Tag Archives: Muslim Author

A Tempest of Tea by Hafsah Faizal

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A Tempest of Tea by Hafsah Faizal

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At 352 pages this YA vampire book is remarkably clean, a little slow burn, a few kisses, and some killing, but for the genre, I was quite impressed.  The book is written by a Muslim, but there is no Islam in the book, the closest it gets is a character named Laith Sayaad, but he is from Arawiya, so the fictional world stays in its lane.  The commentary of colonialism, classism, found family, however is very real.  Throw in some tea, some vampires, and a heist with a less than trustworthy crew and I was swept away.  As a Muslim book reviewer, I often schedule in breaks to read books I don’t have to screen shot, annotate, and scrutinize, aka non Islamic books.  So this book was a bit of a surprise for me once I realized I would not have to read it with all the critical lenses in place, but would still feature it because the author is Muslim.  As a result, this review will be a little different from my normal format.

Told in multiple voices, Arthie, Jin, and Flick, the linear story moves along with each characters progression. The story however, twists and in a style that feels a bit slight of hand, we are told what to look at and see, but in an unveiling that makes you want to slow down, flip back, reread, and then carry on.  Honestly at times the book is utter chaos, but again, because I knew this wouldn’t be a typical review, I kept on keeping on.  When plot pieces started to fall into place, about two-thirds of the way into the book, and details in passing started carrying weight, the book was impossible to put down.  I didn’t find many of the “plot twists” super surprising, but I was utterly delighted to know that they connected so many crumbs of the story.  I’m a bit of a sucker for “no loose ends,” and while the ending left a lot for me to desire and grapple with, the story for the most part felt satisfying at its close.

Arthie Casimir and Jin Casimir, siblings by choice, run a tea house by day, a blood bar by night.  Always on the run from the ruling Ram, they have networks of spies, and years of criminal experience, to make it all look rather easy.  When Spindrift is threatened, the two will be tested to pull together a team, enter the dark vampire world of the Athereum and take on the colonizing rulers that hide behind masks.  Things don’t always go according to plan, and their plotting, successes, failures, and backstories make the book a fast-paced read that ends too soon.

FLAGS: Death, attraction, romance, fantasy, colonization, violence, stealing, systemic corruption, spies, etc.  I would be fine with 15 and up reading it.

Tagging Freedom by Rhonda Roumani

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Tagging Freedom by Rhonda Roumani

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This 282 page OWN voice middle grade book weaves together two points of view that shed light on the recent events in Syria and life as a Syrian American without self-othering or over-explaining.  The characters are Muslim and while yes, I wish there was more Islam woven in,  when it did present itself in more than just a passing “inshaAllah” or “ya rab” it was heartfelt and sincere.  The book has a few plot holes, a plethora of underdeveloped characters, and the religion and cultural components take a backseat to the tropey MG themes of finding your voice, friendships, crushes, fitting in, and having hope. Despite my critiques though, I still found the book focused around graffiti and spirit squad, engaging and hard to put down.  The pacing makes for an easy read, and while the adult reviewer in me wishes there was more depth, insight, consequences, and Islamic references, I definitely appreciated the emotion and framing of this story.  The book does contain a lot of lying, crushes, sneaking out, “vandalism,” breaking laws, and mentions bombings, disappearing, and fear.  The connection though of what has been left behind and experienced in Syria is moving, and I’m glad that a book so relatable to western kids is widely available to be shared with them.

SYNOPSIS:

The chapters alternate between Kareem and his cousin Samira, aka Sam. At the beginning of the book Kareem is in Syria, spending time with his friends graffitiing in protest of Bashar al-Assad and in support of the boys from Dara’a.  They are covering their tracks, sneaking out to join rallies and finding their strength in their art, common goals, and the change that is taking over the country.  Unfortunately, his parents don’t see it that way and decide he needs to be sent to live with his uncle’s family in Massachusetts for his own safety.

Sam is Kareem’s cousin, she is great at reciting Quran, she has a best friend Eleanor who lives across the street, and is an amazing artist.  She sees people as fonts, and dreams of being a part of the school spirit squad.  Her only real problem is Cat, a girl that has bullied her for years and spread rumors about her in the past.  It is never quite articulated what was done and how bad it was, but the fact that Cat is the head of spirit squad, the daughter of influential parents, and the twin sister of Sam’s crush Dylan, has Sam trying desperately to fit in.

When Kareem arrives, he is not happy to be in America.  He calls Sam out for her inability to speak up and with Sam and her bff Ellie on the outs, Sam heads off to her new friends that have allowed her into spirit squad, and Kareem and Ellie start sharing their art around town.

Kareem’s character arc is more subtle, but Sam/Samira, finds herself with the help of her cousin as she channels the yearning of Syrians to set her free in America.

WHY I LIKE IT:
I love that it is Syrian American OWN voice MG, the news cycle has moved on, but stories are so critical to reminding the privileged outsiders what has occurred and continues to endure, so just that this book exists, is a positive for me.  I like that the code switching of being Samira and speaking Arabic at home is so clearly contrasted with Sam at school.  I struggle with the idea of dating not being a religious, but rather a cultural no-no, and her being so obsessed in the beginning with Dylan and then Amari is a bit of flag. By the end they feel like friends, but it is definitely a big part of the first half of the book that could have used some context, same with when she goes out in a tank top.  I wish there was a Muslim conscience that enters the story, to see Sam grappling with who she is from a faith perspective would have been nice.

I love that Kareem comes to America and starts school, it doesn’t have him being meek, or struggling to transition, it really is empowering that he breaks that stereotype just by allowing him to be seen from the very first day as strong and fully fleshed out.  Yes, in real life and in some books the adjustment is a plot point, but in this book it is not, and the author seems to not indulge in it deliberately.

I struggled with a few plot holes. I get that Kareem was frustrated and wanted to educate and be heard, and when Sam can’t stick up for herself and he calls her out, they are both annoyed, but to go from that to graffitiing is a big step.  A few instances of maybe trying to talk about Syria being shut down by teachers, or friends, would have made it a more logical leap.  I worry a little that there wasn’t enough hand holding regarding graffiti as a whole seeing as it is an MG book.  I understand it is expression and art, but there is some element of vandalism to it as well, and because it didn’t connect the dots that street art was the only way to be heard, I bring it up for awareness.

I needed closure on Cat, I didn’t like that we didn’t know more specifics about her torment or her thoughts at the end.  I know the story is not about her, but she was important for much of the story and to have her fade seemed a little short sighted.  I liked Ellie, but her wanting to sticker everything seemed in contradiction to her environmental activism.  Sam’s parents are barely a blip on the radar, and even some details about the supporting cast, really would have made the story that much better.

FLAGS:

Crushes, immodest clothing, lying, sneaking out, boy/girl friendships, boy/girl hugging, vandalism, breaking the law. Hearing about bombings, being taken away by the police, death.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I would use this for book club, but I would have it on the library and classroom shelf.

Drawing Deena by Hena Khan

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Drawing Deena by Hena Khan

This 232 page middle grade read with a beautiful cover, has a beautiful heart as well.  A Muslim girl in a Muslim family is struggling with anxiety and family financial stresses, remarkably the book avoids tropes of blaming immigrant parents, culture, or religion.  It also doesn’t have any relationship crushes, or catty friends, bullies, or annoying sibling squabbles.  It was refreshing to see a strong character that seemed to not lack a voice, really find her voice,  advocate for herself and those she loves, apologies when in the wrong, and be surrounded by friends and family members that truly love one another.  I also appreciate that a licensed school psychologist was consulted and named in the backmatter.  As with nearly all Hena Khan chapter books, there is Islam and culture, but as an Islamic school librarian, I long for more.  There are a few inshaAllahs, mashaAllahs, salams, and references to praying, there is one solid paragraph that mentions dua, dhikr, and the Quran, but that is about it in a book that focuses a lot on fashion, make-up, social media, drawing portraits and hanging them in the home.  The protagonist is in middle school, but this is a solid middle grade read that teachers and librarians can feel confident having on the shelves and sharing with students.

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SYNOPSIS:

Deena loves art and to draw, she’s also really good at it.  She longs to take extra classes outside of school, but she knows it isn’t a priority with her bite guard already causing a lot of stress on the already financially strapped family.  Overhearing her parents fights about money adds to her anxiety and makes her nauseous every morning before school.  Determined to help her mom grow her basement clothing boutique, and increase the family income, she dabbles in social media, designs a logo, and sets up a website.  One of the new customers is a real life artist, who encourages Deena to look at art differently, and offers to take her under her wing to teach her about the power of art and decolonizing her mind. Things are starting to look up for Deena, but a disagreements with her cousin Parisa, feeling like she let a close friend down, and being overwhelmed at an immersive Van Gogh exhibit culminate with her having a panic attack at school.  The school counselor wants her to attend some therapy sessions at the school, but first Deena will have to convince her parents that this is something she needs and wants.

WHY I LIKE IT:

I mentioned a lot of my likes and loves above, but really it is a solid middle grade read where the character just happens to be Pakistani American and Muslim.  I like that Deena is just a sweet girl.  I think a lot of kids that have the emotional intelligence to know how fortunate and privileged they are, often push down their emotions and troubles, because they know others have it worse, don’t want to worry their parents, and/or seem ungrateful, and that this book can normalize getting help, advocating for yourself, and communicating with your parents, is really quite impressive.  Deena has a diverse group of friends, religion doesn’t come up much or seem to shape her perspective which is unfortunate, but it doesn’t make things harder for her either.  She isn’t bullied, there is no Islamophobia, or self-othering or stereotypes.  Deena is who she is, with a good head on her shoulders, and throughout the book you find yourself cheering for her and her success.

FLAGS:

She does draw faces, and they talk of hanging up the images in the living room.  There isn’t lying, but it kind of skirts the line at times. Anxiety.

TOOLS FOR LEADING THE DISCUSSION:

For even a young middle school book club, I think this book would be a quick read, but open the door for some quality discussion about anxiety that would benefit middle graders and up.  The book on the shelf will tempt readers, and handing it to kids will yield results.

The book goes on sale February 6, 2024 and you can preorder/order it here.

Dear Muslim Child by Rahma Rodaah illustrated by Aya Ghanameh

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Dear Muslim Child by Rahma Rodaah illustrated by Aya Ghanameh

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The flow, poignancy, and lyrical verses force you to slow down, take a deep breath, and immerse yourself in the concepts and ideas so beautifully presented in the text, and illustrated on the pages.  Whether you are reading it alone, snuggled up with a little one, or in a boisterous story time, this book pulls you in as it speak directly to the reader (or listener), burrowing inside and inspiring reassurance and confidence.  The tone of the text melds with the illustrations making the book appeal to those looking to understand, be seen, or to be empowered.  The short stanzas with the opening refrain of, “Dear Muslim child,” are a delight to read and share again and again, alhumdulillah.

The book does not have a story or a plot, but has an organization that keeps the pace moving in a poetic way. It starts by mentioning that we were meant to be, even “before Allah spoke the universe into existence.”  It then tells us about Islam, nur, names, the power of words, purifying our hearts (with wudu), listening to the adhan, and praying.  It talks of the beauty of hijab, and community, and purpose and mattering.

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The centering of Allah (swt) is not shied away from, yet the book is not preachy or overly religious.  For example wudu is shown, but not named; adhan is named but not defined.  If you wish to discuss each page, there is a lot to unfold, but if you want to just read the surface it is beautiful just the same.  The book is traditionally published, and a true accomplishment of the author, and the authors that have come before that this book, this type of book, is widely available for us all to enjoy.

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Courting Samira by Amal Awad

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Courting Samira by Amal Awad

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Authored by a Palestinian-Australian and featuring a protagonist of the same background, this adult rom-com, is pretty halal all things considered.  The book is not preachy, hijab and not drinking alcohol are all discussed as being religious decisions, but there is no insight as to how or why they are part of Islam, they just are, and because the characters are Muslim that is what they do.  I found myself reading while cooking, which means I was invested enough to keep reading, but if I missed a line or two, to pull something out of the oven, I didn’t need to go back and find my exact spot.  It reads a lot like a Confessions of a Shopaholic or Bridget Jones Diary, Islamically it is on par with a Hana Khan Carries On or Finding Mr Perfectly Fine, where the characters are Muslim and that sets parameters, their culture adds the flavor, and the love triangle and writing adds the plot, yeah it is tropey, but most people wouldn’t be picking this up for literary insights, it is meant to be fun, and it is.  Three things bothered me with this book that gets a lot right. One, the cover, I find it ugly, additionally it mentions multiple times in the book that her eyes are blue, clearly on the cover they are brown.  Second, the labeling of “moderate,” “conservative,” “liberal,” and “fundy” Muslims.  There isn’t internalized Islamophobia, every one of the main side characters practices Islam in their way, the other characters accept it, and the stereotyping that the religious one is mean or critical is not present at all (alhumdulillah), the labels just bother me.  Finally the kiss at the end before marriage, they are engaged, and it probably is still better than many YA Muslamic romances out there, but as an Islamic school librarian, I have to mention it.

SYNOPSIS:
Samira works at a Bridal magazine, writing on occasion, but mostly getting coffee.  The book opens with her mid door-knock, looking at the manga hair of a yet another prospective husband, come to drink coffee and eat biscuits with his parents to meet her and hers in another meeting that will end with no match made.  Her parents don’t force her, she plays along willingly, venting to her cousin Lara who refuses to humor her parents, and her co-worker Cate who’s own dating dramas show Samira she isn’t really missing out.  When evil cousin Zahra is suddenly getting engaged, Samira is sucked in to familial obligations and involvement.  Menem, a guy she met at a team building activity, works near her, and they keep meeting, the icing on the cake is that his brother is Zahra’s groom. As things start to heat up with Menem, old family friend Hakeem starts acting weird, and Samira finds herself caught in a love triangle.

WHY I LIKE IT:

There are a lot of tropes of being 27 and unmarried, being a disappointment for having a liberal arts degree and the like, but at least there are not mean parents, forced religiosity, or the what will everyone say storylines present. A lot of the fun is found in the references to pop culture, that surprisingly didn’t bother me.  I was, however, annoyed when suddenly 80 pages in the fourth wall was broken.  It broke the tone, but it didn’t become a regular things, so I carried on.  A side character asks if Samira’s actions are Muslim or Arab and I like that, that distinction is presented.  I wish there was more culture, Samira is Palestinian, Menem is Lebanese, but there isn’t a lot of cultural sprinklings throughout that are specific to the two cultures. There are also a lacking of salams/assalamualaikums in their daily interactions.  It does mention Samira praying quite frequently, which I most definitely appreciated though.

Plot and character development was decent for the genre.  The pacing makes this book a quick read, I read it in two days (while cooking).  I never quite felt a connection to Lara, or rather why Samira and her were so close other than for a lack of options.  She just kind of annoyed me throughout, and never seemed to be a great friend (cousin).  A few times the book would seem to hint at something and nothing would come from it, take Zahra touching her stomach while picking out ice cream, or why Hakeem says he knows Samira can’t call her brother when she has car trouble.

FLAGS:

A kiss, a few hugs, hints at haram acts in earlier days, alcohol, music, belly dancing, texting, emailing, chatting freely with opposite gender.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t use this as a book club book, but I would be ok having it on the library shelf for high schoolers.

Gates and Tales by Sally Zaki illustrated by Arwa Ali

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Gates and Tales by Sally Zaki illustrated by Arwa Ali

This 34 page picture book is adorably illustrated as it focuses on the gates leading to Masjid Al-Aqsa and sprinkles in culture, sights, and history about Palestine along the way.  I love the concept, it is unique, and I love that there are maps throughout of the masjid compound.  I truly learned a lot even though it is for early readers, naturally I wish there was a scannable QR code to learn more, but as an adult, with my kids, or in a classroom it would not be hard to search up Bab Al-Amud, Qubbat Al-Sakhra, Bab Al-Sahira, Salah Al-Din, Masjid Al-Qibli, Bab Al-Khalil, Al-Quds Citadel, Qaitbay’s Fountain, Bab Al-Asbat, or Qubbat Al-Silsilah.  Islam is also woven in, not just in the architecture or history, but also in mentioning the sunnah of fasting on Thursdays, quoting an ayat from the Quran in the text, and the kids meeting up to pray.  The writing isn’t super great,  it breaks down the fourth wall regularly, calling the readers “friends” and asking them to find things in the illustrations, their missing friends, and about foods and the flags of their country.  I’m not sure why the book hopes the readers are “from countries surrounding Palestine,” I found that a little off putting, and I’m not sure why we are supposed to memories the “gates by heart,” or how at the end we are now “victorious heroes.”  Even the defined words at the end, are a bit haphazard: za’atar, falafel and sido, being the only words highlighted, in a book with many Arabic words present. Presumably the reader found all the friends so they did reunite, it seemed to kind of falter, I thought they would show something they all love, or share some snacks, but the book, just kind of ended.  I like that the book is joyful and upbeat, I do appreciate that the last lines do mention that “Palestine is occupied today.  One day, insha’Allah, it’ll be free,” inshaAllah, inshaAllah, inshaAllah.

The book starts with Nidal introducing himself to the reader and letting you know he is going to take you on a special journey through four different gates.  He then asks the reader if they know where we are, before showing us Palestine on the globe.  He is going to “meet his pals at Masjid Al-Aqsa nestled east of the Old City of Al-Quds and includes the entire area inside the wall surrounding the Masjid.”  I love that it explains the area within the walls and the map on the opposite page is helpful.  

His mom has prepared him some snacks to share with his pals, and he puts on his Palestinian flag backpack before heading off.  He goes through Victory Gate.  Then his friend Aisha takes over and tells what gate she is entering through, shares details about the flower carved at Bab Al-Shira, and that her Sido would tell her about Salah Al-Din when they walked down Salah Al-Din street together to get to Masjid Al-Qibli, with its gray dome. Khaled and Jihad follow the same format and the book ends with the kids sitting in front of the Dome of the Rock asking what gate the reader will come through.  

I purchased my copy from Crescent Moon Bookstore here and if you use code ISL at checkout you will save 10%.

Under the Sana’a Skyline by Salwa Mawari illustrated by Mary Charara

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Under the Sana’a Skyline by Salwa Mawari illustrated by Mary Charara

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For the last 100 days it seems the only time I truly smile is when I see images of Yemen standing with Palestine.  It is impressive, so very inspiring, and equally humbling as well.  Sadly, there are not many children’s books celebrating Yemeni culture, heritage and joy available to us in the west.  This book published in 2022 is set in the war, with memories of easier times peeking through.  When Belquis is assigned to write an inspirational story about Yemen for a global contest, she is at a loss of what to write about as she is surrounded by “bombings, fighting, blockades, loss, and poverty.” This 38 page picture book is text heavy, admittedly it isn’t particularly literary or memorable, but it shows a culture and traditions that need to be shared with our children.  The media and talking points dismiss the rich history of the countries we are attacking in attempts to dehumanize those affected.  This book does not get political or even name the sides in the conflict, it simple shows a girl and her sister rediscovering their city, their history, and their peoples’ kindness and generosity.  I hope more books about Yemen will enter the marketplace, and I pray for the bombings to stop.

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Set in Old Sana’a Belquis dreams of being a writer, but when assigned to write about something “inspirational” she is at a loss. Her geddah encourages her saying that “Some of the most inspirational stories arise from hardship.” Her father encourages her, and her younger sister Saba, to go to the roof and look out from a “bird’s-eye-view.” At maghrib time as they listen to the athan from the Great Mosque they look out at the 2,500 year old city and the qamariyat sparkling in the changing sunlight, but don’t feel inspired.

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Beliquis briefly laments the looming deadline and the lack of sabaya to eat, but decides to go story hunting by taking Saba and rediscovering their ancient city.  They pass Khala Khadija’s crumbling house as they head to the museum where they are reminded about the Queen of Sheba, Yemen’s original name Arabia Felix, and Queen Arwa.

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As they leave the museum and head to Souk al-Milh they pass lines of people looking for handouts of food and waiting in line for fuel. When the war started, the tourists stopped coming, so the girls are free to browse, and end up using their pocket money to buy bakhoor for their mother before heading back home.  Heavy hearts make them wish they had instead given that money to a hungry family, and when the cracks from the weather and bombs destroy Khala Khadija’s house completely, the girls, their family, and their entire neighborhood will show the inspiring generosity and spirit of the Yemeni people.

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As always, with most every book I read,  I wish there was a map, and while there is a glossary, I wish there was a more robust backmatter section with actual photographs of the many places, foods, items mentioned in the story. This book is important, seek it out, urge your libraries to shelve it. Learn about Yemen, make duas for the people suffering, hurting, and standing up for the oppressed, ameen.

Zain and Mima Stand for Palestine by Eman Kourtam illustrated by Sophia Soliman

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I love this 57 page rhyming book from the perspective of a non Palestinian family pulling out their Palestine gear and taking to the streets to protest the occupation of Palestine.  Along the way the sibling duo, and thus the reader, learns about the history of Zionism, birth righters kicking people out of their homes, allyship with those on the side of Palestine, the crimes of Hitler, it shows maps of the occupation, details how movement is restricted, and even how to use BDS as a form of resistance from afar. All on an early elementary level.  There is a game at the end with an activity about resistance symbols, as well.

The book starts with Zain and Mima coming home from school tired and hungry.  They notice Mama is upset and glued to her phone, they then here noise outside and are encouraged by their mother to join the march as she hands them keffiyehs and explains that people are losing their homes in Palestine.

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The kids are not sure of what is going on, but notice the chanting and signs and diversity of people coming together to demand freedom for Palestine.  After the protest they head home and Mama explains the history of Palestine and answers their questions.  She explains who Theodore Herzl was and his idea of Zionism.  Why it is dangerous and evil.  She then explains how Hitler’s actions in WWII gave rise to Zionism in the aftermath. A two page spread of maps show 1947 Palestine/Israel, 1948, 1967 and 2005 in easy to understand visuals. Mama then explains, without identifying any specific country, that Israel has the best weapons and Palestinians use rocks and slingshots to defend their homes and families.  It shows walls and checkpoints controlling people’s movements, and the oppression that has resulted.  When Mima asks what we can do in addition to marching and chanting, Mama explains using our money wisely with the BDS movement.  The next day, the children empowered by knowledge, make signs and are ready to stand bravely for Palestine.

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This book was originally written in 2022, and sadly is still so on-point.  It is available again on Amazon after being temporarily blocked, but I hope you will purchase it from a small business such as Crescent Moon Store where my initials ISL will save you 10%.

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Colours of Al Quds by Jenny Molendyk Divleli illustrated by Merve Ozcan

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Colours of Al Quds by Jenny Molendyk Divleli illustrated by Merve Ozcan

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I have not posted a review since the latest genocidal escalation in Gaza, my heart just cannot carry on as before, but I keep being asked about Palestinian books that I have featured in videos, but not reviewed, so here we are.  This rhyming book is not OWN voice, but I think these days we are all Palestinian, and the tone of this book is accurately love, and beauty, and strength.  It is based around colors with beautiful illustrations for each two page spread focusing on one color.  Meant for toddlers and preschoolers this book works well in small groups and story times alike.

The book starts with an introduction to the narrator, Iman, from the land of Falasteen.  The first page spread talks about olive trees and the color green, then the blue of Dome of the Rock, orange of Quds Ka’ak and brown dates.  Over 32 pates, it also presents the keffiyeh, Masjid al Aqsa, knafeh, kaftan, keys, and Masjid al Qibly. The picture glossary at the end focuses on the Palestinian points, not the colors, keeping the focus on Al Quds.

The Little War Cat by Hiba Noor Khan illustrated by Laura Chamberlain

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The Little War Cat by Hiba Noor Khan illustrated by Laura Chamberlain

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Even though the book is told from the cat’s perspective, the book never overshadows the human cost of the Syrian war.  The beautiful illustrations and clear text do not shy away from the pain and destruction, but allows for young preschool children and up to see the affects of war through the cat’s eyes, as well as the kindness and hope that prevails. Over 32 pages readers are taken to the streets of Aleppo to see the marble mosques give way to boots and destruction.  The little cat observes the changes, notes the differences and when kindness is shown to her, she finds a way to pay it forward.  I had not intended to post another book by Hiba Noor Khan so close to another book of hers, but as atrocities in Idlib increase I felt it a good time to remind us all, that the war is not “over” in Syria and the destruction and loss of life still requires our awareness, help, prayers, and attention.

The book begins with a warm scene of a little grey cat playing and lounging under the sun in a masjid courtyard. When the boots come, though, it all disappears. The cat begins to notice the changes and the fear becomes real.  

But then one day the cat sees humans that are different than the ones with boots, and she follows one. He cares for her, and she starts to feel like herself again, when she sees someone that also is afraid, the cat is determined to help.

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The book concludes with a note from the author telling about the inspiration for the story, The Cat Man of Aleppo,” and challenging readers to find ways to share kindness.