Tag Archives: Family

Noura’s Crescent Moon by Zainab Khan illustrated by Nabila Adani

Standard
Noura’s Crescent Moon by Zainab Khan illustrated by Nabila Adani

img_3075-1

I know, I know, another Ramadan book about the moon and a little girl’s first fast, but this one is slightly different.  The moon they are searching for is the Eid moon and the focus is on whether they will see it and Eid will begin, or if there is one more day of fasting.  The story itself would not make sense if it wasn’t Ramadan and the characters Muslim, but the story only subtly sprinkles in bits of Islam, the backmatter though, is where the Islam really shines.  The tone of the book with the lyrical text and full color illustrations is very relatable to Muslims that both want to see the moon and celebrate, while at the same time being sad the the blessed month of Ramadan is over.  It comes from a Desi centric approach to the foods, and traditions, but their aren’t a lot of Urdu words used either, and those that are, are defined at the end.  The book works for Muslims and non Muslims, and would benefit both groups with a bit of discussion. Overall, not a particularly memorable book, but one that stands out for focusing on the tradition of looking for the moon and being together as a family.

I love that the notes at the end do mention that Muslims fast to “show love and obedience for the Creator,” under the Ramadan header.  The other backmatter headings are Eid ul-Fitr, Suhoor, Iftar, Chaand Raath, Pakora, Gulab Jamun, Sheer Khurma, and The Islamic Calendar and the New Moon.  A lot of space is dedicated to food, explaining those mentioned in the story.  It gets it right that Muslims begin fasting at dawn, it shows mom not wearing hijab at home, but wearing it when they go out, yet, it doesn’t just say the maghrib athan it refers to it as the “call for the twilight prayer.”  And it doesn’t mention or show them praying, which would have been a nice inclusion.

img_3080-1

The book starts with Noura playing outside and her tummy rumbling on this 29th day of Ramadan, and her first fast.  Mama, Papa and Noura all help make and pack up iftar, as they get ready to go look for the Eid moon.

img_3079-1

Before they go, Mama shows Noura her new dress, and they add some henna cones to the items they are taking, they then set out to the countryside.  All along, Noura is hoping to see the moon and her parents are reminding her how rare it is to see it.

When they get to the hill there are other families already there, and Noura has done it, completed her first fast.  Unfortunately the moon is not there as hoped, or is it?

img_3078-1

I wish some duaas or Islamic expressions, and salat would have made it into the book, but the large hardback size makes this a good book to read at story times, and a nice way to explain why we don’t know when we will miss school to celebrate Eid, or how many days we will fast.

Made from the Same Dough by Laura El Alam illustrated by Passant Ablal

Standard
Made from the Same Dough by Laura El Alam illustrated by Passant Ablal

img_3052-1

Not all books about Ramadan have to be lists of facts. It is ok to show Ramadan and Islamic elements in stories that have their own plots, character arcs, conflicts and resolutions that are not just about abstaining from food and water, or losing your temper.  This book set in Ramadan is a story about a  Muslim boy and his Christian grandfather, and a whole lot of heart.  As a child of a convert, this book spoke to me, and I saw myself in that relationship, not only as a child, but even as an adult bringing my grandparents to my kids Islamic schools, friends’ lunches, and asking them to wait on the side while we pray.  I absolutely love the perspective of the protagonist, that he is worried about what Muslims will think of his grandfather not fasting or praying, as opposed to the often shown character worrying about what non Muslims think about us. The paradigm shift is subtle, but empowering to Muslim readers to see that they are not “other” in any environment.  The authenticity and how it all comes together in the clear text of the book is beautiful, but I must say, I really struggle with the illustrations.  I know art is subjective, and I am no artist, but yikes, I feel like the pictures actually distract from the story unfortunately.

The book starts with Papa coming over to his daughter’s family home and smelling something cinnamon-y delicious.  He dives in to the harira soup and recalls the cinnamon Christmas cookies they used to make.  Rayan wonders if Papa even remembers that the rest of them are all fasting.

Mama invites him to join the family at Auntie Hana’s for iftar the next night, and Rayan worries what Papa will do when they all pray, or if his friends will wonder why he came to iftaar if he is not fasting.

img_3054-1

Papa agrees and offers to make cinnamon cookies to share.  Rayan doesn’t like the idea of Christmas cookies at iftar and tells grandpa that Santa won’t be there.  The next day when Grandpa comes over to bake, Rayan refuses to help. Part scared, part frustrated, part anxious, Rayan hears everyone having fun, but stays in his room.

When they arrive at the iftaar potluck, Rayan reminds Papa to take of his shoes and then devises a plan to keep the Christmas cookies from causing any embarrassment. Only his sister Aliya foils his plan and Rayan will have to face his own feelings and make things right.

I’ve read this book easily close to twenty times, since ordering it, evaluating it for the Muslim Book Awards 2023, (it won the Holiday category), writing this review, and reading it to my littles at bed time, and it still hits close to the heart every time.  It reminds me of my own grandpa, who has been gone almost exactly a year, who may not have always understood our actions as Muslims no matter how often we tried to explain them to him, but never loved us any less.

img_3056-1

You can purchase your copy here at Crescent Moon

Eliyas Explians Ramadan by Zanib Mian illustrated by Daniel Hills

Standard
Eliyas Explians Ramadan by Zanib Mian illustrated by Daniel Hills

This is the fifth book in the Eliyas Explains series, and it really is what you would expect and hope, a book about Ramadan from Zanib Mian would be.  Eliyas’s voice is funny, relatable, engaging, and yet somehow manages to find a clear way to inform too.  The framing is fictional, but the book is meant to be lesson, moral, and information filled.  The voice did seem to break when Eliya’s didn’t know what “Ramadan Mubarak” meant, but it is clear that the book is meant to teach and remind middle grade kids about Ramadan from moon sighting to Eid, so I don’t think anyone other than an old reviewer would notice.  Parents might notice though that Eliyas loses his cool at one point and starts to presumably call his sister stupid, it stops at “st,” but then says he “started to cuss” which in America would be taken to mean a profanity much stronger than stupid, so just be aware, so you don’t panic if your child asks.  Overall the book is great, it is a solid 80 pages before the guided journaling begins and concludes at 115 pages.  The illustrations, changing font, and humor really make it perfect for the age group.  I gave it to my eight year old to read and I could hear him laughing, saying a few dua’as aloud, and he even came and asked me a few questions making sure he understood new information correctly.  This book would work as an independent read, a read aloud, or even an elementary reading assignment in an Islamic or weekend school.  The book is remarkable for the simple fact that it starts by naming the scholar that proofed the book, truly this is revolutionary, please can we normalize sourcing already.

The book is divided into chapters, with chapter one reintroducing Eliyas and his family to the reader. They are out on a bike ride and Eliya’s wants to know why everyone is so excited for Ramadan and giving up food and water.  Mom and dad explain taqwa and good deeds being multiplied and prayers being answered and big shaytans being locked up and Eliyas is excited (to put it mildly) to get closer to Allah swt and be a better version of himself.

Chapter two explains the moon, making intention, and waking up for suhoor.  With nine chapters before the journaling, the book discusses doing good deeds, fighting, forgiveness, shaytan being locked up, taraweeh, Laylatul Qader, and Eid.

The journaling guides readers through forgiveness, ibadah, goals, duas, kindness, feelings, connecting with Allah swt and more.  The beauty of this book is that it does pack a lot of information, but it shows a lot too, and gives kids a way to see Ramadan in action.

You can order your copy here at Crescent Moon store 

Rabia’s Eid by Rukhsana Khan illustrated by Debby Rahmalia

Standard
Rabia’s Eid by Rukhsana Khan illustrated by Debby Rahmalia

We definitely lack Islam centered leveled readers, so how exciting to see one this year focused on Eid, that contains more about Zakat al Fitr than presents no less.  The book starts on the last day of Ramadan, so there are details about both Ramadan and Eid shown, not dictated, as it stays on a Step 2 reading level.  As with most books meant to be read with help, for preschool to 1st grade, the story is a bit abrupt at times, and by not showing the Eid salat it definitely leaves some confusion as to whether Zakat was actually paid before the prayer started as required (I’m not a scholar, so please look into this), or not.  InshaAllah, if adults are reading this with their children, some basics about Zakat al Fitr would be something wonderful to discuss when you finish.  The book is joyful, the little girl wants to fast and is encouraged to do a half day, the illustrations are adorable as well, alhumdulillah. Oh and for those keeping track, this might be the first Ramadan book I’ve read in a long time that does not mention the moon, not even once.

The book starts with Mom waking Maryam up for suhoor on the last day of Ramadan and Rabia wanting to fast as well.  Her sister tells her she is too young, but she joins the family for cereal in the kitchen, and Dad encourages her to try a half day.  The family then prays fajr together and the day is going great.

About lunch time Maryam is getting ready to break her fast. The family praises her on as she settles in with a cheese and tomato sandwich.  Later the rest of the family breaks their fast, and Rabia joins in with starting with a date and making duas.  Then it is time for henna and getting their clothes ready.

At Eid prayer everyone is dressed up, and Dad gives Rabia some money to put in the box labeled Fitr, for the poor.  Rabia wonders if everyone has to give money, and mom responds that everyone except the poor do.  The book concludes with the family smiling knowing everyone is having a happy Eid.

The book is great for Muslim and non Muslim kids, because of the size though, it isn’t a great choice for story time in big groups, but the price point makes it an awesome addition to gifts, classrooms, and to share with others in general.  I purchased my copy here.

A Ramadan to Remember by Marzieh A. Ali illustrated by Najwa Awatiff

Standard
A Ramadan to Remember by Marzieh A. Ali illustrated by Najwa Awatiff

img_2876-1

A problem solving kid that loves his faith, finds himself in a new neighborhood at the beginning of Ramadan without a mosque or a Muslim community.  I appreciate that this 32 page book actually has a bit of a plot, not just the overly done fictional story crafted around basic Ramadan facts of a child’s first fast.  Sure, it mentions most of the expected concepts in a similar manner, but it also centers acts of ibaada, shows more than tells, is brightly illustrated, and is unapologetic. The kid is a doer, a problem solver, and isn’t unsure about who he is, which is refreshing. That isn’t to say that it gets everything right, it still attributes fasting to feeling compassion for the poor.  Even when a side character challenges the notion, the character doubles down that it makes us more appreciative, which inshaAllah it does, but it isn’t WHY we fast.  Overall though, I think the book still is a benefit in Muslim and non Muslim spaces. The story and illustrations make it appealing at story times and bed times, and the backmatter is equally engaging.

img_2877-1

The book starts with Zain getting excited for his favorite time of year, Ramadan.  Only this year the decorations are still in boxes, Mama and Baba are busy with their new jobs, and there is no mosque or Muslims in the neighborhood.  Zain knows, he rides around looking for clues, has even checked the newspaper, and had his dad look on his phone.  It is a big change from the Islamic school he used to go to, and the busy mosque he used to volunteer at.

img_2879-1

Then Zain gets an idea, to build a mosque with all the moving boxes.  Neighbor kids come and ask questions, and Zain is happy to explain as they join in the building.  One night while praying outside under the stars in the cardboard mosque, a friend joins the family, and this Ramadan just might turn out to be pretty wonderful after all.

img_2878-1

I love that Zain doesn’t wait around for his parents to figure everything out, he is motivated. I also really like that he knows who he is, is comfortable sharing his faith and beliefs, and that the neighbor kids find connections to him, not the other way around.  I wish he would find a place to volunteer at, our charity isn’t restricted to helping only Muslims, though I might be the only one to pick up on that unresolved thread.  I also get that the kid that joins the salat for story purposes, is seen after prayer, but he didn’t join the prayer right and my older kids were sure to point that out.

The backmatter has a glossary, but in a more engaging format that I think kids will actually stick around for, and the Ramadan essentials and crafts make for a nice extension for those wanting to add a craft to the story time activity.

img_2882-1

The book is traditionally published and widely available.  You can find it here at Amazon, or here at my favorite store Crescent Moon.  It is also available in public libraries and would be a great addition to classroom and school library shelves.

Daughters of the Lamp by Nedda Lewers

Standard
Daughters of the Lamp by Nedda Lewers

img_2600-1

This 352 page middle grade fantasy grounded in Egypt and America didn’t initially impress me.  In fact the first few chapters felt a little forced, the voice a little off, and the threads of Islam were making me a little bit nervous, but I was advised to keep reading by a trusted friend (@muslimmommyblog), and so I did.  And I really don’t know when it happened, perhaps when Sahara finally got to Egypt, but truly the slow quiet book won me over.  It has a lot of heart and I found myself throughout the day thinking about the story, trying to sneak a few minutes here and there to read just a little bit more, and staying up past my bedtime to finish.  That isn’t to say the book is perfect, but it is a solid read despite some plot holes, and a 12-year-old protagonist who seems to not really practice Islam even though her dad and family do. If you do not feel that Islam allows for fantasy books with magic, then steer clear of this.  If you are fine with it or on the fence, know that the book quite often articulates that Allah swt is always the creator in charge of everything, but there are magical elements, fortunes told, and evil deception.  I’ve never seen anyone read tea leaves or coffee grounds, let alone believe in them, if it is something that culturally you have seen and find reflect sihr, know that it is present in the story, but it absolutely clarifies, that Allah swt is the one who controls the future.  I don’t think any reader of any age would think this story is or could be real.  I would be comfortable with middle graders reading this book.  It is long, and a bit dense for early middle graders, but it is clean, and really centers family, being a good friend, and working together to save the day.

SYNOPSIS:

Sahara Rashid is tired of being teased as being the only kid who hasn’t gone to Merlin’s Crossing, when 6th grade comes to an end, she is hoping the surprise her dad has for her is a trip to the amusement park.  Instead they are going to Egypt, her first trip there ever.  Her maternal uncle is unexpectedly getting married and her dad and her haven’t been back since her mother died giving birth to Sahara.  Shocked by the news and desperately disappointed, Sahara goes to bed and dreams of her mother. When she awakes, her aunt, her father’s sister and mom’s friend, has a necklace for her and a message that matches her dream.  Interspersed with Sahara’s story is Morgana’s.  A girl long ago who is a servant to a mawlay, Ali Baba, who has been tasked to guard treasures: lamps, apples, flying carpets, and the like.

When Sahara gets to Egypt her adventures begin, she meets her cousins, Fanta and Naima, and Sittu, her grandma, who she has always feared blames her for her mother’s death, but finds instead a loving matriarch who welcomes her wholeheartedly.  She also meets the bride-to-be a woman named Magda, a woman the cousins call, El Ghoula, the witch.  When someone tries to break into the family’s grocery store, Sahara’s necklace goes missing, and El Ghoula starts to act suspicious, Sahara and Naima formulate a plan that backfires tremendously and will test their trust, determination, and ability to save the day.

WHY I LIKE IT:
I love that Islam is woven in, but I truly do not understand how Sahara’s dad prays five times a day, her aunt in the USA who lives with them prays, but not regularly, but Sahara doesn’t pray.  Her mom wore hijab, but she doesn’t know much about hijab, yet is incredible self-conscious that she doesn’t wear it, while simultaneously being comfortable in shorts.  She also questions her dad why she needs to cover her head in front of the imam, and she brings it up a lot with her cousin Naima, who does cover.  It feels like it comes from a place of love and respect, and probably real conversations, but it seems stilted and vague which I feel like some sensitivity reading perhaps would have helped with.

The beginning of the book really sounds outdated, but I’m not sure why.  It reads like an older person trying to write a young protagonist contemporary voice and it doesn’t work, it is even cringey at times.  Once the action picks up, the voice and tone and pacing is fine, but truly the first few chapters of Sahara are cumbersome.  I do not understand why Sahara is constantly homesick.  She is on vacation and is not going to be in Egypt for two weeks, and the regular insertion that she is missing home and counting down days, is very odd.  If she was suddenly living there, or staying months, perhaps it would make sense, but truly it initially really makes liking Sahara yet another obstacle in the early chapters, that has to be overcome.  By the end, she is very likeable, but those early chapters don’t connect her to the reader which is unfortunate.

The story and action are fun, the relationship building with the family is very tender and sweet.  Her helping her cousin in a street dance battle and feeling the love from her grandma are cathartic and memorable.  Plot wise there are some holes, like how did all the sleeping victims get home, where is the dad’s family, why didn’t the mom know the family secret, why did the family let Sahara’s mom leave, how did Sahara’s mom and her paternal aunt know each other, and why doesn’t Sahara pray and why hasn’t she ever heard the fajr athan before?

FLAGS:
Magic, lying, music, dancing, evil, plotting, scheming, killing, murder, dying, theft, poisoning, attempted kidnapping, slander.

TOOLS FOR LEADING THE DISCUSSION:

This would be a fun book to read aloud in a classroom setting during lunch when it is too cold to go outside.  I think it would be fun for an upper elementary book club as well.  I think kids will reach for it, and with a recommendation will get through the first few chapters to be swept away on a magic carpet,  enjoying the story.

Tagging Freedom by Rhonda Roumani

Standard
Tagging Freedom by Rhonda Roumani

20801TaggingFreedom

This 282 page OWN voice middle grade book weaves together two points of view that shed light on the recent events in Syria and life as a Syrian American without self-othering or over-explaining.  The characters are Muslim and while yes, I wish there was more Islam woven in,  when it did present itself in more than just a passing “inshaAllah” or “ya rab” it was heartfelt and sincere.  The book has a few plot holes, a plethora of underdeveloped characters, and the religion and cultural components take a backseat to the tropey MG themes of finding your voice, friendships, crushes, fitting in, and having hope. Despite my critiques though, I still found the book focused around graffiti and spirit squad, engaging and hard to put down.  The pacing makes for an easy read, and while the adult reviewer in me wishes there was more depth, insight, consequences, and Islamic references, I definitely appreciated the emotion and framing of this story.  The book does contain a lot of lying, crushes, sneaking out, “vandalism,” breaking laws, and mentions bombings, disappearing, and fear.  The connection though of what has been left behind and experienced in Syria is moving, and I’m glad that a book so relatable to western kids is widely available to be shared with them.

SYNOPSIS:

The chapters alternate between Kareem and his cousin Samira, aka Sam. At the beginning of the book Kareem is in Syria, spending time with his friends graffitiing in protest of Bashar al-Assad and in support of the boys from Dara’a.  They are covering their tracks, sneaking out to join rallies and finding their strength in their art, common goals, and the change that is taking over the country.  Unfortunately, his parents don’t see it that way and decide he needs to be sent to live with his uncle’s family in Massachusetts for his own safety.

Sam is Kareem’s cousin, she is great at reciting Quran, she has a best friend Eleanor who lives across the street, and is an amazing artist.  She sees people as fonts, and dreams of being a part of the school spirit squad.  Her only real problem is Cat, a girl that has bullied her for years and spread rumors about her in the past.  It is never quite articulated what was done and how bad it was, but the fact that Cat is the head of spirit squad, the daughter of influential parents, and the twin sister of Sam’s crush Dylan, has Sam trying desperately to fit in.

When Kareem arrives, he is not happy to be in America.  He calls Sam out for her inability to speak up and with Sam and her bff Ellie on the outs, Sam heads off to her new friends that have allowed her into spirit squad, and Kareem and Ellie start sharing their art around town.

Kareem’s character arc is more subtle, but Sam/Samira, finds herself with the help of her cousin as she channels the yearning of Syrians to set her free in America.

WHY I LIKE IT:
I love that it is Syrian American OWN voice MG, the news cycle has moved on, but stories are so critical to reminding the privileged outsiders what has occurred and continues to endure, so just that this book exists, is a positive for me.  I like that the code switching of being Samira and speaking Arabic at home is so clearly contrasted with Sam at school.  I struggle with the idea of dating not being a religious, but rather a cultural no-no, and her being so obsessed in the beginning with Dylan and then Amari is a bit of flag. By the end they feel like friends, but it is definitely a big part of the first half of the book that could have used some context, same with when she goes out in a tank top.  I wish there was a Muslim conscience that enters the story, to see Sam grappling with who she is from a faith perspective would have been nice.

I love that Kareem comes to America and starts school, it doesn’t have him being meek, or struggling to transition, it really is empowering that he breaks that stereotype just by allowing him to be seen from the very first day as strong and fully fleshed out.  Yes, in real life and in some books the adjustment is a plot point, but in this book it is not, and the author seems to not indulge in it deliberately.

I struggled with a few plot holes. I get that Kareem was frustrated and wanted to educate and be heard, and when Sam can’t stick up for herself and he calls her out, they are both annoyed, but to go from that to graffitiing is a big step.  A few instances of maybe trying to talk about Syria being shut down by teachers, or friends, would have made it a more logical leap.  I worry a little that there wasn’t enough hand holding regarding graffiti as a whole seeing as it is an MG book.  I understand it is expression and art, but there is some element of vandalism to it as well, and because it didn’t connect the dots that street art was the only way to be heard, I bring it up for awareness.

I needed closure on Cat, I didn’t like that we didn’t know more specifics about her torment or her thoughts at the end.  I know the story is not about her, but she was important for much of the story and to have her fade seemed a little short sighted.  I liked Ellie, but her wanting to sticker everything seemed in contradiction to her environmental activism.  Sam’s parents are barely a blip on the radar, and even some details about the supporting cast, really would have made the story that much better.

FLAGS:

Crushes, immodest clothing, lying, sneaking out, boy/girl friendships, boy/girl hugging, vandalism, breaking the law. Hearing about bombings, being taken away by the police, death.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I would use this for book club, but I would have it on the library and classroom shelf.

Drawing Deena by Hena Khan

Standard
Drawing Deena by Hena Khan

This 232 page middle grade read with a beautiful cover, has a beautiful heart as well.  A Muslim girl in a Muslim family is struggling with anxiety and family financial stresses, remarkably the book avoids tropes of blaming immigrant parents, culture, or religion.  It also doesn’t have any relationship crushes, or catty friends, bullies, or annoying sibling squabbles.  It was refreshing to see a strong character that seemed to not lack a voice, really find her voice,  advocate for herself and those she loves, apologies when in the wrong, and be surrounded by friends and family members that truly love one another.  I also appreciate that a licensed school psychologist was consulted and named in the backmatter.  As with nearly all Hena Khan chapter books, there is Islam and culture, but as an Islamic school librarian, I long for more.  There are a few inshaAllahs, mashaAllahs, salams, and references to praying, there is one solid paragraph that mentions dua, dhikr, and the Quran, but that is about it in a book that focuses a lot on fashion, make-up, social media, drawing portraits and hanging them in the home.  The protagonist is in middle school, but this is a solid middle grade read that teachers and librarians can feel confident having on the shelves and sharing with students.

img_2301-1

SYNOPSIS:

Deena loves art and to draw, she’s also really good at it.  She longs to take extra classes outside of school, but she knows it isn’t a priority with her bite guard already causing a lot of stress on the already financially strapped family.  Overhearing her parents fights about money adds to her anxiety and makes her nauseous every morning before school.  Determined to help her mom grow her basement clothing boutique, and increase the family income, she dabbles in social media, designs a logo, and sets up a website.  One of the new customers is a real life artist, who encourages Deena to look at art differently, and offers to take her under her wing to teach her about the power of art and decolonizing her mind. Things are starting to look up for Deena, but a disagreements with her cousin Parisa, feeling like she let a close friend down, and being overwhelmed at an immersive Van Gogh exhibit culminate with her having a panic attack at school.  The school counselor wants her to attend some therapy sessions at the school, but first Deena will have to convince her parents that this is something she needs and wants.

WHY I LIKE IT:

I mentioned a lot of my likes and loves above, but really it is a solid middle grade read where the character just happens to be Pakistani American and Muslim.  I like that Deena is just a sweet girl.  I think a lot of kids that have the emotional intelligence to know how fortunate and privileged they are, often push down their emotions and troubles, because they know others have it worse, don’t want to worry their parents, and/or seem ungrateful, and that this book can normalize getting help, advocating for yourself, and communicating with your parents, is really quite impressive.  Deena has a diverse group of friends, religion doesn’t come up much or seem to shape her perspective which is unfortunate, but it doesn’t make things harder for her either.  She isn’t bullied, there is no Islamophobia, or self-othering or stereotypes.  Deena is who she is, with a good head on her shoulders, and throughout the book you find yourself cheering for her and her success.

FLAGS:

She does draw faces, and they talk of hanging up the images in the living room.  There isn’t lying, but it kind of skirts the line at times. Anxiety.

TOOLS FOR LEADING THE DISCUSSION:

For even a young middle school book club, I think this book would be a quick read, but open the door for some quality discussion about anxiety that would benefit middle graders and up.  The book on the shelf will tempt readers, and handing it to kids will yield results.

The book goes on sale February 6, 2024 and you can preorder/order it here.

Courting Samira by Amal Awad

Standard
Courting Samira by Amal Awad

img_2245-1

Authored by a Palestinian-Australian and featuring a protagonist of the same background, this adult rom-com, is pretty halal all things considered.  The book is not preachy, hijab and not drinking alcohol are all discussed as being religious decisions, but there is no insight as to how or why they are part of Islam, they just are, and because the characters are Muslim that is what they do.  I found myself reading while cooking, which means I was invested enough to keep reading, but if I missed a line or two, to pull something out of the oven, I didn’t need to go back and find my exact spot.  It reads a lot like a Confessions of a Shopaholic or Bridget Jones Diary, Islamically it is on par with a Hana Khan Carries On or Finding Mr Perfectly Fine, where the characters are Muslim and that sets parameters, their culture adds the flavor, and the love triangle and writing adds the plot, yeah it is tropey, but most people wouldn’t be picking this up for literary insights, it is meant to be fun, and it is.  Three things bothered me with this book that gets a lot right. One, the cover, I find it ugly, additionally it mentions multiple times in the book that her eyes are blue, clearly on the cover they are brown.  Second, the labeling of “moderate,” “conservative,” “liberal,” and “fundy” Muslims.  There isn’t internalized Islamophobia, every one of the main side characters practices Islam in their way, the other characters accept it, and the stereotyping that the religious one is mean or critical is not present at all (alhumdulillah), the labels just bother me.  Finally the kiss at the end before marriage, they are engaged, and it probably is still better than many YA Muslamic romances out there, but as an Islamic school librarian, I have to mention it.

SYNOPSIS:
Samira works at a Bridal magazine, writing on occasion, but mostly getting coffee.  The book opens with her mid door-knock, looking at the manga hair of a yet another prospective husband, come to drink coffee and eat biscuits with his parents to meet her and hers in another meeting that will end with no match made.  Her parents don’t force her, she plays along willingly, venting to her cousin Lara who refuses to humor her parents, and her co-worker Cate who’s own dating dramas show Samira she isn’t really missing out.  When evil cousin Zahra is suddenly getting engaged, Samira is sucked in to familial obligations and involvement.  Menem, a guy she met at a team building activity, works near her, and they keep meeting, the icing on the cake is that his brother is Zahra’s groom. As things start to heat up with Menem, old family friend Hakeem starts acting weird, and Samira finds herself caught in a love triangle.

WHY I LIKE IT:

There are a lot of tropes of being 27 and unmarried, being a disappointment for having a liberal arts degree and the like, but at least there are not mean parents, forced religiosity, or the what will everyone say storylines present. A lot of the fun is found in the references to pop culture, that surprisingly didn’t bother me.  I was, however, annoyed when suddenly 80 pages in the fourth wall was broken.  It broke the tone, but it didn’t become a regular things, so I carried on.  A side character asks if Samira’s actions are Muslim or Arab and I like that, that distinction is presented.  I wish there was more culture, Samira is Palestinian, Menem is Lebanese, but there isn’t a lot of cultural sprinklings throughout that are specific to the two cultures. There are also a lacking of salams/assalamualaikums in their daily interactions.  It does mention Samira praying quite frequently, which I most definitely appreciated though.

Plot and character development was decent for the genre.  The pacing makes this book a quick read, I read it in two days (while cooking).  I never quite felt a connection to Lara, or rather why Samira and her were so close other than for a lack of options.  She just kind of annoyed me throughout, and never seemed to be a great friend (cousin).  A few times the book would seem to hint at something and nothing would come from it, take Zahra touching her stomach while picking out ice cream, or why Hakeem says he knows Samira can’t call her brother when she has car trouble.

FLAGS:

A kiss, a few hugs, hints at haram acts in earlier days, alcohol, music, belly dancing, texting, emailing, chatting freely with opposite gender.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t use this as a book club book, but I would be ok having it on the library shelf for high schoolers.

Gates and Tales by Sally Zaki illustrated by Arwa Ali

Standard
Gates and Tales by Sally Zaki illustrated by Arwa Ali

This 34 page picture book is adorably illustrated as it focuses on the gates leading to Masjid Al-Aqsa and sprinkles in culture, sights, and history about Palestine along the way.  I love the concept, it is unique, and I love that there are maps throughout of the masjid compound.  I truly learned a lot even though it is for early readers, naturally I wish there was a scannable QR code to learn more, but as an adult, with my kids, or in a classroom it would not be hard to search up Bab Al-Amud, Qubbat Al-Sakhra, Bab Al-Sahira, Salah Al-Din, Masjid Al-Qibli, Bab Al-Khalil, Al-Quds Citadel, Qaitbay’s Fountain, Bab Al-Asbat, or Qubbat Al-Silsilah.  Islam is also woven in, not just in the architecture or history, but also in mentioning the sunnah of fasting on Thursdays, quoting an ayat from the Quran in the text, and the kids meeting up to pray.  The writing isn’t super great,  it breaks down the fourth wall regularly, calling the readers “friends” and asking them to find things in the illustrations, their missing friends, and about foods and the flags of their country.  I’m not sure why the book hopes the readers are “from countries surrounding Palestine,” I found that a little off putting, and I’m not sure why we are supposed to memories the “gates by heart,” or how at the end we are now “victorious heroes.”  Even the defined words at the end, are a bit haphazard: za’atar, falafel and sido, being the only words highlighted, in a book with many Arabic words present. Presumably the reader found all the friends so they did reunite, it seemed to kind of falter, I thought they would show something they all love, or share some snacks, but the book, just kind of ended.  I like that the book is joyful and upbeat, I do appreciate that the last lines do mention that “Palestine is occupied today.  One day, insha’Allah, it’ll be free,” inshaAllah, inshaAllah, inshaAllah.

The book starts with Nidal introducing himself to the reader and letting you know he is going to take you on a special journey through four different gates.  He then asks the reader if they know where we are, before showing us Palestine on the globe.  He is going to “meet his pals at Masjid Al-Aqsa nestled east of the Old City of Al-Quds and includes the entire area inside the wall surrounding the Masjid.”  I love that it explains the area within the walls and the map on the opposite page is helpful.  

His mom has prepared him some snacks to share with his pals, and he puts on his Palestinian flag backpack before heading off.  He goes through Victory Gate.  Then his friend Aisha takes over and tells what gate she is entering through, shares details about the flower carved at Bab Al-Shira, and that her Sido would tell her about Salah Al-Din when they walked down Salah Al-Din street together to get to Masjid Al-Qibli, with its gray dome. Khaled and Jihad follow the same format and the book ends with the kids sitting in front of the Dome of the Rock asking what gate the reader will come through.  

I purchased my copy from Crescent Moon Bookstore here and if you use code ISL at checkout you will save 10%.