Category Archives: Picture book

Ramadan by Lori Dittmer

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Ramadan by Lori Dittmer

 

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I understand and appreciate that every time a series of holiday books come out Ramadan is bound to be included, but this 2021, 24 page kindergarten geared nonfiction book really offers nothing new.  In fact, while the realistic photographs on each two page spread are nice, I take issue with the page that says, “In A.D. 609 the prophet Muhammad began writing a book.  The Quran is God’s word to Muslims.” First of all, Prophet Muhammad (capitalize the P please), didn’t write the book and the Quran is for all people.  

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The book starts out welcoming Ramadan and showing a child in sajud, without explanaition, I wonder and worry how a non Muslim child woud understand this act.  Would they take it as an act of worship? Not sure.

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The next page mentions Ramadan as a time of prayer and thinking of others before explaining that it is the ninth month of the Muslim year and starts with the new moon.

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It then details that lanterns are set out and hung in windows by many, but doesn’t tell why or hint at cultural reasoning.  The problamatic page follows, and then it shows an older man reading Quran and says that some repeat the whole Quran during the blessed month.

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I like that it mentions that from sunrise to sunset people do not eat or drink and that they try to be calm.  At night people eat dates and drink water and share a meal called iftar.

There are then pictures of Ramadan, a lantern, iftar, dates and Quran, before a page of vocabulary, further reading suggestions and an index conclude the book.  The definition for prophet, seemed a little off for me, “someone who speaks for God.”  Why not say someone who spreads God’s message?

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I wouldn’t encourage this book be shared with little ones, or in interfaith, like I said, there are much better fiction and nonfiction books about Ramadan for this age level.

 

Red Shoes by Karen English illustrated by Ebony Glenn

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Red Shoes by Karen English illustrated by Ebony Glenn

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This delightful 32 page picture book links two girls, two ends of the world, two cultures and two stories together with a pair of red shoes.  The short sentences pop with action and the perfectly illustrated two-page spreads convey relatable emotion and joy.  The beloved shoes travel on the feet of one character to a wedding, Christmas dinner, and birthdays, they are then are donated and journey to West Africa to be given as a gift for a little girl who fasted half of Ramadan.   The message I hope children ages three and up will get from the story, is that we are more alike than different, that we should take care of our things (amazingly the shoes weren’t worn out), and that we should donate things of good quality that we ourselves value.  I hope it doesn’t lend itself to perpetuate the stereotype that we can send our castaway items to Africa, being the author comments in her bio on the back flap that her husband is from West Africa and that she frequently visits there, I’m hoping that this is just me being overly cautious in the messaging, and nothing is being implied or negatively taken from a casual reader.

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Malika and her Nana see a pair of dazzling shoes perched in the window, and Malika is enamored. Her grandma later surprises Malika with the shoes.  She quickly tries them on and tests them out.  She keeps them safe from the rain and dances with them on at her Auntie’s wedding.  She kicks her cousin Jamal with them on, under the table at Christmas when he tries to steal her biscuit.

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She stomps away from her best friend in her red shoes, and jumps double Dutch with them on when she makes up with her friend at her birthday party. But at Nana’s birthday, “the shoes don’t let her forget that her feet have grown.” Nana and Malika take the shoes to the thrift store to be resold.  A sad Malika says goodbye to them, they were her favorite shoes ever.

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Inna Ziya sees the shoes in the window and knows just the little girl who will love them.  She squeezes them in to her suitcase and they are off to Africa. They wait under a table selling claypots in a market waiting for the girl who fasted half the month of Ramadan.

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When Amina comes holding her mother’s hand, Auntie Inna Ziya delivers the promised gift.  Amina thinks they are beautiful and lovingly carries them in the box on her lap as they fide the tro-tro home.  Amina’s little sister Halima, can’t wait to see the gift as she too hopes to one day fast in Ramadan.

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Amina lets her try them on and when she outgrows them she plans to pass them on to her.  Meanwhile, Malika is wondering whatever happened to her beautiful red shoes, and if someone else is wearing them.

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There is no mention of Islam nor is Ramadan explained.  There are women in hijab in America and in Africa, even in the books in a shop window there is representation.  I particularly love the shout-out in the illustrations to “Mommy’s Khimar.”

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The front of the book has Malika, and the back, Amira.

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Baby’s First Ramadan by Clare Lloyd design and illustrations by Eleanor Bates

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Baby’s First Ramadan by Clare Lloyd design and illustrations by Eleanor Bates

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I was excited to see publishing company DK add this Ramadan book to their board book selection, but overall it didn’t wow me, or even really impress me.  It has realistic pictures of diverse Muslims celebrating Ramadan, simple text, and bright images, but it read awkward as it switched between first and third person, realistic and stock looking images, and not terribly enticing with slightly faded mehndi and unexplained foods.  There are better board books out there for babies and toddlers than this 12 page mainstream published one.  If you can find it at the library, sure check it out, but I’d save my money on purchasing it.

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The book starts out saying Muslims follow Islam and Ramadan is a special month in Islam.  It features a a man holding a little girl and both are people of color.  The opposite page is a cartoonish crescent moon saying it is the start of Ramadan.

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The next page has a plate of realistic deviled eggs on a bright background stating that many Muslims fast, don’t eat from sunrise to sunset.  It also states that the meal before dawn is called suhoor or sehri.  I’m not sure why Urdu is included with the traditional Arabic and no other languages are mentioned.

The next page then shows a little girl praying and switches to present tense first person and says “Let’s pray…” followed by a little boy reading Quran and stating that reading Quran helps us learn about Islam.  It then switches back to declarative 3rd person saying that people break their fasts before sunset prayers and shows a bowl of dates.

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A family is then shown breaking their fast with a meal known as iftar and the reader is urged to pick their favorite sweet to eat from a plate of different shaped baklava.  There is no description about the baklava and I don’t know how enticing they would be if you have never tasted it before.

The book concludes with the same cartoonish night sky and silhouetted masjids saying the crescent has been seen, Ramadan is over and tomorrow is Eid.  The last page is a girls hand saying , “Let’s celebrate Eid by making henna patterns on our hands.”

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I think the idea is good, but I feel like it doesn’t answer many questions about Ramadan and Muslims and probably makes the religion and celebrations seem foreign and odd, presumably the opposite effect.  I admittedly haven’t read the other holiday books in the series and am not a baby expert, so perhaps I’m really critical and missing the developmental reasoning behind the presentation.  But I don’t know that this book is fun or really informative for any age, it just seems random.

Samira’s Trip to the Masjid by Yara Kaleemah illustrated by Aveira Cartoon

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I’m a big fan of books featuring BIPOC leads in everyday situations, but when the quality of the product is subpar, I truly am conflicted if I should mention the book, or just tuck it away and pretend I never read it.  I’ve had this book tucked away for a while now, but I am pulling it out to bring attention to the importance of editors, proofers and revising.  The bar has been raised, Islamic fiction is becoming more and more mainstream.  The quality of many self published books rival and exceed traditionally published options, that to be putting out content that contains grammar errors (missing words, punctuation, random line breaks), spelling errors, voice and point of view inconsistencies, illustration errors, and content mishaps in a 26 page picture book, is not acceptable.  I feel like you are hurting the goal of representation and reflection, more than boosting it, when it is not well done.  I know that is harsh, but sadly minorities always have to do things better, it isn’t right, but it is the way it is.  You can argue my opinion that the story is too wordy or text heavy, but the technical components and final package in a $12 book, really need to be resolved.  The overall concept of the story is lovely: the Islamic details, the reminders about the sunnahs of Jummah, the little girl being excited to wear her favorite scarf and see a friend at the masjid, it really had a lot of potential.

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Samira greets the reader with As Salaamu Alaikum, as the fourth wall is breached and introduces herself as being a Muslim.  She then explains what being a Muslim is and tells the reader it is Jummah.  She asks her Ummi why we go to the masjid on Friday, before chiming in with all the information she in fact does know about Jummah.

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The next page details wudu as she prepares to go to the Masjid.  She then explains hijab as she tries to find her favorite green khimar with polka dots.  The words hijab, scarf and khimar are used interchangeable, causing a bit of confusion,  She explains that hijab is required by Allah swt to guard your chastity and that He also requires us to wear a khimar to the masjid.  I wish it would have clarified that we have to be covered when we pray, not necessarily just going to the masjid as she is a child, and many masjids are more than just places to pray, often having community halls and gyms.

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As the story continues she cannot find her favorite khimar no matter where she looks.  Ummi tries to give her some places to check, but in typical mom fashion, Samira can’t find it anywhere, and mom can find it immediately.  Samira shares some information about wearing your best clothes and they are off to the masjid not wanting to be late and hoping to get to the masjid first as the angels keep a record.  She finds her friend, and settles in to listen to the khutbah (misspelled as “Iman’s lecture” in the book).

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The conclusion of the book says “that even though Samira couldn’t find her favorite khimar, she was happy to take a trip to the masjid…”.  But she did find her favorite khimar? And on the very last page she is wearing the same shirts as she was at the masjid, but the polka dots have vanished from her green scarf?

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I’m hoping the author, illustrator, and publisher will clean up the book and someday republish it, we need these voices and images.

Amazing Muslims Who Changed the World: Extraordinary Stories of Incredible People by Burhana Islam illustrated by Reya Ahmed, Deema Alawa, Nabi H. Ali, Saffa Khan, Aaliya Jaleel and Aghnia Mardiyah

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Amazing Muslims Who Changed the World: Extraordinary Stories of Incredible People by Burhana Islam illustrated by Reya Ahmed, Deema Alawa, Nabi H. Ali, Saffa Khan, Aaliya Jaleel and Aghnia Mardiyah

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The 30 stories presented over 197 pages are inspiring, and this compilation so desperately overdue. The book is not chronological it is completely random, and at first I was confused, but as I made my way through the book, I actually grew to love not knowing who I would be reading about next.  Yes, there is a table of contents, but the point being that you don’t have to be born into royalty, or be a warrior, or have lived a long time ago to be amazing, you just have to follow your passion.  I learned so much about people I thought I knew about, and was tickled to learn about people I have never heard of: bakers, athletes, actors, educated slaves, architects, spies, singers, scientists and politicians.

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At the end of each six page illustrated blurb is an “Interesting Fact” and at the end of the entire book are some activities in the “Amazing Extras” section.  Readers can crack a code like Noor Inayat Khan who helped the Allies decode and send secret messages from France to Britain or write a poem like Rumi, a song like Yusuf Islam (Cat Stevens), draw a superhero like G. Willow Wilson, make a camera following the science of Hasan Ibn Al-Haytham, or color a picture of Muhammad Al-Idrisi.

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My favorite biographies were those that I knew little or nothing about before hand.  If I had to pick two favorite among all of those sections, I’d pick Khawlah bint Al-Azwar and Ayuba Suleiman Diallo.

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In 600 CE Arabia, Khawah, the masked knight, learned how to fight along side her brother and eventually served with Khalid ibn Waleed in battle.  It is said that she killed the Byzantine leader that captured her and then asked for her hand in marriage.

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Ayuba Suleiman Diallo in the 1700s in modern day Senegal was a highly educated man who was captured and forced in to slavery in Maryland, USA, interacted with James Oglethorpe, found himself being sent to England and with the help of a Thomas Bluett was able to be freed and eventually return home a free man. SubhanAllah!

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This book has it all: famous Muslim men, famous Muslim women, Black Muslims, Arab Muslims, European Muslims, American Muslims, Asian Muslims, African Muslims, Muslims who lived a long time ago, Muslims who are still alive all jumbled up and beautifully presented by a Muslim author and a handful of Muslim illustrators. This book is wonderful for 3rd graders to adults and would be a benefit on any book shelf.  It is worth noting there are no sources given, and doesn’t explain how the people were chosen to be included in the book.

The Great Hair Exchange by Asmaa Hussein illustrated by Milton Bazerque

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The Great Hair Exchange by Asmaa Hussein illustrated by Milton Bazerque

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I don’t know if twins plot and plan to trick people, but I think those of us that are not twins, and don’t have any in our immediate family, all assume that switching places with someone who looks exactly like us, would be a regular prank with hilarious outcomes and convenient benefits. Two twin Muslim girls with different hair and vastly different personalities learn to love themselves, appreciate how God made them, and get reminded that sneaking has consequences, all while evoking giggles from the reader throughout their adventurous day in each other’s shoes (hair?). This 32 page full-color, high-gloss, fantastically illustrated book is filled with silliness and lessons that will appeal to children five and up.

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Bushra and Roda, are nearly identical, except Roda has curly hair, and Bushra’s is straight.  They often want to try different hairstyles, but their parents tell them they should appreciate how God made them and they can experiment when they are older.  The girls decide that their parents, with their perfectly wavy hair, just don’t understand and sneak in to their parents’ bathroom before school to straighten and curl their hair accordingly.

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Surprised at the final results, “You look like me!”The girls realize they are going to get in trouble and decide to switch clothes and backpacks and head off to school.  At school the girls are ushered in to each other’s classes by their teachers despite their protests that they aren’t who they look like.

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The girls carry on as each other struggling in classes they normally excel in, get annoyed by their hair, and suffer through lunches that they don’t like.  Roda even fools herself as she bumps into a mirror thinking she is going in to hug her sister, and Bushra is startled by a spider that Roda loves.

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After school their dad drops them off at their after school activities and still doesn’t suspect a thing. Roda goes to Bushra’s soccer game and Bushra to Roda’s girl scout hike.  When it starts to rain, the girls’ hair returns to its natural state and when they get picked up, they have a lot of explaining to do.

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The girls are reminded that hair gadgets require supervision, that God made us all unique and being dishonest is not ok.  From here on out the girls still prank their friends and teachers, but do so with their parent’s knowledge.

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The book is fun and silly and for both Muslim and non Muslim’s alike.  It uses the word God, not Allah, and while the mom wears hijab, and the girls do on the last page, there is nothing Islamic or even Islamic specific in the book.  I feel like the grammar on the last page is off, but nothing too major.  The book ends with five discussion questions.

When Mom’s Away by Layla Ahmad illustrated by Farida Zaman

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When Mom’s Away by Layla Ahmad illustrated by Farida Zaman

This 24 page, timely children’s book focuses on life with Covid-19 from the point of view of a little girl whose mom is a doctor and must quarantine in the garage to keep her family safe. The reassurance of such a book to remind our children that they are not the only ones going through such disruptions with virtual learning, staying away from grandparents, wearing a mask and not seeing a parent for a few days, is a powerful one. I couldn’t find anything stating if the author or illustrator identify as Muslim (I know, I know, assumptions based on names is rather pathetic), and there is nothing religious in the story, but the book shows a diverse family and as this pandemic rages on, kids and parents will benefit from feeling less alone and sharing this resource I hope is a benefit.

The book starts out with the little girl learning that her mom is going away, well not really away, but will not be in the house with her and her dad. That the virus isn’t slowing down and her mom has to go help people. The family of three then sets up the garage to make sure mom has everything she will need when she comes home from work. A bed, a little table, even a picture of the three of them.

The dad calls the mom a superhero and gets the little girl on board with helping mom as she helps others. They wash their hands to a special song, they wear masks when they go out, they shop for a neighbor, and try to use things to make dinner that they already have.

The book then articulates that mom is a busy doctor and dad cooks often. The little girl plays games with her dad and video chats with her mom feeling proud that she is making her mom’s job easier. Every morning the dad does the little girls hair before virtual learning begins, and every evening she waits by the window to wave to her mom. The little girl misses her teacher, friends, and mom.

The little girl and her dad go grocery shopping for Grandma and Grandpa and deliver the groceries to them outside with masks on as they wave from afar. Sometimes before dinner the neighbors all stand outside banging pots and pans cheering for all the heroes coming home.

When her mom returns from quarantine, the little girl asks if the virus is gone, and the mother says no, but that things are getting better. When her mom thanks her for doing such a good job while she was away, the little girl says, “No problem, Mom. That’s what superheroes do!”

I love that the concept of super heroes is presented as real people on the front line doing their jobs even when it requires tremendous sacrifice. I also like that all of us working together to curb the pandemic is also heroic work.

I love that it shows a mom capable and professional and loving, as well as a father loving and capable and supportive. Yes, she likes how mom does her hair better, but it shows competency from both parents, which sometimes in books is lost when it makes one parent the brunt of misguided humor.

I don’t know if years from now the book will be as relevant, but certainly children today are living this story and will relate to the characters. I think children in preschool and up will enjoy the illustrations and storyline.

Float Like A Butterfly by Ntozake Shange illustrated by Edel Rodriguez

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This 40 page biography beautifully presents major events of the famous boxer’s life without going in to much explanation. While it is an AR 4.7, it is still a picture book, and might work better for younger kids with some conversation and context, than for middle grade readers looking for anything in-depth about the beloved hero. While following his life, the reader sees him as a child growing up before he becomes famous, and sees that even after he retires, he is so much more than just a boxer, he is a compassionate leader, icon, and humanitarian.

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Born in Louisville, Kentucky in the Pre-Civil Rights South as Cassius Clay, he struggled to understand why there was only a white superman, and questioned if heaven was divided up by color and income like Smoketown.

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Cassius loved the power of words and would help his father make rhymes as a sign painter. When his bike gets stolen he is motivated to learn to fight so that nothing else is ever taken from him and his. He may not be the colored superman, but he is determined to be lightening fast and have fists that fly.

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In 1960 at age 18 he won Olympic Gold. In 1964 he converted/reverted to Islam and changed his name to Muhammad Ali days after becoming the Heavyweight Champion of the World. His titles were stripped from him, however, when he refused to fight in Vietnam.

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Years later in 1971, the Supreme Court reversed his convictions for not fighting and in 1974 he reclaimed his title by beating George Foreman in “The Rumble in the Jungle.” In 1981 after winning, keeping and losing the title, Muhammad Ali retired from boxing for good.

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Muhammad Ali suffered from Parkinson’s disease but still donated his time, his money and himself. He believed in perseverance, and equality, and fought for what he believed in. He passed away in 2016 at the age of 74.

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This is an updated edition from the 2002 originally published book, it now includes his death. I wish it was more than a fleshed out timeline and showed him as a person, or what it was like to lose everything when standing up for something you believe in, or explained what some of his catch phrases meant, or really just as a more high energy celebration of his life.

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The Girl Who Slept Under the Moon by Shereen Malherbe illustrated by Sarah Nesti Willard

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The Girl Who Slept Under the Moon by Shereen Malherbe illustrated by Sarah Nesti Willard

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I was really surprised by the number of gaps in this 46 page story that is so adorably illustrated and seemingly planned out. I thought perhaps I was being overly critical, so as always I tested it on my kids, and they too were confused by the main character’s rational and choice of words, the holes in the narrative, and the inconsistency of the characters. The book is wordy, so conciseness cannot be the reason for the holes, and it is published by a publishing company, so I would assume it has been proofed. Really the point of stories connecting us and giving us comfort when we need it, is sadly lost. I had hoped to love this fictional story of a Palestinian girl using prayer to give her comfort in her new home, but alas it seemed to be trying to weave in too much, and as a result the story isn’t fabulous for me unfortunately.

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Noor is new at school and stands out. She finds comfort in remembering the things that are the same. 1-Allah could still see and hear her. 2- The Angels were still by her side, and 3-She still slept under the same moon. She also wears clothes that remind her of home and provide an unspoken clue as to where home is for her.

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At school Noor has a problem, she needs a place to pray, but at lunch time the kids are not allowed to go inside and the dinner lady guards the door. Noor needs a distraction to sneak in the building and it isn’t clear if she provides the distractions, or just benefits from a baby bird falling out of a nest, a snake being in the grass, and a classmate getting hurt. Either way, when the teacher is occupied, Noor enters the building and finds a closet to pray in.

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On one such visit to the closet she finds someone already in there, Hannah. Hannah is there because she doesn’t like being on the playground because she is different. Noor never asks why Hannah feels different, so the reader isn’t made aware either. Hannah asks her why she is there and Noor says she comes “to pray because it reminds me of where I’m from.”

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When Hannah asks where she is from, Noor doesn’t just simply answer, she tells her stories about her homeland, the mountains, olive trees, where the athan floats in the air and fisherman return to the shore with their catch. The next day Hannah is there again, and Noor tells her more stories and legends about her culture and lessons of the Prophets. Noor learns that through her stories she feels connected to her old home.

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Weeks pass, and one day when she sneaks in to the school, she finds the door locked. With no where to go she heads back to the playground and starts to cry that she won’t be able to pray. She then sees Hannah disappear and she follows her in to the drama studio. When she enters she sees sets built that look like the setting of her stories, of her home. Hannah knew she missed home and built her sets to look like Palestine.

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Other kids miraculously enter, and Noor begins telling them her stories, without praying first. The other kids seem to enjoy her stories and Noor learns that she can pray anywhere while holding on to her three reassuring thoughts.

The illustrations are engaging, although I’m not sure where the prayer rug seems to magically come from for Noor to pray on in the closet the first time. Had the book just been about prayer and finding a way to pray, or just about the stories connecting us to our past I think it would have been more powerful. I’m glad that Noor loves salat and that Hannah is a good friend, but I feel like by trying to do too much, the poignancy of the little things was lost.

And as for my questions: Can’t Noor ask for a place to pray? Can’t she pray outside? How is Hannah making the sets all by herself? Noor says she prays because it reminds her of home, she doesn’t pray for the sake of Allah or because it is required of her? Why did Hanna feel different, and why didn’t Noor bother to ask? It says that she needed to distract the dinner lady, isn’t that dishonest even for a good cause? Did she harm the baby bird so that it would need rescuing? Put the snake in the grass? Hurt the little girl so that she could get by the teacher? How was Hanna getting inside at lunch time? How is the school ok with a kid coming inside to build a whole set with school materials, but can’t let another child inside to pray for less than 5 minutes? And if Noor didn’t feel comfortable asking for a space to pray, clearly Hannah had connections to get permission to create a huge scene, couldn’t she have asked, or helped Noor ask?

Fatima Al-Fihri by Aaliyah Tar Mahomed illustrated by Winda Lee

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Fatima Al-Fihri by Aaliyah Tar Mahomed illustrated by Winda Lee

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This adorable simple nonfiction highlight of the founder of the world’s first university still existing, The University of Al-Qarawiyyin, is perfect for preschool/kindergarteners and up.  The brightly illustrated, large minimal text passages spread out over 16 glossy pages breathes life in to a remarkable character and celebrates an accomplishment that every one should be familiar with and inspired by, inshaAllah.

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The story starts by establishing little Fatima’s love of learning.  She learns from books, her family and from the people in her city.  When her family moves from Tunisia to Fez in Morocco, Fatima is excited to learn new things.

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Every day she goes to the mosque to read and meet new people. Her father supports her, and when he passes away she is left with his wealth.  She decides to use the money to rebuild the mosque.

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She recalls that ‘iqra’ is not just about gaining knowledge, but is also sharing what you have learned with others.  She purchases the land around the mosque and builds a university.   It is documented as being the first institution to issue educational degrees.

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I wish the story was slightly more fleshed out with detailing more about her family and her influences, about her overcoming some obstacles and even how long she lived for.  I know the target audience has a short attention span, but a few details even little ones can relate to will connect them to such an important figure and inspire the readers to dream big and make a difference.

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This book is the first in the WomanKind series.   A new series to tell stories about Muslim women who made history.

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