Tag Archives: Picture book

The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

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The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

This gorgeous and powerful 36 page picture book goes back in time to a Palestine where the struggles of today are still found, along with the resilience of the people, determination of the women, ingenuity of the children, love and hope.  The book is so strongly unapologetic in its portrayal of marbles representing strategy of kids to battle the giants aka soldiers, of children being imprisoned, of the occupiers being outsmarted by the people, and the joy that persists despite the attempts of erasure. The story within a story…within a story(?), doesn’t name Palestine until the very end, after the stories at hand have wrapped up, and doesn’t disclose that it is based on a true story, except for in the blurb.  It is also worth highlighting that the book is not OWN voice or sourced.  I still am sharing though because it is positioned as happening long ago, and thus hopefully not further erasing a Palestinian voice, but rather sharing a story to prevent it from being lost.  I do not know the author, illustrator, or publishers’ intent, this is simply my view and I am happy to be corrected if I have arrogantly overstepped.  



The book starts with a lullaby lilting through the air, the la la las, connecting the women caring for their children. Mama Laya is busy so Big Brother Bilal is playing with the children, marking which soldiers have been defeated on the paper that matches the marble game in the lane. When the giants take him away the children run to find Daddy Salim.

The searching children and family find Bilal in prison, and the giants don’t speak the language of the people to be reasoned with, so they must figure out a way to free him on their own.  Mama and the children have a picnic outside the prison and secret filled lullaby conveys the plan right under the giants’ noses. With Bilal free, the women gather to teach each other a secret way to communicate, to resist, to hope, in the lullabies that they sing.

There is no religion mentioned, but the title page begins, “In the Name of God,” and numerous characters are depicted wearing hijab.  I read a digital arc and I hope the printed version has backmatter to highlight that the author is not Palestinian, when this would have taken place, and if it is accurate.  Authenticity and accuracy are important, and I hope the book clarifies what is real, what is imagined, an where the information came from.

 

Here’s Our Religion by Jenny Molendyk Divleli illustrated by Dasril Iqbal Al Faruqi

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Here’s Our Religion by Jenny Molendyk Divleli illustrated by Dasril Iqbal Al Faruqi

This HUGE 14 page board book is such an engaging, teachable, and shareable book for toddler to early elementary aged children.  Similar to the author’s First Words in the Qur’an I can see this book being shared at story times and in classrooms regularly.  Each two page spread is literally a board book in and of itself.  With headings of: Ummah, Shahadah/Qur’an, Salah, Ramadan, Zaqat/Sadaqa, Hajj, and Prophet Muhammad (saw)/ Sunnah, kids will be able to deduce from the pictures and simple captions how the details relate to the theme, learn new information, review what they already know, and delight in the illustrations.

I don’t know that I would sit down with a toddler or preschooler and just read the book straight through very often, but when I was doing multiple story times a week, I had planned books for every theme highlighted in this book. I would have loved to be able to pull it out after a few stories had been read and used it as a review, where I could point to a picture and the kids could holler out what the illustration was teaching.  The large size would have saved me from having to make story board pieces, and the critical thinking would encourage comprehension and retention.  Example: learning about salah, and then opening to the salah spread, kids could see the vacuuming child and decode that we pray in clean places, that the picture of four people praying together is to learn/remind/teach that it is better to pray together.  

 

 

Sameer and Snazzy: Kindness Counts by Emma L. Halim illustrated by Herry Prihamdni

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Sameer and Snazzy: Kindness Counts by Emma L. Halim illustrated by Herry Prihamdni

The 32 page faceless picture book for toddlers and up, is set in Australia and follows Sameer and his cat Snazzy on a bushwalk.  At first I felt like it might be a little bit like the classic, “And to Think that I Saw it on Mulberry Street,” but the structured story with a repetitive refrain adds in Islamic phrases, silly encounters, and examples of kindness that make it unique.  Add in a fun surprise at the end, and like many other books by the author, be prepared to have it memorized as your little ones ask for it over and over again.

The book starts with Sameer look forward to his grandpa coming to visit, but wishing he had something exciting to share with him.  Snazzy suggests he shares that he can talk to animals, but Sameer knows no one would ever believe that, so the two set off on a bushwalk to find something exciting.

When they hear an “A-choooooo!” in the trees, the fun is just getting started with Miss Koala sneezing and making eucalyptus leaves fall. The duo finds a way to help, but the fallen leaves mean ants are stuck in their home and can’t get out.  Once again, Sameer and Snazzy, find a way to help.  After each episode the refrain of, “‘Imagine if I told Grandpa this!”‘ I say to Snazzy.  ‘He’d never believe you! he smiles.  ‘NO-ONE WOULD!’ We laugh together and continue along the path, when suddenly…”

The book ends with a surprise, that I won’t spoil. The backmatter has a reference to Surah An-Naml and explains that Prophet Sulayman peace be upon him, really could speak to animals.  There is also a glossary of the Islamic phrases and a QR code to continue to the fun after the story ends.

The book is a bit more text heavy than some of her others, but the illustrations are fun, and will keep kid’s attention.  It does not rhyme, but has a cadence that makes reading it aloud easy. The small size makes the book better suited to bed time, but could work in a story time, and would be wonderful tuned into a story board/felt board read aloud.  The book is a universal story, but at some point in Islamic fiction self published and small published books, I think we will need to have open dialogue and discussions if having characters that are not the same race as the author or illustrator is appropriate and beneficial, or is misleading and better to avoid.

***EDIT: The author reached out to me asking me to remove this generalized opinion of me calling upon the need to have discussion, I opted to amend, as I think we need to have conversation and believe intention and purpose in whatever one decides is a benefit.  So, to avoid errors in interpreting her ask, I will simply post the screen shots, and my response.  Please note I did not tag the author in my Instagram post, she reached out to me.  I purchased the book, it was not gifted.

Steet Puppy, Masjid Cat by Moniza Hossain illustrated by Wastana Haikal

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Steet Puppy, Masjid Cat by Moniza Hossain illustrated by Wastana Haikal

I was a little nervous opening the book, I didn’t know if it was going to be a “Lady and the Tramp” type retelling, and I was unsure how dogs would be presented, but I sure was not prepared for the absolute adorableness that unfolded.  The simple rhyming lines contrasting the street puppy’s life to that of the pampered cat in the masjid, to their meeting, and the sweet imam leading with kindness warmed my heart.  The real chef’s kiss is the backmatter that doesn’t source, but references the sunnah of “acts of charity to every beast alive,” and notes that dogs, unlike cats, are not allowed in the mosque for religious reasons.  I love that “masjid” is in the title, that the author’s note and glossary explain adhan, imam, and the Quran, and ultimately that friendship amongst differences is the takeaway for all readers.  I don’t love that the adhan in the text is described as ringing and the imam as singing, but I acknowledge my pickiness.  And while I love that Prophet Muhammad saw is mentioned in the author’s note, I do wish salutations were given afterward.  The illustrations on every one of the 32 pages are delightful, and I love that the image on the jacket is different than the one on the book itself.  For ages 3 and up, and even emerging readers, this book has a lot of heart, and my 6 year old has read it aloud so many times, I just might have it memorized.

The book starts with simple rhyming lines showing the contrasting life of the cat and the dog, from their daily activities, to how other’s treat them.  When they meet, the cat is not too welcoming, but the imam shows the puppy kindness and the cat follows suit.  As simple as sharing and giving each other a chance, creates a friendship between the two animals, and a beautiful conclusion even the littlest children will understand.

The book is not didactic, and the role of the imam and setting of the masjid, for Muslim kids will be such a spark of joy, but in no way will it limit non Muslim children from connecting with the story.  The benefit for all is seeing a masjid environment and a Muslim in action, normalizing both, and inshaAllah reminding us all to be a little kinder to our animal friends.

Zamzam for Everyone: Sharing Water at Hajj by Razeena Omar Gutta illustrated by Bassent Dawoud

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Zamzam for Everyone: Sharing Water at Hajj by Razeena Omar Gutta illustrated by Bassent Dawoud

This joyful 32 page picture book is both adorable and educational. Layers of Hajj and Zamzam threaded through with the global reach of Islam, generosity, food, language, and a little girl with a big smile brightening every encounter, is heartfelt and tender. Each reading has me smiling and marveling at the illustrations, amount of information simply conveyed, and the way it all comes together to offer both a window and a mirror for readers of all ages, particularly 3 and up.  The robust backmatter allows older readers to benefit, and with pronunciation guides, cultural and religious oversight noted, this book will be a favorite at bedtime and story times in Islamic and public schools, libraries, and gatherings.  SubhanAllah, the book is really well done and such a gift to us all to see Hajj and Zamzam unapologetically and proudly presented through little Mariam’s eyes.  It will leave children feeling like they just had a warm hug, and inshaAllah making dua’a that they too will be invited to Hajj soon.  

The book starts with Mariam feeling blessed to be one of the millions of people at Hajj. Her mother encourages her to be good, share, and be grateful all while staying hydrated, as it will be tiring.  She tries to come up with what she can do to get blessings, in addition to smiling, when she realizes sharing her Zamzam water will be the most beneficial. 

She helps an old lady find a seat and gives her some Zamzam, the Pakistani lady says, “shukria” and gives her dates in return. When she shares with some Indonesian sisters and is told “Terimah Kasih” she is handed some pandan cookies in gratitude.  This continues all throughout her Umrah with pilgrims and workers from different countries thanking her in different languages and sharing something back with her.  

It carries on through the steps of her Hajj, even when Makkah is far away. And even when she returns to her home, she shares the Zamzam to bring a part of Hajj to those that stayed at home.

The backmatter tells the story of Zamzam, information about the treats mentioned from around the world, information about Hajj with a glossary as well as the steps of Umrah and Hajj, information about the author and illustrator, and who helped insure accuracy of all the cultural and religious content included.

The book comes out in January 2026, and appears to be available in both hardback and paperback, please preorder to show support.

 

The Prince of Stars: Ulugh Beg’s Quest to Map the Stars and Seasons by M.O. Yuksel illustrated by Zelma Firdauzia

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The Prince of Stars: Ulugh Beg’s Quest to Map the Stars and Seasons by M.O. Yuksel illustrated by Zelma Firdauzia

This gorgeous 40 page picture book biography is both flowing in its storytelling and informative in its sourced details of a fairly unknown, underappreciated figure.  I was humbled reading this book and learning about the accomplishments of someone I had never heard of before.  Truly this book, bringing to the attention of our young and old ones alike, such a remarkable figure, is a much needed gift.  The publisher suggests the book for 4-8 year olds, but I think it also will appeal to older readers familiar with Copernicus, Galileo, and Ptolemy and who will appreciate the efforts driven by curiosity from someone so long ago. The diction in a few lines did give me pause, but nothing that overshadows how well the author has once again proven to master the storytelling of non fiction Muslim accomplishments in an engaging, accessible, exciting way for today’s audiences.

The book opens with a map of the Timurid Empire in 1405, before showing the reader a young prince, Ulugh Beg, gazing out and the stars and wondering how many there are.  The next spread makes no sense to me, but I acknowledge others might not be bothered, how can the young boy be watching days fade into weeks, into months, into years, and then wonder how many days are in a year? Seems that either those terms weren’t yet around, or some details about the generalized meaning made him curious about the specifics.  Either way, him wanting to know how many days in a year and the changing of seasons, along with counting the stars are the questions he wonders about as a child and works to answer throughout his life.

The king of the Timurid Empire, Ulugh Beg’s grandfather, insured his intelligent grandson had the best teachers and was allowed to travel, learn, and follow him curiosity.  At 15, when Ulugh Beg became the ruler of Turkistan, he built a madrasa and invited scholars, artists, students, philosophers, and inventors to attend making Turkistan “a mecca of learning.”  Yes, the usage of mecca here made me laugh.  I know it is appropriate, but it seemed a little on the noise in a book where Mecca, the direction we pray is also mentioned.  The book then details the controversy of studying the stars, as astrology and astronomy at the time, were seen as one and the same.  And with only God knowing the future, he had to assert that he was curious about the science of the stars and planets.

I love that faith and Islam is centered and that the inscription on his school is “Seeking knowledge is the duty of every Muslim man and woman.” But it alludes that this is a hadith, and while I agree it is inspired by a saying of Prophet Muhammad (saw), I think adding the man and woman part, where to the best of my knowledge the hadith is just “every Muslim,” is something that should be clarified. None-the-less, that it was Ulugh Beg’s motto, so to speak, and that he made a point to articulate “woman” is remarkable.  He determined the exact time of the five daily prayers, the direction to Mecca, and the dates of holidays.

He also built the world’s largest observatory, and numerous tools, including the Fakhri sextant to measure the location of the stars and movement of planets.  He encouraged being challenged and challenging others’ findings, and over 17 years wrote a star catalog of more than 1,000 stars. He answered how many days in a year, down to the seconds, why the seasons change, and inspired future astronomers and scientists.

As incredible as the story is, the backmatter is equally impressive with an Author’s Note, Ulugh Beg’s Biography, a Glossary, Astronomical Timeline, Bibliography, Further Reading, and Acknowledgements.

The illustrations are the cherry on top, somehow I don’t love the cover, but the inside spreads are nice and match the tone of the words and the detail of what he was accomplishing.  The book is on preorder and I hope, teachers, librarian, and families will prioritize learning about him, and giving him credit for what he helped us to understand, about our world.

Dark Nights and Light Hearts: A Muslim Book of Opposites by Hena Khan illustrated by Mehrdokht Amini

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Dark Nights and Light Hearts:  A Muslim Book of Opposites by Hena Khan illustrated by Mehrdokht Amini

Every few years, for the last 13 or so, we get a new title in this series, and each one warms my cynical heart with its unapologetic Islamic representation and vibrancy.  The heartfelt rhyming lines, the Islam centering, and the enveloping illustration make these books timeless, sought after, and beloved.  This installment covers opposites, previous books in the series focused on colors, shapes, and numbers. From the BIG ummah to a SMALL baby’s aqiqah, HOT oud to COLD rain bringing barakah, SLOW honey full of shifa to FAST cars heading to Jummah, the book uses two page spreads per each term in the opposite pair with rhyming couplets in large clear font to introduce/remind, describe, and highlight an Islamic tradition.  As both opposites and Islam are conveyed, the cadence and illustrations pull Muslim and non Muslim children in and make the book delightful at storytime, in small groups, at bedtime, and for kids to look through on their own, over and over again.  Alhumdulillah.

The book is 36 pages with a Glossary of Islamic words at the end with an Author’s Note.  It is available wherever books are sold and a great reminder that well done Islamic books can make it from traditional publishers.

 

Sunnah and Science: What Modern Research Tells Us about Prophetic Traditions by Aquila Fatima illustrated by Azra Momin

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Sunnah and Science: What Modern Research Tells Us about Prophetic Traditions by Aquila Fatima illustrated by Azra Momin

The title and premise of this hardbound 54 page resource book for children definitely caught my eye.  The contents covered, the two page fully illustrated compelling spreads, and the intext labeling of hadith and Quranic ayats make this book versatile in homes and classrooms for a wide variety of ages.  As the daughter of a convert, the knowledge that science is not in contradiction to Islam is something I grew up hearing about a lot in casual conversation, and I love that this book addresses it head on for children with pull out bubbles, reminders, fun facts, duas, and the like.  My only concern that I truly can’t wrap my head around, is why isn’t their sourcing for the “scientific” information? Nothing is overly scientific, and nothing “feels” off, but none-the-less, the book repeatedly says “Research shows,” and “Science proves,” “Scientists are still,” “Scientific research says,” but never once shares what scientist, or research, or science.  The book has the space for footnotes or sourcing or a bibliography, and in a book trying to give readers the confidence to show how the sunnah and science support one another, to not have the sourcing to back it up, is a glaring admission.  Buried in the author bio it states the author has “a Masters degree in genetics” and worked as a “science teacher for elementary school students,” but to me, the book needs to back up the statements to successfully empower and accomplish what it sets out to do.  I hope future printings will include sufficient backmatter, even without the book is well done, but the standard is the standard for good reason, non fiction needs sourcing.

The book covers 25 topics, dedicating two pages to each topic, with a title heading, and an Islamic source subheading.  The topics include, smiling, rain, sleeping, swimming, wudu, salah, fasting, honey, cleanliness, bathroom etiquette, yawning and hygiene to name a few.

Most pages contain facts, ayats from the Quran, sunnahs, benefits, supporting scientific tie ins, and adorable illustrations.  The book concludes with an author’s note, thoughts by readers on the book, and an author bio.

Your Friend From Palestine by Nabila Adani

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Your Friend From Palestine by Nabila Adani

This book is absolutely gorgeous, from the raised text on the cover, the sweeping illustrations with tangible details, the Islamic threads, and the heart, but…yeah you knew something critical was coming, the rhyme is not consistent, and the biggest hurdle for me, is that there is no backmatter.  I can’t say that I’m “bringing this up again,” because I don’t know that the debate ever dies down: can you write a book about something personal that you have not lived through? In this case can a non Palestinian write a book from a Palestinian perspective? As a former journalist and long time reader, I still maintain that you can, but backmatter detailing your own limitations, what efforts were made to have the book verified by those with OWN voice experience, and background information on why this is pertinent and relevant are mandatory. And this book does not offer them.  Nothing feels off about the contents, and anyone with a heart, has seen and felt everything on the pages about our brothers and sisters living under occupation and through genocide. So is it a good book, yes. Do I think it has value, yes. But, is it authentic? Is it accurate? Is it enough? Does the focus on hardship and destruction open eyes or diminish Palestinian joy? Why wasn’t a Palestinian brought in to cowrite the book with the author illustrator? Was it sensitivity read? I am not able to answer these questions, I simply bring up my concerns for you to decide for you and your children. While the book ends on hope for a free Palestine, and a safe Gaza, the oppressor is unnamed.

The book starts with children on a beach playing when they find a message in a bottle.  The message is from Khalid, a child in Gaza telling the finder about his life and asking about theirs. He likes to play football, but sometimes it isn’t safe, he likes to read stories but often can’t because there are no lights, and he dreams of swimming in a swimming pool, because they often don’t even have water to drink.

Khalid then tells the finders of the bottle, and thus the readers, to not lose hope, “to hold on to your imaan.” And it highlights what we can all do to help.  “You can pray for us! Send charity! Spread the news!” and tell people about Palestine. So that one day we can meet at the Dome of the Rock, pray at Masjid Al-Aqsa, and be together in a free Palestine, inshaAllah.

The illustrations are beautiful and the framing effective in connecting with readers, and highlighting the similarities before revealing the obstacles. Again why I wish there was backmatter, so that it didn’t feel simplistic, but rather bringing it down to a younger audience level.  With dialogue, explanation, and context, the book can be powerful, but on its own, I feel the lacking authenticity, transparency, and details about Palestine, make the book in need of an update before future reprintings.

The City of Jasmine by Nadine Presley illustrated by Heather Brockman Lee

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The City of Jasmine by Nadine Presley illustrated by Heather Brockman Lee

With a release date of May 6, I really wanted to wait to post a review because the images are gorgeous in the electronic version, and I can only imagine how moving and captive they will be presented in a physical format, but alas I know the importance of presales and am sharing to hopefully encourage you to preorder and/or request from your library, this gorgeous 40 page OWN voice book.  A love letter to Damascus, and the sights, sounds, smells, taste, and feelings that the author remembers despite the mountains and oceans that now separate her, are lyrically shared with readers on a journey through the city. The ethereal lilting of words draw readers of all backgrounds in, and the complimentary gorgeous illustrations convey a palpable sense of beauty, love, and memories of home.  Even on a screen, they force you to get lost in their beauty. The cadence of the words allow natural pauses that tug on your eyes and draw them toward something in the images not seen before, forcing the readers and listeners alike to hesitate before turning the page.

The book starts with a little girl telling where she comes from, “the City of Jasmine,” “the Umayyad Mosque,” “Ghouta,” “Damascus,” “Qasioun,” “Qala’at Dimashq,” headers for spreads rich with poetry, wonder, and longing.

Neighborhoods of diverse families gathering, and sharing the foods that bring people together, and quiet bookshops that facilitate travel through time. Family memories built around orchards and fountains and laughter and love.  So far away from the author now, the memories are not lost, they can be touched when the scent of jasmine is “breathed in, and breathed out.”

The book concludes with an author’s note and a glossary.  Those of us who are not Syrian, and who have never been, after spending time with this book will undoubtedly be tempted to add Damascus to our bucket list of travel plans, and inshaAllah as the country rebuilds such trips will come to fruition.