Tag Archives: egypt

Ibn Yunus: The Father of Astronomy by Ahmed Imam

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Ibn Yunus: The Father of Astronomy by Ahmed Imam

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This book is part of a new Muslim Scientist Series featuring 24 glossy colorful 8×8 pages highlighting a great Muslim from the Golden Age of Islam.  Meant for Muslim children ages 4-7, the book sets out to teach and inspire little Muslims, and does a pretty decent job of presenting it in a memorable easy to understand way.  Adults might have to explain and help out a bit, but the book accounts for that too.

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The book starts off with some “Notes to Parents and Teachers” about supplemental activities and conversation starters to make the book relevant, and show how beneficial their contributions to science were and still are today.

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The book is a simplified biography of Ibn Yunus, and I would imagine the other books: Ibn Majid, Ibn Battuta, Ibn Al-Batar, follow the same pattern.  It tells about where he was born and when, and what he is famous for, before telling a bit about his family, an ayat from the Quran that inspired him is then given in English and Arabic and translated, before it shows how he worked toward his goal, and the accomplishments he made in his lifetime that still are used today.

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The fun illustrations make Ibn Yunus’s field of study easier to understand and will keep the littler listeners interested.  Adults will hopefully also learn something in the reading, and feel the same pride and inspiration of Muslim’s contributions to science.

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It is critical to teach our children about the accomplishments and discoveries of Muslims, and this non fiction series is a great introduction to Muslim scientists, scholars, and adventurers, that they might not otherwise learn about.

Lissa: A Story about Medical Promise, Friendship, and Revolution by Sherine Hamdy & Coleman Nye illustrated by Sara Bao & Caroline Brewer

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Lissa: A Story about Medical Promise, Friendship, and Revolution by Sherine Hamdy & Coleman Nye illustrated by Sara Bao & Caroline Brewer

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When I first started teaching I wasn’t a big fan of graphic novels, slowly I saw their benefit for struggling readers, and eventually I came to appreciate them as an enhanced tweak in story telling for everyone.  This book however takes the concept to the next level, for me anyway.   As the inside flap claims, it is a book “that brings anthropological research to life in comic form, combining scholarly insights and accessible, visually-rich storytelling to foster greater understanding of global politics, inequalities, and solidarity.” As a coming of age story of two friends at its core, yet taking on breast cancer, kidney failure, parental loss, different cultures, different religions and with a back drop of the Egyptian revolution, I’d say the book is meant for high school and up.  Not so much for content as for understanding and appreciation of all that went it to creating this ethnographic book.

SYNOPSIS:

Unlikely friends Anna and Layla cross economic, religious, and cultural differences to build a life long friendship.  The book is divided into three parts: Cairo, Five Years Later, and Revolution.  In the first part we see Layla’s family serving as the caretakers of a building and the two young girls bonding over pranks, arrogant tenants, and just being silly.  Anna’s family is American and the father works for the oil companies, thus they are financially very well off, however, the father is rather distant and the mother is dying of cancer.  The section concludes with the passing of Anna’s mom and the family going to Boston for the funeral.

Five years later finds the girls in college.  Layla in medical school and Anna at a university in Boston.  Layla’s father is suffering from renal failure and is unwilling to consider a transplant.  While Anna is trying to see if she carries the same genes as her mother and if insurance will cover it.  She also has to decide if she would want to have a complete double mastectomy, if she would want her breasts reconstructed, if she should do it now or later.  She gets a lot of opinions, but ultimately decides to find a way to pay for it and have it done.  Her father doesn’t understand, and Layla dismisses it forcing Anna to have to handle it alone.  But when news come that Layla’s father isn’t going to make it, she rushes back to Egypt to offer her support.

In the final section, the revolution has spread and Dr. Layla is helping those injured in Tahrir Square during the protests, and Anna is helping to identify bodies despite being attacked for being a foreigner and part of the problem.  Anna has kept the secret of her mastectomy from Layla and Layla assumes she has cancer.  At odds with their roles in the revolution, and with keeping secrets from each other and their differences in financial opportunities coming to a head, Anna returns to Boston.  When Layla’s brother is shot and loses an eye, however, Anna returns to Egypt and the two friends work to keep their relationship.

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WHY I LIKE IT:

The book is grounded in so much conflict and turmoil, but fights hard to keep a character based narrative.  With two illustrators and two authors trying to convey medical approaches, two cultures, two religion, two friends, and a revolution, the last 70 pages of the 302 page book are details about how the book came about, interviews with the various contributors, a timeline of the revolution, discussion questions, key references and a teaching guide.  The book at times was confusing to me, and I’m not sure why, it quickly resolved itself or a flip back a few pages would clarify it, but I think some of the illustrations were just off enough that it complicated things.  Anna by and large is depicted oddly on a few pages along with her family as well.

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Layla’s family is definitely religious and at times has to challenge their thoughts to understand Anna and their own circumstances too.  I think it is handled really well and allows the reader to consider things without answers being clear cut, is it Allah’s will to not have a transplant and accept death as being written for you or to have the transplant and ask Allah to make it successful?  By and large the book poses questions through the juxtaposition of the two characters and the experiences they endure, and while it shows the choices they made, it draws the reader in to wonder what they would do in their shoes without judgement.  The book provides a lot of facts and leaves them there making it more thought provoking than a simple story.

The characters are often composites of real characters the academic author’s learned about, yet some are directly based on activists and leaders of the revolution.  The graffiti artwork is attributed and powerful.  There is a lot of information in the notes after the comics end.

FLAGS:

There is death and revolution, Layla’s brother is taking Tramadol, and their are sketches of breasts as Anna learns about her disease and prognosis.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club as I don’t know how much middle schoolers would get out of it and the book is pretty pricey.  I would recommend people read it though as it gives a different perspective on numerous things many of us take for granted.

http://lissagraphicnovel.com

 

 

Snatched Asmaa Hussein illustrated by Svaitoslav Diachyk

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Snatched Asmaa Hussein illustrated by Svaitoslav Diachyk

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The premise is simple, Omar ate something that didn’t belong to him, and the guilt is weighing on him heavily.  The beauty of the book is how, with his mom’s help and his own determination, he makes things right.  

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Set in Egypt, Omar eats the doorman’s baqlawa, and while he knows he shouldn’t have, he doesn’t know what to do about it.  The doorman, Amo Mohamed, blames the cat and Omar tries to move past the theft.  But the guilt builds up and he even dreams about baqlawa, eventually telling his mom so he can start to fix things.  

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After isha prayer, the two of them make some new baqlawa.  I love that the mom doesn’t get mad, but she is firm that while, “we made the baqlawa together,”  she tells him, “you have to talk to Amo Mohamed on your own.”  

Omar confesses his crime to the door man and apologizes, Amo Mohamed in turn apologizes to the cat, and all enjoy a piece of baqlawa together with smiles.

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The last page in the 38 page book is a glossary and is headed by a hadith by Prophet Muhammad, “Be conscious of God wherever you are.  Follow the bad deed with a good one to erase it, and engage others with beautiful character.”

The illustrations aren’t amazing, but they are sufficient and help walk the reader through the story.  I like that the mom covers when out and about, but not in the home.  The story is great for ages 4 and up, but the amount of text on the page and book length might make independent reading more geared to second and third graders. 

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The book would work for muslim and non-muslim children a like and does a good job of showing a universal situation in a culturally rich environment.

 

 

 

Magid Fasts for Ramadan by Mary Matthews illustrated by E. B. Lewis

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Magid Fasts for Ramadan by Mary Matthews illustrated by E. B. Lewis

Magid Fasts for Ramadan

The intent of this 48 page chapter book is good, however, a few things rubbed me the wrong way about how Ramadan and Islam are presented.

Nearly eight-year-old Magid wants to fast on the first day of Ramadan, but everyone says he is much to young.  He decides to deceive everyone and fast anyway.  I’m actually okay with this main story line, as I could genuinely see a child wanting to do it so much they would lie about it.  The author even has the family sit down after the truth comes out and discuss how honesty is important and this is not how Ramadan should be celebrated.  Lesson learned for Magid and the reader, right? Nope, the author kind of blows it and takes it to the other extreme.

Magid’s sister Aisha is twelve and is “forced” to fast so she isn’t the only girl not fasting at her all girl’s school in Egypt.  What a sad reason to fast, The whole reason Magid wants to fast is to be a “truly obedient Muslim” which sounds great on the surface, but it get’s repeated so often that Magid at one point is judging a classmate who isn’t fasting and isn’t always at Jummah (Friday) prayers.  The parents decide at the end to let Aisha fast until school is out, hence shortening the day for appearance purposes, and Magid can fast til lunch.   He is told he can fast full days when the days are shorter.  Again a really odd reason to wait when fasting has been prescribed for us, to make it an issue of convenience.

So aside from the very negative view of Ramadan and the kids rejoicing at the end that they don’t “have” to fast, the lying, the disobeying your mother, and the judgmental laden diction of being truly obedient, the book does cover a lot of ground well.  The book shows the characters doing wudu and praying, it shows them trying to be kind to one another, it talks about how the Quran was revealed in the month of Ramadan and it does have a plot.

The water color illustrations are nice, and I also like how it showed a bit of Egyptian culture with the lanterns, singing, and food.  Interestingly the author says it is harder for Muslim’s in America to fast, but elsewhere says that Aisha has to watch the girls at school not fasting, eat lunch.

I really wouldn’t recommend this book, for the intended audience of 3rd through fifth graders I think it would do more harm than good in promoting Islamic values in Muslim children and in showing non-Muslims what Ramadan means to Muslims.