Jun7

A Letter to the Beloved: Dear Prophet Muhammad (saw) by Jenny Molendyk Divleli illustrated by Rumeysa Abis

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A Letter to the Beloved: Dear Prophet Muhammad (saw) by Jenny Molendyk Divleli illustrated by Rumeysa Abis

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I was a little skeptical about a 32 page rhyming letter to our beloved Rasullah, illustrated in book format, but it is cute and it won me over.  The rhythm keeps the rhyme from feeling too forced and allows for some forgiveness when it misses the mark, it also makes the book appeal to a wider audience. Even my preschooler could sit through it pretty well.  The book being the letter without any stilted framing, has a lovely authentic voice of a young boy, also named Muhammad, asking the Prophet (saw) questions and chatting in a very stream of conscience sort of way. It blends facts that the young boy knows with his stresses and asking the Prophet for advice.  The font is meant to look like a child wrote it, but it is a little cumbersome for children to read, and even adults (me) during read alouds.  I do wish the book was sourced, nothing really seemed wrong, but having it sourced or approved by a scholar is just a reassurance to the reader, and in my view a responsibility of the author.  The only line I didn’t like was near the end, when the boy hopes “that you will remember me, from this letter I am writing you.”  I feel like it will confuse kids, is the letter being sent? How would he know you when you’ve never met? What will be done with the letter once written? The illustrations are hit or miss, some are absolutely lovely, others a bit off, for example a music book on top of a picture of Masjid an Nabawi and the Kaaba, some also easier for small groups to see than others.  For kids there really aren’t a lot of books about Prophet Muhammad saw that are not textbook like in their portrayal, so I like the approach this takes, I just wish a few things were tweaked.

The book dives right in, with Muhamad introducing himself to our Prophet, he writes that he was named after him, and all about his family.  He then starts to tell what he knows about Prophet Muhammad, and questions he would like to ask.  Its a one sided discussion about siblings, smiles, appearances, kindness, and generosity.

The little boy then wants to know about Buraq, splitting the moon, talking to angels, standing out numbered at Badr.  It then turns to food and the little boy wondering about if RasulAllah would like mustard and relish, and burgers.  

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He imagines the Prophet visiting and leading his family in prayer and the scent that would then linger.  The boy hopes to meet him in Jannah, and promises to do his best to follow Allah’s decree. He signs off and sends salawat upon the Prophet. There is then a place for readers to write their own letters to the Prophet.  

Jun5

Sam(ira)’s (Worst) Best Summer by Nina Hamza

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Sam(ira)’s (Worst) Best Summer by Nina Hamza

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The first 15% of this 336 page book were rough, the internalized Islamophobia/othering, the excessive discussion of Halloween and being toilet papered, but then I don’t know, something suddenly changed, and I was hooked.  There really is no plot, the reader just spends the summer with Samira, the highs the lows, you see it all through her tween eyes, which worked great for me because I truly loved her voice.  Her dry witty humor, the short choppy chapters, once the forced Islamic rep faded (I know, the irony is not lost on me), the book was hard to put down.  It has Muslamic flags: music is a HUGE part of the book, there is lying, mention of beer, parties with boys, Halloween, dancing, bullying, racism, ageism, Islamophobia, stereotypes, but it also has a lot of heart, finding yourself and voice, amazing sibling support, community, a super grandma, a little brother who is on the spectrum and absolutely a star who holds his own. It is very idyllic even for middle grade, but I think if you are ok with the aforementioned flags and have a middle grader trying to find their place or has had some friend trouble, this book will resonate and be well loved.

SYNOPSIS:
Sam/Sammy/Samira is wrapping up a school year that did not go as planned even though she found she loved being a photographer for the yearbook. She had a huge falling out with her best friend Keira, and she cannot wait for a summer of never leaving her room.  Her parents and older sister are heading to India, leaving her with her little brother Imran, and Umma, their Grandma who came from India to watch them. The end of school culminates with the yearbooks being delayed, her house being toilet papered, the talent show performance that she quit- being completely changed and incredibly racist, Keira spreading lies, and a new girl moving in to the neighborhood.  It is a lot for Samira, and summer is just getting started.  Umma knows the whole neighborhood before the week is out, and starts building a community that rallies around the three of them.  Samira becomes a roadie for a band, Imran gets an old artist to teach him to paint, parties are planned, voices are found, friendships are established, and videos are made celebrating the success and obstacles of it all.  Every time they call the rest of the family in India, even the reader realizes just how much they all have grown.

WHY I LIKE IT:

I just love Samira, she is relatable, funny, and you just cheer for her. I wish her lens though was Islamic.  She doesn’t wear a swimsuit because she misread the dress code, but had no Islamic perspective hesitation of going to a swimming party with boys.  She gets blamed for sneaking beer to a gathering and it says she doesn’t drink, but doesn’t stress, that it would be a huge, huge deal Islamically, not just because she is underage.  Music and dancing aren’t even blips on the radar. Umma prays, Sammy finds it annoying that her prayers seem to take longer when Sammy is waiting for her.  Once it mentions that Sammy was told to pray, but it never shows her praying.  Islam seems very forced, just enough for the character to mention Islamophobia in other instances where the label creates stress for the family.

The character development of Imran and Umma, even though they don’t change at all, has depth and grounds the story. I read a digital copy that doesn’t have any backmatter, but I do hope that the autistic rep is accurate.  Imran’s perspective and heart are so engaging and his and Samira’s relationship is very tender.  There is no pity, or looking down, he legit is fully fleshed out and awesome.  Umma is incredible too, her magic network of getting things done really is a super power.  She connects with people, has a huge heart, and picks her battles.  I wish I could take an internship from Umma.

I can’t figure out if the resolution to the “climax” is intentionally understated because Samira has moved on and grown, and having a big explosion doesn’t fit her character, or if it was just not written strong enough.  That is why I put climax in quotations, because there really isn’t a lead up, or rising action, it is a progression, but it is like the rest of the smaller ups and downs, it is just a stress of the day-to-day living of the protagonist.  The other thread of the “climax” being Alice’s grandma coming home from the hospital, really just seemed weak.  She should have come to the party in her wheelchair, I really didn’t get why it centered the party for being for her, but then let her leave.

I like that Keira wasn’t given redeeming qualities, and her treatment of Samira was never justified.  Often the bullies are shown to have hard lives, which is fine, but sometimes they are just mean.  Samira really takes the high road in handling Keira and what she wants their interactions to look like in the future, which is much better messaging than most books about bullies contain, and I really appreciate that.  

FLAGS:

Bullying, racism, stereotypes, lying, Islamophobia, agism, mocking, teasing, music, dancing, vandalism, mention of Halloween and beer.

TOOLS FOR LEADING THE DISCUSSION: It wouldn’t be possible to do this as a book club selection in an Islamic school because of the music element, but depending on the school, it might still be ok to shelve in classrooms and the library.

Jun4

I’ll See You in Ijebu by Bunmi Emananjo illustrated by Dian Ejaita

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I’ll See You in Ijebu by Bunmi Emananjo illustrated by Dian Ejaita

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As a window into Nigerian life, this 32 page book is beautiful, celebratory, and an incredible resource to learn from and emerge yourself in, as the beautiful pages, and delightful language sweeps you away to Ijebu and Olu’s grandparent’s house for Eid al Adha.  As a Muslim, this book’s framing might require some conversation with little ones that may or may not be right for your family.  The protagonist in the book, Olu, is Catholic, her siblings and parents are as well, her mother’s family however, is Muslim.  The multi-faith family celebrate each others’ holidays, for example Olu goes to the mosque to pray after taking communion at church, and the cousins haven’t seen each other since they came to Lagos to celebrate Christmas.  Eid al Adha is celebrated with a big meal, prayers, and being together, but nothing specific about belief or doctrine is included in the text. The tender heart of the story is the subtle bond between Olu and her grandfather, Baba, even though language differences prevent them from talking. The writing style is as beautiful as the full page illustrations, with part of each page dedicated to more traditional story telling, and another complimentary part expressed in a more lyrical fashion that reads often like a song.  The backmatter is robust with information about Nigeria (including a map), Food, Fun, Faith and Family, Oriki, Fashion, an Author’s Note, a recipe for Puff Puff, an Illustrator’s Note, and a list of people who helped create the book. The book is OWN voice written and illustrated, but I do not think either are Muslim, and while the publisher lists the book as being for ages 4-10, it is a bit text heavy, so take that into consideration. 

The book starts with Mummy calling Olu and her brothers for breakfast.  Daddy is in America at their old home visiting his brother, and today they are going to Ijebu to visit Baba and Iya Akin for Eid.  This year Olu is eight and will finally get to help make the Sallah feast. The traffic is bad in the hot weather, with smells of vendors cooking filling the air.  The family listens to Afrobeats and 90s pop music until they are finally there.  When they arrive Baba is waiting and sings Olu’s oriki as they embrace.  Food is a big part of visits to Ijebu, as they pick ripe cashews, sugar cane, guavas, and mangoes on Baba’s farm.

When it is finally Eid the family walks to the nearby mosque for prayers in matching outfits.  Then it is time to cook the two rams for the Eid feast.  Olu is going to braid the ram intestines.  It is a lot to cook and a lot to eat. When the week is over, and it is time to leave, once again it is Olu and Baba’s hug that make the love tangible and the book emotional as they say their wordless goodbye.

Jun3

Sami’s Special Gift: An Eid al-Adha Story by M.O. Yuksel illustrated by Huseyin Sonmezay

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Sami’s Special Gift: An Eid al-Adha Story by M.O. Yuksel illustrated by Huseyin Sonmezay

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This sweet 32 page story, blends themes of loss, grief, giving, homelessness, Islam, Eid al Adha, and joy with simple early reader level text and beautiful illustrations. The book never gets preachy and doesn’t other, making it a great addition to all shelves, everywhere. There is information about Eid al Adha and what a homeless shelter is in the backmatter along with a glossary that explains, Islamic and Turkish terms.

Sami loves Eid and celebrating at the carnival with Dede, his grandfather, but this year, Dede is not there, and Sami is sad. When a package from Nene arrives from Turkiye with Dede’s favorite sheep decorated Eid tie for Sami, things start to look up. Sami never wants to take it off, and even wears it over his new Eid clothes as they head to the mosque for prayers. After salat and before the carnival, the family visits a local butcher and picks up meat to take to the homeless shelter.

Sami has never been to a homeless shelter and has only heard of his parents going and helping there. He asks his parents about it on their way and once they arrive heads off to play ball with a boy, as his sister shares her doll with a little girl. When it is time to leave for the carnival, Sami imagines what the his life would be like if he lost his home and belongings, and makes a decision, knowing exactly what his Dede would do.

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I love how the book weaves in information about Islam by having the family praying, listening to the imam, wearing new clothes, and giving in charity, without pulling out of the story. Same for the Turkish cultural inclusions of food and words. I also like that in the illustrations the mom wears hijab when out of the house, but not inside. It all comes together smoothly and is unapologetic, even while handling the sadness of his grandfather no longer being with him, the empathy at the homeless shelter, and joy at the carnival.

My only concern is when it says both in the text and in the backmatter that meat is given: one third to friends, one third to family and one third to the poor. I don’t know that it is wrong, but to clarify you keep one third for yourself (and family), and distribute one third to friends, and one third to the poor. Additionally, I also know a lot of people might not love the illustration style, but the picture of them in the mosque, won me over.

May31

The Home We Make by by Maham Khwaja illustrated by Daby Zainab Faidhi

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The Home We Make by by Maham Khwaja illustrated by Daby Zainab Faidhi

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This 48 page picture book follows a family as they leave their home under siege and journey to America.  Through the eyes of the young girl the thread of what is home, where is home, and is it a place or a feeling weave through the emotional unknown that the family faces throughout.  Even once settled the feeling of security at home is threatened, and the family must persevere.  The little girl’s joy and hope that whatever comes will be faced together with her parents, keeps the book hopeful and at times even joyful.  The lyrical writing is occasionally makes the book feel text heavy, but because the reflection of memories and inclusion of emotions is used in conjunction with the story moving forward, I think elementary aged children with guidance will benefit from reading and discussing the book. As a former journalist, I truly believe one can research a topic and write an accurate story or an article presenting what they learned for others to benefit from.  At the same time as a lover of fiction, I enjoy OWN voice and the authenticity that it brings to the experience.  So, when I read the Author’s Note at the end, and found the author is not a refugee, and that there is no named sources of the author’s friends who are refugees, in fact there are no references whatsoever, I felt deflated.  It in some ways makes me uncomfortable that what looks much like a Syrian refugee story on the pages, is perhaps so mainstream, that a fictionalized account can be shared and accepted without authenticating it.  No country is named in the book, the author is an immigrant so there undoubtedly is a level of OWN voice, and she disclosed she is not a refugee- truly nothing “wrong” has been done, but nonetheless I feel like I should share that here for you to decide how you feel about it before reading the book.

The book starts with rockets falling outside a family’s home while they pack essentials in the red glow.  They then leave their home, and the house key behind as they start their journey. They begin walking past destroyed buildings, the girl’s school, branches that seem to not want to let them leave.  They arrive at the docks, spread the same blanket they once took to the beach during happier times, and wait for the boats.

There are not enough lifejackets, but her parents make sure she gets one.  As the boat bobs along, the young girl imagines astronauts in space and wonders if they too miss home.  The angels in blue vests get them from the boats to the camp, where they stay and wait, while they complete paperwork and dream of finding a new home. When that day comes, the goodbye is hard, but they board a plane to America with hopes and dreams.

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In America there is an apartment, help to learn the language, and reminders that they are lucky they have made it this far.  But, there are also people who do not want them here, that make them feel unsafe in their new home, and the family will have to work hard to find their place and make the puzzle pieces fit.

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The full illustrations bring the book to life, and compliment the text, establishing a tone that is seamless in conveying both fear and happiness on a kid appropriate level. 

 

 

 

May30

The Door Is Open: Stories of Celebration and Community by 11 Desi Voices: Hena Khan (Editor), Sayantani DasGupta, Reem Faruqi, Veera Hiranandani, Simran Jeet Singh, Supriya Kelkar, Rajani LaRocca, Maulik Pancholy, Mitali Perkins, Aisha Saeed, N.H. Senzai

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The Door Is Open: Stories of Celebration and Community by 11 Desi Voices: Hena Khan (Editor), Sayantani DasGupta, Reem Faruqi, Veera Hiranandani, Simran Jeet Singh, Supriya Kelkar, Rajani LaRocca, Maulik Pancholy, Mitali Perkins, Aisha Saeed, N.H. Senzai

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I cannot in good conscience at the current time support this book as a whole, as many of the contributing authors have not used their platform to speak up, spread awareness, and draw attention to the genocide occurring in Palestine. As recent South Asian history involves colonization, I find this silence deplorable, disappointing and shameful, we need to do better. That being said, I am reviewing the book none-the-less because a few of the authors have spoken out, some quite a lot, and I hope those that have remained silent, will speak out. Our voices have power, and while it feels like it might be too late to take a stand, it is not. Lives might yet be saved.

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The 328 page middle grade book is a collection of 11 Desi voices, four of which are Muslim (Hena Khan, Reem Faruqi, Aisha Saeed, and N.H. Senzai). All 11 are threaded together by a fictional community center that houses badminton games, ameens, cooking classes, dancing for Navratri, chess tournaments, spelling bees, celebrating an aqiqah, and everything in between. The majority of the stories are joyful with threads of overcoming stereotypes being a frequent mention in a book filled with different cultures, religions, and perspectives. Potential flags and triggers: there is mention in one story of domestic violence, there are a few hetero crushes and one same sex identifying boy who isn’t ready to discuss his attractions, there is ostracizing of a single woman choosing to adopt, and a few mentions of divorce. As with all anthologies some are better written than others, but as a whole the book is pretty consistent in spotlighting something specific to religion or Desi culture, and having a hobby or family conflict push the character to problem solve, find their voice, and then be supported in a happy ending.

My favorite story is N.H. Senzai’s piece, I might be bias seeing as I check her Instagram numerous times a day for Palestine updates, but her story, with the domestic violence mom and daughter surviving and flourishing, is powerful, on level, and memorable. Framed around a mom’s prayers, duaas, she named her daughter Duaa. Duaa is a gamer that tries to make her mom happy by helping with her catering business. When she helps set up for a domestic abuse banquet at the community center she faces what her and her mom overcame by leaving in the middle of the night, and starting over.

I’m not going to review each story, but I will highlight the remaining Muslim authored ones. Aisha Saeed’s story doesn’t have any Islam specific mentions, her story is set during a mehndi at the community center. Her khala is getting married to Brian and moving to Kenya, and she is not happy, throw in cousins who are still mad at her for ruining their furniture with chocolate last year, and Maha just wants to hide in the back and pout.

Reem Faruqi brings her characters together through old fashioned letter writing. Orchestrated by Rahma’s nani, second cousins who will be meeting for the first time at an aqiqah at the community center, start corresponding to get to know one another, and gripe about siblings. When they finally do meet, in matching outfits no less, the girls decide their siblings, like their favorite candy, can be both sweet and sour.

Hena Khan’s story brings everyone together for an ameen six years in the making. Halima has finally finished the Quran and the family is throwing a party. Halima wanted a carnival type party, mom wants a formal affair, but when the community center is on the brink of being closed down, the family decides to invite everyone to show what the center offers the community.

May26

Sheba: The Good Muslim Cat by Carima Elfarrah illustrated by Aaron Yusuf

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Sheba: The Good Muslim Cat by Carima Elfarrah illustrated by Aaron Yusuf

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I was really looking forward to this book about Muslims and cats.  Every masjid seems to have cats all over the world, and while feline friends often sneak into Islamic fiction books about other things, I liked the idea of giving a cat the spotlight.  Alas, the rhyming text, the examples given, the inspiration shared in the backmatter, the angel imagery, and the ambitious glossary made this small 8×8 inch 32 page picture book rather off putting and ultimately forgettable unfortunately. The cat remains at the family home, and basically just hangs out with the family when they read Quran, pray, get up for fajr, and the cat is patient when waiting for food or water.  Sure it makes it a nice cat, but with a title implying this cat is a “Good Muslim,” I really expected more.  I appreciate the hadith at the end, but it is not sourced, and the cat with a halo and wings signals Christian imagery, that doesn’t align with the tone of the book.  Additionally, the idea of the book comes from a story of a Syrian scholar who had a conversation with a cat. I’m not saying it did or did not happen, but it seems a little bit of a stretch for my cynical brain.  The book reads for toddler and preschool Muslims, but the glossary reads copy and pasted from Wikipedia for non Muslim adults.  The small size makes the book impossible for group story times, and it can be hard to read at times because the text often runs over the pictures making it hard to see.  Ultimately though, while my toddler enjoyed it well enough the first time, he has not asked for the book again despite it sitting on my side table for weeks, which is probably more insightful than my review.

The book starts with a young boy introducing his family cat, Sheba, who has sapphire eyes. The family is Muslim and the boy is confident his cat is too because she hangs around his dad when he reads Quran, she comes running when salah time comes, she plays with the imam (the dad) after the last salaam, and she waits patiently for food and water when her bowls are empty.  She cries at fajr to wake the boy up and he hopes that on the day of judgement she will attest to the good the family did for her.

The backmatter includes the story of Shiekh Shukari, a scholar in Damascus that spoke to a cat, then a two page spread glossary, and author and illustrator bios. The illustrations aren’t particularly spectacular, the boy at the beginning seems much older on some of the pages compared to others, although his clothes stay the same.  I didn’t like the angel imagery, perhaps I’m erroneous, but none-the-less it felt off to me.

May25

Busy Eid illustrated by Campbell Books illustrated by Debby Rahmalia

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Busy Eid illustrated by Campbell Books illustrated by Debby Rahmalia

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I put this book on hold at the library during Ramadan, but there was a waiting list and I just got it.  No worries though, the 8 page board book with moveable parts can be fun for babies and toddlers all year long, and if you skip over the welcoming of the new moon on the first page, the rest of the book will work for Eid al Adha just the same.  The book doesn’t have an author, it seems to be written by committee by Campbell Books or Macmillan which is fine, since their are only eight rhyming lines. The speaking bubbles that ask the reader to do something however, are about off.  For example asking what color the domes on the mosque are, to which my overthinking brain can’t discern, are they gold…en? tan…ish? on the first page it wants you to move the moon, then asks you to point to the stars and moon, but then on a later spread wants you to guess what’s in the present before you slide the scene to reveal it, with only four spreads, at the very least there should be consistency.  As for the illustrations though, they are lovely and inclusive.  There are smiling warm faces of all colors, shapes, sizes, cats a plenty, a blind gentleman, old young, different styles of hijabis, some non hijabis too.

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The book starts as they all seem to, with the sighting of the new moon, there is cheering, wearing one’s best clothes, and going to pray, gift giving, and food, and pullouts, pushups, and slides on each spread to engage little hands.

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The book is sweet, I’m glad we have representation in toddler board books for Eid joy.  There is nothing religious, or educational.  A Muslim family will perhaps see some of their Eid activities mirrored in the pages, but there is no real grounding or insight for those unfamiliar with Eid to understand why Eid is special, what it is celebrating, or who celebrates the holiday.

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I got my book at the library, but it is available here on Amazon or here at Crescent Moon where my initials ISL at checkout will save you 10%.

May21

Birthday Kunafa by Rifk Ebeid illustrated by Noor Alshalabi

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Birthday Kunafa by Rifk Ebeid illustrated by Noor Alshalabi

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This 50 page wordless picture book allows readers to make up their own words to describe the progression of what is shown in the illustrations. With no right or wrong, the backmatter helps give context and points out key images that allow the story to resonate on multiple levels.  On the surface it is a birthday girl who is upset she cannot have kunafa, but when you truly look at the pictures, and see what is preventing her from moving from Jerusalem to Nablus, the reader is shown, she is not just a child wanting something she can’t have, but that she is being denied basic rights by an occupying force.  I love that the little girl represents so much more than just herself, and that her determination to cross checkpoints, is not just about acquiring dessert.  The book starts with a little girl on her birthday that could represent a little girl with her friends and family anywhere, but as the pages are turned you witness how beautiful Palestinian joy is, how much we take for granted the freedom to move, and how desperately we need to stand up for a free Palestine.  With no words, Islamic representation is limited to two hijabis in the illustrations.  The author and illustrator are Muslim. The book centers a birthday, there is dancing dabkah and an oud shown leaning up against a wall.

So often when thinking about Palestine, not just since October, we all find ourselves speechless.  There are no words, only tears when watching the news, reading headlines, or scrolling, and I find it incredibly timely for a wordless picture book about Palestine to be published.  There are a few labels so to speak throughout the book that I didn’t particularly find necessary, but they do not distract from the story, so they didn’t bother me.  I like that the book showed restraint in terms of the oppression that could have been shown.  It allows for the story of the little girl and her family to maintain the narrative.

The story that I understood the images to be telling is that it is a little girl’s birthday, the family is having a party, they have a birthday cake, but she wants kunafa, she tries to get some and along the way sees joy everywhere, until the checkpoints turn the images gray, and prevent her from moving forward.  So mama and her problem solve, they try and make their own, but it is not the same, so they devise a plan, and they try again.  They do not give up. There is no giving up.

The backmatter provides a recipe for kunafa, a two page spread about “Why Wordless Picture Books,” another spread about “Context Matters” giving information about Zionism and Palestinian resistance.  It is then followed by four pages entitled “Did You See?” where symbols are shown that appear in the pages and described.  Warning there are numerous sweet and savory foods shown, and it will make you very hungry.

The book is available here from Crescent Moon or here from Amazon.

May13

Allah Made Me Beautiful by Layla Izruna illustrated by Laila Radhani

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Allah Made Me Beautiful by Layla Izruna illustrated by Laila Radhani

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This 6×6 board book is 18 pages of affirming and celebrating that no matter what we look like, “the Best of Shapers, shaped us all.” The little size, the rhyming lines, the repetition of the phrase “Allah made me beautiful” on the right page of each spread, is what you would expect from a board book meant for newborns and up.  The rhyme and cadence levels out after the first page, and makes for a sweet easy read.  The mirror on the last page with a hadith in English and Arabic is particularly nice.  The illustrations and text are intentionally diverse and inclusive and with the Islamic centering the book is good for starting discussions as well.

The book is no literary masterpiece, but sometimes it doesn’t need to be, to be a staple read on repeat to our little believers.  This book dives right in on the first page, there are no copyright or dedications that have to be flipped through.  It is numerous pages of examples of how Allah swt made us all different: straight hair, curly hair, twins, larger body size, skin color, mobility, freckles, glasses etc. The end spread, before the mirror, is the conclusion that our “looks have been perfected by Him, tying it all together.

The illustrations are engaging, and simple, but detailed enough to foster dialogue if desired and while the small size would make using it at story time impossible, I think little hands and little hearts will benefit from knowing that we are different, but just as Allah swt intended us to look.

The book is available from the publisher Prolance directly, or here on Amazon 

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