Tag Archives: america

Eid Breakfast at Abuela’s by Mariam Saad illustrated by Chaymaa Sobhy

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Eid Breakfast at Abuela’s by Mariam Saad illustrated by Chaymaa Sobhy

breakfastThis book is the first in a series (hopefully) called Trilingual Sofia, where English is the predominant language, and Spanish and Arabic are interwoven to tell the story.  Focusing on Eid and spending the holiday in Mexico with her non Muslim grandmother, the story with bright illustrations is a celebration of diversity, acceptance, family, and Eid.

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Sofia has had a special Ramadan.  She tried fasting for the first time and now that the month is over, they are breaking their fast and then getting on a plane to Mexico to have Eid breakfast with her Abuela.

On the plane she keeps her pretzel bag to add to her scrapbook and then they get changed into their Eid clothes before they land.  Once in Mexico they go straight to the mosque to meet their friends and then to Abuela’s house.

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Abuela’s house is decorated for Eid and all the family is there.  They eat breakfast together and the kids play games and sing songs and take pictures.

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The 32 page 8.5 by 8.5 inch hardback book claims to be for toddles and preschoolers, but I think it is more for kids in early elementary with the small and ample text.  The Spanish words are highlighted in green and Sofia teaches some Arabic to her Mexican cousins.  There is a glossary of all three languages at the end.  

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The book is not meant only for Muslim children, but it doesn’t explain Ramadan or Eid, so while Muslim’s might be able to connect the dots of why she only fasted the last two hours of a day or why they went to the mosque before they went to Abuela’s, I wish the book explained it.

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I love that their are subtle connections between the three languages, like Angel Gabriel/Jibreel and the name Yusuf/Joseph.  The book is a great example of Islam outside of the Middle East and the Asian subcontinent and I truly hope there are more books in this series and more books like it to show the diversity of Islam and the commonalities we all share.

Neither This Nor That by Aliya Husain

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Neither This Nor That by Aliya Husain

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This 251 page novel reads like a biography that has no climax or real conflict in its linear retelling of the protagonist from 3rd grade to a junior in college.  If you are part or all Desi, raised in America in the ’80s and ’90s and have fond memories of NBC’s Must See TV, rolling your pants up, your family packing Corning Ware sets to take to the homeland, and the joys of TJ Maxx, you might enjoy the nostalgic similarities you too experienced, but even at that, with no plot or character arcs, the book is easily forgettable and you might forget to finish it.  For all my critiques of Muslim stories that don’t read authentic, this one definitely does, she doesn’t rebel, she doesn’t ever go against Islam, but because she is similarly not ever tempted to, I think most readers won’t relate to this fictional girl, who’s biggest worry is smelling like her mother’s cooking.  The book seems to just want to tell her life story, and getting through it is the point of the book, not making emotional connections, giving the reader something to think about or even inspiring others, which is ultimately a missed opportunity that this book could and should have capitalized on.

SYNOPSIS:

It is the first day of school for Fatima Husein the eldest of many daughters in her Indian American suburban home.  With a mother who doesn’t speak much English and parents that don’t seem to understand Fatima’s desire to fit in, the stage is set that will carry through the entire book of Fatima loving to study and separating herself as the girl at school pretending to be more American than she really is, and the girl at home pretending to be more Indian than she feels.  As the book follows the character through college, along the way Fatima and her family have extended maternal family move to America from India and then move back, they take a trip to India which is not enjoyed at all, her dad’s family then moves from India and settles near them, they move to be closer to the masjid, and they go for Hajj.  Characters bounce in and out: school friends, community friends, cousins, etc.. The only real constant is Fatima’s love of school and her paternal grandmother grumbling about her getting married. There are the ups and downs of life that are shared, most very specific to a ABCD (American Born Confused Desi) living in the ’90s.  Fatima is religious and Islam is important to her and she never waivers in her black and white view of things.  It does take her a little while to wear hijab, but there is no real self reflection and catharsis, it is just states she wants to fit in and isn’t ready.  The conclusion is she finally accepts a proposal from the son of an old family friend who lives in Chicago.  Not so much because she likes him, but more because she has no reason not to say yes and her parents are in favor it.

WHY I LIKE IT:

If this were a biography and it was someone famous, the minutia of day to day living might be compelling, but as it is fiction and you have no idea where the story is going, it just seems to tell a story about a typical girl doing typical things.  It has value in that it shows how normal and boring even, a normal Muslim family is, but it gets really preachy at times and really dry.  None of the side characters are memorable.  I have no idea how many sisters Fatima has, when her grandfather passed away I felt nothing, when two who families died in a car accident Eid morning on their way to prayers, I had to flip back to see if the characters had ever been mentioned before.  It seems like the whole point is to get to the end, and more heart and less tedium would have made this book an amazing example of American Muslims in America.  The first page mentions friends and there is no follow up to where they are or what happened to them, and this happens all through out the book, there are no emotional connections, nor attachments among the characters to include the reader into their plight as well.  The protagonist one must assume gains her voice from the author’s experiences herself, but it just lacks internal dialogue and conviction.

Fatima lives through the Gulf War and makes big changes and has to find her place, yet the book just tells us all this, it doesn’t show us how she internalizes and processes and emerges from the experiences shared, it just gives an example and then comments on it.  The font and layout visually looks like a text book, and at times, the internal structure reads like an essay, sharing an anecdote, backing it up, and moving on to the next event on the time line.

I feel like I know the character, it definitely comes from a place of shared experience and credibility, but you have no idea where it is going, and just like I doubt anyone would want to read my life story, the book needs a little direction and editing.  In the author interview posted below in the “Tools to Lead the Discussion” she mentions that mainstream publishers wanted more rebelling and she wouldn’t compromise.  I agree with her, we need books that don’t follow that assumed track, I think that the presentation of the story, however, as it is, is lacking.  The integrity is there, but the character is really flat, and there are plenty of literary tools that could enhance the story without compromising Fatima’s character to drugs and alcohol and boys.  The book was self published in 2010 and I really hope at some point the author will re-edit it, to make it relevant to preteens and teens today and more personable.  Ultimately making it so that the successes Fatima has are cheered on by the reader, who are also inspired by her accomplishments while staying true to her beliefs.

FLAGS:

Considering how many pages are dedicated to how she and her sister are to behave in India as to not seem naughty or as arrogant Americans, the curse words flow pretty regularly in the book, and the way she speaks to her elders and in front of her elders is not always kind.  There are side comments about hooking up, STDs, and drinking, nothing any of the characters engage in, but judgments regarding these topics for those that do is present. She also talks about her mom’s failure to discuss menstruation before hand, to exemplify how things are only discussed once they need to be dealt with.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that as a book club selection today’s youth would voluntarily pick up and read this book.  There might be some ability for a teacher to assign it and then turn around and make the students write something similar about their experiences in a fictionalized form.  I think students would struggle to relate to Fatima with the outdated references and the lack of conflicts and climaxes in the narrative.

 

Amira’s Family by Elliot Riley illustrated by Srimalie Bassani

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Amira’s Family by Elliot Riley illustrated by Srimalie Bassani

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This 24 page, AR 1.5 book, is part of a series for emergent readers about different families.  The other books in the series focus on diverse family models, some that include a single parent, or lots of siblings, one in the series has foster kids, another adoption, one has two moms, so I’m not entirely sure why a refugee family is included in the group.  The family had to leave a dangerous home, but mom and dad and Amira, are not a “diverse” family structure, by the same definition used for the other books.  So, on its own it is nice to have a book for independent kindergarten and 1st grade readers, but as part of the collection, I find it a bit of a stretch.

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The book is divided into three chapters, or sections I guess, perhaps so that early readers can gain experience with a Table of Contents at the beginning.  There is also a Picture Glossary at the end along with a page encouraging Family Fun and a bit about the author.

The book starts out introducing Amira, and her parents.  It then explains that they just moved to a new country, America, when a war started in their country.  It notes that Amira was sad to leave her home, and scared to move to a new place.

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When Amira starts at school, the classmates welcome her and help her with the language.  It shows her teaching her language too, but it doesn’t look like more than random squiggles.  It then shows she likes recess and swings and slides, allowing the reader to see similarities with the character.

C2E8EF21-AC7B-4594-AA53-68B9764AB84DWhen the family goes shopping, Amira sees an American flag, buys it, and hangs it outside their home.  Amira loves her family and they love her, and it seems like they love their new home too.

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The illustrations are simple yet expressive, and show Amira and her mom in hijab.  It does not mention religion, or what country they left.

The story is basic, yet introduces young readers to the concept of refuges in a soft way.  It shows how the classmates are kind and the parents supportive of Amira.  I like that it also shows various emotions in the text and illustrations.

It might be making a bit of a political statement with the flag and national identity undertones, but I think it is a good thing to show that refugees can love a new country and be part of society, especially given the current climate toward immigrants.

I think the strength of this book is that it shows a Muslim character, and while meant for all new readers, Muslim children particularly will enjoy seeing themselves in a book they can read.  I’d check the library before buying the 8×8 paperback book, as it isn’t particularly memorable, but for the age group it serves a diverse and an inclusive purpose.

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Amira Can Catch! by Kevin Christofora illustrated by Dale Tangerman

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Amira Can Catch! by Kevin Christofora illustrated by Dale Tangerman

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This is book four in the Hometown All Stars series aimed at 4-7 year olds.  The purpose of the series is to teach real coaching skills to help children learn about baseball, get out of the house to play, and have fun.  The 34 page book is baseball technique heavy with a fictional storyline to move it along.  Most sports books focus on team work and being a good sport, but this one takes it a step further by emphasizing the basic skills needed to play the game, as well as sneaking in lessons about inclusion and acceptance.  If your child is American and likes sports, the book will be a hit, pun intended, but there is a lot of text on each page and as America’s pastime, there is a lot of space dedicated to what it means to be American.

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A refugee Muslim girl from Syria, Amira, is invited to play on the after school baseball team, but first needs some help at school with spelling and adding.  Luckily the kids in class are super nice and accepting and help her learn about life in America, while similarly listening to her tell about life in Syria and at the refugee camp.  Not only do they all become friends, she also gets everyone to appreciate how much food they have, and the variety, as well as gets everyone to try pickles. Yum! They like them.

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The kids at baseball practice are also incredibly welcoming as they get Amira a jersey, and teach her all about #24 Willie Mays.  From here, it is like a virtual baseball practice, the kids warm up with stretches, running the bases, and practicing their stances.  There are little info headers explaining things such as what hand to wear your mitt on and explaining how to squat, why the coach is using foam balls, and reminding the reader not to throw balls in the house.

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The kids learn three different types of catches.  How to stand, how to position their hands and how to be ready.  They run drills and practice, practice, practice. They find out Amira is really good, and she tells them that they had a lot of time to practice catching and throwing in the refugee camp.

The coach then asks the kids and readers questions before Amira’s parents arrive to pick her up.  With big smiles on their faces, the mom is wearing a hijab and chatting with the narrators mom.

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The book ends with a whole page on “What Does It Mean to be American,” a review of new words learned in the book, and all the kids answering who’s the most American of all, with “We are!”  The back cover has a reflective patch with the statement “Americans come from all over the world.  Look in the mirror, and tell me where are you from?”

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The book and series are a great way to learn about a game, that really a lot of kids today may not know much about.  Some of the terms, the skills, and just familiarity is clearly conveyed, with the illustrations providing the visuals and diagrams for what the coach is talking about in the text.  The fact that the author chose to add a refugee to such an “American” book and have the supporting  characters so welcoming, really does show the best of what Americans can be.

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Saffron Ice Cream by Rashin Kheiriyeh

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Saffron Ice Cream by Rashin Kheiriyeh

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The book may seem to be a lighthearted diverse read about a little girl comparing a beach in America to those of Iran, BUT there is also some pretty charged portrayals about gender divided beaches, religious police, and hijab.  I’m not saying this own voice book is exaggerating or saying anything that isn’t true, but it is an oddly belittling perspective to slip into a brightly illustrated children’s book with the words “ice cream” in the title.  The 40 page book for ages 4-8 is not one I would recommend for its negative undertones and dismissal of understanding another culture.

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Rashin’s first trip to a beach in America has her and her family getting ready to go to Coney Island.   She remembers past trips to the Caspian Sea in Iran.  Trips where they would wake up early, her mom would prepare halim and they would drive through the countryside stopping for a picnic lunch.  Often her best friend Azadeh would come along and they would listen to Persian music and share kebabs.  On this trip they are going on the subway and there is diversity and music and excitement too.

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The next few pages detail and depict the curtain that would divide the women’s side of the beach from the men’s.  While the words say how fun the women’s side is and that even the ice cream vendor is a woman and the beach goers can remove their covers and get a tan, the inclusion of the Islamic guards with their aggressive faces and full black abayas and hijabs, is a stark contrast to the happy faces throughout the other pages.

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Rashin then recalls one trip where little boys poked holes on the men’s side to look at the female’s side. While it might be taken as silly to children, there is a lot to unpack with such “peeping,” the concept of respect and of covering.  It then seems to make the whole situation seem ridiculous by having the women covering themselves with umbrellas, newspapers and whatever they can find.

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When Rashin finally gets to Coney Island, the ice cream stall doesn’t have saffron ice cream and another little girl suggests she try chocolate crunch, she concedes and discovers it is pretty good, and the beginning of a new friendship is implied.  She then asks the girl about the rules of the beach and the accompanying illustration has the Islamic police seeming to try and stop the fun.

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It is natural to compare new things to those that we know, but this book has a very strong negative, judgmental tone to what could have simply been presented as different without the criticism.  The author is the illustrator as well, so there wasn’t a divide in continuity.  I appreciate that there is a visibly Muslim family at Coney Island, but it seems too little, in a book very aggressively passing opinion on a religion and how it is “enforced.”

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I find it rather disappointing that Scholastic chose to publish such an angry book masked in smiling characters and a trip to the beach.  It may be how life is in Iran, but I don’t know that a children’s book is the platform to air grievances without explanation.  This book does nothing to open dialogue and acceptance, it definitely would cause more harm than good.

Lissa: A Story about Medical Promise, Friendship, and Revolution by Sherine Hamdy & Coleman Nye illustrated by Sara Bao & Caroline Brewer

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Lissa: A Story about Medical Promise, Friendship, and Revolution by Sherine Hamdy & Coleman Nye illustrated by Sara Bao & Caroline Brewer

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When I first started teaching I wasn’t a big fan of graphic novels, slowly I saw their benefit for struggling readers, and eventually I came to appreciate them as an enhanced tweak in story telling for everyone.  This book however takes the concept to the next level, for me anyway.   As the inside flap claims, it is a book “that brings anthropological research to life in comic form, combining scholarly insights and accessible, visually-rich storytelling to foster greater understanding of global politics, inequalities, and solidarity.” As a coming of age story of two friends at its core, yet taking on breast cancer, kidney failure, parental loss, different cultures, different religions and with a back drop of the Egyptian revolution, I’d say the book is meant for high school and up.  Not so much for content as for understanding and appreciation of all that went it to creating this ethnographic book.

SYNOPSIS:

Unlikely friends Anna and Layla cross economic, religious, and cultural differences to build a life long friendship.  The book is divided into three parts: Cairo, Five Years Later, and Revolution.  In the first part we see Layla’s family serving as the caretakers of a building and the two young girls bonding over pranks, arrogant tenants, and just being silly.  Anna’s family is American and the father works for the oil companies, thus they are financially very well off, however, the father is rather distant and the mother is dying of cancer.  The section concludes with the passing of Anna’s mom and the family going to Boston for the funeral.

Five years later finds the girls in college.  Layla in medical school and Anna at a university in Boston.  Layla’s father is suffering from renal failure and is unwilling to consider a transplant.  While Anna is trying to see if she carries the same genes as her mother and if insurance will cover it.  She also has to decide if she would want to have a complete double mastectomy, if she would want her breasts reconstructed, if she should do it now or later.  She gets a lot of opinions, but ultimately decides to find a way to pay for it and have it done.  Her father doesn’t understand, and Layla dismisses it forcing Anna to have to handle it alone.  But when news come that Layla’s father isn’t going to make it, she rushes back to Egypt to offer her support.

In the final section, the revolution has spread and Dr. Layla is helping those injured in Tahrir Square during the protests, and Anna is helping to identify bodies despite being attacked for being a foreigner and part of the problem.  Anna has kept the secret of her mastectomy from Layla and Layla assumes she has cancer.  At odds with their roles in the revolution, and with keeping secrets from each other and their differences in financial opportunities coming to a head, Anna returns to Boston.  When Layla’s brother is shot and loses an eye, however, Anna returns to Egypt and the two friends work to keep their relationship.

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WHY I LIKE IT:

The book is grounded in so much conflict and turmoil, but fights hard to keep a character based narrative.  With two illustrators and two authors trying to convey medical approaches, two cultures, two religion, two friends, and a revolution, the last 70 pages of the 302 page book are details about how the book came about, interviews with the various contributors, a timeline of the revolution, discussion questions, key references and a teaching guide.  The book at times was confusing to me, and I’m not sure why, it quickly resolved itself or a flip back a few pages would clarify it, but I think some of the illustrations were just off enough that it complicated things.  Anna by and large is depicted oddly on a few pages along with her family as well.

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Layla’s family is definitely religious and at times has to challenge their thoughts to understand Anna and their own circumstances too.  I think it is handled really well and allows the reader to consider things without answers being clear cut, is it Allah’s will to not have a transplant and accept death as being written for you or to have the transplant and ask Allah to make it successful?  By and large the book poses questions through the juxtaposition of the two characters and the experiences they endure, and while it shows the choices they made, it draws the reader in to wonder what they would do in their shoes without judgement.  The book provides a lot of facts and leaves them there making it more thought provoking than a simple story.

The characters are often composites of real characters the academic author’s learned about, yet some are directly based on activists and leaders of the revolution.  The graffiti artwork is attributed and powerful.  There is a lot of information in the notes after the comics end.

FLAGS:

There is death and revolution, Layla’s brother is taking Tramadol, and their are sketches of breasts as Anna learns about her disease and prognosis.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club as I don’t know how much middle schoolers would get out of it and the book is pretty pricey.  I would recommend people read it though as it gives a different perspective on numerous things many of us take for granted.

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Towers Falling by Jewell Parker Rhodes

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Towers Falling by Jewell Parker Rhodes

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I realize the inherent difficulty of writing books for middle grades about the events of September 11, 2001: the author lived through it, the readers did not.  Yet, it seems like at some point a book regarding it, will just feel right, and I don’t think for this age group, I’ve found it yet.  This AR 3.3, 228 page book is a quick read, and while some of the characters have spunk and personality, a few of the storylines seem incredibly forced and the overall timeline and holes in the story will be ultimately disappointing for most readers.

SYNOPSIS:

Deja is starting a new school now that her family has gotten a room at a homeless shelter.  Immediately her fifth grade classmates are given an assignment about home, with the end goal that eventually this project will transform in to being about the change of New York’s skyline fifteen years ago.  The details regarding the attacks of September 11, are not given forthright and as Deja knows nothing about the attacks, and the fall of the towers, her inability to get answers adds to her frustration at home and school.

Deja is angry as she bares a lot on her young shoulders.  Her dad can’t hold a job, and his moods and ill health put caring for her younger siblings on her.  Her mom works as a waitress and is always tired.  They lost their house, lived in their car for a while, and now occupy one room in a shelter.  Deja refuses to lie about her home life and thus her aggressive attitude is always on guard.  Another new kid, Ben, joins the class and he and Turkish American popular girl, Sabeen, all quickly become really good friends.  Each have something brewing beneath the surface that they are dealing with, but their friendship helps them cope and bonds them together.

As the trio of kids work on their projects together, Ben finally shows Deja online footage of the attacks and clues her in to what everyone else in their Brooklyn class seems to know and has failed to tell her.  Deja links her father’s declining health to that fateful morning and decides she needs to go to Ground Zero and get some answers.

She doesn’t really get answers, but at least it is the catalyst for an overdue conversation with her and her father, and hopefully a start on the road to healing the family rifts.

WHY I LIKE IT:

Much like the book Nine, Ten there seems to be the token Muslim girl in the story to offer her perspective on the Islamaphobia that occurred after the attacks.  In this case Sabeen doesn’t detail anything specific happening to her, other than a clerk at a store telling her to go back to Saudi and her uncle getting screened regularly at the airport.  Of all the characters I feel like Sabeen gets the short end of the stick.  She is incredibly flat, stereotyped and undeveloped.  Her family is Turkish, she is wealthy, her mom wears niqab and they are all overly kind and sweet, which is great, but when Deja goes over for lunch, they ask her if she prays, which seemed so random and off to me.  A lot of the basics about the character the author got right, she says that the terrorists were Muslim, but they weren’t, sharing a sentiment many of us Muslims feel. She wears hijab, and takes it off when she gets home.  I don’t like that the mom speaks English, Arabic and Turkish, but is first introduced having Sabeen translate for her with another parent.  Seems incredibly pretentious and misleading.  Ultimately her storyline is just overly forced.  She has to leave Ben’s house when they talk about September 11, because she is so affected by it.  She wasn’t even alive when it happened, and I get that when it is discussed us Muslims are on guard, but the author makes it seem like it is her whole world and influences everything around her.  If you live in New York, especially, I’d imagine at some point you’ve had to come to terms with it, no?

That’s why I also struggled with Deja’s dad.  He is so debilitated by the events of 9/11 he can’t function, yet they happened 15 years ago, presumably before he met Deja’s mom and they started a family.  So, really she fell in love with him in his current condition and thought having three kids with him was a good idea? He was fine and then wasn’t? For 15 years he hasn’t been able to get some sort of help for his PTSD type symptoms?  Seems like a stretch in the timeline, and one that is hard to excuse even for 3rd and 4th graders.

I really like how Deja’s homelessness is brought out and hopefully readers can learn some empathy from her.  Unfortunately the entire 5th grade class is so idyllic that I don’t know that most if any kids reading the book will relate to such a well behaved, so accepting, forgiving and generous group of kids. I mean yeah that’s the goal, but its way too overdone.  Ben, Sabeen, and Deja are best friends after the first meeting even though Deja is rude, mean, and doesn’t like them.  I’m not even sure what Ben and Sabeen get out of being friends with Deja?  Deja undoubtedly benefits from them, but there aren’t a lot of compelling reasons given why they’d be so drawn to her.

And finally, I struggled with the theme of how being “American” united them all.  It makes sense when discussing it as a class, that it doesn’t matter their color, income, life experience, whether they were immigrants or born in America, but the concept comes up again at a critical point when Ben and Deja are on the subway and seems so misplaced to me.  On the subway there would be plenty of tourists and visitors, that wouldn’t be American, no?

FLAGS:

The book is clean, it does mention some drunk people at the shelter, but nothing specific, just in passing.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club selection because the target age is lower than who I meet with.  But, even despite some of my criticisms I’d recommend this book be in classrooms and school libraries as it does offer up a perspective on historical fiction that hopefully could lead to a slightly deeper understanding of the events at a young age.

 

 

 

Bilal Cooks Daal by Aisha Saeed illustrated Anoosha Syed

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Bilal Cooks Daal by Aisha Saeed illustrated Anoosha Syed

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Aside from me desperately wanting to get Bilal’s family a pressure cooker this 40 page book does a good job, and follows a reliable tradition of using food to introduce a “foreign” culture while simultaneously showing universal themes that show how similar we all are when it comes to family, meals, friends and feeling loved.  

Bilal’s favorite food is daal, lentils, and when he is out riding his bike with his friends, his father calls him in to help him make it.  Confused as to why Bilal’s dad would need to start dinner so early in the day, Bilal’s friends join in, in helping make the slow cooking traditional asian subcontinent dish.

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They line up the spices, they put it in the pot, and then they wait.  They put their shoes back on and play hopscotch, they go swimming, they go for a hike and it still isn’t done. 

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At one point Bilal is worried his friends won’t like it, but after waiting all day and gathering more friends at each activity, when the time finally comes they all dive in and love it.

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I love the diversity of the friends and that the dad is cooking and involving his son.  I also like that everyone is willing to try something new and give it a chance.

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The book would work for all kids ages 4 and up with the expressive colorful illustrations, diction, and amount of text on the page.  The book is 9×8 so it works well in small groups and at bedtime.  

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If you eat daal your kids will love seeing themselves in the pages, if you have never had daal there is a recipe at the end following an Author’s Note. 

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There is nothing religious in the book, and anyone from India, Pakistan, and Bangladesh could easily take ownership of the dish and story.  The Author’s note mentions that Bilal’s grandparents are from Pakistan and with a name of Bilal chances are he is a Muslim character.

 

Other Words for Home by Jasmine Warga

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Other Words for Home by Jasmine Warga

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Three hundred and forty pages written in verse that beautifully consume you and leave you emotionally changed and vulnerable and humbled all at once.  The book claims it is for middle grades, but I think middle school will appreciate it more, and I sincerely hope everyone of all ages will take a couple of hours to fall under the spell that is woven to tell a story of a refugee leaving home and starting anew in America.

SYNOPSIS:

Jude is a 12 year old girl living on the beach in Syria, watching American movies with her friends and hanging out at her dad’s store.  With an older brother and a little sister on the way, life as told from her own perspective is pretty good.  Until it is not.  Until the crimes they only hear about happening in Aleppo and Damascus start to hit closer to home.  Until her brother starts sneaking out to meetings with other youth hoping to change the politics of their country.  Until a raid almost catches Jude and her brother and her parent’s decide it is time for Jude and her mother to journey to America, for a little while, to visit her mom’s brother and deliver the baby.

America is not like it is in the 90’s movies that Jude loves: Pretty Woman, Legally Blond, Miss Congeniality.  Her American aunt and her Uncle that seems to have forgotten his Syrian upbringing, are gracious and welcoming and their daughter, Sarah, who is less than a year older than Jude waxes and wanes in her approach to her cousin.  Adjusting to school, life without baba and her brother, and all the other adaptations that moving to a new country entail are brought to life through Jude’s eyes and understanding of the world around her.  As she comes of age and decides to wear hijab, as Islamaphobia shakes her sense of justice, and her little sister is born, the reader sees her grow and change and mature and find themselves hoping that she will soar.

WHY I LIKE IT:

I love that the style of the story telling somehow gives life to so much.  With verse some things are highlighted in detail and other things skimmed over and yet at the end, not only do you feel like you understand Jude, but a lot of the side characters as well, which caught me off guard.  Truly the writing is strong and deliberate.  A lot of the politics and war crimes occurring in Syria are not detailed, and I have to assume that is because the point of view is a 12 year old girl that is blissfully in her own world.  I imagine this is also why the target audience is listed as 8-12 year olds, because it simplifies a truly horrific situation.  Also because despite moments of raw vulnerability, the book stays pretty optimistic and hopeful.  

I like that the characters are Muslim, and that the mom scolds her brother for not going to the mosque.  The book does talk about Jude’s period starting and thus Jude starting to wear hijab, which is one of the reasons I feel like early middle school might be a bit more appropriate age group.  There isn’t too much talk about faith and Islamic beliefs, but a few tidbits are sprinkled in, prayer, not eating pork, modesty.  The book is not gender exclusive, but I think girls will gravitate much more to Jude’s perspective, experiences and voice.

The only thing I found a bit off is that the book takes place in modern time, present day, yet none of them have cell phones or social media.  Jude Skypes her dad, yet writes letters to her friend back in Syria and is distraught when they don’t have a forwarding address to send them to after her friend also leaves home.  It seems that social media, email, a cell phone number, something would be available for them to all keep in touch.

FLAGS:

There is mention of Jude and her friends having to sneak in to see Pretty Woman because Julia Roberts is a prostitute, and mention of blood between one’s legs and periods starting.  The book otherwise is pretty clean.  It hints at her kind of crushing on a boy that is in the play with her, but nothing more than friendship is explored.  Violence mentioned is minimal and language is clean even when dealing with hate crimes in America.

TOOLS FOR LEADING THE DISCUSSION:

There is a good chance that next year the students joining the middle school book club will be all girls, so if that is the case and the school counselor feels all the girls can handle the puberty aspects mentioned I would totally do this book.  The book reads very quick and might be a good way to get new kid to give a book club a try as well.

Author’s website: http://jasminewarga.com/about

Q & A with the Author: https://www.publishersweekly.com/pw/by-topic/childrens/childrens-authors/article/80127-q-a-with-jasmine-warga.html

Interview with the Author: https://www.hbook.com/2019/04/authors-illustrators/publishers-previews/spring-2019-publishers-preview-five-questions-for-jasmine-warga/

 

 

My Name is Fatima. Mine Too! by Fatima D. ElMekki illustrated by George Franco

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My Name is Fatima. Mine Too! by Fatima D. ElMekki illustrated by George Franco

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This book is interfaith, and learning your own roots, and asking questions about your heritage and faith all rolled in to a cute little package for children.  But despite it’s length, 28 pages, and cute little girls on the cover, the book is for more first grade/second grade and older children, rather than toddlers. 

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The message that we are more alike than different is a great message, even for the littlest of readers, but this book goes a little deeper, and the didactic approach will bore them a bit.  Older kids for sure 2nd and up will benefit from the exchanges between Fatima and Fatima and learning both valuable religious lessons about their namesakes as well as respect and friendship for those with different beliefs.

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Fatima is from the Democratic Republic of Congo and on her first day of school in a America she tries to remember her father’s advice, that meeting new people can be a challenge, but also an opportunity.  

At lunch a little girl asks to sit with her, excited to meet someone with her same name.  Fatima asks her why she wears a scarf, and listens to her explain it is because she is Muslim and the hijab is part of her religion.  

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At recess, Muslim Fatima tells non Muslim Fatima that she is named after Prophet Muhammad (saw)’s daughter and asks her who she is named after and if asks she is Muslim, too.  The other Fatima says that she is Catholic and that she doesn’t know why her parents named her Fatima, but that she will find out and let her know.

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That night Catholic Fatima learns that her mom had gone to Fatima, a city in Portugal, a famous city for all the miracles that have happened there and the apparition of Mary, the Mother of Jesus.  Fatima’s mom had gone there to pray for a baby and promised if she got pregnant that she would name the baby Fatima.

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The next day Catholic Fatima tells Muslim Fatima and also asks her if she has heard of Mary, the mother of Jesus.  Muslim Fatima says she has heard of her, but doesn’t know much and that she will ask her parents and let her know.

Muslim Fatima learns that Mary is one of the four virtuous women in Islam and that there is a chapter in the Quran named after her.  When she tells Catholic Fatima the next day at school, the girls marvel at how much they have in common.  They are BFFs despite their differences and beautiful ones at that.

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I love that the book is framed in opposites to show similarities.  I also love that it shows women in our respective faiths with similar values, similar names, and Mary’s role in both our traditions.  So often, when we are building bridges we discuss how Yusuf is Joseph and Musa is Moses, Yahya is John and we go through the old Prophets, this was a nice change in perspective.

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The illustrations are nothing to get excited by, but they do show smiling warm characters and family members.  They serve as a distraction from the text heavy pages that do nothing to grasp the reader with their plan font and majority white backgrounds.

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This book would work for Muslim children, Catholic children, really all children.  It talks about faith, but as the characters view it, not in a one is better or more right than another.  There is a second book in the series about Fatima inviting Fatima to an Iftar party  that I look forward to checking out soon.  I hope it is a little more rich in dialogue and character building instead of just a foil to disseminate the information between the two faiths, but even if it isn’t I still think the book has value and you should check it out.

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