Tag Archives: Bangladeshi

Jul17

Sabrena Swept Away by Karuna Riazi

Posted on July 17, 2025 by islamicschoollibrarian

The gorgeous cover of this 205 page middle grade fantasy is a great motivation for kids to pick up the book and dive into a story filled with characters from the One Thousand and One Nights. Descendant from Sinbad, Sabrena’s ailing grandma is sometimes present, and sometimes suffering from dementia, but her stories have power, they always have. As Sabrena battles her own self doubt at her new Islamic school, her ability to find her voice and speak up, and her desire to protect her grandma from being taken from her home, she will be swept off to a world far away, where she must be the hero of her own story to help her new friends and find her way back. I was nervous to embark on an Alice in Wonderland world building framed story, but the short book, the enjoyable characters, and the consistent presence of Islamic representation actually made me forget that I don’t like that style, until the text itself drew the correlation. In many ways the story and the predictability should also have been a turn off for me, but I absolutely loved the writing of the prologue and the first two chapters, and then I switched to the audio book, and the story just pulled me in and flew by. The characters pray, call out to Allah swt when scared, greet one another with salaam, discuss qadr, encounter jinn and ifrits, the women wear hijab, there are mentions of Bangladeshi foods and clothes, but the book is for everyone, it isn’t preachy, it is just who Sabrena is, and in the quick paced fairytale like adventure, you will be glad you spent time with her on her adventure in both worlds.

SYNOPSIS:

The Bhuiyan family loves stories, Sabrena’s grandma spins them, and her father studies and teaches them. Sabrena feels connected to them, but when water keeps appearing, calling out to her, and showing her visions of palaces and gates, she starts to wonder what is truth and what is just family lore about Sinbad the Sailor. As grandma’s memory slips, Sabrena and her parents move to be closer, the new Islamic school is nice, but Sabrena seems to get tongue tied when her kind classmates try and include her. When her mom and aunt fight about what to do about grandma, she hides away dreading their arguments. When the sea sweeps Sabrena to a new world though, she finds herself “so alone” and forced to step up. With new friends, a longing to return to her family, and her growing confidence, Sabrena is swept away, but determined to find her voice, save the day, and find her way home.

WHY I LIKE IT:

There weren’t really any twists or surprises for me, other than the beautiful Islamic rep inclusion and the cleanliness of the book. I think I’ve become so cynical that the bar has dropped, and it was nice to read a tale that was decently written, with characters owning their Islam in way that made them just part of who they are and how they view the world. Sabrena doesn’t have an identity crisis, or internalized Islamophobia, everyone is just Muslim doing their things and living their lives. I also felt the voice and tone of the grandmother dealing with her dementia was accurate. Having my father-in-law in our home battling memory issues, I often find rep in children’s books to be performative and saccharine, this felt grounded and used to serve an important plot point in the text, which I appreciated.

The adventure was ok, honestly nothing super memorable, but I really enjoyed the voice actor on the audio book, and was not worried if the holes were big, or adequately overcome, or probable. I was just enjoying being in the story.

FLAGS:

Mention of music, there is magic, jinn, ifrit, a talking head, some trickery and deceit, and it uses the word harem a few time without going into detail. Disclaimer with audio books I may have missed something, but I think for the genre there is nothing too ,red flag, it is a fantasy adventure.

TOOLS FOR LEADING THE DISCUSSION:

I think discussion and maybe reading of the original One Thousand and One Nights, and then talking reading, and discussing some of the retellings, and character inspirations of Aladdin, Ali Baba, Scheherazade, Sinbad, Marjana, Duban, etc would be a delightful class or book club plan. This book is solid middle grade, but depending on the framing, could be used for discussion in broader conversations and enjoyed by readers of all ages.

Apr5

Not Now Noor! by Farhana Islam illustrated by Nabila Adani

Posted on April 5, 2023 by islamicschoollibrarian

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Not Now Noor! by Farhana Islam illustrated by Nabila Adani

This 32 page book is incredibly adorable and silly, and yet so vague in the answer that is the whole premise of the book, that it really has me wondering why we are so afraid (in children’s books and possibly in our daily lives) to say that we wear hijab because Allah swt commands it? The book articulates that we are Muslim and that hijab defines us, which I love, it just seems that while the rest of the book is incredibly direct and funny, the answer is fuzzy and lyrical. It is by no means wrong, it just at the end presents what hijab means, the benefits of wearing it, and one’s personal feelings toward it, while skirting the answer the girl keeps asking of why? It seems to be a common approach lately, and I wish that more picture books about hijab would clearly articulate that the commandment to cover is in the Quran. It isn’t for any other reasons. It may have perks of keeping your ears warm, fashion, or hiding your earbuds, but that isn’t why Muslim women wear hijab. Perhaps the trend has me more frustrated than this book on its own warrants, it really is sweet and I don’t regret purchasing it and having it sent from the UK. It allows for a serious conversation about hijab to occur after, and it intentionally pushes the humor, which I definitely think we need more of in Muslim centered books.

The book starts with Noor identifying what her Ammu’s hijab is and isn’t, how she wears it and how she doesn’t. The next page shows Noor’s bustling family and she compares how her Ammu’s hijab is not the same as her Nanu’s or Dadu’s or Aunt’s or even her sister’s, but she doesn’t know why any of them wear it. Yes, I’m sure there is some pointed criticism I should make about how can a child her age not know, but I think for the sake of it being a book and being comically done, I am willing to let it slide. I do wish that the spread had the women and their style of wearing a scarf shown. I appreciate that they are in the dining room at home and thus not wearing a scarf, Nanu is because Dada is in the picture, authenticity which I love seeing, but children need a little more hand holding to see which person the text is talking about. Yes I know there is a family tree on the inside cover, but at story time, it is cumbersome to flip back and forth.

Back to the story, Noor starts by asking her sister, the coolest hijabi she knows, if she wears it to hide her snacks in, or hide her big ears, but Affa brushes her off with a, “not now, Noor” and she is off to the next family member to ask. Each time the rationale gets more outrageous: hide the eyes on the back of your head, prevent you from getting nits, etc.. And each time the person she asks sends her on her way with a “not now, Noor.”

When Noor finally gets to her mom it is she who answers with poetic lyricism, “We are Muslim women, my Noor, Unapologetic and true. We are believers. We are dreamers. We are thinkers. We are leaders. We can wear our hijabs on our heads like our hearts on our sleeves. Whether you choose to or not, my Noor,, we are so many things…and we are more than enough.” On the next page it continues, “My hijab is not just a scarf. It means more to me. It is a reminder of who I am, where I’m from, and where I’m going to be. And perhaps one day you’ll understand what I mean. Because, most of all without my hijab, my Noor, I don’t feel like me.”

A flowery sentiment, but little Noor and the reader never got the answer as to why Muslim women wear hijab, and I think that it is unfortunate. The book is beautifully illustrated, the size is great to be shared, the text funny, the voice playful, the joy contagious but the answer for me, just missed the mark, not by a lot, but by enough that I think an adult would need to supplement the overall takeaway message.

Dec2

The Love Match by Priyanka Taslim

Posted on December 2, 2022 by islamicschoollibrarian

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This new YA book features Muslim characters, but is not a religious conscious read that fits in the halal category. There is a lot of Islam: waking up for fajr, celebrating Eid, a hijabi, mention of jummah, but the OWN voice rom com sets boundaries based on Bangladeshi culture and American perspectives. The book does not other, or have internalized Islamophobia, or fall in to tropes of oppression and rebelling- quite the contrary- it normalizes everything: LGBTQ+ relationships, dating, music, etc. The book is well written from a literary perspective: easy read, fleshed out characters, resolved plot lines, I wish there would have been more slow burn and heightened emotion, and cathartic release, but it happily held my attention for 388 pages, so I can’t really complain about plot holes or development. The problem I have as an Islamic School Librarian is the non issue dating and romance is for the characters with their parents knowledge, both lesbian and heterosexual. The book doesn’t get graphic, in fact there is only a handful of kisses, but there is a lot of hand holding and pdas in front of parents and even a sleepover with a lesbian couple in a Muslim family’s home, again, nothing “racy” occurs, but the normalization is worth noting for those thinking a Salaam Reads book is going to be a more Islamically centered publication.

SYNOPSIS:

Zahra Khan has graduated high school, and while she’d love to be heading to Columbia to study writing with her best friends, she is stuck deferring her admission and scholarships, and hiding her dream to be an author. Two years earlier her father has passed away and Zahra works in a tea shop to help keep a roof over the heads of her mother, grandmother, and siblings. In the Bangladeshi community in Patterson, New Jersey Zahra’s mom imagines arranging a marriage to a wealthy family for Zahra to ease their financial stresses. When a potential match comes a possible reality, Zahra takes control to try and keep the peace and keep her dreams within reach. In Jane Austin-y feels, a love triangle emerges, friends step up, culture and family touchstones shared and appreciated, and decisions about the future will have to be figured out at 18 years old.

WHY I LIKE IT:

I loved how easy a read the book is, the cultural framing was warm and rich and never overly explained or apologized for. It is what it is, it is who the characters are, and while at times they push back on the negatives, it doesn’t disregard the love that exists at the core. Unfortunately, I really struggled though with the ease in which the characters date with their parents’ knowledge, hold hands, cuddle. I really couldn’t imagine a practicing Muslim family being so supportive of a lesbian daughter in the way that the Tahir family is and allowing a sleepover, nor could I see a hafiz attending musical concerts and Bollywood movies or an imam passing on “love” notes, even side comments about a loan between mother and daughter being paid back with interest felt off. I know I know, there are lots of shades of Muslims, but the normalcy of haram I feel in a review of this book should be noted. It isn’t side mentions, they are central to the story and large portions of the book. The reason I also feel they are worthy of note, is because the book includes a lot of Islam as well. The characters pray and fast and eat halal. They are conscious of chaperones in some settings and keeping things appropriate. There is no doubt that the characters are Muslim, but I think intentionally, to avoid perhaps critiques such as mine, Islam is not used as a reason to do or not do anything, Islam is not used in the thought process or conscience of the characters, culture is. There is no haram police setting boundaries, it just isn’t what “good Deshi girls do.” To be fair, I don’t think the author has ever claimed that this is a halal love story, or that the characters are exploring their Muslim identities, it is a love story that features Muslims is all.

FLAGS:

Straight and sapphic relationships, secret relationships, kissing, hand holding, hugging, lying, music, loss, bullying, interest.

TOOLS FOR LEADING THE DISCUSSION:

I would not be able to use this book, it would be very damaging to be given to a Muslim child from a Muslim teacher in an Islamic school. It normalizes a lot of haram in a familiar Islamic framing that I think would really confuse YA readers who see themselves and see no push back or consequences for actions they know to be against Islamic ideology.

Mar9

The Katha Chest by Radhiah Chowdhury illustrated by Lavanya Naidu

Posted on March 9, 2022 by islamicschoollibrarian

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The Katha Chest by Radhiah Chowdhury illustrated by Lavanya Naidu

This 40 page picture book for preschoolers and up shows connection to family, memories, and Bangladeshi culture as a little girl explores the quilts made from her Maa and aunts’ worn out saris. This book has been on my radar for a while and while there is nothing wrong with the slow and thoughtful story, it didn’t sweep me up in a hug and wow me, as I had hoped it would. The illustrations are as critical as the words in conveying the message, and the illustrations are indeed beautiful, I guess I just needed more. More connection to the emotion the little girl was feeling recalling the strong women in her life, more impact to the fact that her Nanu is no longer with them, and more understanding about the history of Bangladesh that seems to shape the memories. I worry that most readers simply won’t get anything other than the surface level of the book, which is ok, the memories woven through generations manifesting in quilts, is tangible and perhaps enough. I feel like, however, the framing of the story and the textless illustration pages attempted to add more layers to the story, and I think to anyone not Bangladeshi, those layers might not be understood. I wish their was an afterward with notes about the pictured references, inclusion of such backmatter would really open the book up to a wider audience, and give the book discussion and staying power in my opinion. If you are Bangladeshi this book will be a treasure I’m sure, and I’d love to hear your thoughts on it.

Asiya loves going to her Nanu’s house, there are treasures there. Her favorite treasure is the katha chest. An old trunk full of the quilts made from the old worn out saris of her Nanu, Maa, and khalas. She snuggles in their warmth and listens to the stories they tell. Stories of hardship, joy, skills learned, moves made, loss, death, love and family.

Boro Khala’s looks like Khalu’s medal, from a sad time when he was away. Mejo Khala bright oranges and yellow like her fingers. Shejo Khala’s is stiff and neat, she is never messy. Choto Khala’s has a white streak like the white saris she wears since Khalu died. Maa’s katha is patchworked and different than the others, and Nanu’s is paper thin and smells of tea, old books, porcelain and wood.

There is an author’s note and illustrator’s note detailing the construction and value of kathas, but nothing about Bangladeshi wars, wearing white after a husband’s death, or the textile skills and artistry shown. The book would read well with context or activities about family heirlooms, connections, and traditions.