Tag Archives: culture

Mar26

Hafsa’s Way by Aisha Saeed

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Hafsa’s Way by Aisha Saeed

It definitely helped going in to this 224 page middle grade novel knowing that it would not have any Islam, and would most likely be a cultural read at best, based on the previous two companion books. By managing my expectations, I wasn’t overly bothered that there were only two Islamic references: fajr, as a time denoter, and the mosque, as a location marker. Sadly no salaams, religious expressions as a storm ravages a city, or duas made even when a supporting characters mentions that his dad says they should pray, and Hafsa dismisses it as not being enough.  Overall, though the story flows well, the protagonist is likeable enough, and the interweaving of medicine, climate change, determination, and speaking up for what you want, makes it a feel good story from start to finish. It does manage to share some science information without getting didactic or bogged down, but I do wish, that a bit more culture was shared. It feels like it is watered down, and more often than not felt like the story could take place anywhere.  The stresses and troubles and commentary are more suited for younger MG in my opinion with everything wrapping up neatly and easily.  The book is a quick read, and I appreciated that the backmatter highlights that the elephant storyline was inspired by a real event and offers suggestions on how to learn more.

SYNOPSIS:

Hafsa is from a village outside of Lahore, and when she gets accepted into a summer camp, she has to convince her parents to let her go.  Her newly married sister, Shabnam, offers her a home to stay in and her husband Sohail helps with the fees, but it isn’t until grandma says she can go, does Hafsa’s father reluctantly give his permission.  Once in Lahore, Hafsa realizes her information is faulty and it isn’t a mini medical summer camp, to start her on her way to being a doctor, but rather a climate change program covering zoology, weather, conservation, and action.  She also quickly learns that her sister is busy helping her new mother-in-law with a hospital fundraising gala, and doesn’t have much time to spend with her.  Add in the camp kids teasing her for bonding with an elephant, a storm that floods and knocks out their power, and Hafsa trying to figure out why Shabnam has not started culinary school, and it is a busy four weeks for Hafsa, who is determined to make the most of it all.

WHY I LIKE IT:

I grew up in Utah visiting the zoo yearly as a child, and don’t recall thinking too much of it.  On a trip to Pakistan one summer that changed. I visited the Karachi Zoo, and now 30 or so years later, I am still bothered by the chain I saw on the elephant’s leg, the kids sneaking in to the enclosures, and the trash in the animals’ water sources.  This book brought it all back and mirrored my own sentiments in incredible accuracy, and thus deepened my connection to seeing Gulab, the elephant, getting attention.

The author does a good job with the pacing and bringing in different threads, but it would have been nice to add a little more depth. Showing Hafsa pushing to get her way, not just saying she got to ride a bicycle after pushing back on her father, talking about the wedding, sharing some of the cultural words, clothes, values, fleshing out the characters and their relationships, getting to know the classmates a bit more, seeing why this is a challenging and sought after summer program.

FLAGS:

Animal neglect

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that I would teach this book, nor that there is much to discuss, but it will round out the series nicely (Amal Unbound &  Omar Rising) on the shelf and anyone that picks it up I think would enjoy the story contained within.

Mar15

Hail Mariam by Huda Al Marashi

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Hail Mariam by Huda Al Marashi

In 188 pages, this middle grade book packs a lot in: immigrant children expectations, the similarities and differences between Catholics and Muslims, Sunnis and Shias, culture and religion, all while sixth grader Mariam is starting a new school, a Catholic one- as a Muslim, having her first period start during church, and handling her sister’s health crisis.  Throw in Ramadan, Bibi coming to visit, family dynamics, friendships new and old, and a school Christmas play, and phew, just writing all that out seems exhaustive, yet somehow the book doesn’t get bogged down in the heaviness of it all.  It stays relatable, funny even, interesting.  The book’s short chapters, Mariam’s voice, and the author’s ability to make this Mariam’s story, not an expectation or explanation of how all Muslims, or Iraqis, or immigrants, etc., should be, really is well done. Written first person through Mariam’s perspective, allows even her lens of comparing what she is seeing at her Catholic school with her Muslim upbringing, to not come across as critical or overly agenda filled, it is just a girl leading with her heart and making sense of life.  A lot, according to the backmatter, is based on the author’s own life, and readers should know they may or may not agree with her conclusions, and her families practices, but I think this book has a lot of potential to be enjoyed on the surface, and start dialogue and understanding if one chooses to look deeper.  I additionally think with Ramadan and Christmas aligning again in a few years, that this book will continue to have wide appeal and be a great resource to remind us that we often have more alike than we think. Just one scene really bothered me, but, I’ll delve into that more below.

SYNOPSIS:
Mariam is the eldest daughter of two Iraqi immigrant physicians, and she has been informed that she is starting a new school, a Catholic one. She would love to discuss this with her mother, but her mom doesn’t seem to have time for her, only her younger sister, Salma, nor understand why a more rigorous school isn’t a good thing. Mariam is expected to be able to handle everything, and for the most part does, to be the best example of Arabs and of Muslims, and to be a great big sister.  But idols of Nabi Isa around every turn and being chosen for the part of Mary in the school play, has Mariam confused about what is ok and what is not, and how to handle it all.  When Salma’s health starts deteriorating, the weight of Mariam’s decisions escalate in her head and she doesn’t want to mess up.  When she learns her Aunty Sawsan is Catholic, her Mom is Shia, and Dad is Sunni, she is even more determined to find common ground, to keep those closest to her happy, her sister healthy, and Allah swt pleased with her.

WHY I LIKE IT:
There is a lot of Islam in the book, and while Mariam sorts through what she thinks is right and wrong, I didn’t feel there was internalized Islamophobia or that she was ashamed of her faith. She doesn’t necessarily have all the answers about how to navigate the situations at hand, but she doesn’t hide her religion, or question the core of it. It is  something she values and believes in.  She does get a little hard on her mom’s accent and culture gets a little confusing, but even when she questions her grandmother’s prayer recipes, I didn’t feel that it was insulting or disrespectful.

The only scene I felt was off was when at the end the family put up a Christmas tree, I get craft wise that it was perhaps to highlight the religion vs culture thread, but I took it as undermining so much of Mariam’s battles at school.  By the family partaking in a clearly Pagan based Christian adopted practices when not prompted by any environment or outside expectation, I felt it was a bit forced in perhaps trying to justify that it is something a lot of Muslims do.  Mariam through much of the book was trying to be respectful to her school and their practices while staying true to herself, the family got gifts for the Christian “family,” and they brough Eid gifts to them, so blurring the line when it wasn’t needed, seemed like so much of Mariam’s stress was for not.  I feel the conversations about culture and religion were sufficient.

FLAGS:
Mariam has a crush on a hospital volunteer, religious discussions, period starting, lying, impersonating her mom in school emails, jealousy, medical worry, illness.

TOOLS FOR LEADING THE DISCUSSION:

No tools are needed, just read, and the discussions will happen

 

I read and listened to the audio, both were great.

 

Feb28

A Good Morning for Giddo by Dahlia Hamza Constantine and Irene Latham illustrated by Basma Hosam

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A Good Morning for Giddo by Dahlia Hamza Constantine and Irene Latham illustrated by Basma Hosam

Hold on, it is Friday morning, not super early, the sun is up, Giddo and Somaya stop in to visit a friend and when the athan is called from multiple minarets, the men pause to pray in his shop? At the end of the book, it is still morning, the parents are in their pajamas, so um, WHAT SALAT WAS THAT? Why mention that it is Friday if they are not going to salatul Jummah? Yeah, I review from an Islamic perspective, I know this is not the point or plot or theme of the book, but it is an early detail in a 32 page picture book, and I’m having a hard time getting past it, clearly. The book is beautifully illustrated by a Muslim, and the cultural story is by one Egyptian and one author who has visited Egypt, so I have no reason to question the OWN voice accuracy, but none-the-less, it doesn’t make sense and makes me wonder why we can’t get basic Islamic rep correct in a picture book.  The story itself is a shout out to Egyptian culture showing calligraphy, tourism, mosaic handicrafts, tentmaking, friendships amongst people of different religions, a sweet grandfather and grand daughter relationship, all in their morning quest to get to the tentmakers at the market. The plot unravels though at the end for me, I think it sounds good to have SPOILER Somaya need a little help with her surprise birthday gift for her Giddo, but it seemed rushed in its conclusion for as flowy as the build up was. And that she needed help with a final knot, seemed a little weak of a premise for the urgency to get to the tentmakers at all. I know I’m being picky, but sensitivity readers exist precisely for these details, and it should not go unchecked.  The end has a “Glossary” and a “More About Ancient Egyptian Arts” section, but I really was hoping for something about the one upping thread of greeting that is present throughout the book, “good morning,” “good morning with roses,” good morning with roses and jasmine,” etc. as I think that is a tidbit of Arab culture that readers will wonder about while reading, but maybe not quite fully grasp.

The book starts with Somaya rushing into the kitchen to great her Giddo and get to the tentmakers with him.  Her grandfather though is not in any real hurry.  They head in to the old market, taking in the sights an sounds and then head in to Hajj Mohammed’s shop.  He has been sad since his son moved, and after he encourages her to write, and he and Giddo pray (not sure why Somaya does not join them), they are back in the market heading toward the tentmakers.  But first they wave to Ismail on his bike, and then stop in “for only one minute” to have tea with Ostaz Gergis and Mariam and see their abalone inlays.

When they finally reach the tentmakers in the market, it is revealed that Giddo is a most respected tentmaker, and when someone asks him a question, Somaya uses the distraction to get help with a final knot on a piece she has been working on.  The pair head home and are greeted with Mama and Baba holding a cake and wishing Giddo a happy birthday. Somaya gifts her piece to her grandfather and proclaims that she too is now a tentmaker.

The story is sweet, the illustrations adorable, it just needed a lit more polishing, some tweaking to get the Islam right, and more fleshing out of the ending, so that it felt satisfying and not rushed.

 

Feb27

Nadia Islam on the Record by Adiba Jaigirdar illustrated by Avani Dwivedi

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Nadia Islam on the Record by Adiba Jaigirdar illustrated by Avani Dwivedi

Having not liked the author’s YA books, I was on the fence about reading this, but when I saw it at the library I could hardly resist a Ramadan book about a girl visiting Bangladesh, wanting to be a journalist, and learning about climate challenges.  And alhumdulillah, the 304 page middle grade book is clean, Islam centered, and flag free.  Not so great though for me was the story craft itself.  I think it tried to do too much from a 3rd grade protagonist voice which resulted in a lot of telling, very little showing, and no connection to the characters.  My 10 year old read a few chapters, but couldn’t be persuaded to pick it up again as the plot is rather weak, journalism isn’t an exciting field to kids these days, there is no back matter explaining climate concerns, or flooding, or even a map of Bangladesh, and even he couldn’t understand why the book kept using the phrase, “first Ramadan,” even though it was just her first time fasting. I wanted to cheer Nadia on in her endeavors and her growth, the arc was there, I just never felt I got to know her.  Unfortunately, her voice and characterization were underdeveloped, resulting in her not being particularly relatable and likeable.

SYNOPSIS:

Nadia is planning to fast her first Ramadan with her best friend Yasmin, but a quickly decided trip to Bangladesh has her heading to her parents’ homeland for the first time to meet family members over her summer holidays.  Luckily her journalist aunt is going with them, and with Nadia’s sights set on being the editor-and-chief of her school paper, she is looking forward to learning what she can.  Her Khalamoni is working on a story about the flooding in the area, and Nadia tags along to interview a family that is helping care for the displaced families.  When she sees that even a kid not much older than her can make a difference, she is determined to spread light on the unreported environmental problems happening and their devasting effects.  All this is happening during Ramadan, and the heat of Bangladeshi summer, the length of the days, and the secret race Nadia and her cousins are battling in to fast the most amount of days, allows for Nadia and the reader to learn that Ramadan is more than just fasting.

WHAT I LIKE ABOUT IT:

I really like that the story shows praying and reading Quran threaded in with the fasting, even if it is mostly just from the adults.  The arc of Nadia learning about self control and intentions is also nice to see.  It seems a little off that she has never even fasted a half day or part of a day before and that she has made being 8 years old and her first Ramadan such a landmark event.  In insolation, all of the story lines and the rep (see the pictures I’ve enclosed), sound great, but for some reason it just felt like it was too much and thus nothing resonated. So many concepts meant surface level details were all that the pages could address, and if it went deeper it felt like info dumping, resulting in no character connection between the fictional characters, or with the reader.

FLAGS:

Clean

TOOLS FOR LEADING THE DISCUSSION:
The book would be a solid teachable book so that the discussions could be fleshed out and understood with relation to climate change and the environment, geography, and news cycles.  I would love to see a kid pick it up and see it through to the end, but ultimately I don’t know what there is enough pull to keep most kids reading to see how the story pans out for Nadia if it wasn’t a required assignment in a classroom.

 

Jan17

Together on Eid by Sana Rafi illustrated by Mariam Quraishi

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Together on Eid by Sana Rafi illustrated by Mariam Quraishi

I know it has become increasingly commonplace to have Eid and Ramadan books completely devoid of religion, but I will continually point it out, as it breaks my heart to see books about our beloved religious holidays lacking any spirituality, religious framing, or Islamic references. This book would work for either Eid al Fitr or Eid al Adha as it focuses, as the title suggests, being together on Eid and all the food, clothes, and feels that being together entails. The book is organized with headings: “Eid is a gathering,” and “Eid is a party we dress up for,” and “Eid is a home.”  There are six in all, that are then fleshed out with supporting details and examples that reinforce the topic sentence so to speak.  Food is detailed, clothes are highlighted, togetherness is celebrated and, memories are shared, and made on this day, that is ultimately “a gift.” The setting is a Pakistani home with cultural identifies sprinkled in, but still very vague in any specific traditions outside of a few instances of vocabulary.  The illustrations define the clothes and foods mentioned and while I don’t love the flowing illustrations, there is nothing wrong them, they just are not my style.  The book could work for a non Muslim gathering, but I would hope that if you are sharing a story and introducing a group to Eid, that one would pick a story that will at least articulate that Eid is an Islamic holiday.

The book shows a family: mom and dad, a little girl and little boy and paternal grandma. It starts with warm hugs, and getting dressed up for the holiday, then when the feast portion starts, extended family joins the pages. Dadi Amma is then joined by all of her grown sons, who she recalls being little just a short wile ago.  The focus of the book becomes a little preachy at this point, as it turns to the grandma reminding the little boy never to forget the day as she hands him his Eidi.  Throughout the dad is taking pictures of the family, and the book ends with the little boy asleep cradling a picture.

I don’t hate the premise of the book.  It is nice to see that it isn’t all presents and big Eid extravagances that mark the day as memorable, but rather it is the family and being together.  Even the feast is not over bearing on the day, as they don’t spend the whole day in the kitchen. The roti comes from a store, not hand-made and the Eidi is enveloped in love, not accompanied with a wish list of what the money will be spent on.  I just wish there was some Islam.  Something to give little Muslim kids a traditionally published book that didn’t erase the very point of the holiday.  And yes I know some people will like that it is completely secular, but I am reviewing as an Islamic School Librarian, and find it either a missed opportunity by the author, or token rep by the publisher.

Perhaps also worth mentioning is, the book info online states the book is 32 pages, but it is only 20 pages of story, which isn’t me being picky, I point it out because it reads and feels short.  The backmatter is only the author’s and illustrator’s notes, which begs the question, why not add informational pages about Eid, the vocabulary, the faith, or even more of what makes the holiday so memorable and picture worthy?  I don’t know that this book really makes the case that Eid is a memorable holiday, seems like most any weekend in a big family home, which is unfortunate.

Jan10

Upside-Down Iftar by Maysa Odeh illustated by Nadina Issa

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Upside-Down Iftar by Maysa Odeh illustated by Nadina Issa

This 32 page picture book is beautifully illustrated and set in Ramadan with the premise being Teta can’t fast because of a new medication she is on, so Malak, who is also not fasting, and her are going to make makloubeh for iftar.  From there the story follows most food centered books with everyone adding their favorites until the iftar meal is one of a kind and brings the family together.  The Palestinian rep in the illustrations, and the mention of asr and maghrib salat, along with the refrain of “inshallah” and Arabic phrases threaded throughout make for a joyful read any time of the year. Unfortunately the first page was hard for me to get past.  Why is Mama staying “up late singing prayers in her closet” a sign for the little girl that it is Ramadan? Why is she singing prayers? Why is she in a closet? Alhumdulillah, the rest of the story was less awkward and I love that it highlights that sometimes ailments and medications make fasting not possible.  The messaging that every family is unique, just like makloubeh is relatable and easy for kids to grasp as well.  The backmatter contains a recipe, the dust jacket slips off to show a vertical filling of the pot with “everything Makloubeh” and the detailed illustrations will both introduce some kids to the popular dish, and celebrate a favorite familiar meal for others.

The book starts with the moon smiling her Cheshire cat smile and Ramadan beginning.  This is the first year that Teta is not fasting, and Malak decides she will have Teta teach her how to make iftar, but not just any iftar, upside down Makloubeh!

It starts out with Teta explaining the process and getting started, but then Jido comes in and wants eggplant added. Then khalo sneaks in to let them know that he likes potatoes in his. When Mama gets home from work with cauliflower, she is swept off to pray asr, and Malak decides she wants to add her favorite to the mix.

When Maghrib athan time comes, the big reveal, the flip, and then the first bites take place, revealing a “makloubeh with a little bit of everything.” A dish so yummy that Teta and Malak might be making iftar every night.

Dec12

Aya and the Star Chaser by Radiya Hafiza illustrated by Kaley McKean

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Aya and the Star Chaser by Radiya Hafiza illustrated by Kaley McKean

Most people probably don’t read as much Islamic rep fiction as I do. Add in I’m an adult reading MG, who consistently shares thoughts on books that fit a slim criteria, and the result is I’m nitpicky and hard to please.  But, because I read a lot of a very small niche genre, the stark contrast to books with Islamic representation done well, compared to those done poorly or somewhere in the middle is hard to ignore. This 213 page book has an all Muslim cast, but has very little Islam, and what is there is terribly presented. It has one Assalamualaikum, one mention of salat, a reference to shoes worn on eid, and the mother sings Quran.  Yes the characters wear hijab, but it is only ever called a headscarf, so while the pieces are there they don’t add up to much, which I predict leaves Muslim readers disappointed and non Muslim readers chalking it up to more pointless details that serve as filler, and provide no real fleshing out of the characters on the page. I forced myself to read it, the desire at page 12 when stars and meteors are used interchangeably to dnf was strong, and to the book’s credit, I was mildly rewarded with the last 65 pages or so being slightly better written. The plot holes, repetition, inconsistencies, the reliance of the mother simply refusing to answer the daughters questions, and overall surface level of the book makes it regrettable, but can I see young readers that love quirky characters, balls, royalty, and happily ever afters enjoying the read? Yes. And being there is nothing blatant in the book that would warrant you not letting them dive in, you can take my criticisms with a grain of salt, or stardust.

SYNOPSIS:
Aya and her mother, who is “stern with a big heart” live in kingdom of Alferra.  Her father has been gone for seven years, she doesn’t even know his name, as Aya and her mother, Jannah, have a strained relationship. Aya loves the ocean and the night sky and dislikes school, the only friend she has is Naznen, and on the night of the Perseids meteor shower the two girls meet in the middle of the night to watch the sky.  One star (is it not a meteor?) hits Aya and give her powers: she can shoot fire and cry flowers. Desperate for answers Aya and Jannah head to the Somerfest Ball at the palace to meet a seer.  When they do they learn of a prophecy and the remainder of the book is Aya and her mother running away to avoid the prophecy, before Aya reluctantly has no choice, but to face the villain, and thus see the prediction through.  I don’t want to spoil spoil it, but there is an Evil queen and demons of sorts with red eyes referred to as bhoots, and a battle that takes place in true fairytale format before the happily ever after occurs.

WHY I LIKE IT:

I do like that Aya is strong and determined, her strength however, is undermined by her sickness, sleepiness, and lack of determination to find the answers her mother refuses to give though, which is unfortunate.  The biggest problem with the book is the writing quality just isn’t great.  Even the religious representation aside.  Why have a whole conversation about wearing matching clothes to the ball between Aya and Naznen for Jannah to gift Aya a gown of a different color and no mention of wanting to match with her friend revisited. Why have Naznen sneak through the window just to have Aya go through the door using the spare key under the mat? Why mention a strange lady at school dismissal, that is never explained? Why is everyone scared to be out because people are missing, just to have Naznen alone, show up with Aya’s homework? I could go on and on, the book brings things up and then dismisses them using them to be page filler it seems. So many details do not provide insight in to the story or the characters or the setting, they are just random fleeting observations.

I didn’t like that the prince is described as having a “lover,” there are better less abrupt identifiers that could have been used, or perhaps in British vernacular it isn’t as pointed as it is in the US.  I also didn’t love that they bowed down to the Evil Queen Abnus. This highlights a place where an Islamic lens would have fleshed out that the characters are Muslim, not wanting to bow, as we bow to Allah swt alone, but perhaps being struck and forced.  Other easy inclusions of Islam would be seeing the meteor shower and saying SubhanAllah, being so sick from the star hitting you and asking Allah swt to heal you, asking Allah swt for strength in a dozen scenarios the book presents.  Duas before leaving the house with people going missing, it really seemed blaringly absent given the nature of the book to not have little sprinkles woven in, yet it halts the story early on to have those labels noted. It definitely could have used some polishing to make it part of the story or characters or taken out all together.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t rush out to buy this book for your school, library, or home book shelf, but if you have it, there is no need to remove it.  There is not enough Islam nor literary value.  There is not even enough character development or details to show the change in the mother-daughter relationship to foster conversation.  One page they claim they have no secrets when the mother and her secrets is the bulk of the backstory, to the next page where the mother simply discloses all the letters and answers that Aya needs to move forward.

FLAGS:
Lying, sneaking out, scary evil villains, disowning, abandonment, disobeying parents, death, killing, prophecy, fortune tellers/seers, magical powers, abuse, imprisonment,

Nov25

The Slightest Green by Sahar Mustafah

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The Slightest Green by Sahar Mustafah

This adult multi generational novel weaves a narrative that will stay with the readers for the warmth and depth it explores of a fictional family that over the course of 248 pages becomes very real, and in many ways familiar through its personal focus. The book is deliberately slow as it glides through different members of the family, their backstories and different points in time. The prose highlights the plight of Palestinians but not in a didactic or call to action sort of way. The characters and their stories, and their trauma and dreams are very tied to Palestine and the occupation, but the focus on the individual and the ripple effects is what will linger. I do not know when the book was written, (it is published in November 2025) as I read a digital arc which had very minimal backmatter, but this book is set before the recent genocide and is all the more important for today’s readers in pushing back against attempted erasure of Palestinian voice, culture, and history.

Intisar is a nurse in Chicago, the only daughter of divorced parents. She lives with her mother and has not seen her father in over 20 years. Not since he left the family to return to his home in Palestine, join the resistance and after a fateful mission is forced to serve a life sentence in Gahana Prison. When he is released to live his final days before he succumbs to cancer, Intisar heads overseas to see him one last time. Her grandmother Sundus additionally needs Intisar, the only heir, to fight for her to keep her land and home, a task that Intisar is not willing to pursue. As family history is shared, daily atrocities witnessed, Intisar starts to see herself differently, and considers if she could feel at home in her father’s homeland.

Again I read an arc, but there are a few sentences that really have me hoping line edits will still occur before the final version. The book is adult, it has a Muslim drinking and serving alcohol, there is assault, sexual and physical mentioned, and yet I didn’t feel like it was sensationalized, actually felt that the author was deliberately holding back to keep the story about the family and not the larger issues. Their is quite a bit of Islam, not from every character, but it is woven in and not an identity issue. Actually one line used frequently is my only real gripe with the book. “Pray to the Prophet,” is regularly said by a few characters, so I though perhaps it is something unique to them, up until about the midpoint, where many characters start to say it and I don’t like it. It makes it clear other places that Allah swt is One and who we pray to, it has the shahada in English and verses from the Quran, so I’m guessing it is a colloquialism perhaps, or maybe a poor translation, I honestly don’t know, but it bothered me, so I am sharing.

Nov7

The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

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The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

This gorgeous and powerful 36 page picture book goes back in time to a Palestine where the struggles of today are still found, along with the resilience of the people, determination of the women, ingenuity of the children, love and hope.  The book is so strongly unapologetic in its portrayal of marbles representing strategy of kids to battle the giants aka soldiers, of children being imprisoned, of the occupiers being outsmarted by the people, and the joy that persists despite the attempts of erasure. The story within a story…within a story(?), doesn’t name Palestine until the very end, after the stories at hand have wrapped up, and doesn’t disclose that it is based on a true story, except for in the blurb.  It is also worth highlighting that the book is not OWN voice or sourced.  I still am sharing though because it is positioned as happening long ago, and thus hopefully not further erasing a Palestinian voice, but rather sharing a story to prevent it from being lost.  I do not know the author, illustrator, or publishers’ intent, this is simply my view and I am happy to be corrected if I have arrogantly overstepped.  



The book starts with a lullaby lilting through the air, the la la las, connecting the women caring for their children. Mama Laya is busy so Big Brother Bilal is playing with the children, marking which soldiers have been defeated on the paper that matches the marble game in the lane. When the giants take him away the children run to find Daddy Salim.

The searching children and family find Bilal in prison, and the giants don’t speak the language of the people to be reasoned with, so they must figure out a way to free him on their own.  Mama and the children have a picnic outside the prison and secret filled lullaby conveys the plan right under the giants’ noses. With Bilal free, the women gather to teach each other a secret way to communicate, to resist, to hope, in the lullabies that they sing.

There is no religion mentioned, but the title page begins, “In the Name of God,” and numerous characters are depicted wearing hijab.  I read a digital arc and I hope the printed version has backmatter to highlight that the author is not Palestinian, when this would have taken place, and if it is accurate.  Authenticity and accuracy are important, and I hope the book clarifies what is real, what is imagined, an where the information came from.

 

Oct31

A Tariq Twins Mystery: Murder for Two by Niyla Farook

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A Tariq Twins Mystery: Murder for Two by Niyla Farook

I don’t know what I was expecting, but woah once the actual crimes started piling up and the sleuthing began, I was invested in Riri and Ani working out their differences, solving the case, and freeing their accused dad.  At 336 pages, a full on murder, attempted murder, arson, thieving, and arrests all taking place, the book is definitely for older middle grade readers. The premise and dual points of view of 11 year old twins being reunited after 3 years apart by their divorced parents, getting to know how their OCD, ADHD, and autism factor in to their personalities, learning about TUSC, the town of Castlewick, and the side characters that will turn suspects, result in it taking the story a while to get going.  But if you can get through it, and can suspend belief, the book is a fun mystery that takes on heavy topics, and crime, but somehow keeps it light and consumable by the intended audience. The twins are Muslim, one wears hijab, and there are Islamic references, but once the identity is established, it really doesn’t play a role, or shape the characters’ view of the world or approach to dealing with their grief, anxiety, and obstacles they face.  There is mention of halal marshmallows and hijab, but they never say a quick dua or pray, and by the end is not really even shown to be a big part of their daily lives.  I have no idea if the neurodivergent rep is accurate, but the tone and approach is very positive and normalizing.  Parents may want to know that the book starts on the last day of school and the teacher is non binary, referred to as Mx Henderson with they/them/theirs pronouns. The character is mentioned a lot in the first nine pages, and then never again.  Pronouns for other characters are listed on their profile cards.  There is teasing of a girl having a crush on a boy, a few couples dating, a character being born out of wedlock, and a male character being in a relationship with someone named Toby that is mentioned a few times, but only on the final mention in the last few pages of the book, does it clarify that it is a boyfriend.  The book seems to be intentionally diverse in ethnicities, religions, identity, and orientation, but the story is a murder mystery, and a family reconnecting, and the mentions in passing are not detailed, or overly explored.  I mention all this for adults to determine what is best for their children.

SYNOPSIS:

Supersleuth Imani Tariq aka Ani lives in Castlewick with her father, Abderrazzak and spends time at Cafe Vivlio with Mrs. Kostas.  The small town is Ani’s stomping grounds for sleuthing and carrying out the cases her TUSC (Tariq Ultrasecret Supersleuth Centre) organization takes on.  She knows everyone, and everyone knows her, and she is not looking forward to spending the summer with her “evil twin” visiting from California.  Riri short for Noori, lives with her mom and is heading to the UK so her mom can set up a new office for her company, and the twins can reconnect after being apart for three years.  There is a lot of animosity in the former family of four, but the girls slowly start to rely on each other when they find Mrs. Kostas’ dead body in the secret garden, alibis not checking out, relationships coming to light and their dad being arrested for the murder.

WHY I LIKE IT:

I naively thought it would be a murder of a distant side character that the girls tried to solve, or maybe a trick and it looked like a murder, but ended up not being one, so I was really kind of shocked that in fact a murder occurred, that the girls found the body, and that the story of lies, deceit, art theft, secret identities, relationships, and webs of coincidences and manipulation was just getting started. The girls’ voices are distinct, but as they pop around doing what they do, the reader is often just expected to go along with it an not over analyze. I kind of liked that the ending spelled it all out, like a good villain in cartoons the culprit gets their moment to detail and confess what they did, how they did it and why.  In full disclosure though, with about 30 pages left in the book, I was genuinely still curious who the guilty person would be.

The book balances very real mirroring threads with absolutely bonkers ones.  The girls get counseling for grief, talk about their OCD and ADHD.  They also run circles around the police, unravel the plot through research, interviews, crime scene analysis and get the murderer to confess to only them.

The Islamic rep at the start really got me excited, but it stopped rather abruptly and there was no longer even any Assalamualaikums or walakumsalams after about the first 40 pages or so. The characters are of Pakistani decent, but I have never heard “hudafiz” as a farewell before, Allah hafiz and KhudaHafiz, yes, but never with an H.  It appears a few times in the book, and even the internet, for whatever it is worth, says it is probably a mistake.

FLAGS: (Things parents might want to know the book contains):

Murder, attempted murder, assault, framing, deceit, lying, arson, teasing, close boy/girl friendships (Muslim characters), hetero and lgbtq+ relationships, romantic interests, child out of wedlock, jealousy, revenge, name calling, parents are divorced, therapy/counseling, ADHD, anxiety, grief, abandonment, loss, OCD, autism, unemployment.