Tag Archives: Muslim Characters

Nov15

Satoko and Nada 1 by Yupechika

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Satoko and Nada 1 by Yupechika

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A manga series about two college roommates who have come to America to study, Nada from Saudi Arabia and Satoko from Japan.  Written by a Japanese author and translated into English, there is a lot about Muslims, particularly Muslims from Saudi, as the two characters get to know each other and become friends.  Their interactions work to dispel a lot of stereotypes and promote how rewarding getting to know people different from your self can be.  Volume one (there are three) is 127 pages, read right to left in four panel pages, and is fairly clean for all ages (they do buy underwear and bras at one point), but would most likely appeal to female readers in 4th or 5th grade and up.
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SYNOPSIS:

The book is about two girls getting to know each other, learning about each other’s culture, and navigating life in America.  There isn’t really a plot or a story line outside of this basic framework, and with a heading every page or two it reads like a quick scene about the topic expressed in the heading.  So, for example there are headings of Veils, Ramadan, Birthday, MashAllah Choice, etc, and then a few panels showing the girls having an interaction about it, resulting in understanding, humor, or a lesson.

In a bit of a stereotype twist, Nada is more street savvy then Satoko when approached by a stranger for a ride, and thus Nada hasto educate her a bit.  The book brings in a Christian American character and a third generation Japanese character learning Japanese, to further show how assumptions plague as all and how simple conversation and an open mind, can lead to some amazing friendships.

WHY I LIKE IT:

The book is really choppy, but you get used to it and soon you forget that it isn’t a typical story.  I admittedly haven’t read a lot of manga so, I have no idea if this is the norm, or something unique.  I love that its upfront about stereotypes, if it was an American writing it, or a even a Muslim it would probably come across as preachy or arrogant, but somehow it doesn’t seem like the two characters have much baggage, nor feel a need to defend their culture by putting another’s down.  They deal with issues such as women driving in Saudi, differences between hijab, burka, abaya, niqab, being around alcohol,  the joy of a fatwa allowing soy sauce and its alcohol content to be permissible, etc.  Some things are cited for clarity and something are very Saudi, but it really contains a lot of information, about Islam that I am pretty impressed by.  There isn’t a ton about Japanese culture since I would assume it was written for Japanese readers, so it would be redundant, but I did learn, according to Satoko, how religion is viewed by Japanese, how putting age and gender and race on forms seems incredibly personal, and some information about food.

FLAGS:

There is a possible failed abduction, not sure what the guys intention was, but the girls treated it as such.  The girls do go buy undergarments, so they are visually depicted.  There is mention of alcohol.

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TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a traditional book club, but I think I am going to get a copy of the series to pass around my daughters middle school group of friends, to

one- give them a taste of manga

two- see what they think of the Islamic rep from a Japanese paradigm and

three- give us all something to chat about

The book is fun, I got it at the public library and think it might open up a new book type for kids to try and a new point of view for many of us to consider.

Oct21

The Cosmos That Allah Has Designed by Zenubia Arsalan illustrated by Ada Konewki

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The Cosmos That Allah Has Designed by Zenubia Arsalan illustrated by Ada Konewki

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This 22 page beautifully illustrated picture book clarifies that it is not a science book, but rather an invitation to think deeply.  For ages 4 and up the rhyming pages will appeal to children’s sense of wonder and Allah’s perfection and precision.  Older kids will appreciate the journey through the cosmos and how limitless Allah swt is in all things.

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The book starts with Earth and how the spinning of our planet on its axis allows for the alternation of night and day, it then moves to how going around the sun at Allah’s command gives us our seasons.  But because it rhymes and is not a science book, the text is more imagery and tangible in nature, rather than a list of facts.

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It touches on the moon reflecting borrowed light and the power and strength of the sun before moving on to the planets and gravity.

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It then extends out to the Milky Way and has a page on black holes before coming back to Earth for us to recognize how we only are a small part of something so much bigger.

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There are two pages at the end with talking points, an ayat from the Quran, and emphasis that science and Islam are not at odds as Allah is the creator and governor of all things.

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The book is 6×9 and with the beautiful illustrations I truly wish the book was larger.  Not only to dive in to the glossy pages easier, but also so that the book could be used at story time to small groups.  The tone is contemplative and marveling as it challenges the readers to find mistakes or flaws in the perfection of outer space. I love that science-y Islamic kid books are now available that appeal to children’s sense of wonder and understanding.  Really the only other suggestion I would have liked to see, would have been a page defining the word “cosmos” as it is used on every page, and while I think kids will figure it out as the continue through the book, I think it is a bit of a block for the younger readers.

Oct18

The Broken Kingdom by H.G. Hussein

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The Broken Kingdom by H.G. Hussein

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An engaging chapter book that blends adventure, friendship, battles, mystery, and faith over 292 pages of easy reading and rich storytelling.  The book appeals to readers 10 and up with it being completely clean and age appropriate for anyone younger who can handle the storyline.  The characters are not just active and practicing Muslims, but the story too, is Islamic in nature.   The story is unabashedly pro-Islam and slightly dogmatic, but not overly preachy and faith is woven in seamlessly throughout the story.

SYNOPSIS:

The Sultan of the Islamic Empire is having a recurring dream that involves a floating city falling when a flying object hits it, when he asks his guiding Imam what it means he learns that the city will be destroyed unless the Sultan assists.  Not knowing where the city is, what the object is, and trusting the Sheikh explicitly, a retired soldier is brought back in to service to find the city and save it.  Adam, before he leaves the capital is joined by two others to help him on his journey, Ali and Umar.  Ali is a quiet man whose voice when reciting is absolutely beautiful and whose eyesight and archery skills are unparalleled.  Umar is the Muezzin and the Grand Mosque and a seemingly close figure to the Sultan with familial ties to the area.  The trio sets off to Benghazi to talk with some Bedouins who were ambushed by some man-beasts and are too afraid to speak of the encounter.  It is believed that their experience and the dream are linked.

To reach Benghazi they must travel first by boat for about a week, while at sea they come across an abandoned vessel that has but one survivor and a lion aboard.  After the lion is killed and the injured man brought with them, they are able to continue to try and get information from the Bedouins.  Finally, the Bedouins and the trio are off to the place of the attack and the journey moves on.  When a rockslide and attack from these same mysterious beasts separates the group, Adam, Ali, and Umar are on their own to make there way through the mountains and figure out the threat on their own without the Bedouins.  They journey through a river within a mountain for days on end before meeting soldiers that take them back to their unnamed city.  The city is the one from the dream.  And as they must search to understand what plagues the inhabitants, how to defeat it, and how to survive, they suffer loses, confusion and only a few answers.   They do save the city from the immediate threat, but not from a larger looming one.

WHY I LIKE IT:

The book reads really smooth, a lot of self published chapter books are all over the place, and this one, sticks to the story pretty well.  There are a few tangents, such as the lion on the ship, that really have very little baring on the story, except to show maybe how good of an archer Ali is, however, most are mildly amusing and thus not terribly frustrating.  There are a few smaller incidents that make the book a little less cohesive, for example a passage about a man named Tarek, who brings the Sultan a message and is rewarded with gold, or such detail about Umar not being allowed to go on the assignment and then the Sultan allowing him to go, perhaps it is to show the Sultan’s generosity and willingness to take other people’s opinions in to consideration, but they aren’t particularly smooth anecdotes to the book and read a bit unpolished.  Often these little dives into side issues with fair amounts of detail made me think they would play a role later in the book, but by-and-large, they don’t. One that particularly stood out was Adam meeting the Chief’s daughter in the forbidden woods. I still really want to know why she and her children were there.  I also wanted more information about the man-beast figures and the man and woman that were so quickly killed, and the markings on the trees and in the caves (trying not to spoil too much), in the climax.

I love that the book is Islamic fiction from top to bottom, there are lots of morals exposed and teachings mentioned in real tangible situations.  The character’s pray and carry themselves at all times as Muslims and it is refreshing to read.  Characters in the book take shahada based on the manners of the Muslim characters and the readers see and understand repeatedly the power actions and values have in defining a person.  One of my favorite exchanges in the book is when Adam tells Ali, “The main reason for failure is manners.  To be specific, lack of manners.”  The details continue, and hopefully reinforce and articulate what parents everywhere are trying to teach their children.

The font and binding and all are adequate, I don’t love the cover though.  It seems this is the second cover, and I wish it was more eye catching, it is really bland, and unfortunately won’t compel readers to pick it up.  I also really wish their was a map.

FLAGS:

There is violence, nothing sensationalized or celebrated and it even mentions how heavy hearted characters should be about going in to battle and taking a life.

TOOLS FOR LEADING THE DISCUSSION:

I would love to do this as a middle school book club book. I’d love to hear how the students take the Sultan being referred to as Allah’s representative on Earth.  I get Leader of the Believers, and even Caliph, but I felt this description to be a bit grandiose.  I actually thought it was perhaps a Shia perspective, nothing wrong with that, it just wasn’t something I’d ever heard before and yes I assumed, but the author said, “Of course not.“  He then said, “The Caliph must ensure that the laws of Allah, Most High, are present on Earth.  Every Caliph represented the Creator ensuring Shariah was present, the same as every Prophet and Messenger.” Still not completely clear, I asked a trusted source (not Google) who said it comes from the Ummayads under Muawiyah. So, I’m not sure if anyone else would be hung-up on this, but it is something that stood out to me, although definitely not making the book something to avoid.

I think kids will have strong opinions on the mystery at hand being the book ends on a cliff hanger.  With a lot of questions still up in the air and no real right or wrong answer, I think discussing the book would be a lot of fun.

The book’s website: https://www.thebrokenkingdom.com/

 

Oct11

Sadiq and the Fun Run by Siman Nuurali illustrated by Anjan Sarkar

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Sadiq and the Fun Run by Siman Nuurali illustrated by Anjan Sarkar

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This new series featuring Sadiq, a Somali American living in Minnesota, is great for early chapter book readers looking for representation and diversity.  There are four books about Sadiq, his family, and his friends and classmates in third grade, and all are either an AR 3.6 or AR 3.5.  At 57 pages long, divided into five chapters and filled with bright and colorful illustrations students in grades 1st through fourth, depending on reading level and interest, will enjoy these simple plotted, yet relatable stories.

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SYNOPSIS:

Sadiq’s friends are all getting ready to try out for football, but his parent’s say that he is too young for such a rough sport and has to wait until he is 12 like his older brother, Nuurali, did.  Sadiq’s parents and family encourage him to try another sport, and with a new running club starting in a few days coached by a member of the national team, that’s what he opts to do.  Begrudgingly he joins the team, but is hurt when his friends talk about how much fun football is and how much more tough and difficult it is compared to running.  While this is going on, he is getting support from his brother to keep running, and from his teammates, but it is hard and he doesn’t enjoy it.  Slowly, he starts to improve, however, and with the Fun Run the climax of the book he sails across the finish line in first place when he sees his friends have come to cheer him on!

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WHY I LIKE IT:

I love that the book/series proudly features a Somali-American-Muslim family.  There is information about Somali at the beginning as well as some Somali terms and a portrait with names for the members of Sadiq’s family.  The mom and older sister wear hijab, “Salaam” is one of the defined words and the characters use it when they meet.  I also love the diversity of skin tones in the illustrations and one of the girls on the track team wears a scarf as well.  There are Muslim named kids and non Muslim named kids in the story, and while Islam isn’t mentioned outright, it is definitely represented through the characters words, names, and appearances.

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The story is straightforward and perfect for the age group, the books in the series do not need to be read in any order, and you will get to see the different supporting casts featured more prominently in different books, thus getting to know Sadiq and his world.  I like that he doesn’t get his way, and doesn’t get to do what all his friends are doing, but he makes it work.  He is grumpy and upset, but he doesn’t get obnoxious or overly whiney.  I think this subtly gives readers some tools and insights to model in their own disappointments.  I also like that while he has to put in the work and fix his attitude, he doesn’t have to do it all alone.  His family and coach are supportive, and eventually his friends apologize and support him too.  For the simplicity of the book, you actually do get invested in his little trial and want to see the outcome.

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FLAGS:

None, it is clean.

TOOLS FOR LEADING THE DISCUSSION:

This book is like a boy protagonist version of the Meet Yasmin books, they show a kid of culture in everyday experiences.  The target audience wouldn’t make it work for a school wide book club, but I think early elementary teachers would benefit from having the series in their classrooms and letting kids in small groups discuss if they want. These books would be great for first graders that are way above reading level and parents are struggling to find appropriate books.

The end of the book has some resources as well: a glossary, discussion questions to talk about and some to write down, as well as a home workout guide and information about the author and illustrator.

Sep6

Bismillah Little Leyla by Qura Abid illustrated by Mona Ismail

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Bismillah Little Leyla by Qura Abid illustrated by Mona Ismail

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I thought this book might be leveled- reader type based on the binding and page numbers (26), but it reads more like a picture book with its repetitive refrain, and honestly the awkward small size (5×8) makes it feel like a pamphlet.  So, I’m not sure who it is trying to appeal to, and unfortunately is a great example of how the outward presentation killed an otherwise decent book.  I also don’t know who is to blame for the final physical product, the author, the publisher, the printer? But at a $10 price point, I’m not sure anyone who purchases this book is going to be happy with the size and binding, and the book will simply get lost on a book shelf, and be forgotten.

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The premise of the book is good.  Rather than just tell kids to say Bismillah before they do anything, Little Leyla actually does it in the course of a morning.  I like that it shows that we say Bismillah before we do all types of things, not just before we eat or get in a car, but even when we swing and play a game or put on a jacket.

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The climax of the book is Leyla saying bismillah, shooting a goal and scoring against her dad.  The lesson being that Allah is always there to help us.

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I’ve read the book a dozen times, to myself and aloud, and I think the book has a natural cadence based on the diction and sentence length, and I think it wants to rhyme.  Additionally, after each example and on nearly every page, the refrain at the end of the paragraph is (nearly) the same:  “What must she say? Leyla knows! Do you? It’s Bismillah!”  The repetition makes it memorable, but with the sing song beat and on and off, often forced, rhyme, I find myself tripping over the words a lot, and I cant quite put my finger on why.  If the book were larger, and I were using it for a preschool story time, I would just have to practice it a few times, but there is no way, sadly,  you could read this book to a group if you want them to see the pictures.

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The illustrations might be ok, it might also be a presentation thing that makes them look washed out OR maybe that is how they are, I’m not sure. The detail and expressions are there, they just kinda seem faded.   Concept wise I like that they show the dad cooking and Mom playing soccer. The mom wears hijab she the family seems warm and happy.

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Thanks again to crescentmoonbooks.com for the excellent customer service and selection.

 

 

 

Sep3

Leila in Saffron by Rukhsanna Guidroz illustrated by Dinara Mirtalipova

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Leila in Saffron by Rukhsanna Guidroz illustrated by Dinara Mirtalipova

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I had really wanted to love this book about a young Pakistani girl living outside of Pakistan learning to love all her different parts.  Unfortunately, the book was so scattered that no point was made, no message conveyed, and sadly, no excitement at being represented in literature really felt, .

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This 32 page book isn’t bad, it just really isn’t memorable.  It starts out with Leila arriving at her Naani’s house for dinner as her parents and her do every Friday.  Her maternal grandmother comments that she likes Leila’s saffron buttons.  Leila beams at this because she doesn’t know that she always likes being herself.

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Tonight, they are joined by lots of extended family and Leila is on the lookout for parts of herself that she likes.  She feels safe with her family, and likes being told she looks like her aunt when she smiles.

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The book then kind of abandons the theme of finding parts of oneself to like, and moves on to cultural trinkets to enjoy.  She identifies camels on shelves and Arabic books too, and can’t wait to go on her first trip to Pakistan someday to get her own “Arabic books” and “special ornaments.”  I’m not sure why they books aren’t in Urdu, but none-the-less without any written connection to Islam, they are in Arabic, thus giving, erroneously, the reader the impression that is the language of Pakistan.

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Leila then helps her Naani cook which almost seems like an additional theme of the book: the passing on of traditions.  The book doesn’t really stay here though either, and has Leila running outside to get cilantro from the neighbor Miguel.  Possibly another theme in addressing multicultural neighbors or just how to be a good neighbor, is now being brought up, but nope, the book bounces back to dinner with the family.

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When it is time to leave, Naani invites Leila upstairs while her parents wait to leave.  Here she goes through fabric and scarves rich in color and textures and likens them to ethnic foods.  She then tries on her favorite one, but acts like she has never tried it on before or seen it before, I’m really not sure, the language is a bit awkward to me.  Anyway she opens her eyes in a surprise and likes what she sees, she likes her self, all her parts.

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I wish this book for preschool and kindergarteners, would have streamlined the message it wanted to convey most.  I like finding pieces of yourself and liking the completed you, but I don’t know what the pieces really are in the book.  Yes I could assume and figure it out, but I’m not 5 years old.  The book should have articulated it clearly.  Or if the book wanted to celebrate culture and family traditions, it should have stuck to that.  It really seems all over the place no matter how many times I read it.

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The illustrations are rich and vibrant.  They definitely give a lot to look at and the expressions on the characters faces will probably make the little ones giggle.  There are a few Urdu and Arabic words used in the story that are defined on the back cover.

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The characters aren’t identified as Muslim, none of them wear hijab, but they say Salam and have Arabic books, so one can assume. I picked up the book at the library and don’t regret it, but I probably wouldn’t buy it or unfortunately, check it out again.

Aug30

The Sign of the Scorpion by Farah Zaman

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The Sign of the Scorpion by Farah Zaman

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This is the second book in the Moon of Masarrah series, but can be read as a stand alone book if you are looking for a linear story with fast paced action, intense twists, decently developed characters and quality writing that brings the sleuthing of Muslim characters to life.  At 229 pages including the glossary, the book reads to me as a middle grades book, but the last 50 pages place a lot of emphasis on accusations of a character molesting servants in the castle and another character having an affair, which might be more appropriate for older readers.  Perhaps middle school readers would be a better target audience, but I’m waiting to hear back from the author regarding who she had in mind when she wrote it.  The author said she wrote it for Young Adult, ages 12 and up in mind.

SYNOPSIS:

Brother and sister, Adam and Layla are reunited with their friends, siblings, Zaid and Zahra after last summers intense adventure involving a diamond.  This summer as a result, they are the honored guests of Shaykh Sulaiman at his dessert home, Dukhan Castle. They arrive to find out that the Shaykh is bedridden from a stroke after learning his son has died.  With a house full of relatives with reasons to want their claim to the Shaykh’s fortune, the four teenagers start putting odd occurrences of a ghoul in white, a hooded horseman, a gypsy woman’s tale, and the idea that there has been foul play, together to try and arrive at the truth of what is going on.  As they piece more and more together about the tutor, the cousin, the fiance, the grandson, and a mysterious mole-man following them, they themselves get tangled in the sinister plot of revenge and must keep an eye out to figure out who the scorpion, Al-Aqrab, is before one of them ends up dead.

WHY I LIKE IT:

Set in a fictious land, the detail is the perfect balance between setting a stage and over describing it.  The book did not drag for me at any place, nor did I find myself confused about what was going on and why.  Granted I probably could not tell Adam apart from Zaid and Layla from Zahra, but the book is about their adventure and figuring out whats going on, not about their relationships or back story.  And with the focus on all the possible perpetrators and their motives taking center stage, having four people gathering clues makes the information come easier and smoother.

All the characters are Muslim.  Some of the women cover and some do not, some stop to pray and make regular references to Islamic hadith or Quranic Ayats, and some are suspects.  For example when they are exploring the dungeons beneath the castle, they liken the caves to the Sleepers in the Cave mentioned in Surah Kahf.  The book never gets anywhere near preachy, nor do the few references ever get annoying, they just flesh out that the characters are Muslim, and thus they see the world through that lens.

FLAGS:

The book has murder, lying, deception, all the ingredients for a good who done it.  And while the details are all clean regarding how the four teens interact with the opposite genders, the climax of the book is the coming to light of allegations of molestation and a failed marriage is attributed to a presumed affair.  No definition of the words is given, and I reread many of the passages and I don’t know that there is even enough context clues to decipher what the word molest means in the text.  Most kids however, could easily ask Siri or Hey Google or whatnot and may have more questions about what it means to sexually assault a person, specifically a woman or child, and why someone would do it.  I leave that for parents to decide at what age those in their charge can grasp such a word and concept.

TOOLS FOR LEADING THE DISCUSSION:

I’m torn on teaching the book as the linear telling might not appeal to older kids, but the motive and revenge isn’t appropriate for younger kids.  I think if used to discuss broader issues the book could be really powerful, and not just a fun read.  I could see discussing with 9th graders or so the seriousness of false accusations, drawing on the Me Too movement and how sexual crimes and transgressions should be handled and treated.  I think the book could be a springboard for those discussions and seeing the effects of believing or not believing, and perhaps suspending judgement until research can be done.  In the case of the book, it would not have been difficult to pursue the allegations, while protecting any potential victims.

 

NOTE:

The first book in the series, The Moon of Masarrah, was originally published under the title, The Treasure at Bayan Bluffs, some changes have been made in the new printing, so while I don’t normally review second books in a series, I felt this book might bring attention to the new title of the first book and drum up interest for the upcoming third book in the series.  No, I don’t benefit in any way and I purchase my copies just like you, the stories are just really well done and I want readers to give them a try.  Happy Reading!

Aug26

If Allah Allah Wills by Dr. Oz illustrated by Mariya Khan

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If Allah Allah Wills by Dr. Oz illustrated by Mariya Khan

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Not all books need to teach something, but when the book would lend it self so easily to dropping a fact or two, it seems like it would take it.  In 40 pages, preschoolers are taken on a highly imaginative journey to the Ka’ba, yet no information about the history of the Ka’ba, or any mention of Umrah or Hajj is shared, not even in passing.

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Faris wants to go to the Ka’ba but it is nearly his bedtime, so he has to act fast.  He asks his mom what he needs to wear, obviously knowing special clothes are required, but his mom prefaces the answer of white sheets as being “odd” and then adds that you need sandals.  For a book that wants to normalize Islam for children, I don’t understand why the mom would say that ihram is odd, why the word ihram isn’t used, why it doesn’t even specify the number of white pieces of unstitched cloths and why sandals would be included.

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Faris then finds two white sheets, but the illustration shows him getting towels out of the bathroom (possibly showing his imagination, but kids will just think it is an error, mine did), packing some food and jumping on his rocking horse to head off for the Ka’ba.

Faris finds himself among the stars without a map and starts to worry that he won’t find his way.  He then sees a flock of birds and wonders how they know where to go.  The book however, doesn’t answer how birds know, and just has him land and find someone to ask.

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Luckily Faris finds a camel to ask, and luckily he is a nice camel and he shows Faris to the Ka’ba.  Faris is surprised at how big it is and then supposes that Allah’s house has to be.  But he asks it as a question, which makes it a little off grammatically.  The camel points out that Allah swt is above and that the Ka’ba is for people to visit.  Faris asks what is supposed to be done at the Ka’ba and the camel answers, “We circle the Ka’ba, pray to Allah, and thank Him.”  This seems like a great place to sneak in some facts about who built the Ka’ba and why or mention Hajj or Umrah, it seems so misguided to just say we circle it.

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Faris makes some prayers that he can return for real one day with his parents before he finds a place to eat his snack and share his food with his camel.  It is nice that he shares with his new friend, but odd that when they part Faris asks him his name and he says he doesn’t have one.  Maybe give him a name, and detail its meaning or don’t include the exchange at all.  I seriously don’t understand the purpose of the exchange.

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Faris makes is home with a crash and his mom tidies him up and they say InshaAllah that Faris’ prayer inshaAllah will come to fruition.

The book has a great premise of imagination and tying in the Ka’ba, but truly there is no information about Islam or the Ka’ba or even Allah swt, it gives a mood of worship, but that is about it.  I get that it is for little kids and the book is supposed to be whimsical and light, but sneak in some facts, kids can handle it.

As for the illustrations, they are just ok.  They would have benefitted from being a little smoother and not looking home-done, but there is nothing terribly wrong with them aside from the towel and sheet imagery.    The glossary cover and large font inside is age appropriate, some pages are a bit text heavy, but overall sufficient.

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Aug23

Piece by Afshan Malik

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Piece by Afshan Malik

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This 168 page young adult book from Daybreak Press focuses on a small Muslim family in Texas, that has their own stresses and interpersonal relationships, but are thrown in to a whirlwind when the father of the family returns home from a medical mission to Syria and finds himself in the psych ward broken and troubled.  The effects each of the character’s struggles have on them as well as those they care about, makes for a haunting yet relatable read for fourteen year olds and up.

SYNOPSIS:

The Jamal family is made up of Hannah and her older high school aged sister Noreen and their physician parents Dahlia and Adam.  Hannah runs track and is more introverted in handling friends and her father’s life altering condition.  Noreen on the other hand is ultra organized and rational in her approach to life, much more like her OB mother.  To cope with the stress of her father’s return she commits herself to more clubs at school and staring at her phone.

Hannah doesn’t seem to have a lot of friends, and when the track team understands that Hannah’s dad is dead and Hannah doesn’t correct them until later, her comfortable acquaintances turn on her and she will have to learn to stand up for herself and use her voice in the course of the book.  Noreen’s character arc is a bit more dramatic as her involvement in yearbook club brings new people in to her life, mainly a boy, who might not be as a genuine in his goals as she is, and thus their climax results in a trip to the police station.  Dahlia has a close friend, and Adam has a few as well, but the story really stays pretty streamline in exploring the relationships of the family and how little things and big things affect them all.

WHY I LIKE IT:

I love that the book takes on a serious issue like PTSD and is framed in such reality.  The scene where the dad blurs his past memories with the current real happenings, is done very well.  It conveys how fractured his brain is while showing the stress his situation lends to the mood of the home is powerful. There is also a very real situation of attempted physical and sexual assault that occurs when Noreen finds herself in a position with a male classmate who attempts to take advantage of her.  The book holds back in details, and she is able to defend herself, keeping the book clean, while still implying what his intent was, and how fortunate she is to get away.

More superficially, but also more relatable is the girls bickering and fighting and pushing each other’s buttons, and the mom trying to help, but is alas is frequently at a loss at what to do with them.  The situations the girls face at school are probable and relatable that I think a lot of middle school and high school readers will see themselves trying to balance extra curricular activities, friends, finding a quite place to pray and keeping their hijabs coordinating.  The family is Muslim and they dress the part, talk the talk, and pray together regularly.  Islam is very present, but not preachy, it is just what the characters believe and what they use to shape their view of many of the tests they are facing.

There are a few hiccups that are worth noting, but don’t overly deter for my appreciation of the story.  I struggled with the writing style in the first few chapters.  It took a bit to feel a connection to the characters and get what was going on sorted out.  It is written in 3rd person omniscient (I believe, it’s been a while) with each chapter more or less focusing on one of the four main characters.  As a result a handful of times the narrative gets awkward in explaining what one of the characters is doing or thinking, because the focus is on someone else, or the timeline overlaps a bit.  It doesn’t happen an awful lot, but the book is under 200 pages, so it is annoying that it happens at all, let alone more than once.

Story wise the characters seem oddly isolated.  The book tells us how small the town is, and shows us how everyone knows the parents regularly, the girls seem to be pretty lonely.  There isn’t any warmth from the schools or neighbors in helping them deal with their dad coming home so wounded.  In a town they have lived in for so long, this seems off to me.  Also if the town is so small, and the family so religious, there is an imam who visits once, you’d think there would be more of an Islamic community presence for the mom and girls to find support from.

FLAGS:

There is violence in the remembering of what happened in Syria.  There is some Islamaphobic talk as Hannah endures some verbal bullying and the attempted physical and sexual assault on Noreen.

TOOLS FOR LEADING THE DISCUSSION:

I would consider this as a possible middle school book club choice.   It tackless some big things, and uses Islamic boundaries to talk about mental illness and sexual violence which is a huge plus when addressing our youth.  Noreen isn’t in a relationship or even overtly infatuated with the guy who puts her in a compromising situation.  But even if she was doing something “wrong” what he did is not ok, and the fact that the authorities believe her, and she plans to discuss it with her mom, and she is not further victimized by speaking out, is something our kids need to see and understand.

There are discussion questions at the end and I think males and females will benefit from reading and discussing this book.  Unfortunately, and possibly the only other disappointment in the book is the price.  Nearly twenty bucks for a short YA paperback book makes it hard to buy classroom sets for such activities, and I’m sure will even keep the avid reader debating whether they should purchase it or not.

 

Jul29

Secret Recipe Box by Helal Musleh illustrated by Nalan Alaca

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Secret Recipe Box by Helal Musleh illustrated by Nalan Alaca

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The publisher suggests this book for ages 4 and up, but I think it’s a bit long (30 pages) and detailed for that age group, and first grade and up will benefit more from this heartfelt story.

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Maha is excited her Teta is moving from Palestine to live with her, her brother Sami, and parents in Canada.  Maha dreams of being a chef on a famous cooking show, and her Tata and her secret recipes will be a great way to practice.

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Her little brother Sami is always in the way though.  Whether it is wanting to hold a sign Maha has made, or is wanting to cook with her, she is annoyed by him at every turn.

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As Maha listens to Teta’s stories and learns about her life in Palestine, she starts to change in her approach to Sami and realizes that family has to take care of each other.

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After a day of cooking together, Maha, Sami, and Teta have made too much food and decide to go and share it with those in need at the soup kitchen.

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The book addresses kindness, changing, compassion, immigration, taking care of one another, multi generational lessons and love, stories, life lessons, and some highlights of Palestinian culture, food, clothing, and tradition.

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The book is warm and well done, with the exception of a few of the pictures which seem a bit off to me.  Overall, it is a sweet story that presents with a lot of lessons, but doesn’t force them upon the reader.  The character growth is gentle and subtle and will resonate with readers.

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The characters mention Halal food, and the grandma wears hijab even in the house, where the mother is shown wearing it at the airport, but not in the home.  The book would work for Muslim and non Muslim readers.