Category Archives: Picture book

Sheba: The Good Muslim Cat by Carima Elfarrah illustrated by Aaron Yusuf

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Sheba: The Good Muslim Cat by Carima Elfarrah illustrated by Aaron Yusuf

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I was really looking forward to this book about Muslims and cats.  Every masjid seems to have cats all over the world, and while feline friends often sneak into Islamic fiction books about other things, I liked the idea of giving a cat the spotlight.  Alas, the rhyming text, the examples given, the inspiration shared in the backmatter, the angel imagery, and the ambitious glossary made this small 8×8 inch 32 page picture book rather off putting and ultimately forgettable unfortunately. The cat remains at the family home, and basically just hangs out with the family when they read Quran, pray, get up for fajr, and the cat is patient when waiting for food or water.  Sure it makes it a nice cat, but with a title implying this cat is a “Good Muslim,” I really expected more.  I appreciate the hadith at the end, but it is not sourced, and the cat with a halo and wings signals Christian imagery, that doesn’t align with the tone of the book.  Additionally, the idea of the book comes from a story of a Syrian scholar who had a conversation with a cat. I’m not saying it did or did not happen, but it seems a little bit of a stretch for my cynical brain.  The book reads for toddler and preschool Muslims, but the glossary reads copy and pasted from Wikipedia for non Muslim adults.  The small size makes the book impossible for group story times, and it can be hard to read at times because the text often runs over the pictures making it hard to see.  Ultimately though, while my toddler enjoyed it well enough the first time, he has not asked for the book again despite it sitting on my side table for weeks, which is probably more insightful than my review.

The book starts with a young boy introducing his family cat, Sheba, who has sapphire eyes. The family is Muslim and the boy is confident his cat is too because she hangs around his dad when he reads Quran, she comes running when salah time comes, she plays with the imam (the dad) after the last salaam, and she waits patiently for food and water when her bowls are empty.  She cries at fajr to wake the boy up and he hopes that on the day of judgement she will attest to the good the family did for her.

The backmatter includes the story of Shiekh Shukari, a scholar in Damascus that spoke to a cat, then a two page spread glossary, and author and illustrator bios. The illustrations aren’t particularly spectacular, the boy at the beginning seems much older on some of the pages compared to others, although his clothes stay the same.  I didn’t like the angel imagery, perhaps I’m erroneous, but none-the-less it felt off to me.

Busy Eid illustrated by Campbell Books illustrated by Debby Rahmalia

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Busy Eid illustrated by Campbell Books illustrated by Debby Rahmalia

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I put this book on hold at the library during Ramadan, but there was a waiting list and I just got it.  No worries though, the 8 page board book with moveable parts can be fun for babies and toddlers all year long, and if you skip over the welcoming of the new moon on the first page, the rest of the book will work for Eid al Adha just the same.  The book doesn’t have an author, it seems to be written by committee by Campbell Books or Macmillan which is fine, since their are only eight rhyming lines. The speaking bubbles that ask the reader to do something however, are about off.  For example asking what color the domes on the mosque are, to which my overthinking brain can’t discern, are they gold…en? tan…ish? on the first page it wants you to move the moon, then asks you to point to the stars and moon, but then on a later spread wants you to guess what’s in the present before you slide the scene to reveal it, with only four spreads, at the very least there should be consistency.  As for the illustrations though, they are lovely and inclusive.  There are smiling warm faces of all colors, shapes, sizes, cats a plenty, a blind gentleman, old young, different styles of hijabis, some non hijabis too.

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The book starts as they all seem to, with the sighting of the new moon, there is cheering, wearing one’s best clothes, and going to pray, gift giving, and food, and pullouts, pushups, and slides on each spread to engage little hands.

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The book is sweet, I’m glad we have representation in toddler board books for Eid joy.  There is nothing religious, or educational.  A Muslim family will perhaps see some of their Eid activities mirrored in the pages, but there is no real grounding or insight for those unfamiliar with Eid to understand why Eid is special, what it is celebrating, or who celebrates the holiday.

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I got my book at the library, but it is available here on Amazon or here at Crescent Moon where my initials ISL at checkout will save you 10%.

Birthday Kunafa by Rifk Ebeid illustrated by Noor Alshalabi

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Birthday Kunafa by Rifk Ebeid illustrated by Noor Alshalabi

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This 50 page wordless picture book allows readers to make up their own words to describe the progression of what is shown in the illustrations. With no right or wrong, the backmatter helps give context and points out key images that allow the story to resonate on multiple levels.  On the surface it is a birthday girl who is upset she cannot have kunafa, but when you truly look at the pictures, and see what is preventing her from moving from Jerusalem to Nablus, the reader is shown, she is not just a child wanting something she can’t have, but that she is being denied basic rights by an occupying force.  I love that the little girl represents so much more than just herself, and that her determination to cross checkpoints, is not just about acquiring dessert.  The book starts with a little girl on her birthday that could represent a little girl with her friends and family anywhere, but as the pages are turned you witness how beautiful Palestinian joy is, how much we take for granted the freedom to move, and how desperately we need to stand up for a free Palestine.  With no words, Islamic representation is limited to two hijabis in the illustrations.  The author and illustrator are Muslim. The book centers a birthday, there is dancing dabkah and an oud shown leaning up against a wall.

So often when thinking about Palestine, not just since October, we all find ourselves speechless.  There are no words, only tears when watching the news, reading headlines, or scrolling, and I find it incredibly timely for a wordless picture book about Palestine to be published.  There are a few labels so to speak throughout the book that I didn’t particularly find necessary, but they do not distract from the story, so they didn’t bother me.  I like that the book showed restraint in terms of the oppression that could have been shown.  It allows for the story of the little girl and her family to maintain the narrative.

The story that I understood the images to be telling is that it is a little girl’s birthday, the family is having a party, they have a birthday cake, but she wants kunafa, she tries to get some and along the way sees joy everywhere, until the checkpoints turn the images gray, and prevent her from moving forward.  So mama and her problem solve, they try and make their own, but it is not the same, so they devise a plan, and they try again.  They do not give up. There is no giving up.

The backmatter provides a recipe for kunafa, a two page spread about “Why Wordless Picture Books,” another spread about “Context Matters” giving information about Zionism and Palestinian resistance.  It is then followed by four pages entitled “Did You See?” where symbols are shown that appear in the pages and described.  Warning there are numerous sweet and savory foods shown, and it will make you very hungry.

The book is available here from Crescent Moon or here from Amazon.

Allah Made Me Beautiful by Layla Izruna illustrated by Laila Radhani

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Allah Made Me Beautiful by Layla Izruna illustrated by Laila Radhani

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This 6×6 board book is 18 pages of affirming and celebrating that no matter what we look like, “the Best of Shapers, shaped us all.” The little size, the rhyming lines, the repetition of the phrase “Allah made me beautiful” on the right page of each spread, is what you would expect from a board book meant for newborns and up.  The rhyme and cadence levels out after the first page, and makes for a sweet easy read.  The mirror on the last page with a hadith in English and Arabic is particularly nice.  The illustrations and text are intentionally diverse and inclusive and with the Islamic centering the book is good for starting discussions as well.

The book is no literary masterpiece, but sometimes it doesn’t need to be, to be a staple read on repeat to our little believers.  This book dives right in on the first page, there are no copyright or dedications that have to be flipped through.  It is numerous pages of examples of how Allah swt made us all different: straight hair, curly hair, twins, larger body size, skin color, mobility, freckles, glasses etc. The end spread, before the mirror, is the conclusion that our “looks have been perfected by Him, tying it all together.

The illustrations are engaging, and simple, but detailed enough to foster dialogue if desired and while the small size would make using it at story time impossible, I think little hands and little hearts will benefit from knowing that we are different, but just as Allah swt intended us to look.

The book is available from the publisher Prolance directly, or here on Amazon 

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Honk Honk, Beep Beep, Putter Putt! by Rukhsana Khan illustrated by Chaaya Prabhat

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Honk Honk, Beep Beep, Putter Putt! by Rukhsana Khan illustrated by Chaaya Prabhat

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This adorable 32 page book is noisy and colorful and forces you to smile.  Granted I had dreams as a child of being a rickshaw driver, and even as a teen my father tried to arrange for me to take one for a spin early one hot Karachi morning, but alas, my dreams never came to fruition.  Cue the power of books, to take you right back to those busy streets, boisterous noises, colorful vehicles, and happy memories.  Even if you have never ridden in a rickshaw, or heard of one, this book is a fun adventure for toddlers and up as they catch a ride with Ibraheem, his Baba, his cat Mitu, and learn the language of the road and how to make room for everyone.  “Big and small, short and tall, everyone shares the road.” The book is by a Muslim author, and their are visible Muslim women with their heads covered in the illustrations.  There is nothing religion, country, or city specific in the text. 

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The book starts with Ibraheem and Mitu joining Baba on an important mission.  Baba is a rickshaw driver and he reminds Ibraheem that everyone has to share the road.  With his little rickshaw going “putter put,” the trio are off.  With a  “beep, beep” Baba tries to turn, but a little car responds, “honk, honk,” and in a hurry speeds ahead.  

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Up hills and down, a big colorful bus joins the road with a “toot, toot” as they go over the bridge, under the bridge, through a cricket game, all sharing the road.  A big truck joins the fun with a “rumble, rumble” and it isn’t long before they all come to a screeching halt.

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“Big and small, short and tall, everyone shares the road,” really means everyone as the mission is completed.

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The backmatter is an author’s note about her experiences of vehicles “talking” to each other.  The book comes out in September and is available for preorder/order, here,

 

Our World: Pakistan by Rumaisa Bilal illustrated by Nez Riaz

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Our World: Pakistan by Rumaisa Bilal illustrated by Nez Riaz

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This 20 page board book doesn’t come out for a few months, but it really is adorable, and I love that it centers Islam, so I’m putting it on your radar hoping you might preorder to show your support.  This ever growing series highlights different countries by OWN voice authors, focuses on simple text, cultural insight, linguistic samples, and bright illustrations.  The book follows a little girl from morning to bedtime and then highlights parts of the unique cultural aspects shared in the back-ish matter.

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The book starts with Subah Bakhair, good morning, written in Urdu and English, before AllahuAkbar and prayers are made. Then it is time to get dressed and deciding what to wear.  Little brother is in a swinging cradle, and paratha and lassi are shared with family.  The little protagonist then heads on the driverless orange trains with her Dada, grandfather, to do some shopping, concluding with bedtime du’aas.

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Board books are a little tricky for me as if they are more than just a few words on a very basic topic, they seem to be really jumpy or really wordy.  If they manage to not have long blocks of text, and stay on the intended audience’s level, they seem to be random in what is included.  This book is no exception. I am not sure how the words were chosen to include in Urdu script, why some words are given for specific things like shalwar kameez, but not for the joolah.  Not sure why the bathroom, getting ready for bed scene is included, and why lota is highlighted in the end, either.  I’m sure to someone else it seems logical, there is nothing “wrong” with it, it just seemed a little disjointed from the rest of the inclusions.

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I love the illustrations, they are engaging and joyful.  Desis have a decent amount of rep in children’s books, but a board book dedicated just to Pakistan widely available here in the west, that is OWN voice, features Islam, and well done, really is delightful to see, alhumdulillah.

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You can preorder your copy here

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Muhammad’s Recipe for Remembering By Maidah Ahmad illustrated by Shruti Prabhu

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Muhammad’s Recipe for Remembering By Maidah Ahmad illustrated by Shruti Prabhu

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I feel like the idea and heart of this 40 page picture book is decent, but the story, presentation and takeaway are just really poorly executed.  The pitch is a Muslim Desi kid feeling left out when all his friends are rehearsing for the upcoming veterans assembly because he doesn’t have anything to share.  He then starts asking his family, and the Muslims and non Muslims hanging out at the mosque to find out about Muslim and Indian involvement in the World Wars.  A rarely explored topic, considering in the West WWI and WWII are taught from a Western centric perspective, no doubt.  Unfortunately, most early elementary readers, the book’s target audience is 4-7, have limited knowledge of the World Wars, let alone about the subcontinents own politics and that they were occupied themselves under colonial rule at the time, and this book does nothing to explain any of it.  The inconsistencies, plot holes, vocabulary and ultimate lack of sharing a single story from a descendant of someone who fought, make the book rather pointless and forgettable.  Truly the take away is that there were Muslims among the Indian army, they made roti and prayed.  No real idea what they experienced, saw, endured, or gained in return for being forced to fight for Britain on the global stage.

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The book starts with Muhammad listening in to his classmates talk about their family members that are veterans and him feeling left out.  At recess they don’t let him battle in the reenactments and instead make him be the cook. When he gets home his dad is making rotis and Muhammad asks his dad if they have veterans in their family, they then go ask his grandfather if his great great grandfather fought in either World Wars.  Dada jaan recalls that “they sent my grandfather to France in World War One.”  But he never spoke about it except to mention that they shared rotis.  He suggests they go to the mosque the next night as that is where, “a kaleidoscope of people gather.” He learns from a Sikh uncle in a turban that whole villages went to fight and from Imam Rafiq that the soldiers fasted in Ramadan, prayed, and celebrated Eid.  No one has any visible tokens of their family’s service as they were lost over time.  Determined not to let the stories be lost, Muhammad shares roti at the assembly.

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Ok, buckle up, I have a lot to point out, but first the positive.  I like that the dad makes rotis.  Mom isn’t in the book, but there are a lot of pictures of a lady hanging on the walls of the house, so possibly she has passed and dad has to cook, no matter, it is nice seeing a Desi dad in the kitchen.  I also like that the mosque is central to the story, I wish it was called a masjid, and that it was explained why people that are not Muslim are hanging out there.  Brown people are generally lumped together and this seems to reinforce that stereotype, which makes me less than thrilled.  It seems like a social environment with ping pong tables and snacks happening, so why not say it is a social hall at the masjid where people of all faiths often gather.  A “kaleidoscope of people” does not explain people of different religions at a mosque to most four year olds.  The book claims the assembly is honoring veterans, so why is Muhammad only curious about WWI and WWII is never explained.  He is teased and forced to be the cook by his friends, with a very negative connotations and depiction in the illustration, but that notion is never pushed back upon, and is actually heightened with rotis being the thread that ties the entire book together.  A missed opportunity to be sure.

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I really struggle with the reality that the majority of Indians were forced to fight, and the book keeps it vague in the text with lines such as “joined the war effort,” and “they sent..” who is they? It sounds nice that Muhammad doesn’t want the stories, like the artifacts to be lost, but WHAT STORIES? If the book is about remembering, and stories are to be shared at the assembly, I feel short changed that the reader doesn’t get a single story about a Muslim or Indian that fought in one of the World Wars.  Isn’t that the point of the book? Yes the book has sources at the end, but it is fictionalized, make up a story, give the reader and Muhammad something to take pride in, to understand through, to imagine, what it was like for his great great grandfather.

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I struggled with the illustrations as well, Imam Rafiq looks off in the final image, I don’t get why Dada jaans memories seem to be on the TV either.  I also didn’t understand why rotis were the thread, but then it is paratha at breakfast that gives the idea, and who really is constantly spreading ghee on paratha or roti let alone at war, or at recess.

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War is not a trivial matter, and I kind of feel like this book reduced it to food, and allowed some racism, classism, and  Islamophobia, to go unchecked along the way.  I like that the backmatter has a recipe and an author’s note, but colonialism, service, war, are all heavy topics that are hard to bring down to an early elementary level picture book, and sadly this book is unable to connect and inform readers about this time in history.

Awe-Samosas! by Marzieh Abbas illustrated by Bhagya Madanasighe

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Awe-Samosas! by Marzieh Abbas illustrated by Bhagya Madanasighe

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I was really enjoying this book about a determined young girl and her dad making samosas for friends, missing Dadijan, adapting and problem solving, an encouraging Urdu speaking parrot, a reference to Ramadan, and incredible illustrations… and then I froze.  On page 32 of the 40 page book it says the word “pepperoni” clearly affirming that the Muslim girl who’s dupatta wearing Dadijan wakes up at fajr to call her, has made pepperoni pizza samosas for her friends.  Perhaps I’m over reacting, it is one word, but I truly cannot get past it.  The first time I recall asserting myself as Muslim was in preschool making pizzas and me telling my teacher at three and half years old that I cannot eat pepperoni.  Sure as a middle aged adult, I know you can get beef or turkey or faux pepperoni, but the standard is pork, and this book does not clarify that it is not pork.  The word is intentional, the story would be exactly the same if it were just a cheesy pizza samosa, yet it articulates it as a peperoni pizza samosa. And I truly cannot fathom why.  Classrooms and libraries will shelve this book, teachers and librarians will read this book, little Muslim kids that look like Noor, are going to shrink when they get to that line: either they will question if we can have pepperoni (why else was it in Noor’s home), or have to now convince adults and classmates that the book is wrong in addition to explaining that Muslims do not eat pork, a big task for the intended audience of preschool to third grade.  If you omit that one word, the book is wonderful, layered, joyful, and a lot of fun.

Noor’s friends are coming over, two girls and a boy, for the first time and Noor wants to make samosas to eat with them.  It is too early to call Dadijaan in Pakistan, and Noor thinks she remembers how to make them.  Abbu offers to order pizza, but Noor is determined, even when she discovers they don’t have the necessary ingredients.  She puts on Dadijaan’s kitchen dupatta, and with her parrot, Mithoo, encouraging her every time she gets stuck with “Sab theek hai. Sab theek Hoga! Everything’s great, everything’s going to be okay!” Noor heads to plan B, Awe-Samosas, samosas with unique fillings.

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Noor gets Abbu onboard and helping and when her friends arrive, the turmeric colored pastries are ready for eating.  Some are apple-cinnamon filled, and remind Kaitlin of her grandma’s Fourth of July apple-pie, some are stuffed with honey and pistachio like baklava according to Layla, and Jonathan finds the cheesy peperoni samosa genius.  When Dadijaan sees the pictures Abbu has sent at fajr, she calls and praises Noor with the friends hoping to have another samosa party when she is visiting next.

The book concludes with Dadijaan’s Special Samosa Recipe, and a Glossary.  The book is widely available, including here on Amazon.

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Idrees and the New Old Shoes by Hoda Elmasry illustrated by Tiemoko Sylla

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Idrees and the New Old Shoes by Hoda Elmasry illustrated by Tiemoko Sylla

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This sweet 28 page book keeps the text to a minimum while showing a boy with a lot of heart doing what he knows is right, even when he knows he will be laughed at.  I really love how the story draws readers in and conveys a lot, without over explaining.  Ages preschool and up will understand that Idrees wants new shoes, but second hand shoes are what are available.  That he wants to prove how fast he is at school, but that being a good neighbor is the right thing to do.  Based on the illustrations, the family is Muslim, mom wears hijab when out, but not at home, but there is nothing in the text that articulates the family’s faith.  The author is Muslim and the book is published by Ruqaya’s Bookshelf.

Idrees can’t wait for his new shoes so that he can beat Harris and be the fastest runner at Barton Elementary.  When mama comes home, she has shoes, but they are not new, they are hand-me-downs from the neighbor Mrs. Freeman.  Things are not the same as last year for Idrees and his mom, but with help from the neighbors they get by.  They also look out for Mrs. Freeman who is always forgetting something or another it seems.

Idrees doesn’t think he can beat Harris with these old shoes, and dreads being teased, but with some prodding from mama he tries on the shoes and heads out the door.  He gets to school in record time and things are looking up.  Harris has jokes when he sees the outdated sneakers, but Idrees is confident he can win the race.  When Mrs. Freeman shows up lost though, somehow the race just seem that important.

The book is available here at Crescent Moon Store where my initials ISL will save you 10% at checkout.

Idrees and the New Old Shoes

Lion on the Inside: How One Girl Changed Basketball by Bilqis Abdul-Qaadir with Judith Henderson illustrated by Katherine Ahmed

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Lion on the Inside: How One Girl Changed Basketball by Bilqis Abdul-Qaadir with Judith Henderson illustrated by Katherine Ahmed

This nonfiction picture book memoir is about Bilqis Abdul-Qaadir’s love of basketball, accomplishments, and ultimate decision to choose her hijab over her career.  For elementary readers the 40 page book reads like a story, and shows what it means to work hard, be talented, stay true to yourself, and be willing to fight for what you believe in.  As the Massachusetts State high school basketball scoring record holder and the first NCAA hijab wearing Muslim basketball player, she was forced to leave the fight on the court and instead fight to change the rules regarding headgear for women playing international professional basketball.  She won the fight, but unfortunately it was too late for her, she now advocates for Muslim girls in sports to not have to choose to cover or play.

The book has a flow as it starts from her being born into a basketball family, and shooting hoops at three.  She plays with her brothers with her grandma, Mudgie, always cheering her on.  Her mother’s strength grounds her and at age 12 she puts on her mother’s hijab and heads out to play ball.

At 14 she is wearing her own hijab and playing on the high school team, her hijab is her super power, and reminder to be fierce, faithful, and kind. When the ref halts the game and says she can’t wear her hijab, her team stands with her, until the game resumes.

She gets a full scholarship to the University of Memphis and plays her final season at Indiana State.  She meets President Obama and beats him in a game.  When she decides to play international though, again she gets told she can’t unless she removes her hijab. She chooses her faith, and when she finally gets the ban overturned, it is too late for her, but not for other Muslim girls.

The book concludes with some photographs, additional information, discussion questions, and places to discover more.  I appreciate that it shows her praying, but I wish it gave just a little insight as to why Muslim women cover, why it is part of our faith.

I found my copy at the library, it is available to purchase here.