Tag Archives: Muslim Author

Dec13

40 Hadiths for Children by Yasmin Ayub illustrated Sabahat Hareem

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40 Hadiths for Children by Yasmin Ayub illustrated Sabahat Hareem

My first thought when I received this book is that it is tiny and will get lost on the shelf, but the prodding of a friend encouraged me to give it a chance, and subhanAllah, it is a delightfully well done book that I now nightly read with my kids, reread myself, and have floating around so that my teenagers also thumb through the contents within.  Divided into four sections: Good Actions, Good Character, Worship, and Daily Life, each two page spread has an attributed hadith in Arabic with English translation opposite a page giving some relatable context, scenarios and further explanation, along with tips to put the hadith into practice.  The sweet illustrations break up the text, making it enticing to read and easy to consume.  The writing is on level for elementary, but not condescending for older readers, and the organization makes the book easy to spend time with in a variety of settings at home, school, or at masjid activities.

I particularly enjoy that the messaging is on level for today’s children in an appropriate and relatable tone.  For example, the page encouraging the covering of faults makes it clear that if someone tries to harm you or others, you should tell and NOT cover that, which is so important.  That the author is a teacher shines through throughout as little tidbits such as that allow the book to be shared independently, and don’t require that an adult provide the context and discussion for the hadith included.  I find that when I read the pages as written, my children speak after, and I get to listen. They don’t seem to have any further questions, but rather want to share what they have done or can be better at, which speaks to a book well done, alhumdulillah.

As for the “tips,” they are a mix of more generic, but on point, and some are very specific such as the visiting the sick allowing the child to immediately put into action certain behaviors, and allowing others to be regularly worked at and contemplated.

Dec13

Our Neighborhood: Radiant Ramadan by Marzieh Abbas illustrated by Anoosha Syed

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Our Neighborhood: Radiant Ramadan by Marzieh Abbas illustrated by Anoosha Syed

This adorable 26 page board book rounds out the Celebrating Islam representation in the Our Neighborhood Series and the simply rhyming words do an excellent job of conveying the joy, worship, togetherness, and daily aspects of the glorious month. Some of the lines feel a bit forced, but I really enjoyed the size and tone of the book. The illustrations are equally well done with a keffiyeh shown on a drummer, different skin tones on the characters, and smiles throughout. It is perhaps worth noting that the prayer page does seem to have the Shia rock that is used, I missed it initially thinking it was just a design on the prayer mat, but it is hard to unsee once it is pointed out. The other Islamic books in the series by the same author and illustrator are Friday Fun and Excited for Eid.

Dec12

Aya and the Star Chaser by Radiya Hafiza illustrated by Kaley McKean

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Aya and the Star Chaser by Radiya Hafiza illustrated by Kaley McKean

Most people probably don’t read as much Islamic rep fiction as I do. Add in I’m an adult reading MG, who consistently shares thoughts on books that fit a slim criteria, and the result is I’m nitpicky and hard to please.  But, because I read a lot of a very small niche genre, the stark contrast to books with Islamic representation done well, compared to those done poorly or somewhere in the middle is hard to ignore. This 213 page book has an all Muslim cast, but has very little Islam, and what is there is terribly presented. It has one Assalamualaikum, one mention of salat, a reference to shoes worn on eid, and the mother sings Quran.  Yes the characters wear hijab, but it is only ever called a headscarf, so while the pieces are there they don’t add up to much, which I predict leaves Muslim readers disappointed and non Muslim readers chalking it up to more pointless details that serve as filler, and provide no real fleshing out of the characters on the page. I forced myself to read it, the desire at page 12 when stars and meteors are used interchangeably to dnf was strong, and to the book’s credit, I was mildly rewarded with the last 65 pages or so being slightly better written. The plot holes, repetition, inconsistencies, the reliance of the mother simply refusing to answer the daughters questions, and overall surface level of the book makes it regrettable, but can I see young readers that love quirky characters, balls, royalty, and happily ever afters enjoying the read? Yes. And being there is nothing blatant in the book that would warrant you not letting them dive in, you can take my criticisms with a grain of salt, or stardust.

SYNOPSIS:
Aya and her mother, who is “stern with a big heart” live in kingdom of Alferra.  Her father has been gone for seven years, she doesn’t even know his name, as Aya and her mother, Jannah, have a strained relationship. Aya loves the ocean and the night sky and dislikes school, the only friend she has is Naznen, and on the night of the Perseids meteor shower the two girls meet in the middle of the night to watch the sky.  One star (is it not a meteor?) hits Aya and give her powers: she can shoot fire and cry flowers. Desperate for answers Aya and Jannah head to the Somerfest Ball at the palace to meet a seer.  When they do they learn of a prophecy and the remainder of the book is Aya and her mother running away to avoid the prophecy, before Aya reluctantly has no choice, but to face the villain, and thus see the prediction through.  I don’t want to spoil spoil it, but there is an Evil queen and demons of sorts with red eyes referred to as bhoots, and a battle that takes place in true fairytale format before the happily ever after occurs.

WHY I LIKE IT:

I do like that Aya is strong and determined, her strength however, is undermined by her sickness, sleepiness, and lack of determination to find the answers her mother refuses to give though, which is unfortunate.  The biggest problem with the book is the writing quality just isn’t great.  Even the religious representation aside.  Why have a whole conversation about wearing matching clothes to the ball between Aya and Naznen for Jannah to gift Aya a gown of a different color and no mention of wanting to match with her friend revisited. Why have Naznen sneak through the window just to have Aya go through the door using the spare key under the mat? Why mention a strange lady at school dismissal, that is never explained? Why is everyone scared to be out because people are missing, just to have Naznen alone, show up with Aya’s homework? I could go on and on, the book brings things up and then dismisses them using them to be page filler it seems. So many details do not provide insight in to the story or the characters or the setting, they are just random fleeting observations.

I didn’t like that the prince is described as having a “lover,” there are better less abrupt identifiers that could have been used, or perhaps in British vernacular it isn’t as pointed as it is in the US.  I also didn’t love that they bowed down to the Evil Queen Abnus. This highlights a place where an Islamic lens would have fleshed out that the characters are Muslim, not wanting to bow, as we bow to Allah swt alone, but perhaps being struck and forced.  Other easy inclusions of Islam would be seeing the meteor shower and saying SubhanAllah, being so sick from the star hitting you and asking Allah swt to heal you, asking Allah swt for strength in a dozen scenarios the book presents.  Duas before leaving the house with people going missing, it really seemed blaringly absent given the nature of the book to not have little sprinkles woven in, yet it halts the story early on to have those labels noted. It definitely could have used some polishing to make it part of the story or characters or taken out all together.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t rush out to buy this book for your school, library, or home book shelf, but if you have it, there is no need to remove it.  There is not enough Islam nor literary value.  There is not even enough character development or details to show the change in the mother-daughter relationship to foster conversation.  One page they claim they have no secrets when the mother and her secrets is the bulk of the backstory, to the next page where the mother simply discloses all the letters and answers that Aya needs to move forward.

FLAGS:
Lying, sneaking out, scary evil villains, disowning, abandonment, disobeying parents, death, killing, prophecy, fortune tellers/seers, magical powers, abuse, imprisonment,

Nov25

The Slightest Green by Sahar Mustafah

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The Slightest Green by Sahar Mustafah

This adult multi generational novel weaves a narrative that will stay with the readers for the warmth and depth it explores of a fictional family that over the course of 248 pages becomes very real, and in many ways familiar through its personal focus. The book is deliberately slow as it glides through different members of the family, their backstories and different points in time. The prose highlights the plight of Palestinians but not in a didactic or call to action sort of way. The characters and their stories, and their trauma and dreams are very tied to Palestine and the occupation, but the focus on the individual and the ripple effects is what will linger. I do not know when the book was written, (it is published in November 2025) as I read a digital arc which had very minimal backmatter, but this book is set before the recent genocide and is all the more important for today’s readers in pushing back against attempted erasure of Palestinian voice, culture, and history.

Intisar is a nurse in Chicago, the only daughter of divorced parents. She lives with her mother and has not seen her father in over 20 years. Not since he left the family to return to his home in Palestine, join the resistance and after a fateful mission is forced to serve a life sentence in Gahana Prison. When he is released to live his final days before he succumbs to cancer, Intisar heads overseas to see him one last time. Her grandmother Sundus additionally needs Intisar, the only heir, to fight for her to keep her land and home, a task that Intisar is not willing to pursue. As family history is shared, daily atrocities witnessed, Intisar starts to see herself differently, and considers if she could feel at home in her father’s homeland.

Again I read an arc, but there are a few sentences that really have me hoping line edits will still occur before the final version. The book is adult, it has a Muslim drinking and serving alcohol, there is assault, sexual and physical mentioned, and yet I didn’t feel like it was sensationalized, actually felt that the author was deliberately holding back to keep the story about the family and not the larger issues. Their is quite a bit of Islam, not from every character, but it is woven in and not an identity issue. Actually one line used frequently is my only real gripe with the book. “Pray to the Prophet,” is regularly said by a few characters, so I though perhaps it is something unique to them, up until about the midpoint, where many characters start to say it and I don’t like it. It makes it clear other places that Allah swt is One and who we pray to, it has the shahada in English and verses from the Quran, so I’m guessing it is a colloquialism perhaps, or maybe a poor translation, I honestly don’t know, but it bothered me, so I am sharing.

Nov7

The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

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The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

This gorgeous and powerful 36 page picture book goes back in time to a Palestine where the struggles of today are still found, along with the resilience of the people, determination of the women, ingenuity of the children, love and hope.  The book is so strongly unapologetic in its portrayal of marbles representing strategy of kids to battle the giants aka soldiers, of children being imprisoned, of the occupiers being outsmarted by the people, and the joy that persists despite the attempts of erasure. The story within a story…within a story(?), doesn’t name Palestine until the very end, after the stories at hand have wrapped up, and doesn’t disclose that it is based on a true story, except for in the blurb.  It is also worth highlighting that the book is not OWN voice or sourced.  I still am sharing though because it is positioned as happening long ago, and thus hopefully not further erasing a Palestinian voice, but rather sharing a story to prevent it from being lost.  I do not know the author, illustrator, or publishers’ intent, this is simply my view and I am happy to be corrected if I have arrogantly overstepped.  



The book starts with a lullaby lilting through the air, the la la las, connecting the women caring for their children. Mama Laya is busy so Big Brother Bilal is playing with the children, marking which soldiers have been defeated on the paper that matches the marble game in the lane. When the giants take him away the children run to find Daddy Salim.

The searching children and family find Bilal in prison, and the giants don’t speak the language of the people to be reasoned with, so they must figure out a way to free him on their own.  Mama and the children have a picnic outside the prison and secret filled lullaby conveys the plan right under the giants’ noses. With Bilal free, the women gather to teach each other a secret way to communicate, to resist, to hope, in the lullabies that they sing.

There is no religion mentioned, but the title page begins, “In the Name of God,” and numerous characters are depicted wearing hijab.  I read a digital arc and I hope the printed version has backmatter to highlight that the author is not Palestinian, when this would have taken place, and if it is accurate.  Authenticity and accuracy are important, and I hope the book clarifies what is real, what is imagined, an where the information came from.

 

Oct29

Here’s Our Religion by Jenny Molendyk Divleli illustrated by Dasril Iqbal Al Faruqi

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Here’s Our Religion by Jenny Molendyk Divleli illustrated by Dasril Iqbal Al Faruqi

This HUGE 14 page board book is such an engaging, teachable, and shareable book for toddler to early elementary aged children.  Similar to the author’s First Words in the Qur’an I can see this book being shared at story times and in classrooms regularly.  Each two page spread is literally a board book in and of itself.  With headings of: Ummah, Shahadah/Qur’an, Salah, Ramadan, Zaqat/Sadaqa, Hajj, and Prophet Muhammad (saw)/ Sunnah, kids will be able to deduce from the pictures and simple captions how the details relate to the theme, learn new information, review what they already know, and delight in the illustrations.

I don’t know that I would sit down with a toddler or preschooler and just read the book straight through very often, but when I was doing multiple story times a week, I had planned books for every theme highlighted in this book. I would have loved to be able to pull it out after a few stories had been read and used it as a review, where I could point to a picture and the kids could holler out what the illustration was teaching.  The large size would have saved me from having to make story board pieces, and the critical thinking would encourage comprehension and retention.  Example: learning about salah, and then opening to the salah spread, kids could see the vacuuming child and decode that we pray in clean places, that the picture of four people praying together is to learn/remind/teach that it is better to pray together.  

 

 

Oct20

Sameer and Snazzy: Kindness Counts by Emma L. Halim illustrated by Herry Prihamdni

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Sameer and Snazzy: Kindness Counts by Emma L. Halim illustrated by Herry Prihamdni

The 32 page faceless picture book for toddlers and up, is set in Australia and follows Sameer and his cat Snazzy on a bushwalk.  At first I felt like it might be a little bit like the classic, “And to Think that I Saw it on Mulberry Street,” but the structured story with a repetitive refrain adds in Islamic phrases, silly encounters, and examples of kindness that make it unique.  Add in a fun surprise at the end, and like many other books by the author, be prepared to have it memorized as your little ones ask for it over and over again.

The book starts with Sameer look forward to his grandpa coming to visit, but wishing he had something exciting to share with him.  Snazzy suggests he shares that he can talk to animals, but Sameer knows no one would ever believe that, so the two set off on a bushwalk to find something exciting.

When they hear an “A-choooooo!” in the trees, the fun is just getting started with Miss Koala sneezing and making eucalyptus leaves fall. The duo finds a way to help, but the fallen leaves mean ants are stuck in their home and can’t get out.  Once again, Sameer and Snazzy, find a way to help.  After each episode the refrain of, “‘Imagine if I told Grandpa this!”‘ I say to Snazzy.  ‘He’d never believe you! he smiles.  ‘NO-ONE WOULD!’ We laugh together and continue along the path, when suddenly…”

The book ends with a surprise, that I won’t spoil. The backmatter has a reference to Surah An-Naml and explains that Prophet Sulayman peace be upon him, really could speak to animals.  There is also a glossary of the Islamic phrases and a QR code to continue to the fun after the story ends.

The book is a bit more text heavy than some of her others, but the illustrations are fun, and will keep kid’s attention.  It does not rhyme, but has a cadence that makes reading it aloud easy. The small size makes the book better suited to bed time, but could work in a story time, and would be wonderful tuned into a story board/felt board read aloud.  The book is a universal story, but at some point in Islamic fiction self published and small published books, I think we will need to have open dialogue and discussions if having characters that are not the same race as the author or illustrator is appropriate and beneficial, or is misleading and better to avoid.

***EDIT: The author reached out to me asking me to remove this generalized opinion of me calling upon the need to have discussion, I opted to amend, as I think we need to have conversation and believe intention and purpose in whatever one decides is a benefit.  So, to avoid errors in interpreting her ask, I will simply post the screen shots, and my response.  Please note I did not tag the author in my Instagram post, she reached out to me.  I purchased the book, it was not gifted.

Oct9

Steet Puppy, Masjid Cat by Moniza Hossain illustrated by Wastana Haikal

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Steet Puppy, Masjid Cat by Moniza Hossain illustrated by Wastana Haikal

I was a little nervous opening the book, I didn’t know if it was going to be a “Lady and the Tramp” type retelling, and I was unsure how dogs would be presented, but I sure was not prepared for the absolute adorableness that unfolded.  The simple rhyming lines contrasting the street puppy’s life to that of the pampered cat in the masjid, to their meeting, and the sweet imam leading with kindness warmed my heart.  The real chef’s kiss is the backmatter that doesn’t source, but references the sunnah of “acts of charity to every beast alive,” and notes that dogs, unlike cats, are not allowed in the mosque for religious reasons.  I love that “masjid” is in the title, that the author’s note and glossary explain adhan, imam, and the Quran, and ultimately that friendship amongst differences is the takeaway for all readers.  I don’t love that the adhan in the text is described as ringing and the imam as singing, but I acknowledge my pickiness.  And while I love that Prophet Muhammad saw is mentioned in the author’s note, I do wish salutations were given afterward.  The illustrations on every one of the 32 pages are delightful, and I love that the image on the jacket is different than the one on the book itself.  For ages 3 and up, and even emerging readers, this book has a lot of heart, and my 6 year old has read it aloud so many times, I just might have it memorized.

The book starts with simple rhyming lines showing the contrasting life of the cat and the dog, from their daily activities, to how other’s treat them.  When they meet, the cat is not too welcoming, but the imam shows the puppy kindness and the cat follows suit.  As simple as sharing and giving each other a chance, creates a friendship between the two animals, and a beautiful conclusion even the littlest children will understand.

The book is not didactic, and the role of the imam and setting of the masjid, for Muslim kids will be such a spark of joy, but in no way will it limit non Muslim children from connecting with the story.  The benefit for all is seeing a masjid environment and a Muslim in action, normalizing both, and inshaAllah reminding us all to be a little kinder to our animal friends.

Oct7

Zamzam for Everyone: Sharing Water at Hajj by Razeena Omar Gutta illustrated by Bassent Dawoud

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Zamzam for Everyone: Sharing Water at Hajj by Razeena Omar Gutta illustrated by Bassent Dawoud

This joyful 32 page picture book is both adorable and educational. Layers of Hajj and Zamzam threaded through with the global reach of Islam, generosity, food, language, and a little girl with a big smile brightening every encounter, is heartfelt and tender. Each reading has me smiling and marveling at the illustrations, amount of information simply conveyed, and the way it all comes together to offer both a window and a mirror for readers of all ages, particularly 3 and up.  The robust backmatter allows older readers to benefit, and with pronunciation guides, cultural and religious oversight noted, this book will be a favorite at bedtime and story times in Islamic and public schools, libraries, and gatherings.  SubhanAllah, the book is really well done and such a gift to us all to see Hajj and Zamzam unapologetically and proudly presented through little Mariam’s eyes.  It will leave children feeling like they just had a warm hug, and inshaAllah making dua’a that they too will be invited to Hajj soon.  

The book starts with Mariam feeling blessed to be one of the millions of people at Hajj. Her mother encourages her to be good, share, and be grateful all while staying hydrated, as it will be tiring.  She tries to come up with what she can do to get blessings, in addition to smiling, when she realizes sharing her Zamzam water will be the most beneficial. 

She helps an old lady find a seat and gives her some Zamzam, the Pakistani lady says, “shukria” and gives her dates in return. When she shares with some Indonesian sisters and is told “Terimah Kasih” she is handed some pandan cookies in gratitude.  This continues all throughout her Umrah with pilgrims and workers from different countries thanking her in different languages and sharing something back with her.  

It carries on through the steps of her Hajj, even when Makkah is far away. And even when she returns to her home, she shares the Zamzam to bring a part of Hajj to those that stayed at home.

The backmatter tells the story of Zamzam, information about the treats mentioned from around the world, information about Hajj with a glossary as well as the steps of Umrah and Hajj, information about the author and illustrator, and who helped insure accuracy of all the cultural and religious content included.

The book comes out in January 2026, and appears to be available in both hardback and paperback, please preorder to show support.

 

Sep18

Odd Girl Out by Tasneem Abdur-Rashid

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Odd Girl Out by Tasneem Abdur-Rashid

At 368 pages this identity centered mature YA book really hooked me and had me invested, which is impressive because Islamophobia stereotypes and being the new kid in a new place tropes are pretty frequently done, and often after a while, feel repetitive.  For me the charm of this book is actually not Maaryah and her peers/friends/bullies storylines, but the protagonist’s relationship with her parents and what caused her mom and dad to divorce.  Obviously as a mom of teens, I’m not in the target audience, but I feel like I benefited from the Muslim authored, Islam centered book, and think older teens, perhaps 17 and up, will also find the book enjoyable and reflective of views they have, challenges they face, and boundaries they have to establish.  I don’t want to spoil it, but SPOILER, had my dear friends that have read the book clued me in that the book will toe and slightly cross the haram lines, but ultimately show Maaryah deciding to re-establish her boundaries after being tempted not to, i.e. making a poor choice to attend a party with boys and alcohol present, and dressed in a way not typical to her hijabi style, I wouldn’t have read the last hundred and twenty pages or so with my jaw clenched in fear. The book shows a lot of Islam in practice, salat, duas, discussions about hijab, but not everyone will agree with decisions Maaryah makes or the rationale behind them as they vacillate between culture, religion, and family expectations.  I love that Maaryah is fallible and never abandons her faith, and that who we are is more than a singular mistake or instance of poor judgement. The book is not preachy, most will just take it as a girl finding her place in her new family dynamic in a new country, who happens to Muslim.  I think, an assumption really, based on what the author has said about her previous adult books, something along the lines that they are not meant to be Islamic fiction, but are stories with Muslim characters, and I think this book should probably be viewed the same.  There is swearing, hand holding, a side hug, normalized boy girl friendships, lying, running away, deceit, cheating, alcohol, mention of hookups, dating, vaping, music, flirting, hijab questioning, bullying, physical assault.  My biggest concern about the book is that it brings up Palestine, but doesn’t discuss Palestine. A side character is a non practicing Jew that visits Tel Aviv and Maaryah wants to discuss the occupation with her, but hesitates and the moment passes.  It is never revisited which I really wish it would have.  It could have modeled a bit how to have those conversations, I know it isn’t that type of book, but Maaryah mentions repurposing kaffiyehs in her designs and so it hints that it matters to her, but never pulls on that thread.  At one point it also mentions another character posted something pro Isr@*l during the genocide, which I can only assume the author thought that by the time of publication would have ended.  SubhanAllah ya Raab.

SYNOPSIS:
The tag line on the cover “From Dubai Girl to London Nobody…” very succinctly summarizes the plot.  Maaryah had an idyllic life in Dubai with her parents and close friends, spending her holidays with her mom’s family in London, and securing an internship with a famous designer.  All is going well until her parents get divorced, her mom moves her to the UK, not near her extended family, and the lack of Muslims, let alone hijabis, at her high school has her bullied with no friends to have her back.  With her mom in survival mode, their once close relationship is non-existent, and the 15 year old is left to sort through it all on her own.

WHY I LIKE IT:

There is a little pulling of punches so to speak of asserting that the boundaries are Islamic, but for the most part I think Muslim readers will see that Maaryah does view a lot of what she experiences through an Islamic lens which I appreciate. I also like that the protagonist’s connection to salat and faith is hers, it isn’t forced on her and I think for this demographic that is good micro messaging and framing.

I was very grateful that the book answered the questions about Maaryah’s family dynamic, so often parental problems are pushed to the void and let to be resolved or understood off the page. And while in the first half it was teased a little as we aren’t having that conversation right now, I did ultimately by the end feel like it was sufficiently resolved.  I also felt the mom was blaringly absent at weird times and I get that it was a plot device to get her out of the way, but if you are dragging at the 100 page mark, I do encourage you to keep reading, it does pick up.

This book isn’t meant to be didactic, and I recognize I’m putting that on it a bit, but I do think the Gaza framing missed an opportunity to show readers how to navigate that very real scenario through the power of fictional characters.

FLAGS:

Copied from above: There is swearing, hand holding, a side hug, normalized boy girl friendships, lying, running away, deceit, cheating, alcohol, mention of hookups, dating, vaping, music, flirting, hijab questioning, bullying, physical assault.

TOOLS FOR LEADING THE DISCUSSION:

I would shelve this in an upper high school classroom, I think that decision to be at the party is clearly shown to be a mistake, to put herself in that situation is something she regrets, and I think showing that she comes out from it offers a lot to be discussed.