Category Archives: islamic fiction

Aug5

Academy Story by Naim Hammami

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Academy Story by Naim Hammami

I dnfed this elementary aged book a few months ago, and pulled it back out feeling obligated that the publisher sent it to me and, I ought to read it.  So, I did, and it is not well-written, but since I read it, I’m writing a review, and hopefully sparing y’all the same frustration.  The cover is pretty cool, so is the idea, and the Islam is centralized and prioritized, but the story reads like an introduction, yes a 152 page introduction.  It repeats itself so often, it contradicts itself within the repeated ideas, and then moves forward at a snails place before ending.  I think it wanted to end on a cliff hanger, but because so little is accomplished up until that point, it feels like it doesn’t end at a climax, but rather the start of the action, which is irritating.  It feels like the author started telling a story orally about a family in a kingdom that when they finish primary school either continue to secondary school or find themselves in a secret academy, and no one knows how they are chosen, or what the academy is like; someone heard that much and told the author to write a book, and they did.  There is no character development, drawing the reader in, suspense, imaginative language, or refinement, it reads rough and I don’t know if it is because it is translated, or because there was never much to work with, but if you have seen this book, and were excited to see an Islam centered adventure story, sadly I’d say pass, it misses the mark.

SYNOPSIS:

The book starts with centralizing three siblings, Fatima, Suhayl, and Harun.  Fatima is the oldest and is a second mother serving her family, cooking, and apparently enjoys reading, she was not chosen for the Academy and is still bothered by it.  Suhayl is the protagonist who hates school, and Harun is the little brother who is still in primary school.  The first few chapters are the repetitive circling of anticipation and excitement for finding out who gets in to the Academy at home and talking about what little is known about the Academy, and why it is important as today is the day Suhayl will find out.  Why they had no idea about the Academy before breakfast on the day he is going to find out, is beyond me, the world building was an info dump, repeated in the following chapter when Suhayl is now at school.  His friends all discuss that they are going to find out about the Academy, only then to contradict that whole build up and wonder IF they will find out about the Academy today.  We meet the friends, find out some of them have parents that went to the Academy, but do not talk about, as they are not allowed.  The reader is not told what the benefits of having gone to the academy are either, outside of knowing all educators have been trained there.  The book then says how Suhayl doesn’t have friends and proceeds to discuss how close he and his friends are.  When the assembly starts the class learns there is no Academy announcement and no end of the year field trip, instead they will have to come up with a challenge, that is optional, to do over the school holidays.  After rounds of voting and a weird power flex, a business challenge with rules is established and the winner gets to leave school if they want. Suhayl is determined to win, he and his buddy, Yusuf, decide to make fans using the Venturi Effect to sell at their stall and try and make the most profit and win.

WHY I LIKE IT:

I like the premise, the artwork, the Muslim characters, I even like the business, life-lessons and science explanation of the fan.  I don’t understand how it makes Suhayl’s fan more effective than a regular fan, but the book has bigger problems. I know for many author’s writing is figuring it out or making it up as you go, so I realize the ridiculousness of saying that this book feels like the book is being made up on the spot. It is writing quality that allows readers to get lost in a story, enjoy the words, and connect to the characters knowing that the author has control of a story and taken care of the required elements of a completed book.  The rules of the challenge and how they were to finalize the idea, seemed so scattered, that combined with the weak writing, and repetitive premise building, made the intrigue of a whispered about Academy seem like a completely separate story.

Additionally, I don’t understand the stressing of the three siblings, The book is only about one, Suhayl, and his friends, yet each have a “character profile sheet,” but they are not all together at the start, or even the end.  One profile sheet is at the end of chapter 2, one at the end of chapter 4, and then the third at the end of chapter 6.  If the point is that as the series progresses you will see the sibling more, and it is meant to garner interest, the choice assumed that readers will stick around for a series, and I don’t think the book at hand, will pull readers in to see how the series pans out.

FLAGS:
Secrets, business deception

TOOLS FOR LEADING THE DISCUSSION:

If the book were donated I would shelve it, but I would not seek it out to shelve.

Jul3

Trains & Trainers by Sarah Musa illustrated by Rania Hasan

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Trains & Trainers by Sarah Musa illustrated by Rania Hasan

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This 36 page picture book about siblings, one with autism, is much needed in the Islamic fiction sphere to shine a light and bring awareness.  My concern, though, which is a big one, is that no where in the story or backmatter or even dedication does it hint that the author has first had experience with an autistic individual.  The lack of transparency makes it hard to feel at ease reading the story.  Is it tokenism, is it assumption based, is it stereotypical, is it accurate?  The take away message shouldn’t be affected, Allah swt has made us all unique and special, but when it states in the back matter so generically, to “ask an adult to help you find out more about autism,” it makes the book feel inauthentic. Now for all I know the author has an autistic child or sibling, but that is kind of the point, I don’t know, and because I don’t know, I don’t know if this book is valid.  Literary wise the book is decent, there are heavy handed speeches from the mom, where it might have been nice to see the main character learn those same lessons on his own, but it is often the nature of Islamic fiction books, and this book handles it better than most.  I did cringe at the illustrations with the children wearing trainers in the house.  I know it is part of the plot, but even my kids noticed right away and felt it was off. Perhaps Muslims taking off their shoes at home is not as universal as it once was, and no it isn’t just the autistic child wearing shoes while sitting on the sofa.

The book starts with a young boy quietly turning on the TV as to not alert his older brother to what he is doing, the blaring music though betrays him, and Badr stands in front of the TV blocking Malik from seeing the outcome of Zymbot and Fungulga’s battle.  In frustration he pushes his autistic, non verbal brother, which makes Badr cry and gets Malik a chat from his Mama.

The mom and sons then head to the store, but on the way there, they stop at a train crossing and watch the railcars pass by.  At the store Malik wants to get a toy train, but Mama reminds him that a toy such as that will not last long in their house.  Once again Malik feels his life is hindered by his brother. He says things in frustration that he doesn’t really mean, and regrets, but again gets him some guidance from his mother.

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At home, his Mama prays and Malik contemplates what his Mama goes through.  Badr, who often plays in his own way, then starts playing and pulls Malik into his fun too.

Jun8

The Story of Hajj and Eid Al-Adha by Humera Malik illstrated by Basmah Syadza

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The Story of Hajj and Eid Al-Adha by Humera Malik illstrated by Basmah Syadza

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This early chapter book discusses some of the key parts of Hajj and Eid al-Adha in a fictionalized manner.  A young girl, Sumayyah, spending the weekend with her grandparents finds an old photo album of their trip to Hajj, and bed time, walks to the park, and baking muffins, all provide great opportunities for grandma and grandpa to share their experience, the Islamic concepts, and the historical roots of this pillar of Islam.  The book is presented in a gentle way with concepts explained in broad terms, some related to experiences Sumayyah can relate to, and kept light and age appropriate.  The book is not particularly detailed, or even as informative as many picture books, but allows early independent readers to emerge themselves in the story, pick up on familiar and new facts, and hopefully gain a bit of an overview about Hajj and Eid al Adha.  Their isn’t a plot, it is characters and their dialogue providing a framing for the concepts to be shared.  The illustrations are sweet and make it accessible to the target audience, and while the author’s note acknowledges that further information can and should be sought from people of knowledge.  I really wish this book would have sources or a scholars approval, or where to go for more information.  Overall, a good book for our kids, and an easy read that they will benefit from, alhumdulillah.

The book starts with establishing the characters, the photo album, and the curiosity surrounding it all.  There are nine chapters in the book: The Photo Album, Prophet Ibrahim, Ihram, Tawaf, Sayy, Mina, Arafah, Muzdalifah, and The Ka’bah.  The titles really outline the book and what it covers.  The rituals are explained and the historical concept given and often linked to something Sumayyah and her grandparents are doing.  For example, Sumayyah is inspired by Hajarah’s bravery running between As-Safah and Al-Marwah and uses that to fuel her determination to tackle the zip line at the park.

I enjoyed the approach to the content, it doesn’t just list everything as steps or facts.  The history, the acts of hajj, blend together to make it read like a story, even with the predictable framing of teaching the character to teach the reader.  My 8 year old knows a lot of the facts and details, but could chat about them a bit more after reading this book, alhumdulillah.

Jun7

A Letter to the Beloved: Dear Prophet Muhammad (saw) by Jenny Molendyk Divleli illustrated by Rumeysa Abis

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A Letter to the Beloved: Dear Prophet Muhammad (saw) by Jenny Molendyk Divleli illustrated by Rumeysa Abis

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I was a little skeptical about a 32 page rhyming letter to our beloved Rasullah, illustrated in book format, but it is cute and it won me over.  The rhythm keeps the rhyme from feeling too forced and allows for some forgiveness when it misses the mark, it also makes the book appeal to a wider audience. Even my preschooler could sit through it pretty well.  The book being the letter without any stilted framing, has a lovely authentic voice of a young boy, also named Muhammad, asking the Prophet (saw) questions and chatting in a very stream of conscience sort of way. It blends facts that the young boy knows with his stresses and asking the Prophet for advice.  The font is meant to look like a child wrote it, but it is a little cumbersome for children to read, and even adults (me) during read alouds.  I do wish the book was sourced, nothing really seemed wrong, but having it sourced or approved by a scholar is just a reassurance to the reader, and in my view a responsibility of the author.  The only line I didn’t like was near the end, when the boy hopes “that you will remember me, from this letter I am writing you.”  I feel like it will confuse kids, is the letter being sent? How would he know you when you’ve never met? What will be done with the letter once written? The illustrations are hit or miss, some are absolutely lovely, others a bit off, for example a music book on top of a picture of Masjid an Nabawi and the Kaaba, some also easier for small groups to see than others.  For kids there really aren’t a lot of books about Prophet Muhammad saw that are not textbook like in their portrayal, so I like the approach this takes, I just wish a few things were tweaked.

The book dives right in, with Muhamad introducing himself to our Prophet, he writes that he was named after him, and all about his family.  He then starts to tell what he knows about Prophet Muhammad, and questions he would like to ask.  Its a one sided discussion about siblings, smiles, appearances, kindness, and generosity.

The little boy then wants to know about Buraq, splitting the moon, talking to angels, standing out numbered at Badr.  It then turns to food and the little boy wondering about if RasulAllah would like mustard and relish, and burgers.  

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He imagines the Prophet visiting and leading his family in prayer and the scent that would then linger.  The boy hopes to meet him in Jannah, and promises to do his best to follow Allah’s decree. He signs off and sends salawat upon the Prophet. There is then a place for readers to write their own letters to the Prophet.  

May26

Sheba: The Good Muslim Cat by Carima Elfarrah illustrated by Aaron Yusuf

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Sheba: The Good Muslim Cat by Carima Elfarrah illustrated by Aaron Yusuf

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I was really looking forward to this book about Muslims and cats.  Every masjid seems to have cats all over the world, and while feline friends often sneak into Islamic fiction books about other things, I liked the idea of giving a cat the spotlight.  Alas, the rhyming text, the examples given, the inspiration shared in the backmatter, the angel imagery, and the ambitious glossary made this small 8×8 inch 32 page picture book rather off putting and ultimately forgettable unfortunately. The cat remains at the family home, and basically just hangs out with the family when they read Quran, pray, get up for fajr, and the cat is patient when waiting for food or water.  Sure it makes it a nice cat, but with a title implying this cat is a “Good Muslim,” I really expected more.  I appreciate the hadith at the end, but it is not sourced, and the cat with a halo and wings signals Christian imagery, that doesn’t align with the tone of the book.  Additionally, the idea of the book comes from a story of a Syrian scholar who had a conversation with a cat. I’m not saying it did or did not happen, but it seems a little bit of a stretch for my cynical brain.  The book reads for toddler and preschool Muslims, but the glossary reads copy and pasted from Wikipedia for non Muslim adults.  The small size makes the book impossible for group story times, and it can be hard to read at times because the text often runs over the pictures making it hard to see.  Ultimately though, while my toddler enjoyed it well enough the first time, he has not asked for the book again despite it sitting on my side table for weeks, which is probably more insightful than my review.

The book starts with a young boy introducing his family cat, Sheba, who has sapphire eyes. The family is Muslim and the boy is confident his cat is too because she hangs around his dad when he reads Quran, she comes running when salah time comes, she plays with the imam (the dad) after the last salaam, and she waits patiently for food and water when her bowls are empty.  She cries at fajr to wake the boy up and he hopes that on the day of judgement she will attest to the good the family did for her.

The backmatter includes the story of Shiekh Shukari, a scholar in Damascus that spoke to a cat, then a two page spread glossary, and author and illustrator bios. The illustrations aren’t particularly spectacular, the boy at the beginning seems much older on some of the pages compared to others, although his clothes stay the same.  I didn’t like the angel imagery, perhaps I’m erroneous, but none-the-less it felt off to me.

May13

Allah Made Me Beautiful by Layla Izruna illustrated by Laila Radhani

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Allah Made Me Beautiful by Layla Izruna illustrated by Laila Radhani

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This 6×6 board book is 18 pages of affirming and celebrating that no matter what we look like, “the Best of Shapers, shaped us all.” The little size, the rhyming lines, the repetition of the phrase “Allah made me beautiful” on the right page of each spread, is what you would expect from a board book meant for newborns and up.  The rhyme and cadence levels out after the first page, and makes for a sweet easy read.  The mirror on the last page with a hadith in English and Arabic is particularly nice.  The illustrations and text are intentionally diverse and inclusive and with the Islamic centering the book is good for starting discussions as well.

The book is no literary masterpiece, but sometimes it doesn’t need to be, to be a staple read on repeat to our little believers.  This book dives right in on the first page, there are no copyright or dedications that have to be flipped through.  It is numerous pages of examples of how Allah swt made us all different: straight hair, curly hair, twins, larger body size, skin color, mobility, freckles, glasses etc. The end spread, before the mirror, is the conclusion that our “looks have been perfected by Him, tying it all together.

The illustrations are engaging, and simple, but detailed enough to foster dialogue if desired and while the small size would make using it at story time impossible, I think little hands and little hearts will benefit from knowing that we are different, but just as Allah swt intended us to look.

The book is available from the publisher Prolance directly, or here on Amazon 

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Apr20

The Magical Moroccan Rug by Naveed Mir illustrated by Anisa Mohammad

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The Magical Moroccan Rug by Naveed Mir illustrated by Anisa Mohammad

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I really like the premise of the book, a Muslim Magic Tree House so to speak, two kids that magically go back in time, in this case to Andalucía. At times the book did make me smile, but really it feels like a missed opportunity.  The writing needs tightening, it feels early reader at 94 pages long with a few full page illustrations, but the vocabulary and text filled pages support the suggested reading level of middle grade.  It takes way too long to build up to the “action,” and when it gets to the plot it doesn’t seem to know what to do with itself.  It is a lot of walking this way only to turn around and walk back for no development, character growth, or enriching reason.  As an adult I had to force myself to keep reading, my eight year old who loves Magic Tree House books had basic foundational questions and couldn’t’ get past page 24.  Honestly it just needed some proof reading and some trimming, which is why I found it so frustrating; it really had so much potential.  Example, if the little boy is so excited to see his grandfather after 8 years, why didn’t he go with his dad to the airport, why did his elderly tired grandfather immediately go to a community event after arriving in the UK from Morocco, why wouldn’t Yusuf go with his beloved grandfather to the masjid.  And this is all within the first few pages.  If the logic isn’t there for the mundane set-up, it is hard to get on board for the fantasy aspect of a flying carpet going back in time.  The historical figures are introduced in passing and don’t leave much of an impression, so yes it is good to give readers a bit of information on people they may not have heard of before, but it doesn’t give them enough connection to make them memorable.  The backmatter sadly is not more information about the three historical figures presented: Abdur Rahman (The Falcon of Andalus), Lubna of Cordoba, and Abbas Ibn Firnas, it is a glossary and a Quick Quiz.  The answers to the quiz are not provided, there are additional facts shared but no sources given, and there is urging to find out more about Muslim Spain, but no directions, links, or book suggestions are provided.  The publisher should have proofed the book, it reads like a pitch, maybe a first draft, and our children and their purchasing adults deserve better.  We have growing options of stories with historical Islamic OWN voice framing, and unfortunately this book had a lot of potential, a few pages of interest, but not ultimately enough intrigue to win me, or my kids over.

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SYNOPSIS:

Yusuf and his friend Jack live in the same neighborhood, but don’t go to the same school.  They spend a lot of time together though, and have known each other since they were babies.  When Yusuf’s grandfather comes to visit from Morocco, he brings an old carpet and gifts it to his 10 year old grandson.  Unsure what to do with it, Yusuf puts it in his room, and feigns gratitude.  With a history project looming, and a dislike for historical study, Yusuf and Jack find themselves heading on a magic carpet ride into the past.

They arrive in Cordoba in 856 CE, disoriented and dizzy, Omar, their guide, greets them, walks them through the mosque answers one question then walks them back to the carpet to take them to a different time, 786 CE and they see diverse people living together peacefully.  They first observe “one of the greatest rulers that Andalus ever had,” The Falcon of Andalus, aka Abdur Rahman.  He is a humble leader that freely interacts with his subjects.  They then head to the 10th century to see Lubna with a crowd of scholars in Cordoba  learning from her in the library.

When Yusuf remembers his history project about flight, Umar guides them to 875 CE with a pit stop in CE 852 to see Abbas Ibn Firnas take flight, well fail and then eventually take flight in 875.  The boys then say their goodbyes and are whisked away home. Where they can’t believe what transpired, and are determined to figure out how to make it happen again.

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WHY I LIKE IT:

I like the concept, and that Jack is not Muslim, and Yusuf is unapologetically Muslim.  Seeing the two interact is enjoyable and both good modeling, and mirroring.  The heart of the book is truly not bad, it is the tangents that get long winded for no advancement of the story that take away from the flow.  As stated above the relationship between Yusuf and his grandfather doesn’t align with what is said and what is shown.  The end suffers the same lack of editing.  How can grandpa and Yusuf live in the same home, but they can never find a moment to talk.  Nothing is gained by delaying their conversation, so why delay it, and go on and on about delaying it?

If the point is to share not just with Yusuf and Jack about key historical figures, but with also the reader.  Then there needs to be more interaction with the characters, not just watching them from afar.  Interact with other observers or students or colleagues, convey information from a “personal level” not just drop a snippet here or there from what feels like a vague Wikipedia page.  If the book is not sourced, why not take some fictional liberties and flesh out Abbas, Lubna and Abdur Rahman, so that they are remembered. Include more information about the three real characters in the backmatter, reinforce the idea that a magic carpet is not real, but these remarkable people were, and they changed the world.

I don’t know that kids will have issues with how the carpet worked, but because the set up was so weak, I had a hard time going along with any of it.  I wanted to know why it had to be a grandson, not a son or daughter, how grandpa or his grandpa figured that out when it wasn’t a relative that gave the first Yusuf the carpet, but a storyteller.  How Umar knew to look for them at that moment.  Why did they go to 856 CE and then go to 786 CE why couldn’t they just meet Umar on the first stop? Seems unnecessarily dragged out, for no reason.  When was grandpa’s last trip? Could you get stuck out of your time? If no one can see or feel the rug, why do they keep hiding it? Can people see and hear them, or only their guide?

I like that Yusuf prays and Jack knows that Yusuf prays, and what a mosque is.   I didn’t like that they hear the athan, and went with everyone to pray, but then just left without praying.  The book seemed to do that a few times.  Have the kids walk through a crowd presumably toward something or for some purpose only to turn around and return to the place of origin having gained nothing, learned nothing, or seen anything, again just drags the book out and frustrates readers.

There really is not conflict in the book, no climax either, there is no really stress about getting back, stress about figuring out how to go on the next adventure, it is there, but not heightened, and it is unfortunate, because the book really could be adventure filled, and it just isn’t.

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FLAGS:
None

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TOOLS FOR LEADING THE DISCUSSION:
If you are learning about Abbas Ibn Firnas, or Lubna, or The Falcon of Andalus or Spain, and have access to supplemental material, the book has value.  I don’t know that if a kid picked it up off the shelf even with interest in history, that they would finish reading the book.  It doesn’t provide a solid feeling of learning or understanding about the time and place and people seen in the time travels, nor is it action packed on its own.  So if you can motivate a child to read it and then look further into it, the book would help connect the past as being interesting and engaging, but on its own, the book does not achieve that.

Apr4

Eliyas Explains + Bite-Size Journal: Why Does Allah Let Bad Things Happen? by Zanib Mian illustrated by Daniel Hills

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Eliyas Explains + Bite-Size Journal: Why Does Allah Let Bad Things Happen? by Zanib Mian illustrated by Daniel Hills

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The book stems from the genocide occurring in Gaza, but expands to cover the more general concepts of qadr (destiny), tests, and sabr.  The book assumes that what is happening in Palestine is known and does not discuss specific details, allowing the book to be both timely, yet universal.  As with all the books in the series, the conversational humorous approach appeals to children as foundational Islamic concepts are broken down and explained.  The book is 73 pages with the journal portion starting on page 33. In some of the other books, the journal feels more of a hands on to already shared information, or an accompanying workbook of sorts.  In this book however, I feel like the second half continues to explain the topic at hand, and convey key components in understanding why Allah swt, lets “hard” things happen, how we should view the tests, approach difficulties, and inshaAllah triumph. The book has been checked by a Shaykh, and I highly recommend this important book for elementary, middle grade, and even middle school children. The concept of qadr is difficult, I struggle to truly grasp what we can and cannot change, but this book helps readers focus on what we can change and how to view terrible things that happen to us and to others.

The book starts with Eliyas introducing himself and his family, and then wondering why “Israel is being able to do what they’re doing in Gaza.  Why isn’t Allah stopping it?” As with all Eliyas books, mom and dad are sought out, food is somehow worked in, and time and space are given to Eliyas and his siblings to be given an answer. His parents start by being glad that Eliyas’s heart is soft for the Palestinians and that he is bothered by what is happening to them, before explaining that a lot of understanding is trusting and truly believing that Allah swt knows best.

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The book uses hadith, ayats from the Quran, it even shouts out other Zanib Mian books, The Mindful Book of Wellbeing, for seeing the bigger picture and Eliyas Explains Why Should I Pray my Salat on how to make yourself strong to get through the struggles of this duniya.

The book talks about why Allah swt didn’t make everyone good, and it is clear in saying that being mad and sad are ok too, as long as we are not questioning Allah swt. There are prompts and questions (with answers) and the book is not heavy, despite the subject matter, the tone and approach stay on level and allow readers to connect, alhumdulillah.

You can get your copy here at Crescent Moon Store.

Apr3

Allah Made Me Different by Maryam Abbas

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Allah Made Me Different by Maryam Abbas

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There is nothing revolutionary about this 24 page picture book, but it answers a basic question that children always ask from an Islamic perspective in an engaging and adorable way.  Toddlers and preschoolers will enjoy the rhyming lines, thick pages, and playful illustrations as they learn why they might look different then others. The book concludes with a dua for gratitude and circles back to the reassurance that Allah swt made us each perfect every few pages.  After multiple readings the pages do crease open, and thus I wish it was a board book.  The small size of 8.5 x 8.5 also makes it a little difficult to read to groups, but ideal one-on-one with little Muslims, alhumdulillah.

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The book starts with a child asking mama about the color of eyes and height.  Mama responds that, “Allah made you how you were meant to be.” The remainder of the book is reassurance that He made us with eyes right for us, hair perfect for us, etc..

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That we are different colors, speaking different languages, as Allah made us all unique, but with hearts to be kind.  Celebrating our differences and our similarities both in the text and illustrations.

You can purchase the book here on Amazon or at Crescent Moon Store.

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Apr2

Come To Prayer by Salwah Isaacs-Johaadien illustrated by Zeynep Yildirim

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Come To Prayer by Salwah Isaacs-Johaadien illustrated by Zeynep Yildirim

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Framed around the five fard prayers, the rhyming 26 pages take readers all around the world with the refrain of “come to prayer, some to salah, come to success, come to falah” appearing after each two page spread.  Reykjavik, Honolulu, Rio, Timbuktu, Kuala Lumpur, and Makkah are shown as families gather to pray in each city.  It is hard to know if the locations were chosen for a specific reason, or to just help with the rhyming lines.  I appreciate the map at the end in showing 18 masjids in the world, but they are not the only ones pictured in the book, so honestly it was not intuitive why they were highlighted. Additional information about the masjids included and where they are located in the world would have been far more beneficial.  The rhyming at times is forced, but for the minimal lines on the pages, and the clear organization of the book, it didn’t bother me too much.  The illustrations compliment the text well and amplify the concept of Islam being a global faith through the connection of Muslims praying everywhere.  The Islamic fiction book is meant for toddlers to early elementary, and with the positive tone of salah being an invitation to success, I think it works well for the audience.

The book starts with little kids waking up in a snowy scene in Reykjavik and heading out with their parents to pray Fajr at the masjid.  Then it is rain in Honolulu that can’t stop a family of five from driving slowly to the masjid for Zuhr.  In Rio a family packs up at the beach to get to Asr salah on time.  For Maghrib, not even a sandstorm across the Sahara can keep a family in Timbuktu from getting to prayer.  And finally a family takes shelter in the masjid for Isha as thunder and lightning in Kuala Lumpur halt their tour. The story ends with everyone entering Makkah in ihraam to pray at the Kaaba.

The book is a thick paperback cover, with glossy 9 x 9.5 inch pages.  It works well for small group story times or bedtime.  It is available on Amazon here or from Crescent Moon Store here.