Category Archives: Historical Fiction

Sep9

Towers Falling by Jewell Parker Rhodes

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Towers Falling by Jewell Parker Rhodes

towers falling

 

I realize the inherent difficulty of writing books for middle grades about the events of September 11, 2001: the author lived through it, the readers did not.  Yet, it seems like at some point a book regarding it, will just feel right, and I don’t think for this age group, I’ve found it yet.  This AR 3.3, 228 page book is a quick read, and while some of the characters have spunk and personality, a few of the storylines seem incredibly forced and the overall timeline and holes in the story will be ultimately disappointing for most readers.

SYNOPSIS:

Deja is starting a new school now that her family has gotten a room at a homeless shelter.  Immediately her fifth grade classmates are given an assignment about home, with the end goal that eventually this project will transform in to being about the change of New York’s skyline fifteen years ago.  The details regarding the attacks of September 11, are not given forthright and as Deja knows nothing about the attacks, and the fall of the towers, her inability to get answers adds to her frustration at home and school.

Deja is angry as she bares a lot on her young shoulders.  Her dad can’t hold a job, and his moods and ill health put caring for her younger siblings on her.  Her mom works as a waitress and is always tired.  They lost their house, lived in their car for a while, and now occupy one room in a shelter.  Deja refuses to lie about her home life and thus her aggressive attitude is always on guard.  Another new kid, Ben, joins the class and he and Turkish American popular girl, Sabeen, all quickly become really good friends.  Each have something brewing beneath the surface that they are dealing with, but their friendship helps them cope and bonds them together.

As the trio of kids work on their projects together, Ben finally shows Deja online footage of the attacks and clues her in to what everyone else in their Brooklyn class seems to know and has failed to tell her.  Deja links her father’s declining health to that fateful morning and decides she needs to go to Ground Zero and get some answers.

She doesn’t really get answers, but at least it is the catalyst for an overdue conversation with her and her father, and hopefully a start on the road to healing the family rifts.

WHY I LIKE IT:

Much like the book Nine, Ten there seems to be the token Muslim girl in the story to offer her perspective on the Islamaphobia that occurred after the attacks.  In this case Sabeen doesn’t detail anything specific happening to her, other than a clerk at a store telling her to go back to Saudi and her uncle getting screened regularly at the airport.  Of all the characters I feel like Sabeen gets the short end of the stick.  She is incredibly flat, stereotyped and undeveloped.  Her family is Turkish, she is wealthy, her mom wears niqab and they are all overly kind and sweet, which is great, but when Deja goes over for lunch, they ask her if she prays, which seemed so random and off to me.  A lot of the basics about the character the author got right, she says that the terrorists were Muslim, but they weren’t, sharing a sentiment many of us Muslims feel. She wears hijab, and takes it off when she gets home.  I don’t like that the mom speaks English, Arabic and Turkish, but is first introduced having Sabeen translate for her with another parent.  Seems incredibly pretentious and misleading.  Ultimately her storyline is just overly forced.  She has to leave Ben’s house when they talk about September 11, because she is so affected by it.  She wasn’t even alive when it happened, and I get that when it is discussed us Muslims are on guard, but the author makes it seem like it is her whole world and influences everything around her.  If you live in New York, especially, I’d imagine at some point you’ve had to come to terms with it, no?

That’s why I also struggled with Deja’s dad.  He is so debilitated by the events of 9/11 he can’t function, yet they happened 15 years ago, presumably before he met Deja’s mom and they started a family.  So, really she fell in love with him in his current condition and thought having three kids with him was a good idea? He was fine and then wasn’t? For 15 years he hasn’t been able to get some sort of help for his PTSD type symptoms?  Seems like a stretch in the timeline, and one that is hard to excuse even for 3rd and 4th graders.

I really like how Deja’s homelessness is brought out and hopefully readers can learn some empathy from her.  Unfortunately the entire 5th grade class is so idyllic that I don’t know that most if any kids reading the book will relate to such a well behaved, so accepting, forgiving and generous group of kids. I mean yeah that’s the goal, but its way too overdone.  Ben, Sabeen, and Deja are best friends after the first meeting even though Deja is rude, mean, and doesn’t like them.  I’m not even sure what Ben and Sabeen get out of being friends with Deja?  Deja undoubtedly benefits from them, but there aren’t a lot of compelling reasons given why they’d be so drawn to her.

And finally, I struggled with the theme of how being “American” united them all.  It makes sense when discussing it as a class, that it doesn’t matter their color, income, life experience, whether they were immigrants or born in America, but the concept comes up again at a critical point when Ben and Deja are on the subway and seems so misplaced to me.  On the subway there would be plenty of tourists and visitors, that wouldn’t be American, no?

FLAGS:

The book is clean, it does mention some drunk people at the shelter, but nothing specific, just in passing.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club selection because the target age is lower than who I meet with.  But, even despite some of my criticisms I’d recommend this book be in classrooms and school libraries as it does offer up a perspective on historical fiction that hopefully could lead to a slightly deeper understanding of the events at a young age.

 

 

 

Aug16

Jasmine Falling by Shereen Malherbe

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Jasmine Falling by Shereen Malherbe

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This 184 page book about a girl figuring out her past, to accept her present, and plot her future. is not marketed, or perhaps even written as a YA novel, but I’m reviewing it because while the protagonist is in her 20s the book could be enjoyable to ages 15 or so and up, if they are willing to stop trying to understand a lot about the book and are content to just go along for the heartfelt ride.

SYNOPSIS:

Jasmine is half Palestinian and half British and when her wealthy mother passes but stipulates to claim her inheritance Jasmine must find her father, the book leaves England and heads to Palestine.  To further complicate things she has only 10 days to find a father who has been missing for years, in a land she has only visited once before many years ago.

Once in Palestine, the story takes her from one city to the next and one village to another with pit stops at various historical sites along the way.   With lots of fragmented memories, the shadow world of Jinns, and a race against time and around the obstacles of the occupation, Jasmine rediscovers Islam, her family history, and the fears that haunt her.  She also meets Josh, a character of questionable allegiances, motives, and background himself, that constantly finds himself able to help Jasmine and possibly himself.

From Jericho and Jerusalem and Batien, Jasmine hears stories about her father from people that know her family,  as she pieces it all together and reunites with her family members, she understands her past and works to determine what path her future should take.

WHY I LIKE IT:

I love the backdrop of Palestine and the history and the richness of culture that is brought to light in a surprisingly non political way.  The interaction of the different faiths among the villagers and the love of the land is truly palpable.

The part I struggled with was the holes in the story telling, for each page that brought Jasmine closer to answering her one question of where her father is, the reader was given 27 new ones that would never be answered.  Where did the wealth come from, how did Jasmine’s parents meet, what were the circumstances that made Jasmine’s dad leave, who is Richard, who was Ali, how old is Jasmine, why are there so many Jinns every where, why is there secret passages in the mountain, how come she trusted Josh, how could Josh get from one city to another in record time, why did the soldiers at the check points know of her family and specifically her father, and most importantly why every time she meets someone that knows her family, why does she run away.   It is incredibly frustrating that every time the story hints at what makes her father so famous, or sought after or memorable, or hint at why he disappeared, something interrupts them and the reader is left in the dark, only to have the book end and no really understanding conveyed.

I get why the story is told in pieces, but really the story is confusing in how it is told, and it doesn’t need to be.  The author can write and the last 50 pages are really great.  For as confused as I was so often, I kept reading because the story is good.  There is just a tad too much with diving in to the past to understand the present, the supernatural of the jinn, the reemergence of faded memories and dreams, the political climate, the letters from World War II, that the character dynamics are lost until the end.  I care about Jasmine and am curious about Josh, but a little more detail to the relationships the two main characters have with all the other minor characters that they encounter would really make the story soar, and clarify so much.

One thing I didn’t love was the presentation of Jinns, I know it is to add cultural richness and a bit of muddled confusion, but really the story I think is strong enough without the supernatural and character building could have benefited in its place. I also really, really, really wished there was a map and an afterward telling what parts about Palestine and history and the Holy Cities is fact, for those of us that have never been.

FLAGS:

Jasmine attempts suicide, jumping out a window.  Jasmine also gets drunk a few times in the book before deciding to stop drinking as she doesn’t like who she is when she does.  There is some violence and killing talked about but not overtly detailed.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I would do this as a book club book, but I definitely would encourage those with connections to Palestine to read the book.  And I am really hoping that someone, anyone, that has read the book will chat about it with me.  For all the questions I have, I’m optimistic that I just missed the answers and that they were in fact there.

 

 

Jul26

The Night Diary by Veera Hiranandani

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The Night Diary by Veera Hiranandani

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I was curious to see how partition would be presented in this book by an Indian Hindu author featuring characters who are half Hindu and half Muslim relocating to Hindu India.  Told in journal entries written by 12 year old Nisha to her deceased Muslim mother, the 264 page AR 4.5 book is wonderfully done, extremely compelling, and about so much more than the politics that birthed India and Pakistan.

SYNOPSIS:

Nisha and her twin brother Amil are opposites, yet they complete each other and care for each other in such a tangible and heart swelling way, that you can’t cheer for one while not rooting for the other one to find success and their place in the world as well.  As the twins turn 12 and Nisha is gifted with a journal from the families beloved cook Kazi, India and Pakistan too are about to come to fruition and Nisha’s journal entries detail her understanding of the larger events around her as well as her own struggles to come in to her own.

For Nisha words do not come easily.  She excels at school and loves to cook, but talking to people, or making friends eludes her and her longing for her deceased mother, make her a quiet reflective child.   She observes and  takes in so much around her, internalizes it, ruminates on it, and pieces it back together in a gifted way when she writes, that reading her entries, and the voice the author creates for her, is really amazing and fluid.  You feel like you really know Nisha and what makes her tick, what she fears, and how she thinks, you also get emotional attached to her and her world and find yourself surprised at how invested you are in not only her family’s successful migration across the new border, but also in her finding her voice and the confidence to use it.

Amil’s voice comes through Nisha, but her love for him and the way his strengths are her weaknesses and vice versa allows insight into the other family dynamics and attitudes to the two children.  Amil is an amazing artist, that suffers from dyslexia and does poorly in school.  He is weak and wiry, but fast, and he can talk and charm and ask all the questions that Nisha wants asked but can’t find the words for.  He and their physician father are rarely on good terms, as he isn’t the ideal strong boy with a medical degree in his future.

When it is decided that the family must leave their city where Muslims and Hindus and Sikhs live together and journey into Hindu India, the twins, their father, and their father’s mother, Dadi, must rely on each other to survive the riots and violence of the mass migration.  Nisha must also survive the understanding that with a Hindu father and Muslim mother there is so much about her own place in the world she doesn’t understand, and thus the journey is both an internal and external one, that will change Nisha forever.

WHY I LIKE IT:

I love that the protagonists voice is so steady and believable.  I truly fell in love with Nisha and felt her pain, happiness, anguish and overall got emotional for her, it was a rollercoaster.  The author does an amazing job of painting the politics of Jinnah, Nehru, Gandhi and Mountbatten in broad strokes, but believable ones to the understanding of a 12 year old.  She sees that one India held people of all faiths and that this breaking up of everything is leading to violence, upheaval, and horrors previously unimaginable.  She doesn’t understand why people had issues with her mother being of one faith and her father another, she loves her Muslim cook and loves listening to him pray five times a day as her paternal grandmother sings Hindu prayers in the other room.  She is both Hindu and Muslim and doesn’t see the contradiction within herself, suspending the reader’s own opinions on partition (if they have them), because how she sees it, does make sense for the story’s narrative.  The author takes Gandhi’s side of non violence and staying together, but balances very well and very intentionally that atrocities and humanity was seen from people of various faiths and political persuasions.  The role of British colonization and freedom from it, is slightly glossed over to the point of disservice, but again, being the target age of the reader and the age of the characters, I’m willing to over look it.  Families with Indian and Pakistani heritage will want to take the lacking information and help their children to fill in the blanks.

I love that the backdrop is the action of the story, but the relationship between the characters is truly the heart.  A lot of growth and compassion is conveyed very succinctly and powerfully.  Nisha wants so desperately to speak, but can’t, and her internal struggle and the pain she feels when she can’t speak up to help and participate in the world around her is gut wrenching.  As she confides in her diary, you realize that kids understand so much more than we adults often give them credit for.  The lesson is not lost on me.  I initially thought a book steeped in subcontinent history, with religious conflict and foreign words, wouldn’t appeal to a western elementary aged readers, after reading it, however, I now think this heartwarming story should be thrust upon them all.

FLAGS:

There is violence and death.  Not sensationalized, but detailed enough to set the tone of how serious the journeys were between the two countries when British rule stopped  There is some bullying and mention of the father smoking socially with friends.

TOOLS FOR LEADING THE DISCUSSION:

There is an Author’s Note, and a glossary at the back, and the inside covers have maps showing the journey the characters take.  I would absolutely do this as a Book Club selection for upper elementary, and will consider it even for middle school.  A lot of tools for teaching the book are available online, here are just a few:

Educator’s Guide: https://www.penguin.com/wp-content/uploads/2018/02/The-Night-Diary_Educator-GuideWEB.pdf

Children’s Discussion Questions: https://www.readbrightly.com/brightlys-book-club-for-kids-the-night-diary/

Classroom Bookshelf: http://www.theclassroombookshelf.com/2018/06/the-night-diary/

 

May24

Mosque by David Macaulay

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Mosque by David Macaulay

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This 96 page “picture book” written on an AR 8.4 is not for everyone, but for those interested in architecture or structural engineering, or 16th Century Ottoman culture, or even Turkey in general, this book is fascinating, beautiful and most of all informative.  It first caught my attention when I was planning a story time to remind children of how they ought to behave in a mosque, needless to say it didn’t fit the occasion, but this fictionalized account of how a typical Ottoman mosque would have been built and why was perfect for my 7th grade daughter who loves legos and design and has been to Turkey.

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SYNOPSIS:

The story starts with a wealthy Turk realizing his own mortality and wanting to follow his Islamic faith in giving back his wealth and providing for his community before he passes.  Thus he commissions the building of a mosque, madrese (religious school and library), an imaret (a soup kitchen for preparation and serving of food), hamam (public bath) and a cesme (a public fresh drinking water fountain).  

From there the book details how the foundation to the minarets are designed, crafted, erected and used.  Explaining how domes are supported to how stones are laid and stained glass windows constructed, so many details are illuminated and kept simple at the same time. 

Aside from the physical construction of the buildings, it really is incredibly remarkable and gives insights into how Islam shaped cultures, and similarly how Mosques became integral  parts of societies.

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WHY I LIKE IT:

The book is fact and historically based with a fictionalized story layered on top to move the information along.  The pictures are detailed and informative with labels and descriptions that make the technical jargon of the text visually understood.

If one has ever been to the Blue Mosque, even in its fiction, the book will explain the function and thought process behind the gardens and porticos and women’s spaces in a very satisfying manner.

I love that it mentions how even Jews and Christians contributed to building of such Mosques and how the all facets of the community took pride in the completed works.  I’m not sure why the author specified the blood of a ram being spread out, as it isn’t Islamic culture, but with my limited knowledge of 16th century Ottoman practices, I didn’t dwell on it too much.

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FLAGS:

Clean.

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TOOLS FOR LEADING THE DISCUSSION:

I feel like this book would be great in any middle school STEM class to just have to look at and thumb through, Muslim or not.  The author has written numerous books about different structures (Cathedral, Castle, City) and breaks down how they were constructed and why.  A great resource for anyone willing to ponder and marvel at the structures around them and take their understanding to the next level.

There is a Glossary at the end, and I really enjoyed the last paragraph of the Preface at the beginning:

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Apr14

Ayesha Dean: The Seville Secret by Melati Lum

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Ayesha Dean: The Seville Secret by Melati Lum

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This is the second middle grade mystery story for globe trotting sleuth, Ayesha Dean, and much like her first adventure in Istanbul, this Spanish setting is infused with rich history, delicious food, relatable characters and quick paced action.  

SYNOPSIS:

Once again Ayesha and her two friends Jess and Sara are tagging along on a business trip with Uncle Dave, Ayesha’s uncle who has raised her since her parent’s passing.  As they wait in line to board the final flight of their lengthy journey from Australia, a young man drops his contents and Ayesha and him chat, later they are seated next to each other on the plane where he discloses his travels from England to Seville are to help locate his missing grandfather.  Ayesha volunteers herself and her friends to help him and they hit the ground in Spain determined to solve the case.

The boy, Kareem, is staying with the friends his beloved grandfather was staying with when he went missing, so that is where the detectives start their work.  In searching his room, Ayesha uncovers a 400 year old diary written in Arabic, and a pamphlet from the Archeology Museum with a necklace circled, the Collar de Pajaros.  Just enough to get them started and set their adventure in motion.

The group of teens rely on Kareem to translate the Arabic in the diary and Ayesha’s wit to decide what to follow up on and how to incorporate their sightseeing with the task at hand.  As they journey through the city of Seville, learning the history and tasting the food, nefarious characters start to notice the group and things get intense.  From Cathedrals, to cafes, to Museums, and even to an ancient city uncovered in Cordobo, Madina Al-Zahra, the chase is on, not only to find Kareem’s grandpa, but to also avoid being caught themselves and maybe even solving a centuries old mystery about treasure and a necklace along the way.

WHY I LIKE IT:

I love that Ayesha in any situation stays true to her self.  She wears hijab, she prays, she is aware of the good looking guy, but doesn’t cross her own line, she is a good friend, an inquisitive person, and confident.  All amazing attributes for a fictitious hero and real ones too.  

Much like Nancy Drew and other middle grade novel series, the books don’t need to be read in order, and while they reference other adventures, they stand alone sufficiently too.  Also, like the aforementioned books there is definitely a formulaic pattern to how the author writes her books.  And while reading it I didn’t notice it intensely, as I write the review I do.  Ayesha travels abroad, she has her sidekicks that are not developed at all and truly have no barring on the story plot wise or as comic relief, they are simply foils to bounce conversation off of, there is a cute boy who could be pursued, but isn’t, someone passes out while she and her friends are sight seeing, and the spouses provide added clues, Ayesha gets locked in a small dark space, there is a twist and a surprise, a trap, and they all live to repeat the adventure in another city another day.  I don’t think I have a problem with it, but maybe because I am not the target audience age, I might get bored with it about book four or so.  As it stands right now, I’m anxiously waiting for book three.

While reading I was a little irked that Sara and Jess weren’t any more developed in Spain than they were in Turkey.  One of them could have been the one to administer CPR or to stumble on the diary in the room, something to give them some plot significance, but alas, the books do not bare their names.  I wish Kareem would have at least said “Salam” on occasion.  I like that the author shows he doesn’t know much about Islam and shows that his grandfather admits its been so long since he has prayed, but the boy is a Morisco and his parents immigrants from Algeria, he translates Arabic, he should say Salam when he meets Ayesha in her hijab wrapped head. 

The author does a much better job in this book staying with the characters and showing the city through their eyes rather than pulling them out of their scenes to convey something.  Only once at the end of a chapter did I feel there was some forced foreshadowing that was not needed, as the book is quick and chapters may end, but the pages still turn until the end is reached.  I had more trouble putting the book down than picking it up, and that is saying something as I read it online and I definitely favor physical books.

I wish there was an afterword or author’s note explaining what was real and what was fiction.  I googled Madinat al-Zahra and found it fascinating, but couldn’t find anything in English about the Collar de Pajaros.  Also a map or two would be great.

FLAGS:

None.  This book is clean and even the fights are not gory or over the top. Yay!

TOOLS FOR LEADING THE DISCUSSION:

I would absolutely do this as an elementary book club selection, and can’t wait to get a copy to my children’s school library and their classrooms.  The book is an easy read and the history and culture is seamlessly interwoven in to the story that kids will enjoy the action and find they learned something about a culture along the way.   I think boys and girls will enjoy it, even if it appeals more to the girls.   The cover, the binding, the font is all spot on for the age group and I eagerly await Ayesha’s next adventure.

 

Mar11

My Name was Hussein by Hristo Kyuchukov illustrated by Allan Eitzen

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My Name was Hussein by Hristo Kyuchukov illustrated by Allan Eitzen

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It isn’t often that a 32 page AR 2.4 picture book will haunt you after you read the last page.  Especially a book with short simple sentences, that is poorly organized and reads like two separate nearly disjointed stories, but alas this book has stayed with me for months and upon rereading it to write this review, the images and empathy and reflections stirred have not lessened.  This is an important book to read, to think about, and to return to sporadically as your children and their understanding of the larger world grows and evolves.

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Hussein is a Roma, or a gypsy living in a small village in Bulgaria.  Their ancestors migrated many years ago from India and they are Muslim.  Hussein and his family love Ramadan and the delicious smells of food and warmth of grandparents and family all year round, but particularly during the blessed month.  

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Eid is the best, with family and fun and new clothes.  Hussein loves his life and his name.  It was his grandfather’s name and his grandfather’s grandfather’s name.  But then one day all that changes.

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Tanks and soldiers with guns come to their village and close that mosque and tear up their identity cards and tell all the minorities that they must choose Christian names and give up their culture and identities.

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Hussein and his family do not want to give up Islam and their names and their traditions, but they don’t know what to do.  Feeling like they have no choice they change their names and Hussein asks the reader at the end if you would call him Hussein or Harry?  

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The last page of the book is an author’s note, and tells that this is based on his own life story.  That in the 1980s Bulgarian minorities were forced to change their identities.  That more than one million Muslims, including Roma, Turks and other minorities were forced to choose Christian names and that until he was 22 years old, his name was Hussein.

The illustrations are illuminating to the images that the simple words discuss.  Truly they are a powerful and integral part of the story.  The women wear hijab and the use of color to set the tone is spot on.  The book is hardbound and the 8×10 size allow the pictures to be enjoyed fully.

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The book published in 2004, was not easy to find which is unfortunate as it really sheds light on a recent history not known in the US at all, and one that should be known and remembered.  The first part of the book reads like a Ramadan story detailing iftaar and Eid and how Ramadan is celebrated by this culture, but the second half goes back to Ramadan and how it is different with the soldiers and the pressure to give up who they are.  There aren’t a lot of details about who the soldiers are or why they have come or what they are going to do to the Romas, but the fact that in recent history and this was what people were faced with, should be a powerful reminder to us all at how fragile this world is and make us appreciate that we aren’t forced to make such a decision.

 

Feb22

Mansa Musa: The Lion of Mali by Kephra Burns illustrated by Leo & Dianne Dillon

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Mansa Musa: The Lion of Mali by Kephra Burns illustrated by Leo & Dianne Dillon

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This beautiful work of historical fiction/folklore is both moving and visually breathtaking.  The 56 page book presents as a picture book, but with an AR 6.4 and the amount of text, it reads like a chapter book.  Thus, I’m going to review it as a chapter book, but keep in mind that it is hard bound, 11 x 9, horizontal and while there are frequent small story breaks, there are no chapter breaks.  

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SYNOPSIS:

There is little historical fact about Mansa Musa as a child, thus this story while rooted in fact about the time, about Mansa Musa as an adult, and about what is known regarding Mali and the Malinke and Tuareg tribes, is a work of imagined fiction.  The story begins with premonitions and dreams from Kankan Musa of the Kaba Kangaba tribe.  Kankan and his two brothers live with their mother, and do not know who their father was, a source of stress and teasing for the young boys.  Having just turned 14, Kankan is treated as an adult, but because he has yet proved himself as a hunter, he may sit with the adults, but not yet join their conversations.  Mali in the years after the great King Sundiata had passed away has begun to fade, but their wealth and hospitality still prospers in the desert. 

One day a desert nomad from the Tuareg tribe dressed in flowing blue robes appears and is welcomed by the village elders.  That night he regales stories about jinns, and the sea, and time spent in the desert, and fears he has for their King, when slave raiders tear through the night and kidnap Kankan.  When Kankan awakens days later, enslaved, the same mysterious man, Tariq al-Aya, again appears and buys him from the raiders.  Tariq vows to accompany Musa on his journey to learn who he is and the two spend seven years together learning about the desert, about the larger world, about themselves, in trial and test and challenges.

When Musa journeys back to his home, and Tariq disappears as mysteriously as he appeared, Musa must make himself known to the new Mansa of Mali and see if his wisdom and knowledge can ensure the success of Mali in the future.

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WHY I LIKE IT:

I’m not from Africa and my heart was cheering Musa on as if, my own families success was rooted in his growth and understanding of the world.  As a Muslim, I was proud to know of the success Mali found in Mansa Musa and the historical significance of his rule throughout time.   I wish there was more Islam in the book, his Hajj is well documented and thus tidbits of Mecca and his understanding of it is sprinkled through the story.  There is no talk about prayer or what Islam is, just that he is Muslim and that most of the villagers “had converted to Islam, but at the same time, they had not given up their traditional religious practices or their belief in the ancestors.”  It mentions at the end that he built mosques wherever he went, but prior to this it never mentions him spending any time in a mosque or worshiping in any way. 

I love that the story is told like all great stories, it makes you want to settle in and drink up the details and imagery and got lost in the pictures.  The author weaves in cultural phrases and descriptions, that hopefully readers can unravel from the context as there is not a glossary.  There is a map at the beginning, and author’s note at the end that reveals what is fact and what is fiction in the story.

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FLAGS:

None

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TOOLS FOR LEADING THE DISCUSSION:

This book should be in every school library and used in classrooms to learn about West Africa, cultures, 14th Century, Islamic history, culture, you name it.  I think this book would work wonderfully in home school environments, where the child could dictate how much to supplement, how much to cover, and the wisdom shared could really be understood.  This isn’t a book that most kids would pick up and read, they would need prodding and guidance, but be better for it.  

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Oct19

Escape from Syria by Samya Kullab, Jackie Roche, and Mike Freiheit

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Escape from Syria by Samya Kullab, Jackie Roche, and Mike Freiheit

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I have read a fair amount of fictionalized accounts of the war in Syria, the journey of refugees, and their resettling in various countries, but this was the first graphic novel on the subject that I have seen, and I was excited to wait my turn behind my kids to read it.  My 7th and 4th graders read it in about 20 minutes and said they really liked it, knowing that it was a quick read, I wanted to take it in slowly and examine each picture to grasp the full message that the author, a Lebanese journalist, was conveying.  Definitely meant, for ages 5th grade and up because of the content, I appreciated the book more than I loved it.  It seemed rather choppy and the fictionalized parts come across just as a front to convey facts.  The book definitely is a great introduction to the conflict, and the format will appeal to a broad range of individuals.  

SYNOPSIS:

Told from the voice of Amina, a bright young girl who rushes home to show off her latest A grade paper to her family, is met instead by a bomb striking the beautiful peaceful neighborhood.  The images on the first page are destroyed as her younger brother Youssef must be located in the rubble and debris.  Now in Canada, Amina tells the story of their journey from Aleppo.  The bouncing around of time, provides some context to how life became under the rule of Bashar al-Assad, how checkpoints and emergency rule changed everything about Amina’s life.  As war creeps in it isn’t just inconveniences and fear, but also death, as further shown through Amina’s uncle who has joined the rebel army.  The family decides they need to flee to Lebanon and truly believe it will be just for a little while. 

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They rent an apartment for a year, but when they cannot afford rent they relocate to a refugee camp, where they stay for two years.  Amina’s father is determined that Amina stays in school but as work remains scarce and Youssef’s health continues to deteriorate.  Amina is forced to take a break from school to try and find work.  Eventually her father arranges to go by raft to Europe to try and start a new life and bring his family there once he is settled.  The terms of the loan to pay the smugglers is steep and when the raft doesn’t make it too far before tossing its passengers, Amina’s father Walid is forced to return to Lebanon unsuccessful. 

It isn’t until Amina’s family considers, like many other families in the camp, to get her married to keep her safe.  That Amina upon picking up some aid at a UN reception center, spills everything to a worker there, and a week later the UNHCR contacts the family to help move them to Canada.  The readers at this point I would assume are relieved the family will be safe, and are surprised when the family isn’t sure if they want to leave.  Syria is there home, and before the mom will agree to anything, she wants to go back to Syria to see her newborn niece.  Once in Syria, she sees that her home is no more as she remembered it, and agrees to be resettled anywhere.  Through the same flashbacks and flash-forwards in time, we also see that life in Canada is not easy.  The family is welcomed and helped and grateful, but it isn’t yet home, and the ghosts of Syria are still present.

WHY I LIKE IT:

I kind of like how choppy it is upon further reflection.  At first it annoyed me, but as I thought about it more and more, I have decided I like that it isn’t easy and smooth and fleshed out, the tone of the unknown comes through by not over narrating the emotions and circumstances.  I also like that everything that happens to Amina and her family is anchored in reality and the footnotes, references, and facts are all in the Endnotes.  Having said that, I wish their was a little more character development, it reads like a bunch of facts strung together and connected by this fictional family.  There isn’t anything wrong with it, but a little more warmth for the characters would have added a beautiful level and would not have been hard to come by at all.  There are so many stories from this conflict out there, and the reason they resonate with so many isn’t from all the facts and numbers, but often from the individuals that make the numbers real and haunting.  I felt like this book fell short on the human element unfortunately.  The only character I really felt had some heart, was the dad, he was awesome, and his love for his family and determination for his daughter’s education was definitely felt.

The book does drop some acronyms and political alliances to add context but not overwhelm the reader.  It definitely hints that there are a lot of groups vying for power, and control: Assad, Russia, ISIS, US, rebels.

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I love that the flashbacks to pre-war Syria are so relatable.  Kids need to really understand that we are all so much more alike than different.  Not just in our hopes and dreams, but even in our daily lives.  The characters in the book are the same as us, their lives look great,  maybe even better.  They have friends, and families and jobs, and cell phones, they also unfortunately, have war.

There were a few surprises for me, for example that buses between Lebanon and ISIS held Syria took/take people back and forth.  Similarly,  I was surprised to see that the punishment of smuggling cigarettes was being beheaded, but maybe more surprised that the book included it.

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It is reassuring for readers to know that the family survives, but the harrowing journey of seeing body bags, cutting costs to survive, risking it all to trust smugglers with fake life jackets, paint pictures of a journey that will stay with the reader.  The book doesn’t talk down to anyone, if something seems too simplistic, it almost encourages the reader to go research more about it.  

There isn’t any mention of Islam or religion, the females wear hijab, that is the only indication along with their names that they are a Muslim family.

FLAGS:

The violence, is pretty haunting and while the images and text aren’t graphic, the splatter of blood and guns and death are very present.  There is also mention of cigarettes.  While not explicit and possibly over the heads of some readers, the book does show that the loan sharks would be willing to take Amina, “Something nice and sweet…like you,” to help pay off the family’s debts.  A former classmate of Amina also invites the family to her wedding.  At 13 Amina’s family is also considering getting her married as a way to help keep her safe.  

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TOOLS FOR LEADING THE DISCUSSION:

This book would be better in Social Studies class more than in a Language Arts one. It would be a great supplement to share even, when discussing current events.  Its a quick read, a factual account and a powerful one at that.  

Book Trailer: https://www.youtube.com/watch?v=AsZZwxM7YyQ

Publisher’s Synopsis: https://www.fireflybooks.com/index.php/catalogue/product/11566-escape-from-syria

Apr20

Refugee by Alan Gratz

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Refugee by Alan Gratz

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I debated whether I should read this book, or listen to it as an audio book with my children, ages 2,7,8,11.  The AR level is 5.3 and Common Sense Media suggests 10 and up because of the intensity, but knowing my kids are aware of some of the heartbreak the book discusses from other fictional works and the news, I decided to share this emotionally powerful book with them.  Tears were shed, discussion occurred, and the stories I pray will haunt and bother my children for years to come, inshaAllah resulting in compassion and action.  

The book is 338 pages with maps, references, ways to help, and acknowledgements at the end.  The audio book is just over seven and a half hours.

SYNOPSIS:

Three kids stories are told in pieces as they occur in different time periods, in different parts of the world, and for different reasons, but the heart of the stories are not the differences, but the similarities that all three share.  The real life parallels of each horrific event, and how small the world suddenly seems, is amplified by the ties that connect these fictional stories to one another.

Josef is a Jewish boy living in 1930 Nazi Germany.  When his father is released from a concentration camp; he, his mom, and younger sister Ruthie board the MS St. Louis headed for Cuba to try to find a new life.  However, Cuba refuses to let them in, and Josef’s father cannot escape the ghosts from his time in a concentration camp.  Returned to war in Europe, the family is once again on the run from Nazis and not all survive.

Isabel is a Cuban girl in 1994. Unrest is growing in Havana and when Fidel Castro says people can leave, her family: Grandfather, dad, and pregnant mom, join their neighbors in their makeshift boat to try to reach El Norte.  The shark filled waters, tankers, getting blown off course, and a temperamental boat engine, all pose as obstacles for the family trying to get on dry land to avoid being sent back to Cuba by the US Coast Guard.  

Mahmoud is a Syrian boy in 2015 who’s life has been altered by the civil war, but when their home is destroyed by explosians, they must leave right then.  His parents, younger brother Waleed, and baby sister Hana,  begin walking, their journey will travel through many countries as they seek the promised land of Germany.  Along the way they will be held at gun point, be forced into detention centers, walk for days and put their lives at the mercy of the Mediterreanean Sea in a flimsy rubber dinghy. 

WHY I LIKE IT:

I love that this book takes huge pivitol historic events in our life time and gives them a face.  Numbers are often numbing as they are difficult to grasp, and political motivations are often so hard to understand in their complexities, that this book does a marvelous job of making it about the person, about the humanity at stake.  I challange any one, especially those opposed to letting refugees in, to not cheer these three on, to not get irrated by those that willingly can help and chose not to, and those being relieved when people finally do see them and do help.  Its amazing how far a little kindness can go, and seeing it in tangible terms is powerful.  Yes, taking into your home a refugee is a huge kind step, but so was the giving of water and asprin to Isabel and her family, or giving of clean clothes and a ride to Mahmoud and his family, or removing the protrait of Hitler from the Social Hall during Josef’s Bar Mitzvah, all little kindnesses that hopefully we can rememember.

I love that the author got Mahmoud’s religion right.  They stop and pray, they make duas, their cell phone apps for salat times all ring at once, they are Muslim and their religion is mentioned as they practice it, not as a storyline.

Overall, I was impressed at the book.  Many reviews online found issue with the structure of the stories being broken up and seperated, but listening to it, atleast, made them feel incredibly connected.  I absolutely enjoyed seeing the parallels of each story and the humanity of each chacter shine through.

FLAGS:

The book has a lot death, and violence, and it is intense, but, it is not glorified and it isn’t too graphic.  It is done tastefully to make a point and keep it real, but not to overwhelm the audience or sensationalize the events, although I don’t know that any fiction, could be worse than the reality endured during these time periods.

TOOLS FOR LEADING THE DISCUSSION:

A map, would be awesome, a big one.  I like that the author gives some tips to help, but I think more on hand would be beneficial as the urge to help others is pretty intense after listening to/reading the book.  Especially ways to get involved in Syria, as the struggle is still ongoing.  

There are lots of tools online as the book is published through Scholastic. 

https://www.scholastic.com/teachers/lesson-plans/17-18/refugee-discussion-guide/

Book Unit Ideas: http://bookunitsteacher.com/wp/?p=5858

Author’s page: https://www.alangratz.com/writing/refugee/refugee-discussion-guide/

 

 

 

Mar17

Ticket to India by N.H. Senzai

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In terms of plot and and believability, this 274 page 6.3 reading level book has moments of unrealistic twists, but the historical flashbacks and context make up for it as it delves into Pakistan, India partition without getting overly bogged down in politics and bitterness.  You can tell that the author writes from a place of love and warmth, as she talks about all sides involved: Pakistan, India, Great Britain.   The stories, fictional and historical, that weave through the novel make it informative and entertaining irregardless of one’s prior knowledge.

SYNOPSIS:

Maya is 12, and a little shy, especially compared to her older sister Zara.  The book starts with her writing a journal entry about her visit to Pakistan in an airplane somewhere over the ocean.  Maya, her older sister Zara, and their mother are heading to Karachi from America because of the death of Maya’s beloved grandfather.  Frequent visitors to Pakistan, Maya is familiar with the sights, traditions, and language.  As other family members arrive, Maya and Zara overhear their elderly grandmother planning to runaway to India to retrieve family heirlooms that were left during partition.  The plan had been in the works for the whole family to go, visas were already obtained, but with the unexpected death, the urgency is amplified.  Grandma wants to find a ring to bury with her husband.  In Islamic custom burials happen very very quickly, often the same day, so the delay and sending the body to America, is something you just have to go with as the reader.  Rather than convince Grandma to stay, the girls threaten to tell their mother if she doesn’t take them along, and the next thing you know the trio are off to India and on a treasure hunt.  There is a map at the beginning of the book, which is very helpful.  However, the adventure isn’t straightforward, not only in the trio’s adventures, but in that grandma ends up in the hospital, Zara and Maya decide to pursue the lost items on their own, and then Zara and Maya get separated.  Twelve-year-old Maya then is forced out of her shell as she is kidnapped, and running for her life, trying to keep her promises, and also in desperately trying to save her family from having to pay a ransom to save her.  A lot happens, and the intensity amplifies as it starts out as a elementary aged family story and turns into a middle school adventure.  A long the way are beautiful passages about the scenery, amazingly simplified, but factually and emotionally accurate explanations about partition and ultimately, through Maya, about finding your voice. 

WHY I LIKE IT:

The framing of the fictional story and the historical context is wonderful.  Partition, is such a pivotal moment for those that lived through it, but has less and less relevance to today’s generation that lives abroad.  So, to find a book that makes the gist of the events come through, is why I love using fiction to connect people and ideas.  I am making my daughter read this tomorrow, no question. She needs to know what her own grandmother endured, what decisions her family had to wrestle with, and this book allows us to have those discussions in an informed way.  I’m sure many would disagree and say that the reader should know about partition before reading the book, but I think the tidbits and delicate way the author convey the horrors, the agony, the manipulation, and the struggles in todays time, is far better than I could do to a sixth grader. 

Maya’s abilities seem to grow overnight, so while she was an ok protagonist, she might annoy some.  I actually had to google in the middle of reading how old Maya is, at times she seems like she is eight or nine and at other times like she is 15.  I do like that Maya constantly remarks how alike India and Pakistan are, a reality that today’s generation definitely agrees with, but is often afraid to voice to their parents.  I also like that there are good and bad everywhere, a theme that doesn’t get old, especially in books that deal with cultural and religious elements as presented to a wide audience.

There isn’t much religion in the book, the characters don’t stop and pray or wear hijab, but the setting does allow for mention of masjids, and a kind Imam back in California, the characters identify as Muslim and they discuss Muslims as a minority and political entity regularly.  One of the treasures the grandma is looking to retrieve is an old Qur’an with the family tree drawn within.  The book talks about how intertwined the two countries and many religions of India are, and Maya’s name articulates many of these crossroads.  In the end, perhaps the best lesson from the book, is how much alike we all really are.

There is a wonderful Author’s note in the back, along with a glossary.

FLAGS:

The book has some violent images as it discusses trains coming from India to Pakistan with only a few living aboard and vice versa.  The intensity as Maya is robbed, and then kidnapped, and then held hostage, could also be jarring for some younger readers. 

TOOLS FOR LEADING THE DISCUSSION:

Like all her other books, I would absolutely include this in a Book Club, there is a lot to discuss, lots to understand, and lots to enjoy.

Author’s website: http://www.nhsenzai.com/ticket-to-india/

Reading Group Guide: http://www.nhsenzai.com/wp-content/uploads/2017/09/Ticket-to-India_ReadingGuidePDF.pdf

YouTube book trailer: