Tag Archives: 2024

Jan25

Join Us for Ramadan by Sana A. Faqir illustrated by Amna Asif

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Join Us for Ramadan by Sana A. Faqir illustrated by Amna Asif

This 18 page chunky board book is about 7.5 x 7.5 inches and a little over an inch thick.  Each spread features interactive touch, feel, lift, slide, and rotate features that keep little toddler hands engaged, while the text shares Ramadan basics. Interestingly enough though, the back says it is not for 0-3 year olds, presumably because parts could tear and be choking hazards, but making it unusable for the demographic(?).

It starts with a slider that reveals the Ramadan moon and encourages readers to find the moon in the sky. The next spread has you lifting a cover to see what Mummy has made for suhoor.  The prayer mat is then pulled out, The Qur’an opened, Sadaqah collected, dates and chocolate rotated, masjid doors opened, and once again the moon slides into view to know it is time for Eid.  

The illustrations are cute, the manipulatives are clever and not repetitive, but the flaps on any of the lift the flap reveals are incredibly thin, and the outer strip that holds the entire book is similarly skimpy and I don’t know how long it will hold up with regular use considering the thickness of the actual pages.  

Jan8

Kamal’s Key by Rifk Ebeid illustrated by Sophia Soliman

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Kamal’s Key by Rifk Ebeid illustrated by Sophia Soliman

This 44 page hardback book gently, yet powerfully, focuses on the Palestinian resistance symbol of the key, by sharing a multi generational tale of new beginnings, heartache, hope, and resilience. The writing is moving, and flows with simple lines, beautiful illustrations, and maintaining a focus on a singular theme. So often well meaning books about oppression, war, politics, try and include numerous details that the picture book suffers in its appeal to younger audiences, the opposite is often true with books being so generalized that it isn’t clear exactly where refugees are from or what turmoil is being discussed. This book strikes a beautiful balance of calling the incoming occupiers a dark cloud and not giving them space or attention, while focusing on Palestinian experiences through a lens of hope, joy, and love.

The book starts with the key. It is a beginning to Kamal’s home. It is on his belt at his wedding, it is the beginning of his and Huda’s new life starting together, a symbol of their home when their son is born. It is the beginning of Jalal’s imaginative play of using it as a dhulfiqar. It is secured around Huda’s neck when they are forced to leave their home, and find refuge in tents. It is hung when the tents become walls.

One day Jalal takes it down, when the hurt in his father’s eyes is too much for him to witness. When Jalal becomes a father though to Salma, the key becomes her toy, her microphone, her connection. When Kamal gifts the key to his granddaughter it becomes her art, her poetry, her necklace, a symbol of her hope and a people’s right to return.

I’ve read this story a few times to myself, as well as with my children, and I only wish it was a little larger in size. It works well one-on-one or with a few, but it is a story that needs to be shared in large story time groups, and the 9 x 9 inch size makes it a bit difficult.

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The book concludes with an author’s note, an illustrator’s note and a glossary, not just of terms, but traditions, concepts, and information about the song. I purchased my copy from Crescent Moon Store.

Jan4

MetalGhost: Kashif and the Echoes from a Past Life by Ali Mohammad Rizwan

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MetalGhost: Kashif and the Echoes from a Past Life by Ali Mohammad Rizwan

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This 350 page YA book (14/15+) does not hit the ground running, but once it finds its stride, it is a lot of fun.  I handed the book to my son, who loves Islamic fiction, and at 30 pages he brought it back saying it was terrible. I upped the ante and bribed him with goalie gear to read to 100 pages, but he couldn’t stop, he finished the book, and returned the favor by encouraging me to move it to the top of my TBR pile.  Like him, I truly wanted to dnf it early on. There are too many names, too many line edit errors (mistakes, repetitive phrases, adverbs), and a little too many forced cheesy (halal) romance scenes. And then the writing gets a little better, the plot strengthens, the Islam is more than just the character’s religion, but something that actively engage with, humor is woven in, twists develop, emotional threads are pulled, and you find yourself absorbed and invested in the story.  The writing at the end unravels as well, it feels  forced, much like the beginning, but perhaps that is the vigilante/superhero genre’s norm to get readers to pick up the next book in the series for answers and clarity. I’m glad the book was nominated for the Muslim Book Awards, I may not have heard about it otherwise, and I love that my son, who is currently re-reading it, found a book that is relevant, appealing, and has an Islamic heart.  Think a mix of Batman and Green Arrow, with a splash of Ironman all wrapped up in a thobe, and being advised by his mother and the local imam to go pray.

SYNOPSIS:

Life is going pretty well for Kashif Razvi, he is about to marry his longtime crush, with both families’ blessings and excitement, he is busy at work but enjoys it, and he hangs out in his free time with his tech friend Samir, developing robotic and cutting edge devices, but then everything falls apart.  When his father dies because of a mysterious power outage in the ICU, Kashif can’t let it go, and starts looking for answers.  He comes up empty following the legal, traditional routes and decides to take matters into his own hands.  He throws on a suit designed by Samir and takes to the streets as MetalGhost, becoming the city’s new hope.  He follows leads to avenge his loss, uncovers corrupt police, cracks down on human trafficking, and seeks to set right other ails of the city.  No matter the crime, a few names always seem to be in the mix, and as the city starts to fall apart, copycat vigilantes start popping up, and MetalGhost finds it won’t be as easy as he thought to hang up his thobe and leave his crime fighting life behind.

WHY I LIKE IT:

Everyone wants a Muslim super hero, but usually they come across as overly juvenile, or their faith and culture performative. This book finds a nice balance of action, contemporary relevance and Islam. The structure feels formulaic, but it works as it seems to track with superhero movies.  You get the emotional tragedy, then the plot, then the resolution. The middle of the story flows and draws in seerah, sahaba inspiration, humor, and action.  The beginning and the end, though are just really stilted.  I’m not going to spoil anything, but the end was not as strong as it should have been, the reveals and twists were not articulated well and they should have been, they were so shocking.  The numerous names and characters at the beginning really need to be edited and simplified, they linger in the middle, but honestly the reader stops caring and just reads for the plot, hoping that it will get sorted.

FLAGS:

I love that the relationship beats are halal, there are a few tinges that might lean into the line, but are gray at most.  There is killing, death, torture, human trafficking, crime, lying, vigilantism.  For teens it is fine.

TOOLS FOR LEADING THE DISCUSSION:

My son and I have chatted about the book, but I think to take to a larger group, I really would want it to have another round of edits.  The idea of the story is wonderful, and to read by yourself I think it excels at what it is.  But to have teens, sitting around picking it apart to discuss and reflect on, will need the writing to be cleaner and stronger.

Dec31

Our Neighborhood: Excited for Eid by Marzieh Abbas illustrated by Anoosha Syed

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Our Neighborhood: Excited for Eid by Marzieh Abbas illustrated by Anoosha Syed

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Like the first book in the Celebrating Islam from the Our Neighborhood series, Friday Fun, this 26 page 7 x 7 board book is delightfully done in capturing the joy, sentiments, and traditions of the day. The mix of specifics and generalized parts of an Eid day experience offer both a window and mirror for toddler to early preschool kids. My concerns is that while maybe families will sense that henna/mendhi is cultural fun, and balloons and ice cream are not a religious requirement of the holiday, the two page spread dedicated to gathering at graves is a lot of space given to a cultural practice, not an Islamic one. I’m not a scholar and the book with its minimal words does not indicate if these families are visiting all graves, if they visit on days other than Eid, if they are grieving recent deaths and acknowledging that holidays can be hard. It shows multiple families at multiple graves some with flowers, some bare, some placing flowers, under the words, “gather together” and “love forever.” It is uncomfortable to me because of the space it takes up and the implication that it is a major part, or perhaps that it is a requirement of the religious holiday, when it is not.

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Similarly, the absence of going to the masjid or even praying is also glaringly missing. The family goes past the “lit up mosque” to get to the “fun kiosk” later at night for fun and games, but again no Eid prayers, five daily prayers, or really any worship is shown to take place on Eid other than in the illustrations reading Quran and making dua at graves. Hijab is shown on numerous women and mentioned in the text. For a book about a religious holiday, positioned to celebrate Islam, I would have hoped for some clear religious acts to be shown and articulated as being joyous parts shared by a global faith.

I enjoyed the little baby’s desire for ice cream that stretches through the story. It will add a layer of joy to even the youngest audience members. The gathering to eat and share and have fun is beautifully illustrated under the simple rhyming text, but Eid is a religious holiday, and that point seemed unfortunately absent.

Dec30

The Djinn Waits A Hundred Years by Shubnum Khan

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The Djinn Waits A Hundred Years by Shubnum Khan

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I didn’t realize how many characters this 308 page adult book has until I sat down to write this review.  The slow peeling back of layers into their backstories, motivations, perspectives, and insecurities, makes you get to know them in a way that feels real and deep, but in no way can be succinctly explained in a review.  First off to clarify, I feel the title is a bit of click bait, the djinn is there, but not a big part of the book, there is also a ghost, who is a more impactful character, so the vibe is more haunting than Islamic lens.  In fact, a few characters are Muslim, but that is about it.  The writing though, oh the writing is quite lovely and immersive.  The culture of desi characters in South Africa, the slivers of colonization and caste that get commentary, and the heartache of all those who have called, and do call Akbar Manzil home, will linger even if the details fade over time.  I listened to the audio book, so it is possible that triggers or flags might have been missed, for the most part the book is relatively clean, death, murder, attempted murder, and supernatural beings being the most obvious.

SYNOPSIS:

The main character is very much the grand estate of Akbar Manzil, a palatial home off the coast of South Africa that shaped lives and futures and hid horrors and loss.  In modern times it has been subdivided into apartments where lives and futures are still shaped and horrors and loss are also hid, and hid from.  When Sana and her father arrive to take up residence, the past and the present begin to unite, a djinn that has never left the house is stirred, and the more Sana pokes and prods, and the more she understands about the original inhabitants of the home, the more the house pushes back.

I don’t know how much to tell, as spoilers aren’t so easily defined in this book.  The family in the past is a man from India, Akbar, who falls in love with the area, builds a house despite his wife hating it all and desperate to leave, opens a sugar factory, his mother comes to live with them, they have two children, servants, friends, he stocks the gardens with monkeys, giraffes, a lion, and then one day he is enamored by a Hindu worker, Meena, at the factory and takes her as his second wife.  The jealously and family drama reaches a crescendo when she is pregnant and has a little boy.  Beyond the family storyline is a djinn also enamored by Meena, who takes up residence in the house to be close to her.

In present times, the other tenants in the house have their own baggage, loss, regret, and fears that cause daily squabbles and plottings.  Sana deals with the loss of her mother who hated her, and a dead sister who haunts her.  There is also Pinky in love with Shah Rukh Khan, Zuleikha a former famous pianist who has lost her edge, the Doctor who owns the home, a mother waiting for her son to visit, a parrot named Mr. Patel, Fancy, Razia Bibi, and so on. The house is occupied, but hollow, not full, and the the lingering djinn seems to always lurk just beyond the surface, in the corners and shadows that haunt them all.

WHY I LIKE IT:
I like that the writing keeps you hooked, even at times when there is no rising action, or conflict, you are genuinely drawn in and invested in just learning about the characters and how their lives, both those in the past and the present, intersect.  I didn’t like the fact that there is a djinn and a ghost, I feel like the ghost negates the realness that djinn.  It is possible that the ghost was a metaphor, or symbolism, but it was a little off to me, to have both as I understood it.  I don’t know how I feel about the vagueness of the final climax, yes I’m trying not to give anything away, but SPOILER: who set the fire?

FLAGS:

Loss, death, ghosts, djinn, murder, attempted murder, lying plotting, manipulation, music.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that this would work for an Islamic school book club, that doesn’t mean it wouldn’t work, but rather I need someone to discuss with me, so that I feel like I understood some of the lingering threads that are unresolved.  Basically, I would need to have someone explain parts to me, before I could help 15-16 year olds and up make sense of it all.

Dec27

Gift of Salah by Yusra Khan illustrated by Aisha Aamir

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Gift of Salah by Yusra Khan illustrated by Aisha Aamir

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This basic 10 page board book, is simple, and age appropriate to teach toddlers the order, name, number of rakats each of the five prayers are, and the time of day that they should be offered.  The gift on each of the two page spreads lifts to reveal the name of the prayer and the repetitive refrain will allow the audience to jump in on cue to supply the answer to the question being asked.  We have a lot of high tech and fancy lyrical options to entertain and teach our kids these days, but sometimes a solid book, that can teach and reinforce such a foundational concept is a just what our kids need.  I do wish the flaps were a little thicker, but the 6 x 6 inch size is great for little hands, alhumdulillah.

The book is consistent with each two page spread discussing the time for each of the five prayers on the left, with the number of fard rakats and the refrain of “Do not miss/ Do you know which salah is this?” I think some punctuation would help, but none-the-less, the present is then meant to be lifted for the name of the prayer to be revealed.

The illustrations do not have faces, and show the little boy praying from different angles and in different positions.

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Dec25

The Thread that Connects Us by Ayaan Mohamud

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The Thread that Connects Us by Ayaan Mohamud

 

At just over 400 pages this book expertly blends the stresses of school, bullies, and friends in the UK with the twists and secrets of broken families, shattered hearts, and a past that needs to be reckoned with.  Told in dual perspectives from girls thrown together by the actions of their parents, Safiya and Halima maintain distinct voices that are rich with Somali culture, Islam, vulnerability, and ultimately love and hope.  The book is YA, but the premise is a bit mature and is better suited to older teens in my opinion, I think a high school book club would be wise to consider this book, as once you start reading, it is difficult to put the book down. 

SYNOPSIS:

Safiya is mature beyond her years.  Since her father abandoned her and her mother five years prior, she has managed the bills, the upkeep of the home, and for the most part her grades. Hooyo checked out and is rarely more than a silent being curled up unable to care for herself, much less her daughter.  With the the help from the community, particularly her best friends and neighbors Muna and Yusuf, Safiya has a found family that helps her weather the tough times.  When her dad moves back to London with his new family from Somalia, Safiya is forced to deal with not only all the painful memories of her past, but also the very real presence of her family living in her neighborhood, showing up to Eid prayers, and taking over the safe haven that school has often served as when home life has been so cold and lonely.

Halima’s father died when she was young, and life with her Hooyo in Mogadishu was good until her mother remarried, Safiya’s dad.  Her two younger half brothers that came further added to the rift between her and her mother, and now that they are moving to England with the husband, despite her protests, has her plotting a way to return to her home.  The language, the culture, the weather, are all added stresses to finding her way, and are compounded when she gets paired up to have Safiya show her around and help translate for her in school.  

The two girls hate each other, at least they have that in common, but their inability to avoid each other forces them to interact more than either wish to do.  As questions, and secrets are voiced, the two girls realize that they might have to work together to get what they want, and figure out their past.

WHY I LIKE IT:
I really enjoyed the owning of the characters’ language and culture and faith and how easy it was to be invested in their world.  Nothing pulls you out of the story, it is rich and lush and the reader can figure out why even though there is a crush, nothing is going to happen, and why they are wearing hijabs, and waking up to pray fajr, the balance is both inviting and educating, without the reader even realize it is happening, because hello, we are to busy trying to figure out what these two girls’ parents have done. 

The story has layers, and the emotional attachment I feel to both these girls, made me glad the story was over, they deserve some peace, but also desperate to know that they are going to be ok in the future too.  I can’t say too much without the risk of spoiling, but the writing is strong, the plot solid, the details intentional and relatable, and the characters very real.

FLAGS:

Lying, bullying, fighting, assault, crush, drug use, arrest, accusation, gossip, abandonment, relationships, edibles, affairs.

TOOLS FOR LEADING THE DISCUSSION:
This would be such a great upper high school read, the way the story unfolds will keep readers hooked from the first page and motivate those that start, to finish.  Students will see themselves in the characters, and be sleuths themselves trying to uncover what secrets are true and how do the pieces of the puzzle fit together.

 

Dec24

Our Neighborhood: Friday Fun by Marzieh Abbas illustrated by Anoosha Syed

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Our Neighborhood: Friday Fun by Marzieh Abbas illustrated by Anoosha Syed

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At 26 pages and 55 words, this adorable board book conveys Jumu’ah sunnahs, joy, Islam, and community.  The simple rhyming words and bright engaging illustrations are meant for babies to three year olds, but I have a house full of older kids and this book made them all smile.  The book is part of a larger non fiction series, “Our Neighborhood,” that focuses on different communities, and the first of two that celebrate Islam.  “Excited for Eid” will be released before the end of the year.  The 7 x 7 size and thick pages can work in small groups in addition to bedtime.  Whether your audience is Muslim kids learning about Jumu’ah, or non Muslims learning about what Muslims do on Fridays, the book will have a large appeal and be a joy to read over and over.

The book establishes it is Friday and then the characters get ready for Jumu’ah at the masjid.  They shower and groom, and trim, and head to the mosque for a talk before the adhan signals the time to pray.  After duas they give charity, hug their friends, and share a meal.

The little kids, male and female, pray together, but I took it to be realistic as often little kids are with one parent and are not segregated like the adults.  The illustrations show some of the kids in hijabs, others not, some of the adults in duputta style head coverings, others in hijab, and some in niqab.  “Allah” is written in Arabic above the mimbar, and the word “sadaqah” is on a box under donations and above mosque.  All the other words are the English versions of the word, except Adhan is in the text and not defined as the call to prayer.  There is no glossary.  The book really is for Muslims, by Muslim, but as a mainstream published book, it also is an easy window to open for non Muslims to see us in our element on Jumu’ah, alhumdulillah.

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Dec21

How to Free a Jinn by Raidah Shah Idil

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How to Free a Jinn by Raidah Shah Idil

This 276 page book drew me in from the first page and held my attention until the last. I can’t recall ever reading a fantasy book in a single sitting.  The Islam, heart, Malay culture, and family dynamics have me hoping that maybe there will be a sequel, and that hopefully this debut novel is a first of many from the author. Of course I have minor critiques, the book definitely in the middle had some repetition and pacing hiccups, the rising action and climax could have been stronger, and there are a few noticeable loose threads, but Insyirah is a loveable protagonist that you really hope can sort through her family secrets, save the day, and be at peace with her decisions.  There is a lot of Islam, and it is well woven into the characters’ identities, the plot, and the lens of the book.  If you are Muslim reading it, you will see the fasting on Monday and Thursday, and staying in wudu a little different than non Muslim readers, but no matter who you are, you will enjoy the plot, the adventure and fun ride that will undoubtedly become a beloved favorite.

SYNOPSIS:

Twelve year old Insyirah and her mom are moving back to Malaysia to care for her elderly grandma.  Insyirah is anxious and not thrilled to be leaving Australia.  She hardly has time to miss her old life though as family secrets, discovering she can see and interact with jinn, and learning that an old jinn with a big grudge is after her.  Navigating the seen and unseen words, the rules of her mother opposed to those of her grandmother, and figuring out what she wants will take time to ponder, learn, and reflect upon.  Unfortunately, Syirah doesn’t have that kind of time, as she keeps falling into the unseen world, realizing that a jinn bound to her blood line will soon be under her control, and that pesky jinn haunting her school is trying to get her to leave Malaysia.

WHY I LIKE IT:
I am intrigued by the the way the book holds space for Islam, culture, and fiction, and interweaves the three.  Islam is adhered to, along with the worship, and uncompromising faith in Allah swt, and while the jinn are kept as being real, as understood by Muslims,  their day to day antics cultural and fictional positioning, is richly developed and not put in conflict with deen, seemingly trying to keep everything halal.  I am not a scholar, I would not venture to proclaim that this does or does not cross lines, but the author is very aware of the threads at play, and has a solid awareness of writing craft, so the result is a great story, that feels authentic, without being “shirk-y.”

There are some pop cultural references that might age the book a bit, but I love the shootouts to Hanna Alkaf books.  For me, a Western reader, that really is my only other Malay juvenile literature reference, and the vibes are similar, so it was nice to see the connection.  

FLAGS:

Jinn, loss, death, fear, murder, threats, lies, enslavement, haunting, scaring, secrets, fighting.

TOOLS FOR LEADING THE DISCUSSION:

This book is solid middle grade, but I think older kids will enjoy the story and find plenty to relate to, learn about, and be captivated by.  I think this book will be a great addition to home, school, and library shelves, and while my copy is from Australia, I believe a US version will be available in 2025, inshaAllah.

Dec15

Hidden Fires by Sairish Hussain

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Hidden Fires by Sairish Hussain

I will not be getting over this book any time soon. It broke my heart, and all my other critical organs, in the most delightfully well-done way possible, and undoubtedly I am better for it. I don’t read a lot of adult fiction these days, and with some diabetic retinopathy concerns, I couldn’t read the 384 page adult book about generational trauma, partition, the Grenfell Tower fire, family dynamics, bullying, self-harm, and resilience, but was pulled in to the audio book version instead. The Desi-British voices of Yusuf, Rubi, and Hassan were refreshing to my American ears.  The multi-perspective book told in parts richly develops the characters, their relationships, and their current, past, and future struggles.  The author is Muslim, as are the characters, and while they all practice in their own way, it is undoubtedly who they are, and their Islamic identity is not questioned, feared, blamed, or apologized for.

SYNOPSIS:
The book weaves three distinct voices. Yusuf, is an 80 year old an immigrant who lived through partition, raised his family in the UK, has lost his wife a year prior, and is struggling with haunting memories of the past, failing health, regular loss of friends, and loneliness.  Hassan, Yusuf’s youngest son is a workaholic who is married to a non Muslim, non Desi who is suffering from fibromyalgia and who’s mother unexpectedly passes away in Spain.  Rubi, is Hassan’s 16 year old girl who is overweight, bullied, lonely and about to take her GCSE exams when she is dumped on her grandfather Yusuf’s door while her parents head to Spain.  The book opens in Ramadan the night of the Grenfell Tower fire and the horrific event affects them all, stirs memories, and shapes futures.  From there the layers of each character slowly unravel as they cope with the swiftly changing present as they desperately work to break free from the past.  As dementia plagues Yusuf, Rubi finds purpose in being needed, and Hassan is forced to re-prioritize his life before it is too late.

WHY I LIKE IT:
The book takes a slow approach to building up the characters and their back stories. It is almost feels like world building as a book would if it were a fantasy, it doesn’t info dump, but at some point the hooks are so deeply embedded that you really cannot leave the characters and their world and you have to finish the book, just to ensure they are ok.  Because I listened to the book, I feel like there might have been some Islamic content that was not completely ok, but again I was having vision issues and couldn’t note where to go back and check.  I think it is fine, and because it is an adult read, I think the audience can discern accuracy, but please know, I’m not 100% green lighting the Islamic rep.  It is undoubtedly well done and fasting and praying are a part of the characters, but their relationship to their faith and their understanding of it, is presented as theirs, it doesn’t get preachy or make broad statements about Muslims everywhere or Islamic doctrine.  

FLAGS:
There is body shaming, self-harm, trauma, death, torture, killing, lying, abuse, fear, guilt, dementia, bullying, assault, physical violence, drug use (mentioned), attempted suicide (mentioned), music, theft, make-up, close male and female relationships, Muslim marrying a non-Muslim, hallucinations.

TOOLS FOR LEADING THE DISCUSSION:
I think mature high school seniors or possibly even juniors could benefit from this book with discussions.  I think Rubi’s voice tied to her father and grandfather, will really open up youngsters perspectives, and provide a great vehicle to hear their thoughts, fears, worries, concerns about body image, self harm, aging grandparents, accessibility to parents, etc..