Tag Archives: lying

Odd Girl Out by Tasneem Abdur-Rashid

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Odd Girl Out by Tasneem Abdur-Rashid

At 368 pages this identity centered mature YA book really hooked me and had me invested, which is impressive because Islamophobia stereotypes and being the new kid in a new place tropes are pretty frequently done, and often after a while, feel repetitive.  For me the charm of this book is actually not Maaryah and her peers/friends/bullies storylines, but the protagonist’s relationship with her parents and what caused her mom and dad to divorce.  Obviously as a mom of teens, I’m not in the target audience, but I feel like I benefited from the Muslim authored, Islam centered book, and think older teens, perhaps 17 and up, will also find the book enjoyable and reflective of views they have, challenges they face, and boundaries they have to establish.  I don’t want to spoil it, but SPOILER, had my dear friends that have read the book clued me in that the book will toe and slightly cross the haram lines, but ultimately show Maaryah deciding to re-establish her boundaries after being tempted not to, i.e. making a poor choice to attend a party with boys and alcohol present, and dressed in a way not typical to her hijabi style, I wouldn’t have read the last hundred and twenty pages or so with my jaw clenched in fear. The book shows a lot of Islam in practice, salat, duas, discussions about hijab, but not everyone will agree with decisions Maaryah makes or the rationale behind them as they vacillate between culture, religion, and family expectations.  I love that Maaryah is fallible and never abandons her faith, and that who we are is more than a singular mistake or instance of poor judgement. The book is not preachy, most will just take it as a girl finding her place in her new family dynamic in a new country, who happens to Muslim.  I think, an assumption really, based on what the author has said about her previous adult books, something along the lines that they are not meant to be Islamic fiction, but are stories with Muslim characters, and I think this book should probably be viewed the same.  There is swearing, hand holding, a side hug, normalized boy girl friendships, lying, running away, deceit, cheating, alcohol, mention of hookups, dating, vaping, music, flirting, hijab questioning, bullying, physical assault.  My biggest concern about the book is that it brings up Palestine, but doesn’t discuss Palestine. A side character is a non practicing Jew that visits Tel Aviv and Maaryah wants to discuss the occupation with her, but hesitates and the moment passes.  It is never revisited which I really wish it would have.  It could have modeled a bit how to have those conversations, I know it isn’t that type of book, but Maaryah mentions repurposing kaffiyehs in her designs and so it hints that it matters to her, but never pulls on that thread.  At one point it also mentions another character posted something pro Isr@*l during the genocide, which I can only assume the author thought that by the time of publication would have ended.  SubhanAllah ya Raab.

SYNOPSIS:
The tag line on the cover “From Dubai Girl to London Nobody…” very succinctly summarizes the plot.  Maaryah had an idyllic life in Dubai with her parents and close friends, spending her holidays with her mom’s family in London, and securing an internship with a famous designer.  All is going well until her parents get divorced, her mom moves her to the UK, not near her extended family, and the lack of Muslims, let alone hijabis, at her high school has her bullied with no friends to have her back.  With her mom in survival mode, their once close relationship is non-existent, and the 15 year old is left to sort through it all on her own.

WHY I LIKE IT:

There is a little pulling of punches so to speak of asserting that the boundaries are Islamic, but for the most part I think Muslim readers will see that Maaryah does view a lot of what she experiences through an Islamic lens which I appreciate. I also like that the protagonist’s connection to salat and faith is hers, it isn’t forced on her and I think for this demographic that is good micro messaging and framing.

I was very grateful that the book answered the questions about Maaryah’s family dynamic, so often parental problems are pushed to the void and let to be resolved or understood off the page. And while in the first half it was teased a little as we aren’t having that conversation right now, I did ultimately by the end feel like it was sufficiently resolved.  I also felt the mom was blaringly absent at weird times and I get that it was a plot device to get her out of the way, but if you are dragging at the 100 page mark, I do encourage you to keep reading, it does pick up.

This book isn’t meant to be didactic, and I recognize I’m putting that on it a bit, but I do think the Gaza framing missed an opportunity to show readers how to navigate that very real scenario through the power of fictional characters.

FLAGS:

Copied from above: There is swearing, hand holding, a side hug, normalized boy girl friendships, lying, running away, deceit, cheating, alcohol, mention of hookups, dating, vaping, music, flirting, hijab questioning, bullying, physical assault.

TOOLS FOR LEADING THE DISCUSSION:

I would shelve this in an upper high school classroom, I think that decision to be at the party is clearly shown to be a mistake, to put herself in that situation is something she regrets, and I think showing that she comes out from it offers a lot to be discussed.

Growing Giddo’s Hair by Sumayyah Hussein illustrated by Milton Bazerque

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Growing Giddo’s Hair by Sumayyah Hussein illustrated by Milton Bazerque

The latest batch of Ruqaya’s Bookshelf books have arrived at my house, and this was the first book my youngest picked to have read to him.  The book is silly, over the top and an easy read. The little boy shows initiative and creativity in trying to surprise his grandfather by sneakily applying hair regrowing serum on his Gido’s bald head.  It, as expected, causes a bit of mayhem, but I think 4-8 year olds will recognize the comedic intent of it all, as the love Nuh has for his Gido comes through the silliness.  I was a little surprised that it centered a birthday, it isn’t just the setting, it is the  main foundation of the book, and I was also a little surprised that the Muslim authored, Muslim published book, contained no Islam in the text.  The only featured Islam was the mom in hijab in the illustrations.

The book starts with Nuh trying to figure out what to get for his grandfather who is turning 70 in a week.  He contemplates a 70 layer cake with candles, 70 pairs of shoes, even a 70 flower bouquet, but nothing seems right until he stumbles on a picture of his grandfather years ago, when he had hair!  Later that night he sees a TV commercial for hair growth gel, and Nuh knows just what to get and can’t wait for the surprise.  Once it arrives, the biggest obstacle is getting it on Gido’s head without him noticing.  But Gido doesn’t stay still and the hair product has unintended results as it doesn’t just grow on one’s head.

The book in all its silliness, does offer a few “teachable moments” if desired: false advertising, lying, sneaking your parent’s credit card, etc..  My kindergartner thought it was silly, and enjoyed the illustrations.  For the most part so did I, although, the page of the razor shaving the hair on the tongue definitely makes me squirm and my tongue itch…yeah, my son found that pretty funny as well.

The Last Man in Paradise by Syed M. Masood

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The Last Man in Paradise by Syed M. Masood

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I’ll be honest, if I would have read the blurb (see below) about this book from another author, I probably would not have read the book.  From the description alone, I could assume that it will undoubtedly be uncomfortable, it is an adult read, it is going to be irreverent, and I will disagree with probably whatever messaging the impossible situation the characters are placed in, come out with. But, having read his two YA books, and really liking More than Just a Pretty Face, despite the raised eyebrows I get from Muslim book fans when I say that, I felt pretty confident that Islam would not be othered or villainized, and that the writing quality would make the cringey situations worth getting through to hear the commentary that would be forth coming.  I’ve felt with the author’s other work that the Muslim characters, own their flaws as individuals, not as representatives of their faith, so, I was willing to give this book a read.

The first quarter of the book was a little stilted, but by the midpoint, I could not put the book down, as the writing did not disappoint.  Would I recommend this book? No, not to the majority of followers of my platform, much like the satire of Zarqa Nawa’s Jameela Green Ruins Everything, I know that this style of ridiculous situations to reveal humanity, consideration, and introspection, while being entertained by very Islamic concepts, is not for everyone. Did the make-out scenes in the masjid parking lot, child abuse, sleeping around, drinking alcohol, talk of pubic hair and board games, grandpa on masjid grounds watching porn, hate crimes, involuntary manslaughter, and impersonating an imam giving khutbahs and performing ghusl, cross lines? Probably, but it is fiction, it is raising the stakes to show extremes, and let the reader opine on their perspective when faced with it. And no, I won’t write my typical review about Islamic rep, because reviewers like me got called out for that too, about policing representation and confining Muslim experience to looking like one thing.  The author went really meta and called himself out for the ending of his other adult book (that I haven’t read, but probably should), The Bad Muslim Discount, so clearly no one was out of the line of fire.

Suffice it to say, this book literary wise is an easy read, the craft is on point, it flows and is compelling (except for the end, SPOILER, who was going to look after Baba, that thread just dropped), for Muslims though it will be very uncomfortable. For non Muslims, or Muslims that don’t read to see themselves represented with the fervor that I do, I think Islam is not painted in a negative light or insulted by the text.  The characters are messed up, their flaws their own, but because they are Muslim, religion is part of their understanding and view of their existence.  I do wish there was at least one Muslim character that had it together, that might hint that as a whole we are not all one extreme or another.  I don’t like labels of “liberal” or “extreme” and the book provides commentary and nuance to those flawed dichotomies as well. The book is not heavily moral, (SPOILER) the protagonist does not come back to Islam (might not have been an identity to even come back to), but identifies as Muslim, there is no YA or MG revelation or singular take away. The book centers Islam, but somehow is not Islamic rep, it simply has Muslims dealing with the messiness of life, expectation, family, relationships, and honesty.

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Blurb copied from Goodreads:
A decade ago, Azaan, a rebellious teenager with dreams of becoming an actor, was exiled from Redding, California to a religious academy in Egypt by his imam father. His crime? Getting caught kissing Madison, the girlfriend he isn’t supposed to have.

But while letting his family believe he is studying to become a preacher, Azaan ditched school and embarked on an acting career. Given that he has minimal contact and nonexistent plans to return home, he figured no one would ever know. Now, however, Azaan’s grandfather has a dying he wants to see his grandson one last time. In order to maintain the story he’s told his family for years, Azaan decides to become a fake imam. Playing at being a religious leader, he finds a community in Redding on the brink of a scandal involving his family. It’ll be the most challenging role of his life.

Navigating his new identity and old relationships, Azaan reunites with Madison, connects with old friends, and uncovers a shocking truth about his family history that threatens to expose his father as a fraud. It turns out, Azaan isn’t the only one pretending to be something he isn’t.

Before he can finish weighing the consequences of exposing his father or protecting him, an untimely death shakes Azaan’s priorities. He is forced to grapple with his religion, future, and family in a way that is sure to break hearts, but might heal a few along the way.

Yusuf and Yusra’s Spooky Dilemma by A. Dawood illustrated by Fatimah Farooqi

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Yusuf and Yusra’s Spooky Dilemma by A. Dawood illustrated by Fatimah Farooqi

This 54 page early chapter book about a Muslim kid being tempted by Halloween somehow didn’t really center Islam much, it didn’t explain the origins of Halloween, and it meant well, but I didn’t get the messaging, it actually felt othering.  Young Yusra lies to her parents, gets a costume, attends a school Halloween party, and then once caught goes out to lunch and taken to a museum with her brother and friend Fatima. At the museum the vibrant room is the “From Around the World” exhibit, and the depressing room is “The World Around Me.” the dichotomy is stereotypical and presumptuous without sufficient insight.  The book’s concluding lesson being, don’t give in to peer pressure and feel like you have to celebrate something that isn’t right, “think of all the millions of Muslims in the world not celebrating.”  Wait? What? That is the exact same thing- do or not do something because other people are doing or not doing it! Literary wise there were numerous paragraphs and pages I had to reread to know who was talking, the side characters were underdeveloped as they would get mad and storm off and then be chatting shortly after, and at the end, Umar completely ceased to exist.  Having already reviewed the other title in the series Merry Dilemma, I’m going to allow myself a little forgiveness in comparing the two books, as I would imagine many consumers will buy both, and I found the messaging and presentation in the Christmas book, a lot stronger in facilitating conversation and reflecting Muslim kids’ stresses, than this Halloween book was able to do.  The discussion of Isa (A.S.) and the messaging of what Christmas means and why it is problematic for Muslims was more clear and allowed me to overlook some of the literary inconsistencies and weaknesses; I’m glad I read it first.  If you read this with your kids plan to supplement and discuss because the book does not leave you feeling like you really know why Yusra, or Muslims, don’t celebrate Halloween.

SYNOPSIS:

Halloween is here and Cedarcrest Elementary is throwing a huge party.  Yusuf isn’t going, he knows Halloween isn’t for him as a Muslim.  Family friends, Fatima and Umar, aren’t going either.  But Yusra’s best friend Amanda is really excited, and Yusra thinks she can just help Amanda celebrate, it is just for fun any way right? It isn’t like she is celebrating, she will just be there.  She tells her parents she can’t miss school, her dad buys her a costume, not for Halloween, just for dress-up, and now she is at the school party with glitter and candy and a whole lot of guilt.

WHY I LIKE IT:

I like that the parents try and meet the kids where they are.  I think a lot of Muslim parents buy candy and costumes on clearance the day after Halloween so their kids can still have treats without partaking in trick or treating and enjoy imaginative play after the holiday.  The book having the costume being purchased before the holiday, thus is a relatable occurrence.  Yusra wanting to go is also believable.  But, the parent’s letting it play out to their fourth grade daughter actually lying about a quiz and going to school is a bit of a stretch.

I struggled with the lack of explaining why Muslims don’t celebrate Halloween and what the origins of Halloween are.  It said I don’t do it because I’m Muslim, I don’t celebrate because my parents told me not to, and thank you for explaining it aunty- but in fact, there was no explanation.

The writing wasn’t great.  At one point it says, “Let’s go to the frozen food section we need milk and cereal.”  There were multiple places I didn’t know if Yusra or Yusuf were talking, they sound the same age and I don’t think they are twins, but maybe they are, they are family friends with a brother sister: Umar and Fatima at their school, but Fatima is not in Yusra’s class either, the school vibes feel more junior high than elementary. Back to Fatima though, she gets mad when Yusra doesn’t take a firm “Muslim’s don’t celebrate Halloween position” with Amanda and she walks off being labeled a party pooper, but after school everything seems fine. The plan is all four Muslim kids will hang out instead of going to school for the party, but Umar is not with Yusuf and Fatima when they bust Yusra, or at the museum, so where did he go?

The messaging hinges on Yusra’s guilt.  I don’t know that the book explores it enough, doesn’t have her struggling with it a lot, so it comes across that it is more the getting caught that caused the realization.  She remembers Allah swt when caught, she apologizes to her mom, which is good, but not celebrating Halloween then seems more a family expectation not a religious no-no.  Ultimately the book felt a bit like a missed opportunity to explain the origins of Halloween and let the child decide what to do based on their understanding of Islam and the holiday.

FLAGS:

Lying, going to a Halloween party.

TOOLS FOR LEADING THE DISCUSSION:

I have a few teenagers and a 3rd grader and a toddler, I don’t think this book will do much to foster communication and deepen their understanding about Muslims and Halloween.  For my oldest three when they were in early elementary, we would listen to a NoorArt CD Qu’an for Little Muslims it had a track about Halloween that seemed to work when they were young: you can listen to it here.

If you think this book will work for your needsthough, you can order it here.

Girls Rock: Indonesia by Claudia Bellante illustrated by Josefina Schargorodsky

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Girls Rock: Indonesia by Claudia Bellante illustrated by Josefina Schargorodsky

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This book is part of a series that claims to want to bring the world closer to American children.  It is based on a true story, with noted liberties taken regarding the protagonists, and yet the Author’s Note says she went to Indonesia and was unable to meet with the characters whose lives the book is about.  I am not against non Muslims and non Indonesians per se writing a book about Muslims in Indonesia, nor am I naïve to the fact that music inspires many and radicalism is a real threat, but to conflate ideas without explanation, and not containing that OWN voice authenticity or biography feel, really leaves this book fighting against self made stereotypes and trying to seem woke and relevant while maintaining a very Western American paradigm of what it means to be happy and fulfilled.  The book (and series) may have had good intentions, but it just felt off to me, and with a publisher suggested reading age of 5-8, I think this book assumes too much about the readers prior understanding of hijab, Quran, Indonesia, music, heavy metal, radicalization, small village life, culture, Islam, Quran, imams, and prejudice and fails to assist in connecting the concepts, opting to use them interchangeably and ultimately making the 32 page book rather pointless.  I think if older children read it, it is one of those books that makes one feel like they are cultured and supportive of those breaking stereotypes, but I think Indonesian and Muslim readers will just be confused about why a book is supporting sneaking and lying and why music is ok, but loud metal is not, and why a Muslim teacher could have a band years before, but the current characters are receiving backlash now, amongst so many other things.

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The book starts with basic information about Indonesia: Java, Jakarta, religion, and the motto.  It also includes hijab as something some Muslims wear but does not detail why or what it entails.  It then introduces the reader to three girls that go to school and study Quran, as the pride of their parents and village. The girls feel something is missing and while they are “studying” they in reality are often secretly watch YouTube videos after learning about the heavy metal band Metallica from their teacher.

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The girls want to learn to play, but fear their parents will get mad, why they would get mad is not articulated, so they go to their teacher and whisper their passion for heavy metal “as if they are confessing a sin.” Their teacher, Pima, says she used to play in a metal band, and that they can use the instruments in her garage to learn and practice.

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So while their parents think they are studying, they are playing music.  The book says music is not against their dreams, not against Islam, they choose to wear hijab, they start to write their own lyrics, and their teacher arranges for a producer to come listen to them. The girls worry the imam will get mad and so will their parents. When a local interview airs, the teacher asks negative folks, “who says a girl in a hijab can’t play loud music? Does the Quran forbid following your dreams?”

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Pima regrets letting the naysayers deter her from her music dreams, but earlier said her band broke up when the members moved or got married.  The parents seem fine when a festival in Jakarta is about to happen and presumably they live happily ever after.

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The backmatter then throws in radicalism and Muslim feminist groups, and I’m not sure what the takeaway would be for Muslim or non Muslim children reading this book.  I admittedly haven’t read the other books in the series, but I would be skeptical of their portrayal of cultures and religion after reading this one, it isn’t so much that it is wrong, but it just seems to water the reality down to make it more “palatable” and “acceptable” to American children which results in strong themes of “othering” and dismissal.

Dahling, If You Luv Me, Would You Please, Please Smile by Rukhsana Khan

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Dahling, If You Luv Me, Would You Please, Please Smile by Rukhsana Khan

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I’m not sure how I missed this 1999 published YA book by the OG-groundbreaking-industry-changing- Rukhsana Khan, but until @bintyounus mentioned it to me recently I didn’t even know it existed.  The book has so much Islam, ayats, hadith, salat- Islamic fiction self-published often doesn’t have as much as this mainstream book has, but I would be lying if I didn’t say that some of the content was a bit shocking.  Part of my surprise I think comes from the fact that the book is only 206 pages, it takes its title from a game I remember playing in elementary school at recess, the main character is in 8th grade and the cover is soft pinks.  This book is solid YA both now, and nearly 25 years ago, it carries some incredibly heavy themes: attempted suicide, topless photographs, sexual coercion, cigarette smoking, assault, racism, misogyny, toxic relationships, neglect and more (see flags below).  The book is memorable and hard to put down, the Islam is confident and explored, even when weaponized by an older sister, but there is no denying the story telling abilities of the author, and  while I won’t be letting my 11 or 13 year old read it any time soon, I know I benefitted from reading it- reminiscing about wanting Lucky Jeans and standing in awe of how EVERY. MUSLIM. DESI. author making it in mainstream today is benefitting from the path paved by Rukhsana Khan.  On behalf of readers everywhere- thank you.  Thank you for fighting to tell your stories your way, raising the bar, and offering real Muslim characters from a Muslim voice. 

SYNOPSIS:

Zainab has no friends and doesn’t own a pair of Lucky Jeans, she is the only one in 8th grade that doesn’t.  She feels like if she could trade in her polyester pants for the “cool” pants everyone has, she’d be accepted.  When that plan fails and lands her in trouble, she gets tasked with directing her house’s school play.  The teacher convinces her that it will be a way for her to make friends, and earn her classmates respect, but middle school is never that easy.  Everyone is in love with Kevin, including Zainab, but he is a jerk and if he isn’t the lead, no one else will audition.  Jenny is poor, but has a big chest, so even though she is nice to Zainab, she is more in love with Kevin who only wants her for one thing, and takes advantage whenever his girlfriend isn’t around.  Add to the drama Zainab’s very strict older sister who lists off Zainab’s faults every night with Islamic references to try and make Zainab a better person, and this coming of age story will require Zainab to sort through it all and find her own way to be.  There are a lot of subplots that circle around the play, social circles, toxic relationships, and self growth, that while the characters are worried if they will win the competition and break the curse, the readers (at least this 41 year old mama) are hoping that the characters will survive the year unscathed. 

WHY I LIKE IT:

I love that the family is the same family that will become its own story in Big Red Lollipop just grown up, with names changes, and that the story is summarized.  I’m still a little torn if I love the raw grittiness of the way the two sisters interact or if it goes too far and leaves a bitter taste about Islam.  I really am on the fence about how young readers, both Muslim and non Muslim, in 1999 and in 2022, would view the role of Islam in the dynamic.  I think it reads powerfully, but I had a hard time going back to look at it through my 13 year old eyes and it as an adult it is intense.  I still can’t believe that this book was published with how much Islam it contains, even the play put on in a public school was religiously centered.  White privilege is called out and stereotypes about whites are stated, a Hindu character and the Muslim main character work through their baggage, economic privilege is opined on, women’s rights and expectations discussed, comments about “othering” are present-  it really covers a lot. Quite impressive in a lot of ways. 

The relationship and love themes are not shied away from which caught me off guard.  I expected some making-out and heavy petting, but was surprised it went to topless photos, a character’s mom being a nudist, and that there is a lot of forced touching.  I think for most Islamic school 8th graders, this book would be too mature, in fact I genuinely hope it is. Not to say it is not accurate, but it is very critical to the story and I think would need some discussion.  

I love that the characters draw you in, as much as you despise everyone picking on Zainab, you know she isn’t a pushover and you really pull for her.  I didn’t want to put the book down and kept reading because I wanted to make sure she was ok, see what choices she made, and in a fairly short book, that is remarkable story telling.

FLAGS:

The book is for mature readers in my opinion.  There are relationships, assault, cigarettes’, nudists, kissing, spying, sexual assault, coercion, topless nude photographs, attempted suicide, bullying, teasing, cheating, physical assault, language, verbal abuse, stereotypes, talk of female anatomy, and use of Islam to hurt.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that I would shelve this in the library, I would see if perhaps there is a version with a different cover, one that might signal a more mature reader.  I would worry if an early middle schooler read this, I think it would be a lot for them to take in, process, and reflect on.  It isn’t a light read, and would need some discussion, but ultimately I don’t know that a middle school book club at an Islamic school would be the right place for it. It could be for sure, but not the one I’m currently at.

The Lady or the Lion by Aamina Qureshi

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The Lady or the Lion by Aamina Qureshi

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I was kind of surprised how well done this YA culture rich 350 page romance story was in holding my attention.  I don’t know that I had any expectations, but I was genuinely engaged in the growth of the protagonist as she began to emerge from her naive political state, and I look forward to some resolution from the cliffhanger conclusion of this the first book in the Marghazar Trials series.  The characters are practicing Muslims who pray and mention Allah swt regularly, they also acknowledge when they make extreme departures from basic Islamic tenants such as drinking, dancing, murdering, exhibiting racist attitudes, and mixing freely with the opposite gender.  It doesn’t stop any of the characters from behaving as they wish, but at least it is noted. The Urdu words and Pakistani setting in this fictional reimagining is filled with warmth and love, and while there are some steamy scenes and outright cruelties, I think 15 year olds and up can handle the contents, and recognize the suspension of reality and moral laxities for the sake of telling a story.

SYNOPSIS:

The book makes clear from the onset that “In the very olden time, there lived a semi-barbaric king. . . This is not his story.” This is the story of 18 year old Durkhanai, an orphaned princess raised by her grandparents, the King and Queen of Marghazar.  Marghazar is a prosperous country that is waging war on two fronts and does not let outsiders in, ever.  When the book begins it is doing so begrudgingly to avoid war with the neighboring districts that are working to unify and have recently been attacked.  With ambassadors arriving to determine the guilt or innocence of the one district unaffected by the terrorist attacks, the foreigners are seeing the inner workings of the kingdom for the first time.  All the ambassadors are females of various ages and experience, save the one from Jardum.  Asfandyar is young, dark, and handsome, and immediately discriminated against by the Badshah for his complexion.  Additionally Shehzadi has been warned by many to stay away from Asfandyar, which naturally makes him a great character for her to be swept away by.  She holds out for a while, but with her people mysteriously getting ill, her betrothed melting in to the background, and cracks in her country making themselves obvious, Durkhanai will find herself struggling to understand her heart, her country, her family, and her future, and with the cliff hanger ending, no simple answers will be given to her, or the reader.

WHY I LIKE IT:
I love that there is a map at the beginning, and lots of supplemental offerings at the end.  There are a lot of Urdu words and phrases and while I am moving away from feeling like all OWN voice books need to include glossaries, I think non Desi readers will be appreciative in this particular book to have one available.  For someone with some knowledge of the language the inclusion of the titles and relations and phrases between the languages is expertly done and delightful. There is also an author Q & A, as well as reader discussion questions.  There is a content warning at the beginning alerting the readers to physical and sexual assault as well as racist behavior and language and makes clear that it is contained to the characters and the story and is not the reflection of the author and publisher.  I like that it is there, and I like that the princess makes a stance against the racism and the sexual assault that she witnesses.

The high school girls at our Islamic School are always wanting “halal” romance books.  Ok so really they just want romance books, but I try and keep their pickings halal, and so I am forever reading these books trying to find new titles to recommend.  The book is very 1990s Bollywood in terms of romance flags.  There is a lot of proximity and caressing of necks and longing, and familiar obligation.  There is some snuggling and kissing, so maybe 2000s Bollywood, but the characters thus far don’t cross “that” line.

I really appreciated that Durkhanai was fleshed out and relatable.  Even though the setting is long ago, and the genre is romance, she didn’t wait to be rescued, even when she was hurting or pining, she was still maintaining her obligations and moving forward.  I also love that it showed some depth to her emotions.  She recognized that Asfandyar would let her speak and would show his support by being there, but he pushed back on her and challenged her too.  Rashid on the other hand would speak for Durkhanai and would fawn over her in a very superficial way almost.  Sure neither relationship was ideal, but from her perspective at least she was able to see how various presentations made her feel.

I was a little lost in some places, but I was reading quick and had distractions so I’m not entirely sure if it is my carelessness or plot holes or if gaps will be filled in future books.  I needed more reasoning though, for why Durkhanai’s cousins, Zarmina and Saifullah, truly hated Asfandyar as much as they did, or what exactly Saifullah was plotting and how it connected to ratting out the princess.  For all that is seemingly going on, the Badshah and Wali always seem available to chat and are often just lounging around.  I know it is not their story, but the negotiations, the plotting, everything seems to be done very slowly and could really use some fleshing out to show some depth to the side characters.  Other than a few voices, the side details are lacking.

FLAGS:
Lying, killing, racism, sexual assault, physical assault, plotting, murder, kissing, manipulation, touching, caressing, sneaking around, theft, cruelty, cursing, romance.

TOOLS FOR LEADING THE DISCUSSION:

The book is not an Islamic story or even a moral one, it is entertainment and it could possibly be used for a book club if the participants relish in these kind of books, but it probably wouldn’t have wide enough appeal and would alienate nearly all the boys from joining.

The Girl Who Stole an Elephant by Nizrana Farook

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The Girl Who Stole an Elephant by Nizrana Farook

elephantI have to admit this 240 page middle grade OWN voice book had me invested and glued to the pages.  I was swept away to Sri Lanka and in disbelief at the boldness, cleverness, and spunkiness of the Robin Hood-esque 12-year-old protagonist.  I could not put it down as my head worked over time to figure out how this trio of children, one being a Muslim girl, was going to get out of the heap of trouble they had caused.  Yes, admittedly it wraps up a bit too quickly and simply, the main character Chaya doesn’t learn her lesson and is a terrible friend, and there isn’t a good moral of lying and stealing being bad.  But all that aside, the book is a fun adventure that while written pretty straightforward and clearly, is rich in adventure, culture, and excitement for second to fourth grade readers (and 40 year old moms that love strong girls).

SYNOPSIS:

Chaya is the daughter of a tribal representative, whose mother has passed away.  She goes to school, attends the temple once a week to learn Sanskrit, and at dawn is known to steal things to give to those in need.  At night time, people are on guard, expecting trouble, but dawn seems to be the perfect time to take what she needs from people that won’t even notice.  The book starts out with her stealing jewels from the Queen with the hopes of helping a friend who was bitten by a crocodile get medical help in the next town over.  The people in Sarendib have an unjust king, and stealing from his wife to help take care of people that need assistant is a job Chaya takes seriously.  Her heart is in the right place, but when a guard sees her she stops to visit a friend who works in a wood shop to hide the jewels until the heat dies down.  The box they hide the stolen goods in is purchased by a young Muslim girl, and now Chaya has to steal them back from her to get them to people that are in need.

The chain of events is just getting started, and when the jewels are discovered the wood working Neel takes the blame and is imprisoned, and the new girl in town, Nour, is determined to help free Neel from prison and save the villagers from being tormented by the royal guards.  Chaya devises a plan to free Neel from the palace dungeons, but nothing ever quite goes to plan and all the prisoners are freed.   As she runs to escape her own doom, she steals an elephant to get away, the king’s elephant.

The entire story is a series of follies and at each turn the children have really good intentions, they just keep snowballing into situations beyond their control with the stakes constantly multiplying.  I really don’t want to give it away, but they might just bring down a monarchy as they tromp through the jungle on an elephant, accidentally burn down villages, and find that even though Nour is a wealthy meat eater, they can in fact be friends.

WHY I LIKE IT:

I love that the story is outrageous, yet grounded.  I was sucked in from the first few short chapters and didn’t look back.  Chaya is oh so plucky and her fallibility and flaws make her so endearing.  She is a bit of a mean girl to Nour, but I think she shows growth.  The slight raised eyebrow regarding her, is that she didn’t learn some grand lesson, and in fact is possibly emboldened by her thieving and getting away with it.  There probably should have been some humbling at the end, but she is bold and outspoken, and not one for regrets.  I absolutely love the letter she left her father owning up to her role in the whole hullaballoo, and as an afterthought acknowledging that she skipped two days of school.  She is a cheeky one, but her heart is huge and she has her own sense of integrity that is unwavering.

I like that Nour is acknowledged as being Muslim, eating meat, and going to mosques before she moved.  It doesn’t articulate that Chaya doesn’t like her for her faith, but it isn’t helping the two girls befriend each other either.  I love the elephant, and the plants, and fruits, and animals that bring the story to life.

FLAGS:

Lying and stealing. Some destruction of property.

TOOLS FOR LEADING THE DISCUSSION:

I can’t see me doing this as a book club selection, it is just too young of a target audience, but it would be a blast to read aloud to a second or third grade class, or to assign in a classroom setting.  The chapters are really short that early chapter readers will feel accomplished when they complete the book, and the subject matter will compel them to keep turning the pages to find out what happens next.

A Very Large Expanse of Sea by Tahereh Mafi

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A Very Large Expanse of Sea by Tahereh Mafi

avleos

The book is often marketed as a Muslim coming of age story in a post 9/11 world.  The contemporary work is semi-autobiographical, but really I think the positioning is a bit misleading.  It’s a love story, and the main character is Muslim, and her environment is awful and she is angry. Its an engaging read, I read all 310 pages in one sitting, but I don’t know that the take-away will enlighten anyone about Islam, or really what it was like to be Muslim in the years after 9/11, I think people will remember how sweet the couple is and wonder how much of it mirrors the author and her husband, author Ransom Riggs (Miss Peregrine’s Peculiar Children), but not suddenly become knowledgable about more than what the main character experiences and endures.   I appreciate that the book challenges the stereotypes of Muslim women, there is authenticity as it comes from a writer who lives it, and I do think it shows evolution of attitudes that teens can benefit from.  The book is not yet in the AR database as it just came out, but I would imagine high school and up.  

SYNOPSIS:

Shirin’s Persian-American family moves a lot.  Her and her older brother are incredibly close as their parents are rather aloof to the day-to-day experiences the kids endure.  That isn’t too say her parents aren’t around, they eat two meals a day together and the parent’s are warm, but Shirin’s brother Navid is a much more present.  The story starts with 16-year-old Shirin starting her 12th new school.  Conditioned to not make eye contact, remember faces, or get affected by the trivialities around her, the reader sees how angry she is as she curses at a teacher that assumes she needs ESL not Honors.  Knowing how fleeting her time in any location can be, as her parents are constantly trying to find better jobs, Shirin doesn’t feel compelled to make friends or get attached to anyone or anything.  This intimidating vibe similarly keeps offers at bay, for the most part.  When she gets paired up with Ocean to dissect a cat, he tries to talk to her, and this throws her off her game.  Most every interaction she experiences at school are people making racist comments and being very one dimensional and bigoted.  Ocean tries to be nice, an attitude so foreign to Shirin that it begins to force her to change.  Simultaneously, Navid, who is charismatic and has no problem finding friends wherever they go, decides to put his and his sister’s dream into action and they start a break dancing club at school.  Three other kids join, and start becoming, not just Navid’s friends, but Shirin’s as well.  

Shirin and Ocean fall in love, despite Shirin fearing what the backlash will be for ocean.  She doesn’t really know anything about him, but feels strongly that all the racial slurs thrown at her on a daily bases will effect him and ultimately make them wish they didn’t pursue a relationship. She draws line after line in the sand, and crosses them all.  Only then does she learn how blind she has been, he is in two of her classes, not just one, he is a year older than her, and he is the golden star of the high school basketball team.  Being that the story is told from Shirin’s perspective, this is surprising to the reader as well.  The town turns on the pair and things get really ugly for Ocean who is willing to risk it all for Shirin.  Threats by the basketball coach, pictures of Shirin without her hijab being taken, accusations of terrorist ties and sympathies all challenge the couple and shape Shirin.

WHY I LIKE IT:

I really like the twist of having the relationship be difficult for the non Muslim, rather than going with the assumed Muslim girl having to sneak around.  Not saying that I support it, but interestingly she never mentions that what she is doing is going against anything religious.  She mentions twice that her parents wouldn’t like her with any guy, and that they view her as a child still, but she doesn’t explore Islamically any boundaries regarding their relationship.  She hides talking on the phone to Ocean, because her parents are adamant she gets enough sleep at night.  That is about it.  Shirin discusses that she wears hijab like an armor that she gets to pick who she shows her hair too.  I love the strength in that, but wish there was a bit of doctrine to back it up too.  At one point a Muslim, non hijabi, at school calls her out for wearing hijab and having a boyfriend, but she essential tells her it is none of her business, which it isn’t and who is to say that one sin is worse than another, but still it befuddles what exactly Shirin believes and why.  The book just paints her as a Persian Muslim, but never explores what that means other than the superficial outward appearance.  They do fast in Ramadan, no explanation about why is given, just that they not eat or drink during daylight hours, and right near the end, Shirin remarks how her mom asks her and her brother every morning if they have prayed and they lie and say yes, their mother sighs and tells them to make sure they pray the afternoon one, to which they lie and agree, only to have their mother sigh again.  AstagfirAllah, that is awful lying, and lying about Salat, but it is so real, I audibly chuckled.  

I like that the parents aren’t harsh, they just seem disinterested.  I didn’t want to read another book about the parent’s being the gatekeepers and bad guys, so that was really refreshing.  They mention they don’t celebrate Christmas, but they have an open door policy on Thanksgiving for any friends wanting to come.  I did hope for a bit more about them, why they don’t talk to the kids about moving, what makes them tick, because really they seem to have a solid relationship with the kids, they are just clueless to their social experiences and school environment stresses.

I love the growth and self reflection of Shirin, she holds a mirror to herself and she and readers are better for it.  She has to realize that she is doing so much of what she is accusing others of doing.  I love the support and genuine concern of the breakdancers and her brother.  It resonated to me as a girl with an older brother and the relationship feels very genuine. I just wanted to know more about Navid. 

FLAGS:

There is a lot of cursing. kissing, hand holding, romance, lying, and ditching school.  There is a brief mention of graffiti being sprayed.  There is racial slurs, threats of violence, violent physical outbursts by people of authority.  When a student throws a cinnamon roll at Shirin, Navid and his friends beat the kid up severely, it isn’t detailed, but it is mentioned.  Ocean  also gets suspended for a few games for a fight he engages in, and there is some detail of Shirin getting jumped in a previous city for wearing hijab.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I could in good conscience present this to a group of Muslim students.  I wouldn’t want them to think I was endorsing the violence and language and romance.  Like so many books of the genre though, if someone found it and read it on their own, I’d love to chat with them about it, as it is well written.

Youtube video about the book by the author: https://www.hypable.com/tahereh-mafi-a-very-large-expanse-of-sea-tour/

Power Forward: Zayd Saleem, Chasing the Dream by Hena Khan illustrated by Sally Wern Comport

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Power Forward: Zayd Saleem, Chasing the Dream by Hena Khan illustrated by Sally Wern Comport

power forward

I enjoy Hena Khan’s books, I love basketball, and I love that this three book series is written for 3rd-5th graders.  I didn’t love the cover, however, which I attribute to the reason I waited so long to start reading the book, I know, lame.  But luckily the books were in the public library and I had a few hours on my hands and was able to consume the first two books, and look into ways to get the third one ASAP!  Written on an AR 3.8 level the 126 pages fly by, the second book On Point is 130 pages and an AR 4.0, and the third book in the series, Bounce Back comes out in October.

SYNOPSIS:

Zayd Saleem is in 4th grade and is desperately trying to move from the D squad basketball team to the Gold team with his best friend Adam.  The only problem is he is a pretty scrawny kid, and he has committed a lot of his day to practicing violin.  His desperation forces him to be less than honest and the consequences that follow may strip him of the chance to even try out for the team at all.  The basketball story is intertwined with a rich cultural Pakistani-American backdrop and familial characters that are relatable and fairly fleshed out.  Zayd’s mamoo, maternal uncle, has agreed to meet someone to consider marriage, which brings out some humor as the whole family, including grandma and grandpa, have big roles to play.  Zayd also has to figure out why he gets such stomach aches as he makes regular notes in his food diary, and has to balance the universal themes of friends, school, and homework, as well.

WHY I LIKE IT:

The font and spacing is wonderful for the target demographic, sprinkle in the illustrations and the book is not intimidating in length or size.  The book is very real and relatable, kids of all backgrounds will relate to the basketball storyline and the video games and players mentioned.  I loved the cultural environment.  My kids absolutely loved the mentioning of the Pakistani food that they eat, and customs they participate in, and dynamics they know all too well.  I don’t know that a non Desi (someone from the Indian subcontinent) will get it, love it, and not be turned off by it.  The books are published through Salaam Reads and I would imagine the author and publisher know what they are doing, and the library has numerous copies, so clearly, I’m over thinking it, but I really want to get feedback on the cultural aspect, because it is done really well and I think it would show promise for future books.  

I love that the book is about a boy and basketball, but it isn’t limited to being a boy book or a sports book.  The story moves seamlessly through all facets of the characters life that makes it pretty memorable for what could have just been a sports story with a moral.  The “life lessons” are clear and obvious, but not overly elevated.  The little mistakes that Zayd makes are a part of his life, as are the consequences, but his family helps him through them, and help him learn.

There isn’t anything preachy or blatant about Islam in the book, but the characters are Muslim and it mentions that the parents are heading to the mosque at one point to help with a fundraiser.  

FLAGS:

There is lying, but that is kind of the lesson being worked through.

TOOLS FOR LEADING THE DISCUSSION:

I recently agreed to help a teacher with her “Lunch Bunch.”  Once a week students can opt to eat lunch in the library and have a book read to them.  They must commit for the duration of the book and I think for a 4th and 5th grade group this book would be a lot of fun.  It would probably only take two sessions to read and with the diverse class I can see if they get the cultural stuff or if it just bogs down the story to them.

Author’s website: https://www.henakhan.com/power-forward/