had on her current situation.  There seemed to be a bit of a disconnect in teasing that thread.  The reader knows who she is, so I’m not sure why she seems to not know, and then proves that she does, there is no subtlety in that regard.  And the only character, that seemed underdeveloped was that of Hazan, his banter with the Kamran grated on my nerves, and I didn’t understand the abruptness of his and Alizeh’s relationship, it seemed forced.  Nearly everything else in the book was very organic and gently referenced and established very deliberately, but it almost seemed like I missed a chapter or two, when all of a sudden Hazan emerges as being such a main character in Alizeh’s life.  Undoubtedly it was a surprise for the reader, but some nuance in the revelation through Alizeh’s eyes, would have assisted in the continuity of the character and tone of the book.

FLAGS:
A kiss, and attraction, talk of illegitimate children.  There is killing and violence, attempted assault: physical and sexual, not detailed, but referenced as a fear as she walks alone at night.  There is darkness and talk of the devil, deceit, lying, plotting.  Nothing an early teen could not handle.

TOOLS FOR LEADING THE DISCUSSION:

I would have to delay deciding if I could do this as a book club selection until I read the next book.  There is so much potential, that I truly hope that I can introduce the series to young readers to enjoy, get lost in, and discuss.

Dec10

Omar Rising by Aisha Saeed

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Omar Rising by Aisha Saeed

omar rising

This middle grades 224 page read is quick and memorable.  The story is set in Pakistan and the characters are probably Muslim, but there is no religion mentioned until nearly the end, and even then only in passing.  The only culture specific references are the characters’ names, social etiquettes, and the foods mentioned.  By and large, the story is universal and could take place anywhere, and probably does take place everywhere.  While I wish it would have had more cultural and religious references, it is an OWN voice story after all, the book is enjoyable, the characters endearing, and I think young readers will benefit from spending the school year with Omar, seeing classism up close, and cheering for an unjust school system to be challenged.

SYNOPSIS:

Omar is the son of a servant and when he earns a scholarship to a prestiges boy’s school for seventh grade, the entire village is bursting with pride.  When he gets there though, it is hard, really hard.  The scholarship kids aren’t allowed to participate in any extra curriculars, they have to do service hours, and they have to maintain the ridiculously high A plus grade average or be expelled.  It seems that that headmaster is out to get the scholarship kids, and Omar in particular.  As the scholarship students struggle to stay afloat, Omar has to determine if it is all worth it. He spends all his time studying, even when he goes home to visit his mother, and while he doesn’t want to let the village down, he is struggling to find the optimism to keep fighting for his place.  When Omar learns that the system is designed to make the scholarship kids fail, and that those that are kicked out are called “ghost boys,” he has to decide to how hard to push himself and ultimately how hard to push to break down the system that treats him and those like him like second class citizens.  Luckily, Omar has some supportive teachers, some loyal friends, and a whole lot of determination.

WHY I LIKE IT:

I love that the story is universal, it is at times a much tamer version of the YA book Ace of Spades which also explores second class citizens in posh private schools as a theme, and at times I even felt some Dead Poet’s Society vibes.  The cultural setting and names however, to me is a mixed bag.  I’m glad that it didn’t become another story about problems in another country with judgmental overtones, but at the same time, to be so void of cultural references seemed too far of an extreme in the other direction to make the story feel real richness and authenticity.  I love that the story isn’t about bullying and that a number of characters have depth.  I was genuinely confused for a large portion of the book about what the orientation in the summer entailed.  It was clarified much too late that it was a weekend, but I was at a loss trying to figure out how he knew some of the campus, some of the other scholarship kids, had a roommate, yet knew so little of the school and what it would be like.  I am not sure why that information was delayed, but seeing as I read an arc, I hope it is clarified in the final copy.

FLAGS:

Omar and a girl are friends, they hug at the end, but it seems rather innocent, and more sibling like as they were raised together.  

TOOLS FOR LEADING THE DISCUSSION:

This would be a good book on a shelf, and would possibly work as a read aloud to grades four or five.

 

Dec8

Loujain Dreams of Sunflowers by Uma Mishra-Newbery and Lina Al-Hathloul illustrated by Rebecca Green

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Loujain Dreams of Sunflowers by Uma Mishra-Newbery and Lina Al-Hathloul illustrated by Rebecca Green

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This 40 page early elementary book based on the efforts of the real life woman, Loujain AlHathloul, and her work to change the laws regarding women driving in Saudi Arabia, had a lot of promise.  Unfortunately, the symbolism connecting flying and driving, just didn’t work for me.  No one can flap their arms and fly, so to demand gender equality for an unrealistic action, is a big stretch that ultimately stretches itself too thin.  There is nothing Islamic, except women wearing a hijab in a few illustrations, or even Saudi specific in the book.  It talks of the desert, but the country is unnamed.   Overall, I just had so many questions such as: if she was flying before sunrise- how was she not seen returning from the sunflower patch, can women then never leave an area, are there ways they can fly as passengers, are there other modes of transportation, at what age are children allowed to fly, and so many more, that they prevented me from being inspired by the story.

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The book starts with Loujain believing in her self and knowing that one day she will fly.  She dreams of a place of a million sunflowers, a picture her dad has given her inspires her to seek out bright colors, capture them on film, and hang them in her room.

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In the morning her father straps on his wings, and flies off.  Loujain is not allowed to fly because she is a girl.  Her family tells her that one day she will.  When she tells the kids at school, they laugh at her.  When she pushes her dad to teach her, her mother advocates that he should.

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Loujain and her father practice flying before the sun rises, and finally they make the long journey to see the sunflowers.  Her father takes a picture of Loujain, and it appears the next day in the newspaper.  Other girls are inspired and begin to demand the right to fly too.

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I love the mom in the book, and her encouraging of Loujain’s dad to teach her.  She asks him, “if you don’t support her, who will?” I don’t know why the mom isn’t wearing a hijab on the last page though.  It seems like there is a subtle message there about hijab being legally required as well.

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The book is a reach, and for me it didn’t connect or leave an impression.  The information about the prison sentence and push back to achieve the legal change was far more interesting and memorable, but only a few paragraphs long at the end.