Tag Archives: Muslim Family

Amira Can Catch! by Kevin Christofora illustrated by Dale Tangerman

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Amira Can Catch! by Kevin Christofora illustrated by Dale Tangerman

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This is book four in the Hometown All Stars series aimed at 4-7 year olds.  The purpose of the series is to teach real coaching skills to help children learn about baseball, get out of the house to play, and have fun.  The 34 page book is baseball technique heavy with a fictional storyline to move it along.  Most sports books focus on team work and being a good sport, but this one takes it a step further by emphasizing the basic skills needed to play the game, as well as sneaking in lessons about inclusion and acceptance.  If your child is American and likes sports, the book will be a hit, pun intended, but there is a lot of text on each page and as America’s pastime, there is a lot of space dedicated to what it means to be American.

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A refugee Muslim girl from Syria, Amira, is invited to play on the after school baseball team, but first needs some help at school with spelling and adding.  Luckily the kids in class are super nice and accepting and help her learn about life in America, while similarly listening to her tell about life in Syria and at the refugee camp.  Not only do they all become friends, she also gets everyone to appreciate how much food they have, and the variety, as well as gets everyone to try pickles. Yum! They like them.

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The kids at baseball practice are also incredibly welcoming as they get Amira a jersey, and teach her all about #24 Willie Mays.  From here, it is like a virtual baseball practice, the kids warm up with stretches, running the bases, and practicing their stances.  There are little info headers explaining things such as what hand to wear your mitt on and explaining how to squat, why the coach is using foam balls, and reminding the reader not to throw balls in the house.

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The kids learn three different types of catches.  How to stand, how to position their hands and how to be ready.  They run drills and practice, practice, practice. They find out Amira is really good, and she tells them that they had a lot of time to practice catching and throwing in the refugee camp.

The coach then asks the kids and readers questions before Amira’s parents arrive to pick her up.  With big smiles on their faces, the mom is wearing a hijab and chatting with the narrators mom.

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The book ends with a whole page on “What Does It Mean to be American,” a review of new words learned in the book, and all the kids answering who’s the most American of all, with “We are!”  The back cover has a reflective patch with the statement “Americans come from all over the world.  Look in the mirror, and tell me where are you from?”

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The book and series are a great way to learn about a game, that really a lot of kids today may not know much about.  Some of the terms, the skills, and just familiarity is clearly conveyed, with the illustrations providing the visuals and diagrams for what the coach is talking about in the text.  The fact that the author chose to add a refugee to such an “American” book and have the supporting  characters so welcoming, really does show the best of what Americans can be.

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Luv Ya Bunches by Lauren Miracle

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Luv Ya Bunches by Lauren Miracle

bunchesA book about 5th grade friendships told from the perspective of four different girls in a variety of styles: instant messages, chatroom conversations, video scripts, and traditional text.  The author seems to have a checklist of diverse characters and afflictions that all must make an appearance in the 335 page story.  It is written on an AR 4.4, but with one of the main characters having two moms, details of a suicide mentioned, talk of pole dancing, male anatomy joked about, thongs, crushes, and mental illness, four girls coming together to form friendships and take down a bully, might raise more questions for young readers than they are ready to handle.  Yasaman the Muslim girl in the group, also borders on perpetuating more stereotypes than she breaks, and while I definitely don’t think this book is a good fit for 4th and 5th graders, I don’t really recommend it for readers of any age, there are just better books out there.

SYNOPSIS:

Asian American Katie-Rose doesn’t have friends, unless you count her neighbor Max, but she doesn’t.  She dreams of having blond haired Camilla as a best friend, but the Camilla she went to Pioneer camp with is not the Milla at school who hangs out with Modessa (aka Medussa) and Quin, and is popular.  Katie-Rose also dreams about being a cinematographer or director, she isn’t sure yet, but she loves to imagine scenes and scripts and how things ideally should play out, even when in reality they never quite seem to do so.

Milla, isn’t sure if she wants to stay friends with Modessa and Quin, they aren’t nice and she has a lot more fun with Katie-Rose, but somehow she always ends up going back to the popular crowd.  She also has a lot of anxiety and needs various totems with her at all time to feel secure.  When her little plastic turtle goes missing, she struggles to stay composed, and her and her turtle will end up changing a lot at Rivendell Elementary.

Violet, is the new girl at school and she is not liking her life at home or at school.  Her mom is in a mental hospital and she misses her desperately, her dad brings home fast food every night for dinner and life just isn’t the same since she moved to California.  Immediately able to tell who the popular kids are at school, she hasn’t decided which group of friends is the best fit for her, but when she stumbles on Tally the turtle, and doesn’t immediately return it to Milla, she has to understand what that says about her, and figure out if she is strong enough to make things right.

Yasaman is the quiet computer wiz, she is also Turkish-American, Muslim, and a hijabi.  She designs a platform where kids who are too young to join Facebook can chat, stream videos and send cupcakes.  The only problem is, she has no friends to get to join.  When Katie-Rose and her strike up a friendship, the first seeds of the four flower named girls are planted, but it will take all four of them to put Modessa in her place, rescue Tally, and deal with stereotypes, emotions, and family along the way.

WHY I LIKE IT:

I love that a Muslim, muhajaba is included in the quartet, and that her religion, her scarf, her culture, and her belief in Allah, actually are sprinkled in.  I don’t love how in the book’s efforts to include such diversity, that it also seems to fall for a lot of the stereotypes that it on the surface seems to be dispelling.  Katie-Rose asks her if she even knows what YouTube is before being made aware of how computer savvy she is.  All this is to subtly show the assumption that Muslims are not aware of technology and whatnot, and set the record straight, but also regularly thrown in are side comments from Yasaman that her father would never let her wear something, or she wouldn’t be allowed to do that because of her dad, definitely reinforcing a male dominated, authoritarian, out-of-touch patriarchal view.  Even her mother, an artist, is shown to demand a lot of Yasaman and be incredibly strict.  A lot of things aren’t spelled out, they are just dropped in and assumed that the reader get’s it.  But only Yasaman’s parents are portrayed this way.  Milla’s two mom’s are caring, Violet and her dad seem close, and Katie-Rose’s parents are rarely highlighted.  So, I felt like it was noticeable, and not in a positive way.

I’m still completely confused as why pole dancing and male anatomy made appearances in the book.  And the pole dancing reference appeared not once, but twice when Yasaman is talking to an older cousin who is talking about a friend who’s aunt is a pole dancer, and then later when Katie-Rose’s babysitter also mentions the same friend.  They also discuss people as being slutty and boy crazy and skanky.  The male anatomy isn’t spelled out it is hidden with a girl with major orthodontia reading a Wikapedia page on the greek satyrs, discussing their physical pleasures and talents.

There is also a lot of mental health issues that I’m glad are present, but I’m not sure if they are handled seriously enough.  I’m glad they are addressed, because awareness is a good thing, but discussing how someone swallowed pills to commit suicide and even though she changed her mind still died, and not giving any context seems to make the concept come across as a bit trivial to me in its presentation.  Same goes for Camilla’s anxiety and Violet’s mom being in a mental hospital.  These girls have some major stuff going on that their preoccupation with a snotty group of girls, and the obsession of mud being consumed in an ice cream shake, seems a bit off.

Overall, the girls seem incredible perceptive and articulate in their self reflection and understanding of social personas, that I found their banter completely disjointed.  I don’t think the author’s voice is consistent, and the heavy stuff is too much coming from 5th graders in my opinion.

FLAGS:

Stereotypes, and discrimination against Yasaman and her younger sister Nigar.  Possible triggers with talk of suicide.  Milla has two moms, it is never labeled or made an issue, she just refers to them as Mom Abigail and Mom Joyce. Talk of boy private parts and erections, crushes, pole dancing, words such as skanky, and slutty and dingleberry (poop hanging on) used.  There is lying and bullying and retaliation and poetic justice.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t use this book for a book club or even have it in the classroom.  I think it gets a bit crass unnecessarily and the cute flowery cover and inside flap, makes it all the more surprising.  You might expect some potty humor in other books, but knowing it is there allows the reader to make a decision to read it or not, I would imagine most Muslim parents would see four diverse girls on the cover, one wearing hijab, get excited and hand the book to their 3rd or 4th or 5th grade daughter and have no idea what the book also includes in passing, with no relevance to the story lines highlighted on the inside flaps and back of the book.

All-American Muslim Girl by Nadine Jolie Courtney

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All-American Muslim Girl by Nadine Jolie Courtney

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The power of own voice books is that while you may not agree with everything presented, you appreciate that it is being presented.  This 417 page high school young adult book is authentic and relatable and regardless of if you agree with the characters’ approaches, decisions, and understanding, you see and learn something about fictional characters that feels so real that you hopefully will find yourself in “real” life being a bit more understanding, kind, and accepting.

SYNOPSIS:

Allie is 16 and with her red hair and fair skin, she can pass for an all-American teen.  The only child of a college history professor and child development psychologist her family moves around a lot, but her dad’s extended family congregates in Dallas, and that is the anchor of family and love that warms the book.  Allie’s father Muhammad aka Mo is Circassian and his family speaks Arabic, including Allie’s grandma, Teta, who doesn’t speak any English.  Allie’s mom is a convert, but neither practice religion, and while Allie’s mom appreciates it, it is an incredibly hands off topic for Mo.  And Allie, well, she doesn’t speak Circassian or Arabic and knows nothing of Islam, and reinvents herself in each new school and city she finds her self in.

With Islamaphobia on the rise and Allie using her white privilege to neutralize a situation on an airplane, the reader sees as soon as they start the book, that Allie has a lot of skills to read people and understand how to handle complex situations, but that she hasn’t yet found her self.  As someone who can blend in and transform, the book is her journey to understand her heritage, her beliefs, what she wants in life and move toward finding her voice.  Much like Randa Abdel Fattah’s books which often turn the narrative from a Muslim girl rebelling against her faith and parents, this book has a young protagonist rebelling and turning to her faith.  The book seems to stem from a auto biographical place and the journey of learning about yourself, accepting yourself, and growing is universal.

Desperate to learn about Islam, Allie starts reading the Quran and hanging out with Muslims. While she knows Islam is not a monolith as she has family who cover, some that don’t, some that pray, some that don’t, some that fast, parents who drink, she still feels on the outside when she begins meeting with some Muslim girls at their weekly Quran study group.  As she gets to know the girls, she realizes how truly different Islam is for all of them, and how their experiences shape their views as well.  There is a convert, a black Muslim, a lesbian, some girls that cover, some that can’t read Arabic, some that find praying behind men misogynistic, some that feel unmosqued, they listen to music and read horoscopes, and Allie has a boyfriend.

Allie’s boyfriend, Wells, isn’t just incredibly cute and sweet, and accepting as he learns about Allie’s faith and her journey to understand it, but he is also the son of a cable shock jock toting that refugees should be stopped, and Muslims banned, yeah it is complicated.  As Allie learns more about who she is, she finds her self lying to everyone, and as she finds the courage to speak her truth, she must accept the consequences it has on those around her that she cares about.  Interwoven is a beautiful story line about her and her Teta’s relationship that is heartfelt and genuine and emotionally taxing when tragedy strikes.

WHY I LIKE IT:

I love that this book exists, and that it is written for Muslims and non Muslims alike. I think non Muslims will see that there are all types of Muslims, and we should be reminded that everyone has their own tests and is on their own path.  Paradoxically I love that it isn’t preachy, but desperately wish there was more emotional connection to Allah swt and RasulAllah, because honestly its a gaping void that makes some of the story fall flat for me.  I get that Islam is different for everyone, but while the book pushes so much that Allie wants to know about it to connect and fit in with her family, I feel like there isn’t much “spirituality” to her approach which kind of makes someone accepting religion seem lacking.  Her approach to prayer and fasting is almost robotic, and yes she says she likes it, but there isn’t any emotional resonance in her perhaps having an internal dialogue with God, or crying out to Him when her grandmother is in the hospital, instead it is read this passage from the Quran, or say this prescribed supplication, which makes her conundrum about her boyfriend, seem arbitrary.  Allie’s non believing, non practicing parents seem to have a softer spot for God, as Allie’s mom says something to the effect of it is hard to stop believing once you start, and Allie’s mom asserting multiple times that while she doesn’t practice she converted for herself, no one else.

I also kind of struggle with the attempt of getting every type of Muslim in the book to show that there isn’t a good Muslim bad Muslim dichotomy to the larger audience, but as a result seems to make the point that Islam can be changed to fit today’s world and that line makes me a bit nervous.  It is fiction, it is quite possibly the author’s own experience,  but I felt like the part of continued growth and working to follow the tenants of Islam got left out.  We all have our tests, and we all sin, but to just say ok, this is me and this is my Islam and stop there, halts the journey and character’s arc rather abruptly.

I love that the book really does a good job of laying out that there are problems, misogyny, racism, stereotypes, everywhere, not just Islam or religion, but in societal structures too, it is really shown across platforms and very seamlessly.  I like that a fair amount of side characters are fleshed out, and compassion extended even when opinions differ.  There is a lot of acceptance consistently shown from the characters and those that don’t show it are called out on it as well.

I wanted more on Allie’s dad though, to know what exactly his religious complexity entailed, I felt like I missed something, maybe I did, but just to say his relationship with religion is complicated or complex, left me wondering and wanting for details.

As it seems with so many of these YA books with female Muslim protagonists, the non Muslim boyfriends are absolutely amazing with their understanding, and patience (think A Very Large Expanse of Sea, The Lines We Cross, The Acquaintance), truly fictionalized high school boys, high five.

FLAGS:

There is Islamaphobia, kissing, drinking, death, racism, sexism, LGBTQ characters and discussions.  There is lying and talk of sex.

TOOLS FOR LEADING THE DISCUSSION:

This book is a bit advanced for middle school, the concepts and the acceptance of those concepts might not be conducive to Islamic School book clubs of high school level either.  That isn’t too say that kids can’t handle it or shouldn’t read it, but I think when presented from a school, it is assumed that you are endorsing an interpretation or practice of Islam, and this book might push that for some.

There aren’t a lot of author interviews or teaching guides, online, but if you do choice to read and discuss, you will be fine, there are a lot of layers, a lot to celebrate, and a lot to relate to in Allie’s story.

 

Lissa: A Story about Medical Promise, Friendship, and Revolution by Sherine Hamdy & Coleman Nye illustrated by Sara Bao & Caroline Brewer

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Lissa: A Story about Medical Promise, Friendship, and Revolution by Sherine Hamdy & Coleman Nye illustrated by Sara Bao & Caroline Brewer

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When I first started teaching I wasn’t a big fan of graphic novels, slowly I saw their benefit for struggling readers, and eventually I came to appreciate them as an enhanced tweak in story telling for everyone.  This book however takes the concept to the next level, for me anyway.   As the inside flap claims, it is a book “that brings anthropological research to life in comic form, combining scholarly insights and accessible, visually-rich storytelling to foster greater understanding of global politics, inequalities, and solidarity.” As a coming of age story of two friends at its core, yet taking on breast cancer, kidney failure, parental loss, different cultures, different religions and with a back drop of the Egyptian revolution, I’d say the book is meant for high school and up.  Not so much for content as for understanding and appreciation of all that went it to creating this ethnographic book.

SYNOPSIS:

Unlikely friends Anna and Layla cross economic, religious, and cultural differences to build a life long friendship.  The book is divided into three parts: Cairo, Five Years Later, and Revolution.  In the first part we see Layla’s family serving as the caretakers of a building and the two young girls bonding over pranks, arrogant tenants, and just being silly.  Anna’s family is American and the father works for the oil companies, thus they are financially very well off, however, the father is rather distant and the mother is dying of cancer.  The section concludes with the passing of Anna’s mom and the family going to Boston for the funeral.

Five years later finds the girls in college.  Layla in medical school and Anna at a university in Boston.  Layla’s father is suffering from renal failure and is unwilling to consider a transplant.  While Anna is trying to see if she carries the same genes as her mother and if insurance will cover it.  She also has to decide if she would want to have a complete double mastectomy, if she would want her breasts reconstructed, if she should do it now or later.  She gets a lot of opinions, but ultimately decides to find a way to pay for it and have it done.  Her father doesn’t understand, and Layla dismisses it forcing Anna to have to handle it alone.  But when news come that Layla’s father isn’t going to make it, she rushes back to Egypt to offer her support.

In the final section, the revolution has spread and Dr. Layla is helping those injured in Tahrir Square during the protests, and Anna is helping to identify bodies despite being attacked for being a foreigner and part of the problem.  Anna has kept the secret of her mastectomy from Layla and Layla assumes she has cancer.  At odds with their roles in the revolution, and with keeping secrets from each other and their differences in financial opportunities coming to a head, Anna returns to Boston.  When Layla’s brother is shot and loses an eye, however, Anna returns to Egypt and the two friends work to keep their relationship.

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WHY I LIKE IT:

The book is grounded in so much conflict and turmoil, but fights hard to keep a character based narrative.  With two illustrators and two authors trying to convey medical approaches, two cultures, two religion, two friends, and a revolution, the last 70 pages of the 302 page book are details about how the book came about, interviews with the various contributors, a timeline of the revolution, discussion questions, key references and a teaching guide.  The book at times was confusing to me, and I’m not sure why, it quickly resolved itself or a flip back a few pages would clarify it, but I think some of the illustrations were just off enough that it complicated things.  Anna by and large is depicted oddly on a few pages along with her family as well.

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Layla’s family is definitely religious and at times has to challenge their thoughts to understand Anna and their own circumstances too.  I think it is handled really well and allows the reader to consider things without answers being clear cut, is it Allah’s will to not have a transplant and accept death as being written for you or to have the transplant and ask Allah to make it successful?  By and large the book poses questions through the juxtaposition of the two characters and the experiences they endure, and while it shows the choices they made, it draws the reader in to wonder what they would do in their shoes without judgement.  The book provides a lot of facts and leaves them there making it more thought provoking than a simple story.

The characters are often composites of real characters the academic author’s learned about, yet some are directly based on activists and leaders of the revolution.  The graffiti artwork is attributed and powerful.  There is a lot of information in the notes after the comics end.

FLAGS:

There is death and revolution, Layla’s brother is taking Tramadol, and their are sketches of breasts as Anna learns about her disease and prognosis.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club as I don’t know how much middle schoolers would get out of it and the book is pretty pricey.  I would recommend people read it though as it gives a different perspective on numerous things many of us take for granted.

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Common Threads: Adam’s Day at the Market by Huda Essa illustrated by Merce’ Tous

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Common Threads: Adam’s Day at the Market by Huda Essa illustrated by Merce’ Tous

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A lot of story is conveyed in this 13 word book for preschoolers about diversity, similarities, and love.  In 32 picture rich pages you meet a little family at an outdoor market, see Adam lose track of his parents as he follows a bird, and meet a lot of kind people as he mistakes them for his parents based on the clothing they are wearing.

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Naturally it has a happy ending, and it appears all the characters come together to get to know one another.  The pictures are beautiful and radiate with light and colors.

The market in general is diverse and the characters Adam meets show clothing similarities.  His mother wears hijab and he mistakes a nun in a habit for her, and then a lady in a kanga.  He thinks he sees his father, but it is a man with a yarmulke and a gentleman in a similar color shalwar kameez looks a lot like his dad’s kurta, but isn’t him either.

This is truly a picture book with sparse words of “Mama?” and “Baba?” being the bulk of the text.  It is visual and conversation sparking in its minimal and simplistic text.  By not having the author fill in the conversation, a preschooler gets to do it themselves, and hopefully broaden their mind in the process.

The beginning of the book has a beautiful Note to Readers urging children and adults to engage in diverse collaborations to increase empathy, innovation, social justice, and understanding to the benefit of us all.

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The book concludes with a challenge to children to become cultural detectives.  It notes that what we wear sends a message about who we are, but it is just what you see on the outside.  It encourages us to ask questions respectfully and kindly to learn about one another.

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Sadiq and the Fun Run by Siman Nuurali illustrated by Anjan Sarkar

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Sadiq and the Fun Run by Siman Nuurali illustrated by Anjan Sarkar

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This new series featuring Sadiq, a Somali American living in Minnesota, is great for early chapter book readers looking for representation and diversity.  There are four books about Sadiq, his family, and his friends and classmates in third grade, and all are either an AR 3.6 or AR 3.5.  At 57 pages long, divided into five chapters and filled with bright and colorful illustrations students in grades 1st through fourth, depending on reading level and interest, will enjoy these simple plotted, yet relatable stories.

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SYNOPSIS:

Sadiq’s friends are all getting ready to try out for football, but his parent’s say that he is too young for such a rough sport and has to wait until he is 12 like his older brother, Nuurali, did.  Sadiq’s parents and family encourage him to try another sport, and with a new running club starting in a few days coached by a member of the national team, that’s what he opts to do.  Begrudgingly he joins the team, but is hurt when his friends talk about how much fun football is and how much more tough and difficult it is compared to running.  While this is going on, he is getting support from his brother to keep running, and from his teammates, but it is hard and he doesn’t enjoy it.  Slowly, he starts to improve, however, and with the Fun Run the climax of the book he sails across the finish line in first place when he sees his friends have come to cheer him on!

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WHY I LIKE IT:

I love that the book/series proudly features a Somali-American-Muslim family.  There is information about Somali at the beginning as well as some Somali terms and a portrait with names for the members of Sadiq’s family.  The mom and older sister wear hijab, “Salaam” is one of the defined words and the characters use it when they meet.  I also love the diversity of skin tones in the illustrations and one of the girls on the track team wears a scarf as well.  There are Muslim named kids and non Muslim named kids in the story, and while Islam isn’t mentioned outright, it is definitely represented through the characters words, names, and appearances.

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The story is straightforward and perfect for the age group, the books in the series do not need to be read in any order, and you will get to see the different supporting casts featured more prominently in different books, thus getting to know Sadiq and his world.  I like that he doesn’t get his way, and doesn’t get to do what all his friends are doing, but he makes it work.  He is grumpy and upset, but he doesn’t get obnoxious or overly whiney.  I think this subtly gives readers some tools and insights to model in their own disappointments.  I also like that while he has to put in the work and fix his attitude, he doesn’t have to do it all alone.  His family and coach are supportive, and eventually his friends apologize and support him too.  For the simplicity of the book, you actually do get invested in his little trial and want to see the outcome.

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FLAGS:

None, it is clean.

TOOLS FOR LEADING THE DISCUSSION:

This book is like a boy protagonist version of the Meet Yasmin books, they show a kid of culture in everyday experiences.  The target audience wouldn’t make it work for a school wide book club, but I think early elementary teachers would benefit from having the series in their classrooms and letting kids in small groups discuss if they want. These books would be great for first graders that are way above reading level and parents are struggling to find appropriate books.

The end of the book has some resources as well: a glossary, discussion questions to talk about and some to write down, as well as a home workout guide and information about the author and illustrator.

Najma by Anousha Vakani illustrated by Ayesha Sohail

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Najma by Anousha Vakani illustrated by Ayesha Sohail

 

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In a world of new STEM books and female powered books, this 28 page fact driven story adds one more empowering element, Islam.  With beautiful pictures on thick glossy pages, the 10×10 book is both educational and endearing for boys and girls ages 6 and up.

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There isn’t a story with a climax or moral, but there are characters, Najma and her astronomer Mom, who move the book along, and keep it “grounded” so to speak.

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Little Najma loves the stars and space above her, she knows Allah created them, but she wants to know more about them, what they provide, and how Allah made them.

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Mama and Najma look through a telescope as Mama teaches the life cycle of a star in simple terms over 11 pages.

 

 

Najma then asks what stars are for, and Mama tells her the benefits of the sun that Allah swt made for us and the stars as well.  Mama explains Allah only has to say, Be and it is.

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Every scientific concept, and daily life example is tied back to Allah swt.  And with Najma’s adorable little face, and the beautiful complimentary illustrations, the book conveys facts about the universe, love between mother and child, and awe at Allah’s signs.IMG_7189

Thank you Crescent Moon Store for amazingly fast delivery of this brand new book.  InshaAllah there will be more books like this combining science, Allah, and strong females for us all to learn from and enjoy.

 

 

 

The Proudest Blue by Ibtihaj Muhammad & S.K. Ali illustrated by Hatem Aly

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The Proudest Blue by Ibtihaj Muhammad & S.K. Ali illustrated by Hatem Aly

blueLOVE! Yes, usually when I’m so anxious for a book it disappoints, but not this one, it warmed my heart and soul and made me smile.  In 40 pages surrounded with absolutely adorable illustrations, the reader feels the love between siblings, the strength of self confidence, the power of being true to yourself, the beauty of hijab, and the awesomeness of light-up sneakers and five cartwheel recesses.

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It is the first day of school for sisters Asiya and Faizah, and Faizah’s first day of wearing hijab.  The book starts out with the girls and their mom picking out a new scarf at the store.

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The first day of school has the girls walking to school hand in hand, Asiya in her beautiful blue scarf, and Faizah in her new shoes admiring her sister as if she were a princess.

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In line a classmate whisper asks Faizah about her sister, and Faizah has to find her voice to speak up about her hijab.  She then likens the blue hijab to the sky, special and regular before recalling that their mom had told them “The first day of wearing hijab is important. . . It means being strong.”

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Throughout the day at school Faizah checks on her sister, sees other kids make fun of her, liken the blue to something beautiful, and then recall something their mom has told them to give her solace and strength.

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As Faizah puts into practice the lessons from her mom about being strong, knowing who you are, and not carrying around hurtful words, she, like her sister finds strength.  A strength which radiates to those around them, and further connects the two girls.

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Faizah has an amazingly sweet and authentic voice as she counts her light up steps and looks up to her older sister.  I love that the story stays on track and has its own rhythm of a school incident, a strong declaration about blue, a lesson remembered from Mama and a resolution.  With lots of mini climaxes the reader sees the strong perseverance and how being authentic will be challenged repeatedly.  The subtly of the hijab being whispered about and then proclaimed loudly is really tender and emotion filled.  Little reminders why OWN Voice stories are so important.

The illustrations are absolutely amazing on their two page spreads: the colors, tone, expressions, are perfect and a huge part of the narrative.  I love that when a boy points at Asiya, not just Faizah, but Asiya’s friends too are unhappy with the boy.  I also like that the boys being mean are not depicted clearly, but rather are shown in the shadows, furthering the point that mean words and those that spout them are not worthy of your time.

There are Authors’ Notes at the end and a picture of Ibtihaj  and her two sisters Asiya and Faizah. I think the book should be on every shelf, truly.  To be yourself and be proud of who you are is universal, as is kindness. The book does not discuss religion or mention Islamic reasons for her covering, and girls and boys alike will benefit from multiple readings of the book.

 

Towers Falling by Jewell Parker Rhodes

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Towers Falling by Jewell Parker Rhodes

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I realize the inherent difficulty of writing books for middle grades about the events of September 11, 2001: the author lived through it, the readers did not.  Yet, it seems like at some point a book regarding it, will just feel right, and I don’t think for this age group, I’ve found it yet.  This AR 3.3, 228 page book is a quick read, and while some of the characters have spunk and personality, a few of the storylines seem incredibly forced and the overall timeline and holes in the story will be ultimately disappointing for most readers.

SYNOPSIS:

Deja is starting a new school now that her family has gotten a room at a homeless shelter.  Immediately her fifth grade classmates are given an assignment about home, with the end goal that eventually this project will transform in to being about the change of New York’s skyline fifteen years ago.  The details regarding the attacks of September 11, are not given forthright and as Deja knows nothing about the attacks, and the fall of the towers, her inability to get answers adds to her frustration at home and school.

Deja is angry as she bares a lot on her young shoulders.  Her dad can’t hold a job, and his moods and ill health put caring for her younger siblings on her.  Her mom works as a waitress and is always tired.  They lost their house, lived in their car for a while, and now occupy one room in a shelter.  Deja refuses to lie about her home life and thus her aggressive attitude is always on guard.  Another new kid, Ben, joins the class and he and Turkish American popular girl, Sabeen, all quickly become really good friends.  Each have something brewing beneath the surface that they are dealing with, but their friendship helps them cope and bonds them together.

As the trio of kids work on their projects together, Ben finally shows Deja online footage of the attacks and clues her in to what everyone else in their Brooklyn class seems to know and has failed to tell her.  Deja links her father’s declining health to that fateful morning and decides she needs to go to Ground Zero and get some answers.

She doesn’t really get answers, but at least it is the catalyst for an overdue conversation with her and her father, and hopefully a start on the road to healing the family rifts.

WHY I LIKE IT:

Much like the book Nine, Ten there seems to be the token Muslim girl in the story to offer her perspective on the Islamaphobia that occurred after the attacks.  In this case Sabeen doesn’t detail anything specific happening to her, other than a clerk at a store telling her to go back to Saudi and her uncle getting screened regularly at the airport.  Of all the characters I feel like Sabeen gets the short end of the stick.  She is incredibly flat, stereotyped and undeveloped.  Her family is Turkish, she is wealthy, her mom wears niqab and they are all overly kind and sweet, which is great, but when Deja goes over for lunch, they ask her if she prays, which seemed so random and off to me.  A lot of the basics about the character the author got right, she says that the terrorists were Muslim, but they weren’t, sharing a sentiment many of us Muslims feel. She wears hijab, and takes it off when she gets home.  I don’t like that the mom speaks English, Arabic and Turkish, but is first introduced having Sabeen translate for her with another parent.  Seems incredibly pretentious and misleading.  Ultimately her storyline is just overly forced.  She has to leave Ben’s house when they talk about September 11, because she is so affected by it.  She wasn’t even alive when it happened, and I get that when it is discussed us Muslims are on guard, but the author makes it seem like it is her whole world and influences everything around her.  If you live in New York, especially, I’d imagine at some point you’ve had to come to terms with it, no?

That’s why I also struggled with Deja’s dad.  He is so debilitated by the events of 9/11 he can’t function, yet they happened 15 years ago, presumably before he met Deja’s mom and they started a family.  So, really she fell in love with him in his current condition and thought having three kids with him was a good idea? He was fine and then wasn’t? For 15 years he hasn’t been able to get some sort of help for his PTSD type symptoms?  Seems like a stretch in the timeline, and one that is hard to excuse even for 3rd and 4th graders.

I really like how Deja’s homelessness is brought out and hopefully readers can learn some empathy from her.  Unfortunately the entire 5th grade class is so idyllic that I don’t know that most if any kids reading the book will relate to such a well behaved, so accepting, forgiving and generous group of kids. I mean yeah that’s the goal, but its way too overdone.  Ben, Sabeen, and Deja are best friends after the first meeting even though Deja is rude, mean, and doesn’t like them.  I’m not even sure what Ben and Sabeen get out of being friends with Deja?  Deja undoubtedly benefits from them, but there aren’t a lot of compelling reasons given why they’d be so drawn to her.

And finally, I struggled with the theme of how being “American” united them all.  It makes sense when discussing it as a class, that it doesn’t matter their color, income, life experience, whether they were immigrants or born in America, but the concept comes up again at a critical point when Ben and Deja are on the subway and seems so misplaced to me.  On the subway there would be plenty of tourists and visitors, that wouldn’t be American, no?

FLAGS:

The book is clean, it does mention some drunk people at the shelter, but nothing specific, just in passing.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club selection because the target age is lower than who I meet with.  But, even despite some of my criticisms I’d recommend this book be in classrooms and school libraries as it does offer up a perspective on historical fiction that hopefully could lead to a slightly deeper understanding of the events at a young age.

 

 

 

Bismillah Little Leyla by Qura Abid illustrated by Mona Ismail

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Bismillah Little Leyla by Qura Abid illustrated by Mona Ismail

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I thought this book might be leveled- reader type based on the binding and page numbers (26), but it reads more like a picture book with its repetitive refrain, and honestly the awkward small size (5×8) makes it feel like a pamphlet.  So, I’m not sure who it is trying to appeal to, and unfortunately is a great example of how the outward presentation killed an otherwise decent book.  I also don’t know who is to blame for the final physical product, the author, the publisher, the printer? But at a $10 price point, I’m not sure anyone who purchases this book is going to be happy with the size and binding, and the book will simply get lost on a book shelf, and be forgotten.

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The premise of the book is good.  Rather than just tell kids to say Bismillah before they do anything, Little Leyla actually does it in the course of a morning.  I like that it shows that we say Bismillah before we do all types of things, not just before we eat or get in a car, but even when we swing and play a game or put on a jacket.

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The climax of the book is Leyla saying bismillah, shooting a goal and scoring against her dad.  The lesson being that Allah is always there to help us.

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I’ve read the book a dozen times, to myself and aloud, and I think the book has a natural cadence based on the diction and sentence length, and I think it wants to rhyme.  Additionally, after each example and on nearly every page, the refrain at the end of the paragraph is (nearly) the same:  “What must she say? Leyla knows! Do you? It’s Bismillah!”  The repetition makes it memorable, but with the sing song beat and on and off, often forced, rhyme, I find myself tripping over the words a lot, and I cant quite put my finger on why.  If the book were larger, and I were using it for a preschool story time, I would just have to practice it a few times, but there is no way, sadly,  you could read this book to a group if you want them to see the pictures.

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The illustrations might be ok, it might also be a presentation thing that makes them look washed out OR maybe that is how they are, I’m not sure. The detail and expressions are there, they just kinda seem faded.   Concept wise I like that they show the dad cooking and Mom playing soccer. The mom wears hijab she the family seems warm and happy.

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Thanks again to crescentmoonbooks.com for the excellent customer service and selection.