Tag Archives: 2025

Dec27

Rooza: A Journey through Islamic Cuisine inspired by Ramadhan and Eid by Nadiya Hussain

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Rooza: A Journey through Islamic Cuisine inspired by Ramadhan and Eid by Nadiya Hussain

This 191 page, highly illustrated cookbook by a well-known chef and author sets out to be a journey around the world with recipes of beloved foods associated with Ramadhan and Eid.  The introduction shares some of the author’s personal thoughts on the time of the year, what it means to her and her family, and while I cringe when she says, “not eaten from sunrise,” seeing as fasting starts at dawn, the premise of what is to come allows the reader to learn a bit and be inspired too. I do wish that there was more about the food and it’s connection to Ramadan or the culture, but it really is more about the recipes, and the framing, not the exploration of Ramdhan or Eid, her relationship to the dishes chosen, how the recipes came about, and why they are included.

The book is not organized by appetizers, main course, and dessert, or even by ingredients: vegetables, fish, poultry, etc., it is organized arbitrarily by country, with each of the featured cuisines getting two recipes spread over a few pages with gorgeous accompanying pictures, until the Eid section where countries of origin are not attributed with the food, desserts, and snacks.

Whether you want to cook a dish from a certain country, thumb through it and be inspired by a picture, or use the index to look up a specific food or ingredient, I enjoyed reading the book cover to cover and finding dishes I soon hope to try.

 

 

Dec23

Far Away from Here by Ambata Kazi

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Far Away from Here by Ambata Kazi

This character centered book takes the lives of three young adults, and through their own interwoven points of views shares their trauma, their choices, their dreams, and their fears in a poignant book that centers Islam and the characters relationship with their faith, their masjid community, and the concept of home.  The Islam in this OWN voice love letter to New Orleans is so much a part of the characters’ lives that I found myself snapping pictures on every page to share before quitting because it was taking me out of the story. The pictures I’m sharing, as a result are arbitrary as so many beautifully spoke to me. This adult book intentionally or not, forced me to confront my own assumptions, stereotypes, faults, and guilt, while tugging at my heart to see the growth and future possibilities for Fatima, Tahani, and Saif. The three distinct pov narratives feel real, the Black Muslim perspective so important, and the living breathing role of Islam so beautifully conveyed, that I’m just in awe of this book, and didn’t want to miss a beat recommending it to others.

SYNOPSIS:

The book opens from Fatima’s perspective as she leaves Atlanta for New Orleans.  She is returning to the place of her childhood and heartache, to care for her ex fiance’s mother in her final days.  Entering the home, reliving the memories of how Wakeel was killed, and facing Mama Tayyibah’s looming death, highlight her weakened faith and force her to confront the community and friendships she left behind.

Tahani, the only daughter in a large family of boys finds herself a single mother to two little girls when she rebelled against her mother and made her own choices.  She never really left Islam though, and the community who raised her is still a part of her life, even though her own family is not.  As she tries to chart her own career dreams and balance her daily survival, she is surprised to find her childhood friend Fatima once again part of her life.

Saif, straddles two worlds: the young man learning his deen as a respected member of the masjid community, and a seasoned criminal unable to stop selling drugs.  He blames himself for Wakeel’s death, and everyone else seems to agree that it should have been him gunned down, but Allah swt is All Forgiving and with Fatima’s return, perhaps if she can find a way to forgive him, he can forgive himself.

WHY I LOVE IT:
Oh my heart. The characters and their dichotomies brought tears to my eyes multiple times.  The drug dealer teaching the hijabi grappling with Allah’s will how to do tayammum, the young mom in revealing clothes waking up for fajr and taking her girls regularly to the masjid. What is in one’s heart is for Allah swt alone, and this message forced me to face my own assumptions, stereotypes, and judgmental paradigms without didactically calling me out, and I love the book for the fictional shaking.

The beauty of the convert stories, the history of Black Muslims in NOLA, the warmth and found family of the community, completely broke me in the best way possible.  None of the characters are having identity crisis as most literature depicts it, they are fighting their nafs, and other’s expectations, and to be shown their struggles, and yearning, in the proses gentle manner warmed my heart.

I wanted some epilogue space for Baba Kareem, and I honestly tried and failed to figure out the time line as the story circles around itself numerous times in its telling. But, I hope this author keeps writing and telling the stories we need as an ummah and larger community to hear, but to also feel so deeply.

FLAGS:

There is nothing sensationalized, but there are themes of drugs, killing, shooting, death, illness, dating, rebelling, rape, children out of wedlock, disowning, judging, fear, racism, Islamophobia.

TOOLS FOR LEADING THE DISCUSSION:

This is too adult for middle school, I do think upper high school could handle it, but it is solidly that “New Adult” category, with characters in their twenties.  At times they have some adult stresses, or coming of age options, and/or youthful possibilities. Often in multitudes they vacillate with what they have to face, and the limited experiences they have, with family expectations and independent choices.

Nov25

The Slightest Green by Sahar Mustafah

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The Slightest Green by Sahar Mustafah

This adult multi generational novel weaves a narrative that will stay with the readers for the warmth and depth it explores of a fictional family that over the course of 248 pages becomes very real, and in many ways familiar through its personal focus. The book is deliberately slow as it glides through different members of the family, their backstories and different points in time. The prose highlights the plight of Palestinians but not in a didactic or call to action sort of way. The characters and their stories, and their trauma and dreams are very tied to Palestine and the occupation, but the focus on the individual and the ripple effects is what will linger. I do not know when the book was written, (it is published in November 2025) as I read a digital arc which had very minimal backmatter, but this book is set before the recent genocide and is all the more important for today’s readers in pushing back against attempted erasure of Palestinian voice, culture, and history.

Intisar is a nurse in Chicago, the only daughter of divorced parents. She lives with her mother and has not seen her father in over 20 years. Not since he left the family to return to his home in Palestine, join the resistance and after a fateful mission is forced to serve a life sentence in Gahana Prison. When he is released to live his final days before he succumbs to cancer, Intisar heads overseas to see him one last time. Her grandmother Sundus additionally needs Intisar, the only heir, to fight for her to keep her land and home, a task that Intisar is not willing to pursue. As family history is shared, daily atrocities witnessed, Intisar starts to see herself differently, and considers if she could feel at home in her father’s homeland.

Again I read an arc, but there are a few sentences that really have me hoping line edits will still occur before the final version. The book is adult, it has a Muslim drinking and serving alcohol, there is assault, sexual and physical mentioned, and yet I didn’t feel like it was sensationalized, actually felt that the author was deliberately holding back to keep the story about the family and not the larger issues. Their is quite a bit of Islam, not from every character, but it is woven in and not an identity issue. Actually one line used frequently is my only real gripe with the book. “Pray to the Prophet,” is regularly said by a few characters, so I though perhaps it is something unique to them, up until about the midpoint, where many characters start to say it and I don’t like it. It makes it clear other places that Allah swt is One and who we pray to, it has the shahada in English and verses from the Quran, so I’m guessing it is a colloquialism perhaps, or maybe a poor translation, I honestly don’t know, but it bothered me, so I am sharing.

Nov17

Muzoon: From Refugee to Leader by Muzoon Almellehan illustrated by Asma Enayeh

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Muzoon: From Refugee to Leader by Muzoon Almellehan illustrated by Asma Enayeh

Such a delight to see Muzoon’s story coming to children in the West in the form of a Step into Reading Biography. The approachable format aimed at second and third graders reading paragraphs tells Muzoon’s story with quotations from her middle grade biography, Muzoon: A Syrian Refugee Speaks Out.  From her life with extended family, playing soccer, studying and enjoying Ramadan, to the changes that turned her country unsafe and forced them to become refugees. It follows her to refugee camps trying to find routine and hope and the role education and encouraging other’s to study plays in her life.  Eventually her activism and efforts catch the attention of UNICEF and today she works as a UNICEF Global Goodwill Ambassador and travels the world advocating for education and refugees and rebuilding Syria.

Divided into eight chapters, the 48 page book shows how relatable Muzoon’s life is and how the political events forced her family to abandon all they knew.  The presentation, in both the text and the illustrations, show the unexpected and hardships Muzoon and her family face as they make their way to the refugee camps and work to adjust. The book is not graphic, but the weight is conveyed as readers also see the power education and learning has in providing hope and opportunity. In a fictional story, a protagonist using their voice for the good of society is something to cheer, to see it from a real life person in the middle of a war, is something to admire and be inspired by.

I particularly like the inclusion of Ramadan in the story and the details showing her family joyfully gathering to break their fast together, as well as conveying some details about the Islamic holiday.

Nov7

The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

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The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

This gorgeous and powerful 36 page picture book goes back in time to a Palestine where the struggles of today are still found, along with the resilience of the people, determination of the women, ingenuity of the children, love and hope.  The book is so strongly unapologetic in its portrayal of marbles representing strategy of kids to battle the giants aka soldiers, of children being imprisoned, of the occupiers being outsmarted by the people, and the joy that persists despite the attempts of erasure. The story within a story…within a story(?), doesn’t name Palestine until the very end, after the stories at hand have wrapped up, and doesn’t disclose that it is based on a true story, except for in the blurb.  It is also worth highlighting that the book is not OWN voice or sourced.  I still am sharing though because it is positioned as happening long ago, and thus hopefully not further erasing a Palestinian voice, but rather sharing a story to prevent it from being lost.  I do not know the author, illustrator, or publishers’ intent, this is simply my view and I am happy to be corrected if I have arrogantly overstepped.  



The book starts with a lullaby lilting through the air, the la la las, connecting the women caring for their children. Mama Laya is busy so Big Brother Bilal is playing with the children, marking which soldiers have been defeated on the paper that matches the marble game in the lane. When the giants take him away the children run to find Daddy Salim.

The searching children and family find Bilal in prison, and the giants don’t speak the language of the people to be reasoned with, so they must figure out a way to free him on their own.  Mama and the children have a picnic outside the prison and secret filled lullaby conveys the plan right under the giants’ noses. With Bilal free, the women gather to teach each other a secret way to communicate, to resist, to hope, in the lullabies that they sing.

There is no religion mentioned, but the title page begins, “In the Name of God,” and numerous characters are depicted wearing hijab.  I read a digital arc and I hope the printed version has backmatter to highlight that the author is not Palestinian, when this would have taken place, and if it is accurate.  Authenticity and accuracy are important, and I hope the book clarifies what is real, what is imagined, an where the information came from.

 

Oct31

A Tariq Twins Mystery: Murder for Two by Niyla Farook

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A Tariq Twins Mystery: Murder for Two by Niyla Farook

I don’t know what I was expecting, but woah once the actual crimes started piling up and the sleuthing began, I was invested in Riri and Ani working out their differences, solving the case, and freeing their accused dad.  At 336 pages, a full on murder, attempted murder, arson, thieving, and arrests all taking place, the book is definitely for older middle grade readers. The premise and dual points of view of 11 year old twins being reunited after 3 years apart by their divorced parents, getting to know how their OCD, ADHD, and autism factor in to their personalities, learning about TUSC, the town of Castlewick, and the side characters that will turn suspects, result in it taking the story a while to get going.  But if you can get through it, and can suspend belief, the book is a fun mystery that takes on heavy topics, and crime, but somehow keeps it light and consumable by the intended audience. The twins are Muslim, one wears hijab, and there are Islamic references, but once the identity is established, it really doesn’t play a role, or shape the characters’ view of the world or approach to dealing with their grief, anxiety, and obstacles they face.  There is mention of halal marshmallows and hijab, but they never say a quick dua or pray, and by the end is not really even shown to be a big part of their daily lives.  I have no idea if the neurodivergent rep is accurate, but the tone and approach is very positive and normalizing.  Parents may want to know that the book starts on the last day of school and the teacher is non binary, referred to as Mx Henderson with they/them/theirs pronouns. The character is mentioned a lot in the first nine pages, and then never again.  Pronouns for other characters are listed on their profile cards.  There is teasing of a girl having a crush on a boy, a few couples dating, a character being born out of wedlock, and a male character being in a relationship with someone named Toby that is mentioned a few times, but only on the final mention in the last few pages of the book, does it clarify that it is a boyfriend.  The book seems to be intentionally diverse in ethnicities, religions, identity, and orientation, but the story is a murder mystery, and a family reconnecting, and the mentions in passing are not detailed, or overly explored.  I mention all this for adults to determine what is best for their children.

SYNOPSIS:

Supersleuth Imani Tariq aka Ani lives in Castlewick with her father, Abderrazzak and spends time at Cafe Vivlio with Mrs. Kostas.  The small town is Ani’s stomping grounds for sleuthing and carrying out the cases her TUSC (Tariq Ultrasecret Supersleuth Centre) organization takes on.  She knows everyone, and everyone knows her, and she is not looking forward to spending the summer with her “evil twin” visiting from California.  Riri short for Noori, lives with her mom and is heading to the UK so her mom can set up a new office for her company, and the twins can reconnect after being apart for three years.  There is a lot of animosity in the former family of four, but the girls slowly start to rely on each other when they find Mrs. Kostas’ dead body in the secret garden, alibis not checking out, relationships coming to light and their dad being arrested for the murder.

WHY I LIKE IT:

I naively thought it would be a murder of a distant side character that the girls tried to solve, or maybe a trick and it looked like a murder, but ended up not being one, so I was really kind of shocked that in fact a murder occurred, that the girls found the body, and that the story of lies, deceit, art theft, secret identities, relationships, and webs of coincidences and manipulation was just getting started. The girls’ voices are distinct, but as they pop around doing what they do, the reader is often just expected to go along with it an not over analyze. I kind of liked that the ending spelled it all out, like a good villain in cartoons the culprit gets their moment to detail and confess what they did, how they did it and why.  In full disclosure though, with about 30 pages left in the book, I was genuinely still curious who the guilty person would be.

The book balances very real mirroring threads with absolutely bonkers ones.  The girls get counseling for grief, talk about their OCD and ADHD.  They also run circles around the police, unravel the plot through research, interviews, crime scene analysis and get the murderer to confess to only them.

The Islamic rep at the start really got me excited, but it stopped rather abruptly and there was no longer even any Assalamualaikums or walakumsalams after about the first 40 pages or so. The characters are of Pakistani decent, but I have never heard “hudafiz” as a farewell before, Allah hafiz and KhudaHafiz, yes, but never with an H.  It appears a few times in the book, and even the internet, for whatever it is worth, says it is probably a mistake.

FLAGS: (Things parents might want to know the book contains):

Murder, attempted murder, assault, framing, deceit, lying, arson, teasing, close boy/girl friendships (Muslim characters), hetero and lgbtq+ relationships, romantic interests, child out of wedlock, jealousy, revenge, name calling, parents are divorced, therapy/counseling, ADHD, anxiety, grief, abandonment, loss, OCD, autism, unemployment.

Oct20

Sameer and Snazzy: Kindness Counts by Emma L. Halim illustrated by Herry Prihamdni

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Sameer and Snazzy: Kindness Counts by Emma L. Halim illustrated by Herry Prihamdni

The 32 page faceless picture book for toddlers and up, is set in Australia and follows Sameer and his cat Snazzy on a bushwalk.  At first I felt like it might be a little bit like the classic, “And to Think that I Saw it on Mulberry Street,” but the structured story with a repetitive refrain adds in Islamic phrases, silly encounters, and examples of kindness that make it unique.  Add in a fun surprise at the end, and like many other books by the author, be prepared to have it memorized as your little ones ask for it over and over again.

The book starts with Sameer look forward to his grandpa coming to visit, but wishing he had something exciting to share with him.  Snazzy suggests he shares that he can talk to animals, but Sameer knows no one would ever believe that, so the two set off on a bushwalk to find something exciting.

When they hear an “A-choooooo!” in the trees, the fun is just getting started with Miss Koala sneezing and making eucalyptus leaves fall. The duo finds a way to help, but the fallen leaves mean ants are stuck in their home and can’t get out.  Once again, Sameer and Snazzy, find a way to help.  After each episode the refrain of, “‘Imagine if I told Grandpa this!”‘ I say to Snazzy.  ‘He’d never believe you! he smiles.  ‘NO-ONE WOULD!’ We laugh together and continue along the path, when suddenly…”

The book ends with a surprise, that I won’t spoil. The backmatter has a reference to Surah An-Naml and explains that Prophet Sulayman peace be upon him, really could speak to animals.  There is also a glossary of the Islamic phrases and a QR code to continue to the fun after the story ends.

The book is a bit more text heavy than some of her others, but the illustrations are fun, and will keep kid’s attention.  It does not rhyme, but has a cadence that makes reading it aloud easy. The small size makes the book better suited to bed time, but could work in a story time, and would be wonderful tuned into a story board/felt board read aloud.  The book is a universal story, but at some point in Islamic fiction self published and small published books, I think we will need to have open dialogue and discussions if having characters that are not the same race as the author or illustrator is appropriate and beneficial, or is misleading and better to avoid.

***EDIT: The author reached out to me asking me to remove this generalized opinion of me calling upon the need to have discussion, I opted to amend, as I think we need to have conversation and believe intention and purpose in whatever one decides is a benefit.  So, to avoid errors in interpreting her ask, I will simply post the screen shots, and my response.  Please note I did not tag the author in my Instagram post, she reached out to me.  I purchased the book, it was not gifted.

Oct9

Steet Puppy, Masjid Cat by Moniza Hossain illustrated by Wastana Haikal

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Steet Puppy, Masjid Cat by Moniza Hossain illustrated by Wastana Haikal

I was a little nervous opening the book, I didn’t know if it was going to be a “Lady and the Tramp” type retelling, and I was unsure how dogs would be presented, but I sure was not prepared for the absolute adorableness that unfolded.  The simple rhyming lines contrasting the street puppy’s life to that of the pampered cat in the masjid, to their meeting, and the sweet imam leading with kindness warmed my heart.  The real chef’s kiss is the backmatter that doesn’t source, but references the sunnah of “acts of charity to every beast alive,” and notes that dogs, unlike cats, are not allowed in the mosque for religious reasons.  I love that “masjid” is in the title, that the author’s note and glossary explain adhan, imam, and the Quran, and ultimately that friendship amongst differences is the takeaway for all readers.  I don’t love that the adhan in the text is described as ringing and the imam as singing, but I acknowledge my pickiness.  And while I love that Prophet Muhammad saw is mentioned in the author’s note, I do wish salutations were given afterward.  The illustrations on every one of the 32 pages are delightful, and I love that the image on the jacket is different than the one on the book itself.  For ages 3 and up, and even emerging readers, this book has a lot of heart, and my 6 year old has read it aloud so many times, I just might have it memorized.

The book starts with simple rhyming lines showing the contrasting life of the cat and the dog, from their daily activities, to how other’s treat them.  When they meet, the cat is not too welcoming, but the imam shows the puppy kindness and the cat follows suit.  As simple as sharing and giving each other a chance, creates a friendship between the two animals, and a beautiful conclusion even the littlest children will understand.

The book is not didactic, and the role of the imam and setting of the masjid, for Muslim kids will be such a spark of joy, but in no way will it limit non Muslim children from connecting with the story.  The benefit for all is seeing a masjid environment and a Muslim in action, normalizing both, and inshaAllah reminding us all to be a little kinder to our animal friends.

Sep14

All the Ways to be Pretty by Shamaila Khan illustrated by Reyhana Ismail

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All the Ways to be Pretty by Shamaila Khan illustrated by Reyhana Ismail

The premise of this book is fabulous, an Islamic approach to internal beauty to counter the societal emphasis on external appearance, by drawing on the examples of Ai’shah (RA), Khadija (RA), Sumayyah (RA), Maryam (RA), Hajar (RA), and Rufaidah (RA), may Allah swt be pleased with them all.  The illustrations are decent, focusing on the girl understanding what her mother is saying and her imaging herself with those qualities.  The part that I struggled with, is I flipped through it before I started reading it, and the pages are often walls of text.  Additionally, I didn’t realize it is rhyming text over 34 pages.  SubhanAllah though, somehow, it works.  I can see this book being shared at preteen gatherings in masajids, homes, and schools everywhere.  The rhyme at times is forced and lacking, but the flow makes the walls of text zoom by and the information shared is not overwhelming and Alhumdulillah, it doesn’t stray too far from the central messaging. You could share it with younger readers, but I think it works best if the audience knows some of the women and facts highlighted, and the information shared is a mix of reminder and new tidbits urging further exploration. The publisher lists the reading age at 7-10 which is probably a good fit based on the amount of text, but the rhyme, mirrors at the end, and starting point of battling beauty standards on the screen and “Princess” messaging is a bit of a target audience disconnect, which is why I point it out so consumers are aware.

The book starts with a lengthy author’s note before the rhyming scene of a mother and daughter walking to school and discussing what the daughter would like to be.  The girl doesn’t answer a profession, but rather responds that she wants to be pretty, and gives some justifications.  The mother gently then encourages her not to just want to be pretty, but rather pretty smart, pretty wise, pretty brave, pretty pious, pretty resilient, and pretty kind, before concluding with the girl throughout the day thinking of how to be like them, and her mother, to earn Allah’s pleasure.  Each attribute is a two page spread with one of the historical women featured.  The book ends with a hadith and six mirrors with the characteristics beneath them.

I like that the book does not try to give an entire biography about the women featured.  I also like that Islamic references are also brought in, some explained some not. It is “Islamic fictionalized non fiction” it is meant for Muslims with Islamic framing, not just Muslim characters, and it has substance.  Lately so many self published or even Islamic published books seem to not feature Islamic foundational themes, and I realize how much I have missed reading books that do.  Yes, I normally would have a solution to offer as to how to make the pages less text filled and I know I should say that maybe it shouldn’t rhyme, because it makes for some awkward phrasing, over explaining, and useless lines, but alas, I have no suggestions.  We need books that present our Sahabas and Prophets in a manner that allow our kids to know them and think of them and emulate them. Alhumdulillah, I can see this book being read and shared and discussed, and that to me is a “pretty “good thing.

Sep10

The Misadventures of Mina Mahmood: School Trip by Farhana Islam illustrated by Simran Diamond Singh

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The Misadventures of Mina Mahmood: School Trip by Farhana Islam illustrated by Simran Diamond Singh

The illustrations in this book, by a Muslim author featuring Muslim characters, are impressively fun and complimentary to the story.  Yes, the 184 page book is highly illustrated.  The publisher says it is MG, and I can see that based on the length, but I think it is a solid second grade to fourth grade read.  The storyline is singular and surface level, and the scary silly bits are just meant to be funny and not taken too seriously.  I enjoyed the book, the normalizing of the Muslim kids in a non Muslim setting just living their life, and the main character’s voice had me smiling throughout.  A school camping trip is overshadowed by bullies and then consumed by the ever growing out of control scary story of Bertie Blackteeth.  An epic laser tag battle, quad adventures, and the comical banter of Mina and her friends, Mobeen and Reema, make for a light engaging read.  Sensitive kids might find the fright to be too much, but I think most will finish and be glad to learn there are more books to come in the series.

SYNOPSIS:

Mina Mahmood and her friends are ecstatic, it is finally their turn to head off on the annual camping trip to Shiremoor Oaks.  A weekend of laser tag, orienteering, archery, and quad biking without adults, well teachers, but no parents.  All Mina has to do before the fun begins is get through a family dinner with Auntie Selma and her cousins.  Mina doesn’t believe anything her cousin Abbas says, so when he mentions he went camping in school to Shiremoor Oaks and heard about a girl, Bertie Blackteeth who vanished there, Mina pays him no mind.  When her older sister Affa, also mentions that she heard the story, Mina starts to wonder if there could be some truth.  The next morning on the bus, when Bilal the Bully and his minions Owen and Brodie are also talking about Bertie Blackteeth and her need for a new body, Mina and the rest of the class are properly spooked. The fear hangs over all the activities, ruins the midnight snack extravaganza, and makes this a camping trip they will never forget.

WHY I LIKE IT:
I enjoy when Muslim kids drop mention of Eid and Ayatul Kursi in their adventures. When a character wears hijab, but she is the teacher, so the book isn’t about her identity, it is just a part of who she is.  I also really like when books are funny, characters are snarky, there is a plot, a climax and a resolution.  The book doesn’t have layers and heavy themes, sure you could discuss bullying, and fear and friendship.  At times Mina is tasked with saving Mobeen and other times advised to sacrifice him.  But considering he feels to young to be a father if the spider that just landed on him lays eggs in his eyebrows, it is probably best to just enjoy the story for what it is and not look to make it more.

FLAGS:
Could be a little scary, it is a little imaginative in the lies and embellishments of Bertie Blackteeth.  Bully and dealing with bullies.

TOOLS FOR LEADING THE DISCUSSION:
I handed it to my 10 year old and said enjoy, not much more than that is needed. A fun addition to elementary shelves, and one that will be picked up often.