Category Archives: YA FICTION

Jun26

When Stars are Scattered by Victoria Jamieson and Omar Mohamed

Posted on June 26, 2020 by islamicschoollibrarian

This graphic novel swept me off my feet and left me in tears, not because of the hard life and sadness that life in a refugee camp entails, I had braced myself for that, but because of the hope and humanity and beauty that is so powerfully expressed and conveyed in this 264 page book. Meant for 3rd graders and up, I think kids through middle school should be encouraged to read it. The illustrations and colors are incredibly well done and the story is based on a true story that needs to be told and shared. It is definitely in the top 10 books I’ve read this year and I keep catching my 11 year old re-reading this book repeatedly (like 5 or 6 times).

SYNOPSIS:

Omar Mohamed lives in Dadaab refugee camp in Kenya. His father was killed in the Somali war and his mother has not been seen after she sent Omar and his younger brother Hassan to run with the neighbors to escape the violence. Hasan suffers from seizures and doesn’t speak, save one word, Hooyo, mother in Somali. The two boys have an adopted mom Fatuma, who looks after the boys in the camp as if they were her own. Unable to go to school, Omar spends his days looking after his brother, playing soccer with plastic bags, and waiting in lines for water, food, and news of a better opportunity.

When Omar gets the chance to go to school (5th grade) he has to make the difficult decision of pursuing his own opportunities, with the hope of helping Hassan later, or living day to day and taking care of his younger brother. He is finally convinced that education will help them both, and that if the girls can find a way to do their chores and attend class, he can too.

Each transition from primary, to middle to secondary school requires testing, and only the top get to continue. Determined to stay in school, Omar studies while dealing with life’s many challenges and the daily additional challenges of living with little food and resources.

When Omar and Hassan’s names finally appear on a UN interview lists for resettlement, hope seeps in, but the wait and the uncertainty prove to be yet another test. Along the way there are side characters from the United Nations that show compassion, other families that show how generous and loving humans can be, female classmates show him how to take advantage of his privilege and friendships that move friends to family.

WHY I LIKE IT:

The book is gripping and has heart. I don’t know what I expected, but I truly could not put it down. The character’s stresses are felt and emotions are conveyed so powerfully, that I don’t know that you can read the book and forget it. The most emotional part for me was his honesty in dealing with his brother, the strength of his friends, particularly female, and the bond to Fatuma. Truly their living arrangements and loss of family is gut wrenching, but it was the little things that touched me the most. The honesty of Omar having to decide if he was tempted to not go to school because he was scared. Was he using his brother as an excuse to stay with something he knew. The emotional tipping point of no return for me was when he realized Fatuma would not be able to go to the second interview with the UN and would not be a part of what came after. Of course I knew that, but by that point I was so connected to the character, that when Omar realized it, I broke for him. To feel that connection in a graphic novel was new for me, perhaps a first, and alhumdulillah I am better for it.

The characters are Muslim and behave traditionally with praying and Ramadan and Eid.

FLAGS:

There is talk of khat, something the men chew on the side of the road to forget things. There is some violence, bullying, a young girl getting married before 6th grade and having a baby.

TOOLS FOR LEADING THE DISCUSSION:

Yes! I am hoping if and when we resume school I am starting with this book inshaAllah, for my middle school book club. There is so much to talk about and understand and empathize with.

Jun19

More Than Just a Pretty Face by Syed M. Masood

Posted on June 19, 2020 by islamicschoollibrarian

Standard

More Than Just a Pretty Face by Syed M. Masood

This book is a Muslim YA romcom OWN voice written by a Muslim male. Woah, right? And the actual story, sigh (blush) I enjoyed it, and part of me is disappointed in myself for how much I enjoyed it. Most of the characters are Muslim and all over the spectrum in their religiosity so to speak, there are a lot of jokes at the expense of tenants in Islam and trivializing of certain concepts which really isn’t something to celebrate, but it reads real and there is a lot of Islam that is front and center and deep and though provoking. For most non Muslim readers, I’m sure 15 or 16 and up would be fine with the content and 353 page length, but as a former Islamic School Librarian, I’d have to reserve recommendations to college age. The protagonist is 19, there is talk of sex, but not crass, the main female character has a past that includes a sex tape, and there is a lot of language, but its also really funny and really relatable and really sweet and takes place in high school.

SYNOPSIS:

Danyal is a pretty face, but he isn’t very bright. He goes to an elite private school though somehow, and while he is admittedly dingy, he is also very kind, innocent and generous. He was held back at some point in school and is 19 as a senior in high school. He works in a French restaurant and dreams of being a chef. He has no desire to go to college and as the only son of Pakistani immigrants, they are not thrilled with their son’t future plans. Danyal is pretty chill about it though and his mom wants to arrange his marriage, and he is willing, although he is crazy in love with his friend’s twin sister. He is religious and hasn’t really broken any of the Islamic relationship rules, he prays fajr, and just kinda floats through life doing the best he can and forgiving himself and others when they mess up.

When his mom arranges a meeting with Bisma he is willing to get to know if they are a match. She however, fully discloses her past to him when they head out for coffee, which involves her rebelling, once a few years earlier, against her father and going to a party, further rebelling and getting drunk and then making the poor and regrettable choice to sleep with someone. To make matters worse, the event was video taped and spread around the community forcing the family to move. Bisma is pretty religious and really studious and really sorry, but her father and most community people don’t let it go. Danyal thinks that is stupid, one mistake shouldn’t haunt her forever, unfortunately he doesn’t think chivalry and pity are enough of a reason to marry her as he doesn’t think they are meant for each other. Basically, he is still really crushing on Kaval. So he and Bisma decide to be friends.

When Danyal’s history teacher in a fit of spite nominates Danyal for a prestigious Renaissance Man competition, Danyal calls on Bisma for help. The topic is Winston Churchill, the beloved British leader, but Danyal quickly learns he is not beloved by most Indian subcontinent people. Kaval offers to help so that Danyal can win the competition, impress her parents and then maybe give them a chance. But, suddenly Danyal doesn’t know if that is what he wants. He wants to be himself, he wants to be accepted, he wants Bisma.

WHY I LIKE IT:

You know how it is going to end, you don’t know entirely how it is going to get there, but you know where it is headed, yet the book is still compelling and fun. Between the banter of the religious friend, and the no longer religious friend, the advice the French Chef bestows on Danyal and Danyal’s complete and utter cluelessness to everything, the book is really warm and the characters really like-able. I dislike the stereotype of the “religious” character, but the other side characters are better developed.

On occasion I think Danyal’s stupidity is over done, he isn’t an idiot, he just isn’t book smart. So when he doesn’t know what “break a leg” implies for example, it seems a tiny bit off. I know his friends say he isn’t funny, but I think he is hilarious, especially with his commentary on the Desi community. “It is the curse of brown boys everywhere. We either die young or we live long enough to see ourselves become uncles.”

The role of Islam is incredibly prominent, and the characters understand what it means to be Muslim differently. Sometime I agreed with them, sometimes I didn’t, sometimes the characters didn’t agree with each other, sometimes they did. There is a lot to think about: destiny, Allah’s mercy, Qalb-e-saleem (a pure heart), caring for the less fortunate. Even politically there is a strong thread of colonialism, which the characters wrestle with and with being immigrant’s children. There is a lot packed in, but it flows so smooth and the writing rich with authenticity, that quite often I would laugh out loud and read various lines to my young children.

FLAGS:

Talk of sex and losing virginity, but not detailed, just stated. The chef is a lesbian. There is lots of language including the F word, not thrown in effortlessly, usually for a reason, and often reprimanded. There are a few kisses on the cheek and lips between Danyal and Bisma, but in a Disney princess movie sort of way.

TOOLS FOR LEADING THE DISCUSSION:

Not for middle or even high school book club. I don’t think that it is a completely “halal” romance story, but I think I wouldn’t be concerned if juniors and seniors were reading it, I think they would love it, and I might just have a few that I want to suggest it to…

Jun5

Mad, Bad, and Dangerous to Know by Samira Ahmed

Posted on June 5, 2020 by islamicschoollibrarian

Standard

Mad, Bad, and Dangerous to Know by Samira Ahmed

I really should give up reading Samira Ahmed books. This is the third one I’ve read, and while she is definitely getting better, I still don’t know why her editors don’t fix her flat notes. Like in Internment, the premise in this book is amazing, but other parts are just cringe-y and painful and really, really unnecessary. My guess is, she would identify herself as a romance YA author, and yet consistently in her works, that is the most lacking part: the character building and forced romances. The art history mystery, the inspiration and “real” life of the characters from the past, the setting of Paris in the summer, the fight for woman to be heard are all so well done and compelling and interesting that this romp that blurs fact and fiction might deserve a read, but you have to overlook the forced love triangle, excessive kissing, be willing to suspend reality regarding Alexandre Dumas, Eugène Delacroix, and Lord Byron, artifacts and sleuthing, but if you can do all that, this 337 page book for 9th grade and up, is definitely fun and hard to put down.

SYNOPSIS:
The protagonist is 17-year-old French-Indian-Muslim-American Khayyam, who is spending her summer in Paris with her professor parents like they do every year. But this year is different as she is being ghosted by her boyfriend Zaid back in Chicago and has just been humiliated by her poor research attempts to link a missing painting from artist Delacroix to author Dumas in an entrance essay competition to her dream school. Khayyam’s story is really just beginning though as she steps in dog crap and bumps into a descendent of Alexandre Dumas as she wipes it off. A cute descendant, who shares the name with his distant grandfather, and viola’ the two of them are off on a whirlwind adventure of clues and attraction and mystery solving.

Khayyam’s story is interwoven and told between small glimpses of Leila’s story. Leila is a Haseki, a chosen concubine of the Pasha in Ottoman Turkey, but the lover of Giaour and friend of the jin. As we learn her story from 200 years earlier and her struggle to break free of her gilded cage in the harem, only to be defined by the artist and poets and author men around her, her story and Khayyams collide.

WHY I LIKE IT:

I know precious little of art history, I can name drop a few artists and paintings, but that is being generous, so the fact that I have no clue what is real and what is fake and what is possible, made this story all the more fun and engaging. Yes, I researched, aka Googled, stuff as I read and am perfectly content to accept the fictional what ifs that the book offers. I love how the art world and literary world are one in the book and that they inspired each other. The way the sleuthing, the finding of artifacts, and unraveling of it all is presented is indeed a romp. Realistic? Not a chance, but fun. I also love how both Khayyam and Leila had to define themselves and ultimately not do it in the reflection of a male.

The rest of the book, is a bit of a stretch. Leila’s story naturally has holes in it as it is told in broken pieces, but Khayyam’s story does too. I just didn’t care about her past boyfriend/ex-boyfriend/friend, whatever Zaid is or was, and clearly after moping about him for 300 pages and then not even giving him a proper goodbye, means that the author and character didn’t really care either, which made the already forced, cringe-y annoyingness all the more grating. As for the relationship, the other piece in the triangle, with Alexandre, was fine in that there was angst, but they put it aside to solve the mystery, so it didn’t bother me too much. Of course the fact that Khayyam is a practicing Muslim who seems to have no problems with boyfriends, and making out and that her parents don’t mind either, makes the faith aspect all the more befuddling. I guess practicing might be a stretch, her mom and her go to Jummah prayer on Friday, thats about the extent, and she mentions she doesn’t drink. Zaid, sets up a tutoring program at the masjid, but his instagram has him hanging all over girls too, so not sure why the characters are even Muslim. I suppose it is good to have that diverse representation, but it doesn’t seem to make much necessary sense to the overall story.

FLAGS:

Implied concubine activities, with the Pasha and the lover. Lots and lots and lots of kissing, nothing graphic, but annoying amounts of it being mentioned.

TOOLS FOR LEADING THE DISCUSSION:

I want someone to discuss it with me and point out where the facts end and the speculation starts and when the full on fiction takes over. I don’t think I could use this book as a book club book because of the center stage of the haram romances in both Khayyam’s time and Leila’s. But if you have read it, talk to me about it, I’m curious!

NPR’s Review: https://www.npr.org/2020/04/11/831873365/in-mad-bad-dangerous-romantic-sleuths-uncover-a-byronic-secret

May29

Running Overload by Jake Maddox illustrated by Tina Francisco

Posted on May 29, 2020 by islamicschoollibrarian

Standard

Running Overload by Jake Maddox illustrated by Tina Francisco

This 72 page graphic novel features a female Muslim protagonist trying to balance her desire to be a great cross country runner and the rest of her life. Meant for 3rd graders, the lessons are applicable and relevant for readers in middle school as well.

SYNOPSIS:

Nimo Mohamed has made the varsity track team, and is determined to keep up with the older girls. She is training too hard which her coaches and parents warn her against, but she doesn’t listen. As a result she is lying to her family about what she is doing, her grades are suffering, and her body is exhausted to say the least. After coming dead last in a meet, getting a D on an English test, and injuring her knee, the truth comes out and her dad has her quit the team. Can she convince him to give her one more chance? Can she learn to pace herself?

WHY I LIKE IT:

There is nothing Islamic in the book except for the main character’s family. The women wear hijab when out, not at home and they have Islamic sounding names. I like that she is modestly dressed when she runs and that no one seems to care that she is Muslim. This story is not about her faith, it is a universal story of balance, and the character highlighting the moral is Muslim. Her parents are divorced, but are on the same page regarding her running and school balancing act, and they come together to support her. I also like that the book is a sports book and has a female girl of color as the lead. There is a lot of very intentional diversity in the book and it is refreshing to see.

There are questions at the end, and running vocabulary and tips for running as well.

FLAGS:

None

TOOLS FOR LEADING THE DISCUSSION:

The book wouldn’t lend itself well to a book club, but would definitely provide one-on-one discussion opportunities. The short linear story is all about imparting teachable moments on the reader, which isn’t a bad thing, but I think the real strength is that the book is one of a larger series that should really be in every classroom and library to show how balance and integrity and strength and diversity are values that we need to hear over and over, not just in one running book, but from a lot of different sources.

May15

The Vine Basket by Josanne La Valley

Posted on May 15, 2020 by islamicschoollibrarian

Standard

While in the midst of moving from Knoxville to Birmingham nearly 4 years ago, a lady reached out to me telling me that a colleague of hers, also an author, was a follower and fan of my blog and had recently passed away, she asked if she could send me a copy of her friend’s books. I agreed, not knowing what type of books the lady had written and didn’t think much of it. In the chaos that is moving, I received the books and boxed them up and then unboxed them and vaguely remembered that they were about Muslims in China. I put them in the to be read pile and just never got to them. Then as the plight of the Uyghurs started to be known here in the US, something tickled my brain, but nothing came of it, until recently when I realized, a lady, a non Muslim years ago was trying to tell the Uyghur’s story, and had reached out to me, and I didn’t get it, and still wasn’t getting it. So alas, I have now read the Vine Basket, and while it might not present Islam the way we are used to seeing it in life and in print, the characters do identify as Muslim and this middle grade book is a simply woven, beautiful story that gives voice to a population that is horrifically being silenced. The AR 5.0, 252 page book is a quiet book that will stay with me: the drunken father, the threat of being sent to a factory, the loss of tradition; I am so glad I read the book, and only wish I could reach out to the author to hear more about her knowledge of the region, of the people, of the culture that is being erased.

SYNOPSIS:

Mehrigul is 14, and since her older brother left, she has been forced to leave school to help her father sell goods in the marketplace. More often than not though, it is solely Mehrigul’s responsibility as her father drinks and gambles away the meager earnings the family makes. Her mother, ashamed of the poverty the family endures along with some presumed mental illness and headaches, seeps further and further away from the reality of life and the chores that need to be done to ensure food and survival of the family. Her younger sister is the only spark in a dreary and difficult life, and Mehrigul is determined that she should stay in school and be shielded from the darkness hanging over the family.

One day while in the market, an American woman approaches Mehrigul and asks to purchase a frivolous grape vine basket Mehrigul had made and hung to decorate the cart. She offers her 100 yuan, more money than Mehrigul has ever seen, and asks her to make more baskets, and that she will be back in a month to purchase them. The basket serves no purpose like the willow baskets her grandfather weaves and despite the money, Mehrigul’s father is not happy.

Mehrigul is forbidden from making the baskets for the American, and the fact that she will even return is dismissed. Her father grows increasingly cruel toward Mehrigul and keeps her busy to prevent her from making more. Mehrigul seeks solace in her elderly infirm grandfather who tries to help her find inspiration and time to make her baskets as he sees in her a gift that has value in their old culture. At one point as her father steals her baskets to take on a “religious” pilgrimage to the mountains. And her planting crops in the fields leaves her hands cut and swollen, unable to make more with just days left before the American lady is due to return.

WHY I LIKE IT:

At first I was really uncomfortable with the idea of a white American savior coming to a dying oppressed culture to offer hope, until I read the afterwards and understood that much of the story was inspired by the author’s own experience and that she worked with Uyghur’s to get the story right. The book reads like historical fiction which makes the day to day life of this modern book all the more heart breaking, it isn’t about the past it is the present, and life in East Turkestan is bleak. I like the character of the father, he is an abusive mess, yet somehow it isn’t that easy to write him off, he has his own struggles and the depth of character I found in him, in a middle grades book, is haunting. I also really like how Mehrigul’s story is so foreign to us here in America, yet her emotions and insights are universal and thus relatable. She wants to find her place, and excel, and help her family, and she is scared, doesn’t know who to trust, and takes on more than most children any where should, but often are forced to do.

The characters identify as Muslim and as a people the Uyghurs are Muslim. They say salam in the story, but only to the grandfather, and the girls all cover their hair with scarves. The father obviously drinks and gambles, two practices, not permitted in Islam. Mehrigul fastens a talisman and connects her prayers to it as a form of worship which I would imagine is cultural perhaps, and when things go awry she remarks she should have prayed to Allah swt. The father goes on a pilgrimage to a mountain shrine, which again seems off from traditional Islam, but is presented in the book instead as odd because the father is not normally religious. Islam is not a big part of the book, so it is hard to know if the representation of it are isolated to who the author met, or a larger norm of the community. Considering how isolated and oppressed the Uyghurs are, I tried really hard to suspend judgement, or offer my privileged limited critique of the people.

FLAGS:

Drinking, gambling, abusive father, anger, lying, deception.

TOOLS FOR LEADING THE DISCUSSION:

I would consider this for a middle grades or even middle school book club, there is so much going on in China and in the erasing of Islam there that this book would supplement the news and few stories we are hearing. It opens up the culture and gives it a face that is not political, but personal. The faults of the father are not glorified at all, and the discussion about his desire to hold on to culture and fear about his daughter surpassing him would be fascinating to hear from people the protagonists age.

Apr24

Once Upon an Eid: Stories of Hope and Joy by 15 Muslim Voices edited by S.K. Ali and Aisha Saeed

Posted on April 24, 2020 by islamicschoollibrarian

Standard

Once Upon an Eid: Stories of Hope and Joy by 15 Muslim Voices edited by S.K. Ali and Aisha Saeed

I’ve never been a huge fan of short stories, but this book has me reconsidering such an arrogant approach, as every single story in this collection has me feeling the warmth of Eid, the joy of authenticity, and the beauty of being a part of a faith with such strong female writers. Fifteen entries for middle graders in mind: short stories, poetry, and even a graphic novel, spread over 304 pages that shine light on Eid in today’s world, Eid al Fitr and Ramadan make up the bulk of the focus, but Eid al Adha and Hajj are in there too. And the best part of the book is that you will see yourself in it, possibly all through out it, but reading such diverse OWN Voice stories are sure to make a Muslim reader feel represented and right at home, and give non Muslim’s a peek at us from the inside, inshaAllah.

SYNOPSIS:

I don’t know how to review the book as a whole since there really are 15 different stories, that are each heartfelt and strong in their own right and yet somehow made better by the company around them. There were no weak links. There are stories with bickering siblings, annoying cousins, different cultures, mixed background familes, divorced families, converts’ stories, stories of families where money is tight, stories with illness, stories of loss, a story from the perspective of a refugee, and stories of reaching out of your comfort zone. There is one story about Eid al Adha and a story starring a Shi’a muslimah feeling different within Islam. There are stories told from boys voices and girls voices and every single story has a take home message, some more subtle than others, but all there and all real. I feel like even a summary of a story would prove a spoiler and take away from one just falling in to the collection and receiving the warm hug that awaits. I’ll leave the summaries to their titles and well known authors to spark your curiousity.

Perfect: Jamilah Thompkins-Bigelow

Yusuf and the Great Big Brownie Mistake: Aisha Saeed

Kareem Means Generous: Asmaa Hussein

Don’ut Break Tradition: S.K. Ali

Just Like Chest Armor: Candice Montgomery

Gifts: Rukhsana Khan

The Feast of Sacrifice: Hena Khan

Seraj Captures the Moon: G. Willow Wilson and Sara Alfageeh

Searching for Blue: N.H. Senzai

Creative Fixes: Ashley Franklin

Taste: Hanna Alkaf

Eid Pictures: Jamilah Thompkins-Bigelow

Not Only an Only: Huda Al-Marashi

Maya Madinah Chooses Joy: Ayesha Mattu

Eid and Pink Bubble Gum, Insha’Allah: Randa Abdel-Fattah

WHY I LIKE IT:

I recieved this book as an Advanced Reader (digital) copy and I am thinking I want a hard copy too, (I wasn’t able to view the artwork). A lot of people ask me and I see postings in various social media groups asking for suggestions of books to read each night as a family in Ramadan, and I think this one would work for grades 3 and up. Have each kid read the story throughout the day and then discuss in the evening. Every story will have something that is familiar, probably something new, and each has a teachable moment. I think different kids will identify with different aspects of the story and to articulate them in Ramadan will really bring the already memorable characters to life.

The book is very well done, and reads very smooth and cohesive, it really has a unified tempo and mood which is remarkable because so many different author’s and voices are included. The book stays focused on the feeling rather than getting too weighted down by doctrine. There are stories that feature hijab prominantly, and a bit of Prophet Muhammad (SAW), and some slight mention of islamaphobia, but it focuses on the friends and the love that support us, both Muslim and non, that make Eid and life hopeful.

FLAGS:

Clean

TOOLS FOR LEADING THE DISCUSSION:

I would consider this as a book club book to be hosted just as I hope to do this Ramadan with my own children in my home (see above). I think really I just want to buy a bunch of copies to give as gifts to the fabulous elementary aged children I know, alhumdulillah.

Apr3

You Must Be Layla by Yassmin Abdel-Magied

Posted on April 3, 2020 by islamicschoollibrarian

Standard

You Must Be Layla by Yassmin Abdel-Magied

This OWN story, upper middle grades book, is heavy on the pop culture, relatable on the Islamic family presentation and honest in its portrayal of Islamaphobia, yet somehow the tidiness in which everything wrapped up seemed too forced and a bit flat. At 293 pages, including a three page glossary, the book is a quick read meant mainly for girls. It involves robotics, academic achievement, and invention, while also discussing crushes, a character coming out to his family and friends, and mention of girls not praying at certain times of the month.

SYNOPSIS:

Layla lives in Australia and goes to the Islamic School of Brisbane. Her Sudanese family: older brother, younger twin brothers, and parents, her Doctor mom and medical machine tech dad, are active Muslims and proud of their culture. They assimilate to Australian norms in varying degrees, but with all the kids at ISB, Layla doesn’t feel all that different in her school and social life. Unfortunately she wants more, she wants to be an adventurer, and when she meets Adam over the break and learns about the various opportunities he has it his school, Layla decides she wants to prove herself on a larger stage. Going in to “shut down” mode Layla has tunnel vision to ace the scholarship and entrance exam and go to a new school.

She gets in to Mary Maxmillion Grammar School and when she goes to meet the board they let her know that the decision to accept a girl like her was not unanimous. Layla is an immigrant, she is black, she wears hijab, she is loud and proud, and apparently very smart, but as one trustee asks, is she brave? On the first day of school she arrives late to first period, insults the teacher repeatedly and also makes friends with a group of slightly diverse boys. At the end of the day however, Peter, a boy who had insulted her earlier, reinforces his disapproval of her being allowed at their school and pushes her. Standing her ground, she verbal attacks and then head butts the boy in front of a large portion of the school at dismissal. No one offers any help, nor speaks up when she is suspended for a week, her scholarship and admission put on probation, no one even asks for her side of the story, Peter, is let off completely free, as he is also the son of the Board Chairman.

Layla decides to prove she belongs at the school she is going to win a prestigious robotics competition and since everyone already is on a team, she decides to go for it solo. The only problem, is she doesn’t know what to invent. When she returns to school, her friend that she is crushing hard on is acting weird, and she gets caught up in a lie of sorts that serves as both the idea and silliness turned cleverness of the book. While choking on gummy worms, she says she is working on an edible actuator for her robot, and somehow has to make that come to fruition.

The rest of the book is Layla making a lot of silly errors of judgement: missing classes being in SD mode in the workshop, forgetting to file the paperwork and registration to actually compete in the competition, and leads up to the resolution between her and Peter, learning her crush is gay, and deciding to be herself and proud of it.

WHY I LIKE IT:

I actually like the majority of the book, I really like how Islam is presented and lived. They pray and say salam and cover, and recite tasbeeha to reflect, and quote hadith very naturally, even how others attack them, and the anger that Layla’s brother Ozzie feels at his inability to get a part time job reads and feels very authentic. I also like how one of the teacher’s own experience as being a descendant of the forgotten generation and being a first nations ethnicity is woven in. I felt the side character being gay was added and forced in as an after thought and I don’t know why, as it didn’t show Layla to be a particularly good friend. She handled his coming out well, but when he was miserable she was wrapped up in her own stuff and didn’t reach out very well, even though he ended up being the spark for her invention. Her friend at ISB is also an under developed character, that while I get is used to show another side of Layla, in many ways also showed her to be a rather poor friend.

I found the pop culture references annoying, not in and of themselves, but in knowing that they will date and make the book irrelevant in a few short years. There is a lot of repetition of phrases and ideas that a few times when I put the book down I struggled to re-find my place (I know bookmarks, right?) but certain refrains and paragraphs seem so very similar. I

There is a lot of good information about Sudan and their food and culture and traditions. There is also a decent amount about Muslims in Australia. I like that even within her family there are different views on how much to assimilate, and how much to fight back against perceptions, the fact that there is a lot of gray makes non Muslims and non immigrants reading the book hopefully realize how diverse all people are and to not assume anyone is only one way. I would have liked more about Layla’s mom and being recruited to come to Australia, and how she was perceived at work, by patients and colleagues. I also would have liked some sort of resolution about Ozzie and his job search. Really though my biggest complaint is Layla, herself. What does it even mean to want to be an adventurer? I like that she is fallible and human and in some ways she does grow, but I felt like her being smart and a go-getter is the foundation of the story, but that she didn’t seem to have much common sense seems a bit off. Yes she is loud and funny and puts in hard work, but the way she talks to teachers, and misses classes and deadlines, and behaves seems like a disconnect from the pages constantly telling me how smart she is. To me, part of being smart is knowing when to lash out and when to listen, I don’t feel like her growth arc was all that great, in a nut shell, she changed schools and confronted a bully, that is the story, while not a bad story, it could have been so much more.

FLAGS:

There is crushing, violence, a gay character, mention of alcohol at a party Layla didn’t attend, talk of hooking up in passing and some language. There is lying but it is acknowledged guiltily, and not familiar with Australian slang, regular use of the phrase, Janey Mack, which according to google is a replacement for Jesus Christ.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know why I wouldn’t use this book as a book club selection. It just didn’t strike me as something they would benefit from. I wouldn’t be opposed to someone picking it up and reading it in my house, but I doubt I’ll recommend it to my daughter and she is the ideal reader: she wears hijab, is in 8th grade at an Islamic school, and loves to read. The book is really not memorable as good or bad, it just fell flat and I doubt I’ll read it again, luckily it only took two sittings to read, so I don’t feel like it was a waste of time, but seeing as I had to pay cover price and international shipping, I kind of regret rushing to buy it.

Teacher guide: https://www.penguin.com.au/content/resources/TR_YouMustBeLayla.pdf

Mar20

The Candle and the Flame by Nafiza Azad

Posted on March 20, 2020 by islamicschoollibrarian

Standard

It takes about 124 pages to be swept away to the city of Noor, but once it happens, it is hard to come back. The 391 page fantasy story takes a while to get going, but the character driven plot filled with amazingly strong and diverse women is worth the slow start. Middle school readers and up (AR 5.8) will enjoy the blend of Islamic imagery, sub-continent Asian culture, fire, Ifrits, Djinn, family, relate-ablity and good quality story telling. The fact that it is a main stream book, with so much religion and culture makes it all the more remarkable in its universal appeal.

SYNOPSIS:

Fatima is a Muslim girl adopted by a Hindu family, only everyone in the entire city was killed eight years ago except for Fatima, her adopted sister, and an elderly lady, when the Shayateen attacked. The orderly Ifrit were asked to defeat the Shayateen and protect the city, and when they did, the wealthy returned along with people from other cities. Thus Noor is now a vibrant city of different backgrounds, cultures, religions, and languages repopulated and ruled in halves by the Maharaja, Aarush and Ifrit Emir, Zulfikar.

Fatima works as a messenger and her favorite place to deliver packages to is an old book shop owned by Firdaus, an Ifrit she regards as a fatherly figure. He has taught her languages and provides her a place to learn and grow. When he dies in front of Fatima, she is forever changed, literally, he transfers his powers to her, and she is now not only part human, part Ifrit, but also the Name Giver, an incredibly powerful and important being in bringing the smokeless Djinn from their wold to her hers.

With rebel forces threatening the Maharaja’s rule, Ghul and Shayateen entering the city, a taint threatening the leader of the Ifrit, a traitor in each palace, and a budding romance between Fatima and Zulfiqar, the characters pull you in and create an enjoyable story that is vivid, fantastic, and hard to put down.

WHY I LIKE IT:

The story doesn’t have a neat and tidy plot culminating in a climax, but the character arcs and vivid world building pull you in and keep you interested. I love that the characters are different and complex and unique, and that women are so so strong and celebrated for their strength in all spheres, not at the expense of the males, but solidly in their own right. It is refreshing and glorious to see the matriarchal Ifrit world contrasted with the human world, and the strong females that emerge in both.

I love that there is so much diversity and tolerance and the book doesn’t shy away from presenting faith practices and acceptance in such an honest manner. There is a four page glossary and it is needed, yet not overwhelming at the same time. The most read page in the book for me however, was the Dramatis Personae page listing the characters. Until that 124 page mark, I was constantly flipping back trying to keep everyone straight, not so much because the characters are confusing, but “what” they are took a little while to stick.

I got sucked in by this book truly, I ignored my children during our Corona virus quarantine one day to read the second half, and I don’t regret it one bit. The romance, was a bit cheesy at the end, but it was clean, and sweet and presented as a way forward, not as a settling or sacrificing choice for either character which was greatly appreciated.

FLAGS:

There are a few kisses once the two main characters are married. There is stalking and attempted sexual assault by a character, but Fatima more than took care of that with the support of many strong females. There is mention of a homosexual relationship, but not dwelled on, and I think one could argue that there is possibly something more going on between two of the females, but it isn’t explored. There is death and killing and violence, but nothing extreme.

TOOLS FOR LEADING THE DISCUSSION:

I had hoped to sneak this in for book club next month, but with school closed indefinitely, it might have to wait until next year. I think girls will gravitate more to it than boys, but I think that is ok, because often girls need more of a nudge, in my experience, to give fantasy a try. I am trying to convince my daughter to read it, but the first 100 pages are pretty slow, so if I can’t force her through it, I don’t know what chance I’ll have, here’s hoping.

NPR Review: https://www.npr.org/2019/05/18/724120066/language-has-magic-in-the-candle-and-the-flame

Interview with Nafiza Azad and Hafsah Faizal (We Hunt the Flame) https://www.slj.com/?detailStory=hafsah-faizal-and-nafiza-azad-interview

Mar13

Neither This Nor That by Aliya Husain

Posted on March 13, 2020 by islamicschoollibrarian

Standard

This 251 page novel reads like a biography that has no climax or real conflict in its linear retelling of the protagonist from 3rd grade to a junior in college. If you are part or all Desi, raised in America in the ’80s and ’90s and have fond memories of NBC’s Must See TV, rolling your pants up, your family packing Corning Ware sets to take to the homeland, and the joys of TJ Maxx, you might enjoy the nostalgic similarities you too experienced, but even at that, with no plot or character arcs, the book is easily forgettable and you might forget to finish it. For all my critiques of Muslim stories that don’t read authentic, this one definitely does, she doesn’t rebel, she doesn’t ever go against Islam, but because she is similarly not ever tempted to, I think most readers won’t relate to this fictional girl, who’s biggest worry is smelling like her mother’s cooking. The book seems to just want to tell her life story, and getting through it is the point of the book, not making emotional connections, giving the reader something to think about or even inspiring others, which is ultimately a missed opportunity that this book could and should have capitalized on.

SYNOPSIS:

It is the first day of school for Fatima Husein the eldest of many daughters in her Indian American suburban home. With a mother who doesn’t speak much English and parents that don’t seem to understand Fatima’s desire to fit in, the stage is set that will carry through the entire book of Fatima loving to study and separating herself as the girl at school pretending to be more American than she really is, and the girl at home pretending to be more Indian than she feels. As the book follows the character through college, along the way Fatima and her family have extended maternal family move to America from India and then move back, they take a trip to India which is not enjoyed at all, her dad’s family then moves from India and settles near them, they move to be closer to the masjid, and they go for Hajj. Characters bounce in and out: school friends, community friends, cousins, etc.. The only real constant is Fatima’s love of school and her paternal grandmother grumbling about her getting married. There are the ups and downs of life that are shared, most very specific to a ABCD (American Born Confused Desi) living in the ’90s. Fatima is religious and Islam is important to her and she never waivers in her black and white view of things. It does take her a little while to wear hijab, but there is no real self reflection and catharsis, it is just states she wants to fit in and isn’t ready. The conclusion is she finally accepts a proposal from the son of an old family friend who lives in Chicago. Not so much because she likes him, but more because she has no reason not to say yes and her parents are in favor it.

WHY I LIKE IT:

If this were a biography and it was someone famous, the minutia of day to day living might be compelling, but as it is fiction and you have no idea where the story is going, it just seems to tell a story about a typical girl doing typical things. It has value in that it shows how normal and boring even, a normal Muslim family is, but it gets really preachy at times and really dry. None of the side characters are memorable. I have no idea how many sisters Fatima has, when her grandfather passed away I felt nothing, when two who families died in a car accident Eid morning on their way to prayers, I had to flip back to see if the characters had ever been mentioned before. It seems like the whole point is to get to the end, and more heart and less tedium would have made this book an amazing example of American Muslims in America. The first page mentions friends and there is no follow up to where they are or what happened to them, and this happens all through out the book, there are no emotional connections, nor attachments among the characters to include the reader into their plight as well. The protagonist one must assume gains her voice from the author’s experiences herself, but it just lacks internal dialogue and conviction.

Fatima lives through the Gulf War and makes big changes and has to find her place, yet the book just tells us all this, it doesn’t show us how she internalizes and processes and emerges from the experiences shared, it just gives an example and then comments on it. The font and layout visually looks like a text book, and at times, the internal structure reads like an essay, sharing an anecdote, backing it up, and moving on to the next event on the time line.

I feel like I know the character, it definitely comes from a place of shared experience and credibility, but you have no idea where it is going, and just like I doubt anyone would want to read my life story, the book needs a little direction and editing. In the author interview posted below in the “Tools to Lead the Discussion” she mentions that mainstream publishers wanted more rebelling and she wouldn’t compromise. I agree with her, we need books that don’t follow that assumed track, I think that the presentation of the story, however, as it is, is lacking. The integrity is there, but the character is really flat, and there are plenty of literary tools that could enhance the story without compromising Fatima’s character to drugs and alcohol and boys. The book was self published in 2010 and I really hope at some point the author will re-edit it, to make it relevant to preteens and teens today and more personable. Ultimately making it so that the successes Fatima has are cheered on by the reader, who are also inspired by her accomplishments while staying true to her beliefs.

FLAGS:

Considering how many pages are dedicated to how she and her sister are to behave in India as to not seem naughty or as arrogant Americans, the curse words flow pretty regularly in the book, and the way she speaks to her elders and in front of her elders is not always kind. There are side comments about hooking up, STDs, and drinking, nothing any of the characters engage in, but judgments regarding these topics for those that do is present. She also talks about her mom’s failure to discuss menstruation before hand, to exemplify how things are only discussed once they need to be dealt with.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that as a book club selection today’s youth would voluntarily pick up and read this book. There might be some ability for a teacher to assign it and then turn around and make the students write something similar about their experiences in a fictionalized form. I think students would struggle to relate to Fatima with the outdated references and the lack of conflicts and climaxes in the narrative.

Feb21

Yes No Maybe So by Becky Ablertalli and Aisha Saeed

Posted on February 21, 2020 by islamicschoollibrarian

Standard

Yes No Maybe So by Becky Ablertalli and Aisha Saeed

This new rom com in book form with a Muslim female character written by a Muslim author, sets itself apart by being co-written by a Jewish author and the other half of the love story being told by a Jewish boy’s point of view. This YA book is very relevant as a special election in Georgia served as the catalyst of the two authors coming together and fictionalizing the effects of white supremacy, Islamaphobia, and antisemitism for the book, while real headlines were urging the two to canvas, get involved, and make a change against the increased showing of hate with the election of Trump. The presentation of Islam is probably realistic, but definitely not ideal, and with the kissing, multiple LGBTQ+ supporting characters, the profanities, and 436 page length, the book is probably best for 15 year old readers and up.

SYNOPSIS:

Jamie Goldberg is 17 and is spending his summer helping his cousin work on a special election campaign for a Democratic candidate in an incredibly red district in Georgia. A very nervous kid, who hates public speaking and talking to girls in general, he would rather be behind the scenes or hanging out at Target. His little sister, Sophie’s bat mitzvah is coming and things at home are crazy with pre party planning. His grandma, an Instagram sensation uses him for tech support and video filming, and his easy going demeanor means he spends a lot of time, being bossed around.

Maya is the 17 year old only child of a lawyer mom and physician dad and has just found out that they are separating. With her one friend too busy with work and starting at the University of Georgia, US born, Pakistani-American Muslim Maya, is not having a very good Ramadan. When an interfaith event reunites her with a childhood play-date friend, Jamie, her mom convinces her to help him canvas to keep busy and sweetens the deal by bribing her with a car.

Naturally the two spend a lot of time together vounteering for Jordan Rossum, stuffing envelopes, canvassing, and putting up signs. Along their way they become good friends, and invested in the election as a House Bill banning head coverings, and antisemitic bumper stickers start getting plastered around town. The end of Ramadan, the election, the hate the two encounter, and families changing, bring Jamie and Maya together.

Maya’s parents are pretty chill about boys, and only caution her about unnecessary complications by dating in high school, when Maya throws it back on them, that their relationship is pretty complicated, she seems to not find an Islamic reason not to make-out with Jamie. The whole book is angsty and the two feign cluelessness, but based on the cover of the book alone you know where it is going. The true climax is how much the relationship can be used for political gain, and if they can get their candidate elected.

WHY I LIKE IT:

I like the political setting, it is a different and very relevant slant. It might be a little alienating to readers outside the United States, because the political process isn’t really detailed, but the characters involvement in their small slice is a major aspect of the book. The book is definitely pro Democrat, but addresses the gas lighting, hate speech, and views of those on both sides.

I also like that two minority authors came together to share an OWN voice perspective of life today. For the most part the story telling is smooth with the two characters getting alternating chapters to tell their story from their point of view. A few times, I felt details were missing, for example what Maya wore for Eid, when space was given to detail that she didn’t wear ethnic clothes to an iftar, and her picking a dress for Sophie’s bat mitzvah. Similarly, Maya’s parents seemed flat for their trial separation being a major part of Maya’s stress. Jamie’s grandma was probably my favorite side character, and one of the most fleshed out.

I am fully aware that some Muslims pick and chose what to follow and that not everyone is strict about boy/girl relations, but I felt like for a book that is set in Ramadan, uses religion as a catalyst for civic action, Maya’s mom wearing hijab, and an opening scene being set at the masjid, there is really nothing Islam in the defining aspects of the characters or story. It is so watered down and almost catering to non Muslims to feel comfortable, that it left me annoyed. And I think non Muslims too will wonder why Maya’s mom covers and Maya doesn’t and how that works, or why Maya switches to having one reason for not dating and then a religious one.

The book sets out to do a lot in terms of humanizing the effects of laws and policy on average people, but I don’t know that most Muslims hoping to see a mirror to their experience will find that in Maya. I can’t speak about Jamie, and the Jewish experience, but Maya is rather forgettable in my opinion.

FLAGS:

There is a lot of cursing, and the F word at that. In the dialogue set in Ramadan, it becomes a joke to substitute it for something else, but once the month is over, the language resumes. There is kissing, and making-out with the main characters. There is talk of hooking up, but nothing explicit. There are is a side character friend that is gay and he and his boyfriend are affectionate. After the bat mitzvah Sophie comes out to Jamie.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think that I could do this as a middle school selection, the rationale for Jamie and Maya dating, isn’t ok for an Islamic School message. I really wish just once, a book like this would have the main character, being like, “nope, sorry.” It is getting predictable and while I know it is countering the oppressed woman view, it is becoming equally one dimensional in its presentation of Muslim women.