Category Archives: OWN Voice

Sep3

It All Comes Back to You by Farah Naz Rishi

Posted on September 3, 2021 by islamicschoollibrarian

Sometimes you just want a light fun, empty-calorie read, and in that regard I feel like this book really delivered. The characters are in college, and yet it is published by HarperCollins Children, so I wasn’t entirely sure what to expect, which perhaps added to the lack of expectation and increased forgiveness. It reads very much like a Bollywood movie, there is dancing, angst, romance, redemption, culture, religion, and a sense that a certain arbitrary line of it all won’t be crossed to earn the book an R rating, and will keep it safe for Muslim high school teens. I think the book is fine for Muslim’s in 10th/11th grade and will be enjoyed by those in college (and up) as well. Over 429 pages the highly predictable tropes find their footing in their unique religious and cultural framing. The plot is perhaps a bit on the nose and overly serendipitous, but individually the characters show range and complexities that will resonate with readers. They have all made good and bad choices and continue to do so, but the big ones are largely in the past, and what we, the readers, get to see in many ways is them reaching for forgiveness in a contemporary whirlwind culmination of a wedding, overcoming addiction, a past felony, secrets, ex-significant others, familial expectations, loss, change, and school. The book is not preachy, although there is a like-able imam as a side character and he gets some advice in. The Muslim characters grapple with their faith as they would their culture; picking and choosing what to practice, but never really escaping it or wanting to completely abandon it either, it is just who they are and part of their identity. I enjoyed the book, reading it in two sittings and not feeling guilty that I lost sleep doing so, but like most rom-coms, the specifics and characters will blur over time. It has a lot of similarities with Hana Khan Carries On, while not having quite the religious adherance of S.K. Ali’s characters or rawness of Tahira Mafi’s. One thing that is uniquely it’s own, however, is the author’s beginning dedication, I don’t think I have ever read one quite so perfect, memorable, and possibly guilt causing. I laughed out loud!

SYNOPSIS:

Kiran’s mom passed away a year ago from ALS, and with her older sister Amira in law school at the time, she dealt with her mother’s illness and passing, largely alone as she additionally had just been ghosted by her first and only boyfriend, Deen. Now that her sister is about to graduate, and Kiran is about to start university, they can finally be roommates and reunite the family. Except, Amira has met someone, Faisal. Someone who was there for her when her mom died, and they are planning to move across the country to California in a few months. Devastated Kiran forces herself to be happy for her beloved older sister, until she finds out that Faisal is Deen’s older brother, and there are some gaping holes in his past. With her sisters future on the line, promises to her deceased mother haunting her, and a serious lack of communication abilities (more on that later), she is determined to uncover the truth about Faisal and maybe even Deen in the process.

Alternating point-of-view chapters give Deen a chance to provide his side to the story: the reason he had to disappear from Kiran’s life, what happened to his brother, and the unreasonableness of his family. As he struggles with his own conscious and stumbles around unsure of his own potential and worth, Deen comes across as selfish and arrogant, but ultimately only cares about his brother and making things up to him. He is determined that Deen deserves to be happy and he is committed to keeping Kiran from destroying it.

In typical desi fashion, appearances matter and while all the behind the scenes sleuthing, plotting, and fighting is taking place, on the surface, wedding plans are being made and dances choreographed.

The book includes pages of texts from three years ago between Deen and Kiran as they meet at Sunday school and sneak behind the mosque. There are also gaming dialogues between two anonymous fantasy characters that it is pretty obvious are Kiran and Deen. The reveal isn’t a shock to the readers, only the characters, and proves a nice way to see redeeming traits in characters who’s present real actions aren’t exactly endearing.

WHY I LIKE IT:

The OWN voice representation of Desi culture and Islam is not in addition to the story, it is woven in to the characters and the plot. The characters are largely liberal as the families are chill with dating, mixed gender hand shaking and dancing, and what not, but their Muslim upbringing is almost always close by. The characters say “astagfirulllah” after kissing, they acknowledge that some of the Muslims drink and some have left that lifestyle, they miss visiting the mosque, they recognize that they aren’t praying, etc., while many flags are present, they really aren’t sensationalized or given more than a single word in print. It strikes a pretty solid balance of showing where some thoughts or values come from, and where personal individuality takes over. I don’t think Muslims will be offended, nor non Muslims confused.

The biggest issue I had with the characters is that it really could have been resolved, all of it, with a few decent sit down conversations. Kiran and Amira, for example, are terrible at communicating and it blows this whole thing into a ginormous mess. Sure, there is no book if there is no drama, but they never fix this. So many lessons are acknowledged and the character arcs are shown or hinted at, this one, not so much, if at all. They didn’t talk when their mom was sick, when she died, about what they were going through, about their dad, about their future plans, about the wedding, about the concerns with Faisal, about Kiran and Deen having a past, about moving to California,…the list really is exhaustive, and it doesn’t seem to show that they acknowledge their role in escalating everything and vowing to be better. Sigh.

I read a digital ARC and it had a few spelling errors, it broke down the fourth wall in one paragraph, and I’m hoping the final copy will have resolved these issues. It mentions that typically the bride and/or her family pay for the wedding in Islam, and this is erroneous, culturally possibly: the brides family would cover the nikkah and ruhksuti, with the groom covering the walima, but to put it on religion is just incorrect.

FLAGS:

Deen talks about “knowing women,” but it isn’t explored, and the groom is teased that he will be loosing his virginity card. The kisses aren’t usually described, it is just conveyed as something that happened. There is a bit of detail in the chemistry felt in the dances, but in true Bollywood fashion, they stop short of kissing. There is a stripper called to the bachelor party, but the characters are appalled and she is immediately escorted out. A religious character accidentally drinks alcohol and blacks out. There is profanity, not excessive, but conversationally. There is talk and repercussions of addiction to prescription drugs, a felony crime committed and punished for, deceit, lying, bullying, and physical altercations briefly recalled. There are parties attended, alcohol consumed,and at one point a female forcefully kisses an unconsenting male.

TOOLS FOR LEADING THE DISCUSSION:

I’ve gone back and forth with suggesting to the high school book club advisor to consider this book. I think the right group of readers could really opine on the characters actions from the shy Faisal with a huge forgiving enduring heart to the nosey obnoxious Mona Khala, but there are some potential flags that might ultimately keep this book from being entirely Islamic School appropriate even for the highest grades. Ahh, I’ll keep you posted on what I decide.

Aug30

Huda and Me by H. Hayek

Posted on August 30, 2021 by islamicschoollibrarian

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At 194 pages, this book just became required reading for all my children save the two year old. Meant for middle graders, I absolutely loved this book. Sure literary siblings often run away and have adventures, think Claudia and Jamie Kincaid from Mixed Up Files, or the sisters in Ticket to India, but this Australian Muslim duo adore each other and are doing it to reach their parents and save their other five siblings from an evil Aunty babysitter. In some ways the book couldn’t and hopefully wouldn’t really happen, it is plausible however, and the way it is written bouncing back and forth in time until the resolution, and the absolute authenticity of the characters make the book hard to put down and had me laughing out loud. The book is for everyone, Muslim kids specifically though, will feel an incredible kinship to the Muslim family and relate to the anxiety of making wudu in a public restroom, the shock of having the athan clock tossed in the freezer, the nervous looks between siblings hoping someone else will speak up about what Muslims can’t eat, mistaking a nun for a hijabi, amongst so many other little sprinkled in examples. The power of OWN voice writing is exemplified and celebrated, and provides a mirror that a large swath of Muslims children, not just Lebanese Australians will benefit from and enjoy.

SYNOPSIS:

There are seven children in the family and when Mum and Dad announce that they have to make an emergency trip to Lebanon, the kids don’t understand why they need Mum’s friend Aunt Amel to stay with them in Australia. They don’t really even like Aunt Amel, but they don’t really know her either and as their parents leave, they have no choice but to endure until their parents return. When Aunt Amel assigns them all duties: 17 year old Omar is the 24/7 chauffeur, Kholoud becomes her personal stylist, twins Suha and Layla must keep her supplied with baked goods and tea, Akeal is the butler, Huda is the maid and little Raheed will be glued to her, some of the kids think it could be fun until they realize they are being used to provide Aunt Amel with a holiday in exchange for her staying with them. The kids are required to be up by five in the morning, are not allowed to talk to their parents, and some are even kept from school to provide the services Aunt Amel demands. The kids grudgingly try to endure, but spunky Huda is pushing back, and with the help of the retired Polish Sleep Doctor next door, a plan is hatched, tickets are booked, and Akeal and Huda are making a run for Beirut. Along the way they will be met with an Islamaphobic teen pulling off Huda’s scarf, a variety of minders keeping track of the unaccompanied minors through airports and plane rides, and baited breath as they have obstacles at every step to find their parents in a country they have never even been to before.

WHY I LIKE IT:

The book is incredibly well written, I sometimes stumble a bit with Australian authored books, but this one was easy and universal in most of the dialogue and vocabulary. I enjoyed what was sprinkled in, and as a privileged American didn’t get lost at any point. The shifts in the timeline to keep the story fast paced and moving also made the stress of “if they could pull off the escape” a little bit subdued allowing the experience and dialogue and connections along the way to really be enjoyed. I think it was a smart move to not have it be full steam ahead, gritting your teeth, but more in the moment seeing why they had to do what they did, and how it was panning out for them.

I absolutely love that the family is unapologetically Muslim living in a western environment. They don’t celebrate birthdays, but they seem ok with make-up, they pray, the mom wears hijab I believe, but I don’t think the sisters do, it really is such a relatable family with their own quirks and tests and they are active and doing their best. It could be my family or most families I know, well lately my kids bicker a lot, that’s why it is required reading for them, but that is off track. Back to the book, I was so proud of Akeal sticking up for his little sister wearing a scarf to be dressed up and not backing down from confronting her harasser. I love the spunkiness but maturity of Huda. From page one you are cheering them on, and it doesn’t let up.

FLAGS:

Kids scheming and lying and running away, all for good cause mind you.

TOOLS FOR LEADING THE DISCUSSION:

This would be super fun to read aloud to a 3rd or 4th grade class, but I don’t think it would work for a middle school book club, it is just too quick of a read.

Aug27

Ace of Spades by Faridah Àbíké-Íyímídé

Posted on August 27, 2021 by islamicschoollibrarian

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I had heard about this 420 page YA thriller and how it was written by a Muslim student at University and the seven figure book deal that she earned. It is constantly described as a combination of Gossip Girl and Get Out, having never seen either of those, I relied on the back of the book and the inside flap to see if it was something I would like to read and suggest my young teenage daughter, (and followers to read). Based on the suspense teasing and plot involving racism, I figured a contemporary YA book set in high school would have some relationship, sexuality, language and drugs, so at the last minute I decided to read it first. Alhumdulillah, I’m glad I did. The book has sex and relationships and sensual encounters between gay, queer, lesbian, bisexual, and heterosexual characters on EVERY SINGLE PAGE. I considered stopping, it was a over the top, forced, and honestly a little hard to read at times, but I continued because the commentary on racism and suspense storyline was well done that I was genuinely curious to see the climax and resolution. I write this review as a heads-up and to opine on the lack of mention of the amount of romance and sex in the book and in its blurbs. As a reader and someone who recommends books to people a lot, knowing what the majority of the book is about is helpful. To completely not mention something that is such a huge part of the book is frustrating, and so I’m writing this up more as an FYI, than a thorough and in-depth review. There are no Muslim characters, and the only mention of religion is a side character reading the Bible. Coming from an Islamic School Librarian standpoint, without exception this book would be considered inappropriate.

SYNOPSIS:

The book is told in two alternating personalities, Devon and Chiamaka. Two senior black students at a prestigious private high school. The only two black students. Chiamaka is the top of the school hierarchy, head prefect, planning on Yale for pre-med and the girl everyone wants to be. Devon is a scholarship student who plays music and dreams of Julliard. He flies under the radar and has one friend. When the book opens both are named Senior Prefects at the opening assembly of the school year, and no one is more surprised than Devon. The glory of such an honor is short lived however, as anonymous texts start popping up exposing secrets about the two. The two characters have skeletons they would rather not have exposed, and even though they barely know each other, they eventually resolve they must work together to figure out who is out to destroy them.

WHY I LIKE IT:

I like that the whodunit aspect really had me on my toes. I honestly, however, didn’t like either of the characters at all. The book has a lot going on, aside from the texts and secrets being exposed, that I wish would have gotten more page time. The two characters have very different, but very impactful home lives. Devon’s father is absent and it is learned he was executed on death row, his mom works three jobs, he has younger brothers and they struggle financial so that he has a chance at education. He lives in a tough neighborhood and runs drugs to help out with money. He hooks up with multiple guys in the book, and tries to keep it a secret so that he doesn’t get further harassed by the neighborhood guys, but it seems everyone knows he is gay even before the texts start coming. Chiamaka is Nigerian from her mom and Italian from her father. Her father’s family doesn’t accept her and her mom because of their skin color, so they no longer go to Italy to visit. Both parents are physicians and are never around. Chiamaka has no friends, picks boyfriends to further her power agenda, and spent her entire junior year having sex with her best friend, Jamie, with the hopes that he likes her too. She eventually realizes she likes a girl and hooks up with her. By-and-large for both main characters, only their sexual relationships are really explored, and most of them are brief. Thus it kind of limits the relatability to the characters in other facets of their lives. Not that people and characters have to be like-able, but they have a lot of layers, and it would have been nice to get to know them better as people, not just as shell minority representatives in a system built for them to fail.

Only a few side characters are developed, presumably just enough to make them suspect, but to drop information like one of them getting incarcerated and not explored, one diagnosed with diabetes and told without prompting and then dismissed, makes it feel like a lot is crammed in for no real purpose. As a debut novel by a young author, the writing is obviously amazing. I just didn’t connect to the characters, and the parts of the book I did like were overpowered by parts that I felt were overly forced. I will definitely read anything she writes in the future, although I will definitely research the books more thoroughly know what I’m getting in to.

FLAGS:

There is violence, sex (hetero, gay, and lesbian), cursing, drinking, drug use, drug selling, romance, kissing, hit-and-run, conspiracy, making out, drug dealing, physical beatings, passing out drunk, drunk driving, lying, cheating, racism, bigotry, hate speech, gaslighting, privilege, death, gun violence, destruction, murder, attempted murder, crude language, assault, blackmail, misogyny, homophobia, voyeurism, institutionalized racism, and probably more. Mature content.

TOOLS FOR LEADING THE DISCUSSION:

There is no way I would suggest, recommend, or encourage this book to Islamic School high schoolers.

Aug20

Llama Out Loud by Annabelle Sami illustrated by Allen Fatimaharan

Posted on August 20, 2021 by islamicschoollibrarian

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Llama Out Loud by Annabelle Sami illustrated by Allen Fatimaharan

This 245 page middle grade doodle filled novel features a Pakistani-British protagonist as she endures life with a family that yells, brothers that prank, aunts that meddle, and now a magical talking obnoxious stuffed llama. Yasmin Shah stopped speaking years ago, and a 10th birthday wish has brought about Levi, a llama who uses highly unconventional methods to help Yasmin stand up for herself and find her voice. At times funny, tender, and relatable, the book similarly often feels really forced as it relies on predictable jokes for cheap laughs: bum worms, wee wee taunts, the threat of being sent to Daadi in Pakistan as a punishment, bras and knickers being thrown around, etc.. The overall message is good and silly, and middle graders will probably feel some anxiety and frustration with Levi, but ultimately enjoy the book, and look forward to future books in the series.

SYNOPSIS:

Yasmin lives in a full loud home. It is her 10th birthday and she feels completely unseen. Her mom has made her a lovely cake, but when her brothers use pepper to make her sneeze, the cake gets destroyed and she once again meets the wrath of her family. She wishes she could stand up for herself, and just like that her life gets a whole lot crazier. A stuffed old stained llama she saw in the market and her aunt decided to gift her, has sprung to life and won’t stop talking. Levi seems determined to make Yasmin’s life even more miserable. He shows up in her backpack at school and his misguided help gets her detention, he doesn’t want her to be friends with the octogenarians she plays checkers with at the local senior center and embarrasses her and gets her banned, life at home is more miserable too as he takes revenge on Yasmin who keeps trying to get rid of him. At times it is hard to know if Levi is really trying to help and is just really misguided, or if he is out to get her. As Yasmin loses her elderly friends and the chance to be checkers champion at the OLD home, she slowly lets new kid Ezra wear her down and possibly be her friend. The climax reveals not just her voice, but a remorse for Levi that further helps Yasmin determine what her life will look like moving forward.

WHY I LIKE IT:

Antics aside, the story is about Yasmin being pushed/encouraged to be heard in her life. The jokes amplify the need for her to find her voice and defend herself, her love of the old people and determination to win the checkers tournament is endearing, and her struggles with kids her own age shows real heartache. I absolutely love Ezra and his mannerisms. He is new at school, trying to meet Yasmin where she is at, and encourage her all while trying to focus, channel his energy, and fit in as well. Yasmin’s family redeems itself and I think readers will get the exaggeration of much of the antics, but really Levi is annoying and while younger readers might find him hilarious and well-intentioned, I think anyone older than the intended audience will just want to strangle him.

The illustrations, the comic strips, and the little flourishes on the pages are wonderful. They bring the book to life and provide the charm and humor that the text needs to connect with the readers.

The only religious thing mentioned is Eid at the beginning. Some of the women in Yasmin’s family wear a scarf on their head and her teacher wears hijab, it isn’t mentioned in the text. I could not find if the author or illustrator identify as Muslim, I read that the author’s father is Pakistani so culturally and perhaps experience wise it is OWN voice, and reads with a lot of authenticity.

FLAGS:

Possible verbal abuse, anxiety and bullying. Mention and illustrations of undergarments. Plotting and planning to harm/destroy a magical talking toy. Practical jokes, threats, lying, deception, back talking, deceit.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I’d use this as a book club selection as it is for younger children than middle school. But I think it is a fun book to have around the house and classroom for middle grade readers to pick up and chuckle over.

Aug6

Zara Hossain is Here by Sabina Khan

Posted on August 6, 2021 by islamicschoollibrarian

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After reading a few chapters of this book, I really had no intention of finishing it, knowing that my review highlighting the main character’s bisexual identity and romance would draw critiques from both people that don’t want to see Muslim character’s identifying as any of the LGBTQ+ labels and those angered by my mentioning of them as potential flags. Alas, I did finish the book, and I am reviewing it because as a (former) Islamic School Librarian, I would want to know how much romance is in any book that I would shelve or recommend, and this book particularly gives no insight about any romance in the blurb on the inside flap. The author’s first book was very clearly about being a queer Muslim, but this YA short 244 page book focuses a lot on Zara’s relationships, her parents support and acceptance of her being bisexual, and her new romance with a girl. The book is not graphic or even overly steamy, but the blurb suggests the book is only about immigration, hate crimes, and bullying. So, I write this review to give a heads up to parents, like me, that might see this book on the library shelf or if like the author’s first book, which was picked up by Scholastic, in a school book fair, and not realize that there is a fair amount of discussion about her sexuality and how it is perceived in the Pakistani and Islamic culture, as well as how she doesn’t see the need to fast in Ramadan or pray five times a day, but still identifies as Muslim. All that aside, I also didn’t love how the book was written, it is a lot of telling and not showing, I feel like the mom is painfully underdeveloped and flat, and the story threads don’t weave together consistently; it reads scattered. The book is pretty short for YA and with so many heavy themes, it ultimately can’t spend much time exploring any of them particularly well, a shame since the author in real life seems to have endured much of what she writes for her characters in regards to immigration status and citizenship.

SYNOPSIS:

Zara Hossain is a senior at a Private Catholic school, in Texas, she has friends that have over the years become family as the parents too regularly get together. Zara came to American when she was three. Her family left Pakistan for more educational opportunities and after her father’s pediatric residency, he stayed on with a work permit and green card waiting for citizenship. The process continues to drag on, and it isn’t finalized.

A boy at school, Tyler, is harassing Zara for being Muslim, an immigrant, and brown. Her father wants to discuss it with the principal, her best friend Nick wants to beat him up, and her mother just worries. When finally a meeting with the principal is set, Tyler’s father doesn’t show, and things escalate. Zara’s locker is defaced with profanity, Tyler is suspended, and the Hossain’s house is vandalized. When Zara’s dad, Iqbal, goes to talk to Tyler’s father, he is shot, by Tyler’s dad. He ends up in a coma in the hospital. During all this Zara is crushing and pursuing a relationship with Chloe, who has just come out to her parents. Zara’s family is very accepting of Zara being bisexual, and take Chloe in when she needs a break from her conservative Christian family.

Tyler’s dad is well connected in Corpus Christi, and while Iqbal recovers, he is faced with trespassing charges. Although trespassing is a misdemeanor, by pleading guilty and paying a $200 fine, a criminal record will further complicate their citizenship status, and where they call home.

WHY I LIKE IT:

I like that it shows how messed up legal immigration often is. Dr. Hossain is the victim, he is shot, he is a vibrant member of his community, but is being forced to leave and uproot his family. The issue however about trespassing isn’t ever completely clear, the reader is never given a play-by-play account of what happened that night. I wish we were. It would be nice to not leave that area gray. Also a lot of what lead up to Tyler causing Zara so much trouble is rather glossed over. I wanted to hate him and be angry with him, and then be forced to examine how much was his doing and how much was his father’s, but I never really felt that emotion until the book told me to be mad.

I vaguely recall from the book that she is in a religious high school, the inside flap when I took the picture (see above) seems to stress it more than the story does. She does mention that they couldn’t start a Pride Club, but I wish she would have talked a bit about being Muslim in a Catholic school, or better yet, shown the reader. She doesn’t come right out and say that all Muslims are different and this is her. I wish she would have, instead she talks a lot about being annoyed at having to explain why she doesn’t pray and fast. Yet she never tells the readers why she doesn’t. She goes to mosques to counter Islamophobic protests, and talks of going to Sunday school to learn Arabic as a child, but she is very clear that she was encouraged to question religion and God, but not what she found or why she still identifies as Muslim if she doesn’t believe it. I was curious if she doesn’t believe it actually, why fast at all? If she is still questioning, why not say that. I really felt that Islam and being Muslim was just a box to be checked to justify the hate crime, but really, she could have just focused on the culture. There are Urdu phrases, and lots of foods mentioned, she clearly loves Pakistan and talks highly of it and often points out the good and bad in both Pakistan and America. Food is in the book a lot, and not just Desi food, frozen yogurt is a crutch for the story, and it gets a bit annoying. I wish there was as much character development as there was food detail and banter.

I liked that her parents defend and stick up for their daughter. Whether you accept the lifestyle of Zara and her family or not, it is wonderful to see families stick together. The nosey aunty got put in her place and if you have ever had to deal with the stereotypical aunties or the threat of what everyone will say, you had to cheer for Zara’s parents. I don’t care what your thoughts are about LGBTQ+, that scene was awesome. Great job Iqbal and Nilufer. It was one time that Nilufer got to shine, I really don’t get why Zara’s mom is relegated to the cooking, feeding, worrying stereotype for much of the book. I lost track of the number of times the book says, “no need to worry your mother,” or something to that effect. The lady clearly is loving and strong, but doesn’t get developed, and it is frustrating.

The ending is a bit abrupt, yes time is ticking, and whether to move to Pakistan or stay and fight the system is definitely not an easy decision, but how is Canada suddenly the magical answer? I assume for most it is enough, and being the OWN voice tale seems to be very close to reality in this regard, I have no room to roll my eyes, but Canada has civil rights issues with Muslims too, and this 2021 published book kind of made it seem like it is just the perfect answer to all their problems.

FLAGS:

Violence, bullying, Islamophobia, profanity, vandalism, crime, shooting, stereotypes, hate, lying, straight and lesbian romance, crushes, kissing.

TOOLS FOR LEADING THE DISCUSSION:

This book would not work for an Islamic School middle school book club selection.

Aug2

Ahmed and the Very Stuck Teapot by Sarah Musa illustrated by Rania Hassan

Posted on August 2, 2021 by islamicschoollibrarian

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Ahmed and the Very Stuck Teapot by Sarah Musa illustrated by Rania Hassan

This 36 page early elementary book is packed full of choices and lessons packaged in a sweet story that kids and adults will enjoy reading and discussing over and over. My only real critique is the title. I’ve had this book sitting on my shelf for nearly a year thinking it was just a silly book about a calf with a teapot on her hoof that is stuck and would probably involve different people and methods and attempts to get it off. But the teapot is off by the tenth page, and the story is really just getting started. Like all Ruqaya’s Bookshelf picture books, the large thick shiny pages with a stiff soft cover binding make the story a great choice for storytime and bedtime alike. There are Islamic threads and references, but the story overall is universal.

Ahmed and his friend Tariq are practicing their kite flying skills for tomorrow’s annual competition, when Ahmed’s kite gets destroyed in a tree. Heartbroken Tariq suggests he hurry to buy a new one before the store closes at Maghrib. As the boys rush off they come across a brown calf with a teapot on her hoof. Ahmad recognizes the teapot as his mother’s and feels like he should help the poor animal. Tariq keeps reminding him that the shop will close, but Ahmed decides to take the cow to Amo Waseem’s to get help.

Amo Waseem, is able to help the cow get free, but in the process, the cow get’s hurt. The cow needs help from a shepard, Amo Salih, but Amo Waseem can’t go, and Tariq wants to practice more. Ahmed knows the cow can’t be left untreated, and takes the little cow to get help. The cow then needs to get to his owner, and the story continues until the shop is closed, and Ahmed realizes he won’t have a kite for the competition. He goes to the mosque for salat and starts to feel better, he knows that he did the right thing, and inshaAllah Allah will reward him in some other way. His reward comes quickly, however, much to Ahmed’s surprise and in gratitude he also manages to find a way to help his mother.

I love the gentleness of the lessons of doing what needs to be done, even when you don’t really want to, and your friends are not supporting you. Ahmed had chances to walk away, but he didn’t and he was at peace with the outcome. His friend wasn’t mean or bad, he just made different choices. There are discussion questions at the end as well. I think this book would foster great conversation with even the littlest listeners, and I can’t wait to share it at our masjid’s storytime.

Jul30

The Sky at Our Feet by Nadia Hashimi

Posted on July 30, 2021 by islamicschoollibrarian

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This 295 page middle grades AR 4.8 book is a fast passed romp through New York City as two 12-year-old kids explore freedom and fear in a new city while grappling with their own sense of identity and what it means. The OWN Voice story features immigration, chronic disease, family, bravery, and friendship. There is lying and avoiding police, sneaking and “borrowing” a horse, but it is all for a good cause, and third grade and up will enjoy this read. There is very little religion in it, but the main character does say salam, notice the similarities between amen and ameen, and reference eid as his holiday.

SYNOPSIS:

Jason D, known only to his mom and aunt as Shah, was named by a nurse when his mom wanted to make sure he had an American sounding name, and his middle initial D is for December, which comes from her staring at a calendar when asked if she wanted her son to have a middle name. Life is fairly simple, he enjoys sneaking on to the roof of his apartment building to imagine training pigeons, his mom works at a dry cleaners, they walk where they need to go, money is tight, but they do ok, and his dad passed away before he was born. His mom is from Afghanistan, but he doesn’t speak much Dari and his mom speaks English, but not confidently. On her birthday as they are about to enjoy a cupcake he saved up for, the news in the background is covering protestors chanting for illegal immigrants to go home, and Jason’s mom starts to tell him about how she ended up overstaying her visa and is living in the US illegally.

Jason’s dad worked with the US military in Afghanistan and with his work came the promise of visas to America for him and for his wife to study. Many of the locals though didn’t like that he was cooperating and vowed to take their revenge. With the family in the US and Jason’s mom starting to study medicine, Jason’s dad had one more job in Afghanistan and sadly was killed by anti American Afghans. Fearful to return, she chose to stay, but with a new baby, few resources, no family and friend support, eventually she was forced to drop out of school and remain undocumented knowing that to return would be at great peril to her and her son. At some point she befriends an Indian lady, Seema and to Jason, she is Aunt Seema, the only family other than his mother that he knows.

When a few weeks later Jason sees his mother being taken away by two officers, he knows that this is what she warned him about when she told him the truth about her legal standing. Terrified and alone, Jason only knows that somehow he has to get to New York to Aunt Seema so that they can figure out how to save his mom. He grabs a few pictures of his father, whatever money he can find a broken address and heads to the big apple from New Jersey.

Having never been to NYC or really out of his hometown, he loses his backpack to a dog, and struggles to figure out how to get a ticket to get in to the city. When he arrives at Penn Station he is overwhelmed and exhausted and passes out, hitting his head, and landing himself in the hospital.

When he awakens he is met by doctors making sure he is ok, and police trying to locate his parents, he opts to pretend he has amnesia and can’t remember anything. This buys him time, and also acquaints him with Max, a girl with wires coming out of her head and who claims they are running tests on her to understand her level of genius.

The two hit it off and hitch a plan to escape the locked hospital floor, have a day of adventure in the city, and get Jason D to his aunts house. Naturally this plan is going to have all sorts of obstacles, but thats the story and that is where the fun and discovery unfolds.

WHY I LIKE IT:

I was impressed at how emotionally cathartic the conclusion was. I hadn’t realized how invested I had become in these two kids and their run through the city. It was touching, and heartfelt, and a big sigh of relief when it all wrapped up. I like that both kids are so very different, yet dealing with similar thematic issues from different perspectives. Max is an epileptic and is kept on a short chain to ensure her safety. She is trying to find and define who she is outside of the medical diagnosis. Jason is trying to understand if he can be American and Afghan and what that means about where he belongs, and where home is. There is a lot that they ponder over as they run through central park and the zoo, duck into subways, and get all sorts of turned around on the streets. Through it all though the kids show just how clever and smart they both are with the quick thinking, riddle solving abilities, and perpetual optimism. It is at times far fetched, stealing a horse and bumping in to your doctor in the New York City Marathon, and at other times completely plausible, sneaking in to a zoo with a field trip group and ducking through turnstiles to get on the subway.

FLAGS:

Lying, stealing.

TOOLS FOR LEADING THE DISCUSSION:
This is a bit young for even early middle school readers, but would make a great addition to a summer reading list. I think kids will marvel at the riddles and determination of the two protagonists and imagine a world where kids could maybe get away with such a bold adventure.

Jul23

Yusuf Azeem is Not a Hero by Saadia Faruqi

Posted on July 23, 2021 by islamicschoollibrarian

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Yusuf Azeem is Not a Hero by Saadia Faruqi

It is hard to believe that it has been 20 years since the tragedy of September 11, and this 368 page upper middle grades novel is very relatable to kids about to experience the anniversary and to us adults that were in high school/college when the event occurred. The book is very contemporary mentioning Covid-19 and grappling with the effects of the attacks, the war, the Patriot Act, and Islamophobia, both at the time of the terrorist attacks and now, 20 years later. The characters are unapologetically Muslim, and doctrine, practice, culture, and rebellion are all included in a book that takes a bit of time to get going, but then holds you close and makes the characters feel like old friends who sat around the table telling you their story. The middle school characters present in a lot of shades of gray as they learn about themselves, their place, and begin to understand those around them. There isn’t really a lot of resolution in the book, it is more a snap shot of life and the stresses that Muslim communities in the US feel and have felt for the last two decades. Possible concerns: a group of Muslim kids dress as Santa Clause as they sneak out to trick-or-treat, the kids discuss eating halal or not and just not telling their parents as well as discussing the requirements and purpose of hijab, an Uncle has a girlfriend and is off to meet her parents, and a Muslim boy wears an earring. All pretty tame, and really pretty judgement free, alhumdulillah.

SYNOPSIS:

Yusuf Azeem is excited to be starting middle school, but when he swings open his brand new locker and finds a note saying, “You suck,” he is rattled. Surely the note was not meant for him, he doesn’t have any enemies. He is the son of the beloved owner of the local dollar store in tiny Frey, Texas. He loves robotics and dreams of being on the middle school robotics team and winning the Texas Robotics Competition. But the next day there is a note again. Best friend Danial is convinced middle school is going to be awful, but ever optimistic Yusuf is not ready to concede, although he really doesn’t want to be a hero either. However, with the 20th anniversary of September 11th approaching, and the appearance of a group calling themselves The Patriot Sons, life is getting very tense for the Muslim families, and their friends, in this small Southern Town.

Yusuf and his friends gather at robotics club and at the Mosque the parents are building themselves. They sort through their differences, they work on their friendships and they start to find their own thoughts and opinions. Along the way Yusuf is given his uncle’s diary that was written during the 9/11 attacks and the first hand account allows Yusuf to broaden his view of this historical event, combined with him understanding his Sunday school lessons and seeing himself and others bullied, really forces Yusuf to decide who he wants to be, and if in fact he can avoid being a hero.

On the surface there is discussion of xenophobia, being a Muslim in America, and interfaith cooperation, but there is also some very frightening and real-life based inspiration of vandalism, and imprisonment of a child that play heavily on the storyline.

WHY I LIKE IT:

I love the relationship of Yusuf and his much younger sister. She is in awe of her big brother, and he is absolutely adorable with her, whether it is babysitting her dollies or programming her unicorn games, it is precious. I also love the diversity within the Muslim families in Frey. There are hijabis and non hijabis, halal only and eat outside meat folk, there are very chill and very nosey aunties, but they all stick together, there aren’t that many of them and I love it. Similarly, the non Muslim side characters also are not a monolith, they grow and change and have their own lines that need to be drawn within families. The town rallies and the robot thread is strong, but I didn’t feel like the book had a storyline and plot and resolution, it just kind of shows the characters, and gives a glimpse in to their lives, so I was left with a lot of questions: how was the little sister’s health, what happened to the Patriot Sons, did the mayor finally stand up to them, did the uncle get married, where was Cameron’s mom, did Jared’s mom stay home or did she just get a leave for Thanksgiving, did Jared’s grandma ever get involved?

The character I struggled the most with was the mom. She is an American born daughter of immigrants, she lived through the attacks in America, she is competent and articulate, but I feel like she doesn’t quite radiate the strength I wanted her to have. I wanted to love her, and I wanted to be inspired by her and her frustrations, but she seemed to just fade in most instances. The dad is a bit underdeveloped too, he has a shop, but few customers, I’m kind of worried about the financial security of the family, and then takes weird gifts to the neighboring church on Christmas Eve.

I didn’t understand why so many people didn’t want to talk about their 9/11 experience. I get that everyone deals and views things differently, but I have never really found people hesitant to talk about the attacks and the aftermath. I was at the University of Utah studying Mass Communication on that day, I’ve interviewed a lot of people over the years regarding what they experienced, and talked to my kids and had others talk to my kids, no one has ever once shown hesitancy, so I initially struggled with the premise that Yusuf didn’t know what he wasn’t supposed to forget and why his family kept trying to avoid talking about the changes of life before and life after.

The book does a good job of articulating how painful the loss of life was for all of humanity and showing that Muslims were both grieving the deaths and destruction, while also having to defend their separation from those that committed the atrocities.

I do love that Sunday school lessons, and elder advice, and khutbahs are a part of the tools given to Yusuf to sort through his world and decision making processes. I like that he pushes back and doesn’t just accept everything thrown at him. Even the nosey harsh aunties he finds connection with and tries to see their experiences, it really is impressive.

FLAGS:

It talks about the death tolls and the gut wrenching loss of life. There is also bullying, and false imprisonment, and a crime with a gun that is mentioned. There is a hijab pulled off, vandalism of a Muslim owned store, there are threats and pushing. Yusuf’s uncle is out of town and his mom and grandma are bickering that he is meeting his girlfriend’s parents, so it isn’t clear if it is all arranged, or everyone is on board or if it is something more or less than what it is. Cameron has an earring. Danial doesn’t eat outside meat, but really wants too. The kids don’t lie necessarily, but they sneak out in Santa Clause costumes to trick or treat on Halloween after commenting that they shouldn’t and don’t celebrate the holiday. Yusuf’s dad knows Christmas carols and discusses his favorites at interfaith exchanges, the highly religious, “Silent Night” is among them. A cat also goes missing, an incident from the diary, and then is placed on the doorstep dead.

TOOLS FOR LEADING THE DISCUSSION:

I think, like with other 9/11 books I’ve done as book club selections, just sharing my experience and asking any other teachers to chime in with theirs is enough to take fiction out from the pages and make it real for the kids. They then ask questions, connect it to the text and to their history lessons and the story resonates with the historical event. I think this book could work for a middle school book club and provide a lot, aside from the Islamophobia to discuss, I think it would in fact be a great book to start the school year off with to get to know the kids and how they view the world.

Jul16

Samira Surfs by Rukhsanna Guidroz illustrated by Fahmida Azim

Posted on July 16, 2021 by islamicschoollibrarian

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Samira Surfs by Rukhsanna Guidroz illustrated by Fahmida Azim

I have been anxiously waiting for this middle grades 411 page book in verse to be published. The last few books I’ve read in this style with smart strong female protagonists have blown me away. This book unfortunately really fell flat. I think the difference is most OWN voice narrative do so well in prose when the emotion can be felt and explored deeply, so that when the story moves forward with sparse words the reader can forgive the gaps and jumps. This didn’t have that insight, sadly, and just left a lot of holes for me. The author’s family on her father’s side is Muslim, she is Persian Indian Chinese, not Rohingya or Bangladeshi, and that isn’t to say that she can’t write a story about them, but it just felt lacking, and this is my assumption as to why. The author is a surfer, and that is where the detail and passion really shines. The book is fine, it just didn’t inspire me or move me. It checks boxes for having characters with strong Muslim identities, highlighting a persecuted population, showing diversity within subcultures, and showing universal similarities, so I’m glad the book was written and is available, I just wanted it to be so much more.

SYNOPSIS:

Samira and her family have recently made the perilous escape from Burma to Bangladesh. Burma decided that the Rohingya must be killed and convinced the majority Buddhist to turn on their Muslim neighbors. Her parents and brother survived, but her grandparents, her Nana and Nani, drowned on the way. Samira’s family were turned away from the over filled refugee camp in Cox’s Bazar and have set up with others, their own meager living on the outskirts. Samira’s father works for very little illegally as a shrimper, her brother as a waiter, and she sells eggs on the beach to tourist. Ever on the lookout for police and from angry Bangladeshis, life is lonely and frightening. Slowly Samira starts to make friends with other girls, her brother Khaled is helping translate and is beloved by his employer. When their father gets injured however, the family is thrown in turmoil as they need his income. At this same time Samira starts to be tempted by the ocean and the surfer girls that seem so free and fearless as they take on the waves. Knowing that her family will not support her surfing, her brother agrees to teach her how to surf in secret, like he is teaching her to read and write English. A surfing contest is announced for boys and girls with a substantial monetary prize for the winner, but Samira is not allowed to be in the water, and the Bangladeshis in charge of the surf boards are not happy with how much potential Samira has to win the competition.

WHY I LIKE IT:

I love that the story brings some awareness to the under represented Rohingya and that it shows resilience and strength. It talks about religion, they opt not to fast in Ramadan because the father is weak after his accident and he proclaims that if he isn’t fasting no one should. The men go to the mosque, the mom talks about hijab. Cultural words are dropped in and foods mentioned. The illustrations are fun and engaging and do a good job of breaking up the text and keeping the reader connected. I loved the dad and his way of supporting his kids, I also loved the brother sister relationship, but ultimately, the plot holes just overwhelmed the straightforward story line.

I wanted to know more about the tourist near this refugee camp, who were they (Bangladeshis? foreigners?) and what was that dynamic like. I wanted to know where the eggs came from and how that was set up as a job for Samira. How come the family was nervous about Samira being on the water since that was how her grandparents died, but not her brother? I get that as a female grows the family might not want her in a bathing suit out swimming for modesty issues, but I didn’t like how the book just chopped it up to swimming being against Islam, clearly she was taught to swim and obviously it isn’t. I was looking forward to some big reveal about the brothers notebook of drawings. I thought maybe he would get them to a newspaper or get them shared somehow to give insight to what his people were experiencing. It seemed like it was teased that there was going to be a climax there, but there wasn’t and it felt misleading. I didn’t get the whole standoff with the other surfers protesting if Samira wasn’t allowed to surf they wouldn’t either. If the organizers weren’t letting her that makes sense, but why would her parents care? There wasn’t a clear connection and the speed and vagueness in which it was resolved was disappointing as it was presumably the point of the story.

FLAGS:

Fairly clean. There is bullying and mention of death.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I would do this for a middle school book club. It is a solid middle grade read. Possibly it could be used to supplement a larger unit of study about refugees or particularly the Rohingya. Older readers will be left with more questions than they had when they began the book though, and wonder what the point of the story was at all.

Jul9

The Wild Ones by Nafiza Azad

Posted on July 9, 2021 by islamicschoollibrarian

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At times this 352 mature YA book was really hard to read for a variety of reasons: the subject matter, the writing style, the pacing of the story, and the numerous characters and inconsistencies. At other times, the book was descriptive, and ethereal and hard to put down. It took me over a month to finish the book because it really is all over the place and a lot of internal force and motivation was required to get through it, yet for all its flaws, I find my thoughts drifting back to it often. The book contains a lot of violence against women, as that is the thread that brings this feminist group together. There are hetero, lgbtq+, trans, and nonbinary individuals and relationships in the book, but they are not explicit, the rape, assault, suicide, prostitution, child trafficking and murder are more detailed. The book takes place all over the world, and often mentions the athan being called or a mosque being passed. Many characters have “Islamic” names, but there is no religion specifically practiced in this hijabi authored women powered tale.

SYNOPSIS:

The premise of the book is simple and straightforward. A girl, the daughter of a prostitute, is betrayed by her mother when she is sent to a man. As she runs through the city to escape, she crosses paths with a young boy who tosses her a box that contains stars. A star embeds itself in her palm and allows her to enter a place called the “Between.” The Between is a magical corridor made of magic that contains doors that lead to locations all over the world. Once she enters she stops aging and is now made of magic. She has the power to scream which can destroy other middle worlders and she can go invisible when around normal humans. She travels the world finding other girls betrayed by those who had been entrusted to protect them, and offers them a star and a place in the Wild Ones. This has been going on for centuries. When the boy with the star eyes is in danger, he is reunited with the girl and her gang, and they pledge to protect him.

WHY I LIKE IT:

The concept of the book is pretty good, but the plot for more than half of the book it seems focuses on the girls constantly arriving in a new location, exchanging diamonds for local currency, finding food, and getting settled in, before doing it all over again. It is repetitive and pointless. Sure it is nice to read about exotic locations and savor local foods, but these girls live forever essentially and we learn so little about them or what it is they do. Toward the middle of the book you start to see them helping other girls, but this should have been made clear much earlier on, I’m sure many people stopped reading before they saw how part of each girls’ healing involved helping others. It is not developed or shown, which I think other than the two encounters detailed would have created some connection between the characters and the reader.

The cause of most of the confusion is that there are 11 Wild Ones, and you never really get to know any of them, the point of view switches between Paheli, and unknown speaker, and it has pages of prose from other Wild Ones that are neither explanatory of their life before or in relation to what they are currently experiencing. The fourth wall is broken periodically, but inconsistently. So often, I just had no idea what was going on.

At times the characters speak like they are the teens that they are when they entered the Between, really noticeably and painfully, but they are decades old at the youngest, and centuries old for some of them. Also, Taraana is presented as a young small boy that needs coddling a lot, although he too is centuries old, but then as the girls start protecting him, he suddenly is this incredibly handsome man in love with Paheli. I get that their physical ages are suspended, so a relationship really might be possible and not creepy, but Taraana seemed to change, and it wasn’t explained.

The world building overall is weak, which is a shame, because it isn’t disjointed from the real world, it is just a slight addition to what the reader already knows. If the Between is just hallways how is there a library? Can you live in the Between? Can all middle worlders access it? If so why aren’t the corridors crowded?

The pain of the girls, their rage, their ability to deal with their traumas in their own way and time, is very empowering. I wish the sisterhood was more mutual than blindly following Paheli, like lost little children. These girls/women can decide what to partake it, and leave the group if they want, so they are strong and capable, they just don’t seem to get to show it as they bounce around from place to place to place eating and doing what they are told.

The book almost seems to have been written in sections and then dropped in to place. Much of the character information comes too late to make the story resonate. Sure part of it is intentional to clarify and create “aha” moments, but it creates really boring stagnant chapters, when these girls should be fierce and powerful, not lounging and mundane.

There were a few spelling errors and grammar gaps, but I read an advanced readers copy, so I’m hopeful they will be resolved.

FLAGS:

Prostitution, rape, assault, suicide, death, murder, child trafficking, torture, drowning, infanticide, girl/boy kissing, girl/boy and girl/girl flirting. Many of the online reviews make it seem more lgbtq+ than I felt it was. There are two lesbian characters that flirt and imply that their relationship will move forward, but within the Wild Ones they aren’t all hooking up. Paheli and Taraana kiss, but nothing more graphic.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think there is any way I could do this as a book club selection at an Islamic school, nor would I want to. The book has powerful commentary on the status and crimes against women the world over, and possibly older, say early 20 year olds, would benefit from reading and adding their voices to a dialogue regarding life experiences. But, the story line might be too simplistic for older readers to bond with, and the confusion and inconsistencies may not be worth the time needed to finish the book.