Tag Archives: culture

Sep27

Tried & Tested by Umm Juwayriyah

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Tried & Tested by Umm Juwayriyah

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In 337 pages I fell in love with the Johnson family and all their drama and hardships, while marveling at their resiliency, love of family, and determination to own their mistakes, right them, and move forward.  I don’t know that this Urban Islamic Fiction book is classified as YA (the author didn’t respond when I reached out), but I think high school juniors and up will appreciate either/both seeing themselves in it or/and reading an engaging story about indigenous American Muslims.

SYNOPSIS:

A naïve teen, Iman Johnson, ran away from home and her Islamic life to be with a boy offering her the world.  After twelve years of being away from home, she sees a window to escape the oppression and abuse of her husband and return to her family who she has had no contact with in Pittsburg, PA.  The story is linear as it follows Iman as she deals with the stresses she currently faces while dealing with the consequences of her actions and mistakes of her past. She must reconcile her family, deal with the passing of her father, the failing health of her mother, the tumultuous relationship her younger sister is in, the incarceration of her older brother, and the impending arrival of her little brother’s first child.  Ultimately she must also face her husband to get a divorce, keep safe from his mafia like family of drugs and violence and control, find a job, get her alcohol addiction in check, and forge ahead.  She also must reconnect with Allah swt, her community and find herself.

WHY I LIKE IT:

It has been over a week since I finished the book, and I can’t decide if the author failed to be consistent with a certain character, or if she made him fallible intentionally to show that there are no saviors and we all have our own weaknesses and humanity, or if I’m just really irate with a fictional character and his poor choices, ahem Jibril.  That being said the characters really stay with you, and I feel like I could chat about them as if they are real and I am ready to go start a gofund me campaign to help them out.

The characters at every single step are Muslim and the book feels like a labor of love from the author.  I don’t think this is a book that could be researched or written from outside, I’m guessing the author has loved this community and been loved by them in return.  For all the Islam in it, I think a non Muslim could read it and enjoy the story, but if you are Muslim you are in for a treat.  From the Eid morning bathroom schedule, to the annoyance of having a brother in law staying over and thus forcing you to cover when you run to the kitchen for a snack.  Yes, at times, there might be too much information, like how many times does it say she relieved her self and made wudu, but the consistency makes it all so worth it.

I’m being vague about some of the details and not telling too much about the characters, because you really have to immerse yourself in it, and thankfully the author does a great job in keeping it clear who all the characters are, how they are related and what life experiences they bring to the table.  Every single character has issues, no one is perfect, yet somehow the story is never sad or hopeless.  No one is looking to be saved or playing the victim card, they are all fighting the fight, and taking it one day at a time.  It is really impressive.

Sure, most of it is predictable and I wanted more of a showdown between Iman and her ex, Mateo, but yet somehow I was sad when the book ended and I had to leave the characters and their world. I absolutely love how the brothers take turns guarding Iman as if they do this all the time for their sisters.  Sure it may not be realistic that they can find someone free at all times, and whatnot, but I really want this to be true.  That people still look out for one another, and not perfect people who don’t have their own issues, but real people, family, just people who have made it a priority to care.

FLAGS:

There is lying, deceipt, affairs, drugs, drinking, violence, abuse, smoking.  But, nothing is glorified or detailed, it is mentioned to make a point and then the story moves on.   The book is about succeeding despite all the negative and finding your way to hold on to your deen, no matter what.

TOOLS FOR LEADING THE DISCUSSION:

I think this would be a great book club for like young college girls.  There is a tint of romance, a whole lot of pulling yourself up and moving forward, and conversation about what tempts us, and how to persevere.  I hope if you read it you’ll shoot me a message, I’d love to hear how much of it rings true for you, and what characters you cheer on and are most annoyed with as well.

 

Sep3

Leila in Saffron by Rukhsanna Guidroz illustrated by Dinara Mirtalipova

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Leila in Saffron by Rukhsanna Guidroz illustrated by Dinara Mirtalipova

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I had really wanted to love this book about a young Pakistani girl living outside of Pakistan learning to love all her different parts.  Unfortunately, the book was so scattered that no point was made, no message conveyed, and sadly, no excitement at being represented in literature really felt, .

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This 32 page book isn’t bad, it just really isn’t memorable.  It starts out with Leila arriving at her Naani’s house for dinner as her parents and her do every Friday.  Her maternal grandmother comments that she likes Leila’s saffron buttons.  Leila beams at this because she doesn’t know that she always likes being herself.

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Tonight, they are joined by lots of extended family and Leila is on the lookout for parts of herself that she likes.  She feels safe with her family, and likes being told she looks like her aunt when she smiles.

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The book then kind of abandons the theme of finding parts of oneself to like, and moves on to cultural trinkets to enjoy.  She identifies camels on shelves and Arabic books too, and can’t wait to go on her first trip to Pakistan someday to get her own “Arabic books” and “special ornaments.”  I’m not sure why they books aren’t in Urdu, but none-the-less without any written connection to Islam, they are in Arabic, thus giving, erroneously, the reader the impression that is the language of Pakistan.

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Leila then helps her Naani cook which almost seems like an additional theme of the book: the passing on of traditions.  The book doesn’t really stay here though either, and has Leila running outside to get cilantro from the neighbor Miguel.  Possibly another theme in addressing multicultural neighbors or just how to be a good neighbor, is now being brought up, but nope, the book bounces back to dinner with the family.

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When it is time to leave, Naani invites Leila upstairs while her parents wait to leave.  Here she goes through fabric and scarves rich in color and textures and likens them to ethnic foods.  She then tries on her favorite one, but acts like she has never tried it on before or seen it before, I’m really not sure, the language is a bit awkward to me.  Anyway she opens her eyes in a surprise and likes what she sees, she likes her self, all her parts.

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I wish this book for preschool and kindergarteners, would have streamlined the message it wanted to convey most.  I like finding pieces of yourself and liking the completed you, but I don’t know what the pieces really are in the book.  Yes I could assume and figure it out, but I’m not 5 years old.  The book should have articulated it clearly.  Or if the book wanted to celebrate culture and family traditions, it should have stuck to that.  It really seems all over the place no matter how many times I read it.

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The illustrations are rich and vibrant.  They definitely give a lot to look at and the expressions on the characters faces will probably make the little ones giggle.  There are a few Urdu and Arabic words used in the story that are defined on the back cover.

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The characters aren’t identified as Muslim, none of them wear hijab, but they say Salam and have Arabic books, so one can assume. I picked up the book at the library and don’t regret it, but I probably wouldn’t buy it or unfortunately, check it out again.

Aug2

What Happened to Zeeko by Emily Nasrallah illustrated by Maha Nasrallah Kays

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What Happened to Zeeko by Emily Nasrallah illustrated by Maha Nasrallah Kays

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Told from a cat’s perspective about living through parts of the 1982 war in Beirut, this translated from Arabic young adult book is 121 pages.  It reads to me more like a middle grades book, and while the story is fairly monotone and anticlimactic, I find myself oddly thinking about it and wondering about everyday events from different perspectives.

SYNOPSIS:

Zeeka as a young kitten is taken from his cat family and placed with a new human owner, Muna, a young girl who loves and cares, and seemingly understands her new furry friend.  The relationship between Muna and Zeeko is really the crux of the book as they get to know one another, trust one another, vacation in the mountains together and then seek refuge in the basement shelter of their building when the shelling starts and the bombs destroy the neighborhood.  

Through the relationship details, the reader learns a lot about what kind of person Muna is and why Zeeka is willing to perform a heroic act to try and help her escape the danger, while sacrificing his own comfort.  

WHY I LIKE IT:

I don’t know that I loved the book, but it was a quick read that I don’t regret spending time with.  It is translated from Arabic, so there are some hiccups, but nothing that impairs the story continuity or comprehension.  It almost starts out like an early chapter book with each chapter being two pages long.  But then all of a sudden a neighborhood cat is murdered by a group of naughty boys, and you realize that it is not for younger children. 

How the book handles war however, is very removed and not really detailed at all.  Much like The Cat at the Wall for about the same age group, the use of an animal to simplify the absurdity and details of war is used to show a different perspective, however, in this book there is no information given about the war.  The reader is never told who is fighting, why they are fighting, what sparked the fighting, nothing.  All we know is that there is fighting.  

There is no mention of religion in the book, and I have no idea of the author’s faith, there really isn’t much culture in the book either. I didn’t learn much about Lebanon or the food or traditions.  I got the book from www. crescentmoonstore.com/ so I thought to review it as it seems available on Islamic websites.  Every dozen pages or so there are illustrations and sometimes there is a blank page before each new chapter and sometimes not.  There is a table of contents at the end of the book.

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FLAGS:

Murder of a cat, violence in general in terms of bombing and micro level of bullying and threatening.  

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club book, but I think if you are looking to learn more about Lebanon or point of view this book would have a lot of potential with guidance.  From a literary creative writing perspective the book would be a great tool to present complex events in simplified ways, it also would be a great read to get students to just look at things from different points of view.  If you have students that love cats and can handle the war aspects, this book would be fun for them.  In a social studies class if you are discussing affects of war or learning about Beirut in the 80’s the students will be able to fill in the gaps historically and politically.

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Jul29

Secret Recipe Box by Helal Musleh illustrated by Nalan Alaca

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Secret Recipe Box by Helal Musleh illustrated by Nalan Alaca

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The publisher suggests this book for ages 4 and up, but I think it’s a bit long (30 pages) and detailed for that age group, and first grade and up will benefit more from this heartfelt story.

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Maha is excited her Teta is moving from Palestine to live with her, her brother Sami, and parents in Canada.  Maha dreams of being a chef on a famous cooking show, and her Tata and her secret recipes will be a great way to practice.

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Her little brother Sami is always in the way though.  Whether it is wanting to hold a sign Maha has made, or is wanting to cook with her, she is annoyed by him at every turn.

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As Maha listens to Teta’s stories and learns about her life in Palestine, she starts to change in her approach to Sami and realizes that family has to take care of each other.

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After a day of cooking together, Maha, Sami, and Teta have made too much food and decide to go and share it with those in need at the soup kitchen.

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The book addresses kindness, changing, compassion, immigration, taking care of one another, multi generational lessons and love, stories, life lessons, and some highlights of Palestinian culture, food, clothing, and tradition.

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The book is warm and well done, with the exception of a few of the pictures which seem a bit off to me.  Overall, it is a sweet story that presents with a lot of lessons, but doesn’t force them upon the reader.  The character growth is gentle and subtle and will resonate with readers.

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The characters mention Halal food, and the grandma wears hijab even in the house, where the mother is shown wearing it at the airport, but not in the home.  The book would work for Muslim and non Muslim readers.

Jul12

Ayesha at Last by Uzma Jalaluddin

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Ayesha at Last by Uzma Jalaluddin

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This is not a YA book.  The back of the book and about 75% of the story could really make it seem ok for mature middle school and early high school readers, but I’m reviewing it as a “public service announcement,” that it really isn’t appropriate for a young adult demographic.  No where does the book claim to be YA, I’ve just seen a lot of people online ask if their 13-16 year old (ish) daughters would like it.  That being said, the 351 pages of halal romantic comedy a’ la Pride and Prejudice inspiration, really is a fun light summer read that I enjoyed and feel young college age girls and up will too.

SYNOPSIS:

Set in Canada, Ayesha is 27 and still sorting out what she wants in life while considering expectation, obligation, and passion.  Born in India, she came to Canada after her father died in secretive circumstances, and with a workaholic mom against marriage, a Nani who once studied to be a police officer, a Nana who quotes Shakespeare at all times, Clara, a best friend, and a flighty beautiful younger richer cousin, this cast of characters cheer her on, gently nudge her, and support her, giving a diverse and nuanced view of what a Muslim family looks like and how they interact.  Then throw in Khalid.  A very black and white character in his views on Islam, and culture and pretty much everything, and you have a storyline with a lot of potential, twists, and interconnections.  

Khalid works with Clara, lives across the street from Ayesha, and has an incredibly controlling mom who has just sent a marriage proposal to Ayesha’s flighty cousin Hafsa.  When a conference at the masjid forces Ayesha and Khalid to work together after meeting earlier, tension and sparks fly, and to top it all off Ayesha is pretending to be Hafsa. 

Khalid has his own team of supporting characters, Amir an alcoholic- womanizing-homeless colleague who for some reason is considered a friend, a sister who was banished to India and forced into an arranged marriage 12 years earlier, an Islamaphobe boss, and his own baggage regarding his father’s sudden death. 

Bring in the Wickham character of Tarek and the cast of characters is complete for all the action to go down at the mosque and give the Aunty Brigade a whole lot of gossip to process and spread.

WHY I LIKE IT:

The book is fairly predictable in the major story arcs, but there are a lot of twists that keep you hooked, and the author’s writing is smooth and fluid.  Being it is a loose retelling of a classic, I wasn’t expecting much and was pleasantly surprised how well the story would stand alone as an OWN voice piece about growing, maturing, changing and willing to challenge oneself. 

I love that every Muslim and desi character in the book is different and unique and not a cookie cutter of stereotypes and tropes.  Most of the females cover, but they are nuanced in how they do it, what it means, how they carry themselves etc., some shake hands with males some don’t, some are comfortable in bars, some are more reserved, some have never had a boyfriend, some have, and they really show the reader that Islam is a deeply personal conviction and the rules are interpreted and challenged differently for each person.  It also shows different male approaches and the internal struggles of doing what you want to do and what you know you should or shouldn’t do in a very realistic non preachy way.

My favorite relationship by far is that of Ayesha and Clara, I love that Ayesha’s non Muslim friend knows that Khadijah (RA) proposed to Prophet Muhammad (SAW) and jokes about rishtas and frequently asks “What would Nana do.”  Seriously, as someone of  Paki background, who started covering in high school, who is half American and proud to be Muslim, this is friendship goals!

The book is perfect for the beach, or a day at the pool, it is light and silly and really you just go with the outrageousness of some of the details.  There are a few thought provoking themes, but really it is just fun and sweet.

FLAGS:

I was really impressed how halal the main story romance remained, however a few of the side stories are a little intense for younger readers and don’t really appear until about 2/3rds of the way into the book.  Yes, Clara has a live in boyfriend and there are a few jokes and situations involving  hooking up, virginity and porn, along with some characters smoking and drinking and being around alcohol, but then the climax really puts more mature situations on center stage. 

Khalid’s sister had an abortion resulting from a pre-marriage relationship and thus was sent to India.  Amir shows Khalid a porn website where hijabi and niqabis strip and pose, a website that is discovered Tarek runs and Hafsa is featured on. The website and the pregnancy/abortion really are the crux of the book and it becomes a big portion of the last third of the book.  It isn’t that the content is overly detailed, it just what the concept presents.  It isn’t salacious or pornographic or titillating in presenting the information to the reader, but the mere presence of it in the story would make it inappropriate for a YA book or younger readers.

TOOLS FOR LEADING THE DISCUSSION:

No way the book could be taught in an Islamic school book club setting, however, if the teachers wanted to start a book club, this one would be a great candidate.

 

 

 

Jun10

Mommy Sayang by Rosana Sullivan

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Mommy Sayang by Rosana Sullivan

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A Pixar Animation Studios Artist Showcase book which beautifully illustrates the bond of a mother and daughter.  Set in Malaysia, this diverse book shows a rich culture that readers will learn about, as well as relate to in 48 large 9 x 11 pages.

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The simple text shows Little Aleeya watching her dear mother, Mommy sayang, pray five times a day, them doing chores together, cooking side by side, eating with friends and family, and smiling through it all.  Little Aleeya even dreams of her and her mother at night among the hibiscus flowers.

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Mommy Sayang, however, gets ill and Aleeya waits and waits for her to get better.  Day after day Aleeya grows sadder and sadder until one day she gets an idea of how she can help her mother.

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The change of perspective from Aleeya needing her mom, to her mom needing Aleeya is sweet and empowering.  The book doesn’t detail what makes her mom sick or why up until Aleeya’s idea takes form is she not able to hang out in her mother’s room with her.

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Listeners as little as 4 or 5 will enjoy the story and the tone provided by the minimal text and illustration style, older independent readers up to 2nd grade or so will learn new vocabulary and get a peek at a possibly new culture.

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I like that the mom wears hijab when they are out and about doing chores or people are over, but that when she is home in her bed she is not covered.  The illustrations are fabulous and gentle, as is the message.

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There is a small glossary of four words on the dedication and copyright page and there is a bit about the author, her inspiration, and what movies she has worked on at Pixar at the end.

May24

Mosque by David Macaulay

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Mosque by David Macaulay

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This 96 page “picture book” written on an AR 8.4 is not for everyone, but for those interested in architecture or structural engineering, or 16th Century Ottoman culture, or even Turkey in general, this book is fascinating, beautiful and most of all informative.  It first caught my attention when I was planning a story time to remind children of how they ought to behave in a mosque, needless to say it didn’t fit the occasion, but this fictionalized account of how a typical Ottoman mosque would have been built and why was perfect for my 7th grade daughter who loves legos and design and has been to Turkey.

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SYNOPSIS:

The story starts with a wealthy Turk realizing his own mortality and wanting to follow his Islamic faith in giving back his wealth and providing for his community before he passes.  Thus he commissions the building of a mosque, madrese (religious school and library), an imaret (a soup kitchen for preparation and serving of food), hamam (public bath) and a cesme (a public fresh drinking water fountain).  

From there the book details how the foundation to the minarets are designed, crafted, erected and used.  Explaining how domes are supported to how stones are laid and stained glass windows constructed, so many details are illuminated and kept simple at the same time. 

Aside from the physical construction of the buildings, it really is incredibly remarkable and gives insights into how Islam shaped cultures, and similarly how Mosques became integral  parts of societies.

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WHY I LIKE IT:

The book is fact and historically based with a fictionalized story layered on top to move the information along.  The pictures are detailed and informative with labels and descriptions that make the technical jargon of the text visually understood.

If one has ever been to the Blue Mosque, even in its fiction, the book will explain the function and thought process behind the gardens and porticos and women’s spaces in a very satisfying manner.

I love that it mentions how even Jews and Christians contributed to building of such Mosques and how the all facets of the community took pride in the completed works.  I’m not sure why the author specified the blood of a ram being spread out, as it isn’t Islamic culture, but with my limited knowledge of 16th century Ottoman practices, I didn’t dwell on it too much.

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FLAGS:

Clean.

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TOOLS FOR LEADING THE DISCUSSION:

I feel like this book would be great in any middle school STEM class to just have to look at and thumb through, Muslim or not.  The author has written numerous books about different structures (Cathedral, Castle, City) and breaks down how they were constructed and why.  A great resource for anyone willing to ponder and marvel at the structures around them and take their understanding to the next level.

There is a Glossary at the end, and I really enjoyed the last paragraph of the Preface at the beginning:

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Mar29

Love, Hate & Other Filters by Samira Ahmed

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Love, Hate & Other Filters by Samira Ahmed

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I seriously wish I could get back the few hours I spent reading this 281 page AR 4.8 book.  The blurbs talks about a girl being torn between the world around her and the world her Muslim-Indian-American parents want for her, unfortunately the protagonist is rather unlikeable and her worlds are actual not that different.  Islam is not represented at all, it is just mentioned as a checkpoint almost for the main character to continually justify her identity as “other” and try and illicit sympathy.  It seems to be a part of the story so that the story line of Islamaphobia can be addressed, but the book is cultural at best, and even that is rather lacking.

SYNOPSIS:

Maya Aziz is 17 and missing a dance her senior year to attend a wedding because she is not allowed to go to such events as the daughter of conservative Indian Muslim (dentist) immigrants living in Illinois.  But, immediately the hypocrisy shows itself as at the wedding, a boy, Kareem, deemed suitable by her parents is presented to try and woo Maya and possibly marry her, and the two of them wander off together, and consider meeting up at an after party.  As the reader gets to know Maya and her circle of characters, we meet her “cool” Aunt who lives alone and wants Maya to have a life of boys and partying and going to school in New York.  Her parents are never really defined except to maintain the stereotype of being controlling, focused on food and appearances, and not understanding their only daughter.  At school Maya has a best friend Violet who loves to flirt and remains loyal to Maya throughout, a cute boy Phil, who she has been crushing on for years, and some side figures that stir up some trouble.  

The premise of the book is that Maya loves film and wants to go to NYU to attend film school, her parents, want her to live at home and go to the University of Chicago.  The idea is that because they are immigrants, and culture and religion dictate all, that she get educated and married.  This conflict is intensified by Kareem, her sudden relationship with Phil, and a terrorist act that is first blamed on Muslims occurring hundreds of miles away in Chicago and giving someone at Maya’s school a reason to take out his anger on her and her family.

WHY I LIKE IT:

I don’t like it.  The book is presented as an own voice minority representation piece, but it isn’t.  I get that Islam is personal and that people identify with it and choose different paths, but this isn’t a case of her looking at Islam and saying it isn’t for me, this is a book that is billed as Islamic fiction, yet the character does nothing Islamic, seems to know nothing of Islam and has no moral conscious for anything about the faith.  She says she doesn’t pray or go to the mosque, the parents lament after hate crimes materialize against them, that maybe they should have gone to the mosque at some point.  She wears shorts, and tank tops and a bikini and doesn’t feel a tinge or reflection.  Even if she were to remark that this is an act of rebellion the reader would know, oh because she was perhaps raised with modesty, but no, she wears whatever.  She constantly mentions that she can’t have a boyfriend because she is Muslim, but then makes out with Kareem on like their second meeting, kisses him in her parents living room before deciding she doesn’t like him, repeatedly kisses Phil, practically spends a night with him, and then in the epilogue is kissing a Hindu guy she kind of just met.  Yes, there are Muslims that do this, I’m not judging, but how exactly is being Muslim then stopping you from doing that you want to be doing?  At one point when out with Kareem, he is drinking wine, Maya remarks she has had it before, and that at least it isn’t eating pork.  Misguided and off the mark, yes  some Muslims do drink, but with all build up that she can’t do things like that, only to find out she has, and it isn’t a big deal, and she doesn’t even see it as a deal breaker or worth mentioning to her parents who have set her up on this whole path to semi arranged marriage, seems so off.

Anyone hoping to pick up a pice of Islamic fiction to identify with, are going to be so completely let down.  The book seems to be written for non Muslims to feel good about having read a book with a minority character.  It’s like a coming of age story, except there is no self reflection or understanding of the world, no lessons learned, or wisdom gained, unfortunately.

I kept reading hoping that if even the Islam was poorly done that the love story would be sweet, or the presentation of hate and Islamaphobia would be on point, but it also was shallow.  Really only one kid had it out for Muslims, and yes he got violent with Maya and threw a brick through her parent’s dental practice, but it could have been used to show light on misguided hate and it didn’t, I don’t really even know what it was used to show.  Maya’s parents got scared and wanted to keep her close, thus forbidding her from going to NYU, but they were already on the fence about it.  Yes, maybe it added to the catalyst of her running away from home an in to the arms of Phil, but even that ended up seeming lame, as she left for NYU and was in someone else’s arms by the end of the book.  So, not sure really, what religion at all had to do with anything, and why the author and publishing team would want to advertise the book with such a strong religious angle, or even cultural one for that matter.  The parents are both successful dentists, who let their daughter do whatever, yes they have an opinion on her future, but Maya reads like a brat, I wish I could like her, and take her side against her tyrant parents, but they don’t actually seem written that bad, and Maya doesn’t make any effort, so she really comes across as whiney, privileged, and entitled.  

FLAGS:

Alcohol, lying, hate crime, terrorism, physical altercation, kissing, hand holding, talk of condoms, sneaking out.  I would not let a 4th grader read this or even a 7th grader, based on content.  Quality, I’d encourage most kids to skip it altogether.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t consider this as a book club, I considered not even reviewing it, with the fear that people wouldn’t read the whole review and would just assume I was throwing my support behind it.  I am a bit disappointed that the book is available through Scholastic as its back flap reads very different than the text within.  

 

 

Mar11

My Name was Hussein by Hristo Kyuchukov illustrated by Allan Eitzen

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My Name was Hussein by Hristo Kyuchukov illustrated by Allan Eitzen

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It isn’t often that a 32 page AR 2.4 picture book will haunt you after you read the last page.  Especially a book with short simple sentences, that is poorly organized and reads like two separate nearly disjointed stories, but alas this book has stayed with me for months and upon rereading it to write this review, the images and empathy and reflections stirred have not lessened.  This is an important book to read, to think about, and to return to sporadically as your children and their understanding of the larger world grows and evolves.

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Hussein is a Roma, or a gypsy living in a small village in Bulgaria.  Their ancestors migrated many years ago from India and they are Muslim.  Hussein and his family love Ramadan and the delicious smells of food and warmth of grandparents and family all year round, but particularly during the blessed month.  

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Eid is the best, with family and fun and new clothes.  Hussein loves his life and his name.  It was his grandfather’s name and his grandfather’s grandfather’s name.  But then one day all that changes.

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Tanks and soldiers with guns come to their village and close that mosque and tear up their identity cards and tell all the minorities that they must choose Christian names and give up their culture and identities.

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Hussein and his family do not want to give up Islam and their names and their traditions, but they don’t know what to do.  Feeling like they have no choice they change their names and Hussein asks the reader at the end if you would call him Hussein or Harry?  

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The last page of the book is an author’s note, and tells that this is based on his own life story.  That in the 1980s Bulgarian minorities were forced to change their identities.  That more than one million Muslims, including Roma, Turks and other minorities were forced to choose Christian names and that until he was 22 years old, his name was Hussein.

The illustrations are illuminating to the images that the simple words discuss.  Truly they are a powerful and integral part of the story.  The women wear hijab and the use of color to set the tone is spot on.  The book is hardbound and the 8×10 size allow the pictures to be enjoyed fully.

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The book published in 2004, was not easy to find which is unfortunate as it really sheds light on a recent history not known in the US at all, and one that should be known and remembered.  The first part of the book reads like a Ramadan story detailing iftaar and Eid and how Ramadan is celebrated by this culture, but the second half goes back to Ramadan and how it is different with the soldiers and the pressure to give up who they are.  There aren’t a lot of details about who the soldiers are or why they have come or what they are going to do to the Romas, but the fact that in recent history and this was what people were faced with, should be a powerful reminder to us all at how fragile this world is and make us appreciate that we aren’t forced to make such a decision.

 

Feb22

Mansa Musa: The Lion of Mali by Kephra Burns illustrated by Leo & Dianne Dillon

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Mansa Musa: The Lion of Mali by Kephra Burns illustrated by Leo & Dianne Dillon

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This beautiful work of historical fiction/folklore is both moving and visually breathtaking.  The 56 page book presents as a picture book, but with an AR 6.4 and the amount of text, it reads like a chapter book.  Thus, I’m going to review it as a chapter book, but keep in mind that it is hard bound, 11 x 9, horizontal and while there are frequent small story breaks, there are no chapter breaks.  

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SYNOPSIS:

There is little historical fact about Mansa Musa as a child, thus this story while rooted in fact about the time, about Mansa Musa as an adult, and about what is known regarding Mali and the Malinke and Tuareg tribes, is a work of imagined fiction.  The story begins with premonitions and dreams from Kankan Musa of the Kaba Kangaba tribe.  Kankan and his two brothers live with their mother, and do not know who their father was, a source of stress and teasing for the young boys.  Having just turned 14, Kankan is treated as an adult, but because he has yet proved himself as a hunter, he may sit with the adults, but not yet join their conversations.  Mali in the years after the great King Sundiata had passed away has begun to fade, but their wealth and hospitality still prospers in the desert. 

One day a desert nomad from the Tuareg tribe dressed in flowing blue robes appears and is welcomed by the village elders.  That night he regales stories about jinns, and the sea, and time spent in the desert, and fears he has for their King, when slave raiders tear through the night and kidnap Kankan.  When Kankan awakens days later, enslaved, the same mysterious man, Tariq al-Aya, again appears and buys him from the raiders.  Tariq vows to accompany Musa on his journey to learn who he is and the two spend seven years together learning about the desert, about the larger world, about themselves, in trial and test and challenges.

When Musa journeys back to his home, and Tariq disappears as mysteriously as he appeared, Musa must make himself known to the new Mansa of Mali and see if his wisdom and knowledge can ensure the success of Mali in the future.

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WHY I LIKE IT:

I’m not from Africa and my heart was cheering Musa on as if, my own families success was rooted in his growth and understanding of the world.  As a Muslim, I was proud to know of the success Mali found in Mansa Musa and the historical significance of his rule throughout time.   I wish there was more Islam in the book, his Hajj is well documented and thus tidbits of Mecca and his understanding of it is sprinkled through the story.  There is no talk about prayer or what Islam is, just that he is Muslim and that most of the villagers “had converted to Islam, but at the same time, they had not given up their traditional religious practices or their belief in the ancestors.”  It mentions at the end that he built mosques wherever he went, but prior to this it never mentions him spending any time in a mosque or worshiping in any way. 

I love that the story is told like all great stories, it makes you want to settle in and drink up the details and imagery and got lost in the pictures.  The author weaves in cultural phrases and descriptions, that hopefully readers can unravel from the context as there is not a glossary.  There is a map at the beginning, and author’s note at the end that reveals what is fact and what is fiction in the story.

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FLAGS:

None

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TOOLS FOR LEADING THE DISCUSSION:

This book should be in every school library and used in classrooms to learn about West Africa, cultures, 14th Century, Islamic history, culture, you name it.  I think this book would work wonderfully in home school environments, where the child could dictate how much to supplement, how much to cover, and the wisdom shared could really be understood.  This isn’t a book that most kids would pick up and read, they would need prodding and guidance, but be better for it.  

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