Tag Archives: discovery

Leila in Saffron by Rukhsanna Guidroz illustrated by Dinara Mirtalipova

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Leila in Saffron by Rukhsanna Guidroz illustrated by Dinara Mirtalipova

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I had really wanted to love this book about a young Pakistani girl living outside of Pakistan learning to love all her different parts.  Unfortunately, the book was so scattered that no point was made, no message conveyed, and sadly, no excitement at being represented in literature really felt, .

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This 32 page book isn’t bad, it just really isn’t memorable.  It starts out with Leila arriving at her Naani’s house for dinner as her parents and her do every Friday.  Her maternal grandmother comments that she likes Leila’s saffron buttons.  Leila beams at this because she doesn’t know that she always likes being herself.

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Tonight, they are joined by lots of extended family and Leila is on the lookout for parts of herself that she likes.  She feels safe with her family, and likes being told she looks like her aunt when she smiles.

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The book then kind of abandons the theme of finding parts of oneself to like, and moves on to cultural trinkets to enjoy.  She identifies camels on shelves and Arabic books too, and can’t wait to go on her first trip to Pakistan someday to get her own “Arabic books” and “special ornaments.”  I’m not sure why they books aren’t in Urdu, but none-the-less without any written connection to Islam, they are in Arabic, thus giving, erroneously, the reader the impression that is the language of Pakistan.

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Leila then helps her Naani cook which almost seems like an additional theme of the book: the passing on of traditions.  The book doesn’t really stay here though either, and has Leila running outside to get cilantro from the neighbor Miguel.  Possibly another theme in addressing multicultural neighbors or just how to be a good neighbor, is now being brought up, but nope, the book bounces back to dinner with the family.

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When it is time to leave, Naani invites Leila upstairs while her parents wait to leave.  Here she goes through fabric and scarves rich in color and textures and likens them to ethnic foods.  She then tries on her favorite one, but acts like she has never tried it on before or seen it before, I’m really not sure, the language is a bit awkward to me.  Anyway she opens her eyes in a surprise and likes what she sees, she likes her self, all her parts.

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I wish this book for preschool and kindergarteners, would have streamlined the message it wanted to convey most.  I like finding pieces of yourself and liking the completed you, but I don’t know what the pieces really are in the book.  Yes I could assume and figure it out, but I’m not 5 years old.  The book should have articulated it clearly.  Or if the book wanted to celebrate culture and family traditions, it should have stuck to that.  It really seems all over the place no matter how many times I read it.

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The illustrations are rich and vibrant.  They definitely give a lot to look at and the expressions on the characters faces will probably make the little ones giggle.  There are a few Urdu and Arabic words used in the story that are defined on the back cover.

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The characters aren’t identified as Muslim, none of them wear hijab, but they say Salam and have Arabic books, so one can assume. I picked up the book at the library and don’t regret it, but I probably wouldn’t buy it or unfortunately, check it out again.

Jasmine Falling by Shereen Malherbe

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Jasmine Falling by Shereen Malherbe

jasmine

This 184 page book about a girl figuring out her past, to accept her present, and plot her future. is not marketed, or perhaps even written as a YA novel, but I’m reviewing it because while the protagonist is in her 20s the book could be enjoyable to ages 15 or so and up, if they are willing to stop trying to understand a lot about the book and are content to just go along for the heartfelt ride.

SYNOPSIS:

Jasmine is half Palestinian and half British and when her wealthy mother passes but stipulates to claim her inheritance Jasmine must find her father, the book leaves England and heads to Palestine.  To further complicate things she has only 10 days to find a father who has been missing for years, in a land she has only visited once before many years ago.

Once in Palestine, the story takes her from one city to the next and one village to another with pit stops at various historical sites along the way.   With lots of fragmented memories, the shadow world of Jinns, and a race against time and around the obstacles of the occupation, Jasmine rediscovers Islam, her family history, and the fears that haunt her.  She also meets Josh, a character of questionable allegiances, motives, and background himself, that constantly finds himself able to help Jasmine and possibly himself.

From Jericho and Jerusalem and Batien, Jasmine hears stories about her father from people that know her family,  as she pieces it all together and reunites with her family members, she understands her past and works to determine what path her future should take.

WHY I LIKE IT:

I love the backdrop of Palestine and the history and the richness of culture that is brought to light in a surprisingly non political way.  The interaction of the different faiths among the villagers and the love of the land is truly palpable.

The part I struggled with was the holes in the story telling, for each page that brought Jasmine closer to answering her one question of where her father is, the reader was given 27 new ones that would never be answered.  Where did the wealth come from, how did Jasmine’s parents meet, what were the circumstances that made Jasmine’s dad leave, who is Richard, who was Ali, how old is Jasmine, why are there so many Jinns every where, why is there secret passages in the mountain, how come she trusted Josh, how could Josh get from one city to another in record time, why did the soldiers at the check points know of her family and specifically her father, and most importantly why every time she meets someone that knows her family, why does she run away.   It is incredibly frustrating that every time the story hints at what makes her father so famous, or sought after or memorable, or hint at why he disappeared, something interrupts them and the reader is left in the dark, only to have the book end and no really understanding conveyed.

I get why the story is told in pieces, but really the story is confusing in how it is told, and it doesn’t need to be.  The author can write and the last 50 pages are really great.  For as confused as I was so often, I kept reading because the story is good.  There is just a tad too much with diving in to the past to understand the present, the supernatural of the jinn, the reemergence of faded memories and dreams, the political climate, the letters from World War II, that the character dynamics are lost until the end.  I care about Jasmine and am curious about Josh, but a little more detail to the relationships the two main characters have with all the other minor characters that they encounter would really make the story soar, and clarify so much.

One thing I didn’t love was the presentation of Jinns, I know it is to add cultural richness and a bit of muddled confusion, but really the story I think is strong enough without the supernatural and character building could have benefited in its place. I also really, really, really wished there was a map and an afterward telling what parts about Palestine and history and the Holy Cities is fact, for those of us that have never been.

FLAGS:

Jasmine attempts suicide, jumping out a window.  Jasmine also gets drunk a few times in the book before deciding to stop drinking as she doesn’t like who she is when she does.  There is some violence and killing talked about but not overtly detailed.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I would do this as a book club book, but I definitely would encourage those with connections to Palestine to read the book.  And I am really hoping that someone, anyone, that has read the book will chat about it with me.  For all the questions I have, I’m optimistic that I just missed the answers and that they were in fact there.