Category Archives: High School

Apr8

Home is Not a Country by Safia Elhillo

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Home is Not a Country by Safia Elhillo

home is not a country

This upper middle school/high school 224 page novel told in verse touches on familiar themes of finding yourself and wondering about what could have been, but is anything but predictable.  Through magical realism, religion, culture, and phenomenal imagery, this book is haunting and powerful as it sweeps you into the possible alternate reality of a young 14 year-old-girl yearning to be someone else, consumed by a life that could have been, desperate for the other half of her mirrored existence, and for a home that she does not know, but so desperately longs for.  As a Muslim child of an immigrant, the daughter of a single mother, and nearly invisible at school, readers will feel her story, more than know it, and find themselves in her own awakening.

SYNOPSIS:

Nima feels like she exists in pieces.  No one understands her and she doesn’t feel comfortable in her own skin.  At school she is invisible, she is foreign and teased for it.  She has one friend, Haitham who is always there for her at home, but just a familiar wave in public.  At home Nima enjoys old Arabic songs and movies, hobbies she is teased for at weekend Arabic school, her hardworking mother is graceful and beautiful, Nima is neither.  Her world is the aunties and family in her building, but her Arabic is weak and she doesn’t fit in anywhere.  Her father passed away before she was born in a country she has never known.  Her twin sister died before birth, one for each parent in each world.  Nima imagines if she wasn’t Nima, but Yasmeen instead.  If she was bright and loud and loved and confident. The name she was nearly given, an alternate life she has become obsessed with.

When Haitham and her get in a fight, when her mother removes her headscarf and the bullying intensifies, Haitham ends up in the hospital, assaulted, barely hanging on and Yasmeen appears to help a floundering Nima escape a meal she can’t afford, a man that intends to assault her, and a world where she might find answers. The two girls travel to the homeland in the photographs to understand their parents, to understand why their mother left and Nima to the realization that only one of the girls can truly exist.  

WHY I LIKE IT:

I love that I had no idea where the story was going and how much would be spelled out and how much would be left for the reader to interpret.  It affected me in a way that I wasn’t expecting and reminded me of the blurred lines of reality from books like Beloved (Toni Morrison) and Her Fearful Symmetry (Audrey Niffenegger).  I love that the Arabic script is present and often not translated.  The unapologetic connection to the character and author is powerful and beautiful to see in a deeply introspective book.  I enjoyed that the “country” wasn’t named as it added to the concept of not knowing you home, it was frustrating, but for all the right reasons.

There isn’t a lot of practiced Islam mentioned, she doesn’t talk about praying, but does talk about the athan and longing for it.  Her mother wears hijab, but takes it off and wears a hat instead. The daily life of living in two worlds is taken to mean something very literal and the journey to both worlds is remarkable and memorable.

FLAGS:
There is physical assault, theft, lying.  Nima has to escape a man that intends to rape her, his intention isn’t detailed, but Yasmeen helps her escape when he brings her to a hotel.  Haitham’s dad has an affair with his mom and she is pregnant with him when the story flips back to the past and the couple are not married.  There is singing and music and dancing throughout. I think 14 and 15 year olds will be able to grasp the intensity of such situations while also not being shocked by them.

TOOLS FOR LEADING THE DISCUSSION:

I am on the fence if I could do this as a middle school book club, I might suggest it to the high school advisor.  There is so much to unwrap in the lyrical text that will draw the students in and force them to reflect on their own impressions to understand Nima’s reality.  I think there would be so many conflicting thoughts that the discussion would be amazing.  

Here is a better synopsis than mine: https://www.npr.org/2021/03/04/973389493/home-is-not-a-country-imagines-the-lives-we-could-have-led

Q and A with the Author: https://thenerddaily.com/safia-elhillo-author-interview/

 

https://www.npr.org/2021/03/04/973389493/home-is-not-a-country-imagines-the-lives-we-could-have-led

Mar29

Misfits in Love by S.K. Ali

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Misfits in Love by S.K. Ali

misfit

I reread my review of Saints and Misfits before diving in to this sequel that can also work as a stand alone, and imagine my absolute delight when all the things I wanted more of: Muhammed and Sarah, the mom, Jeremy, etc., were explored in this wonderful high school and up, 320 page, romantic comedy story.  The romance stays halal and the comedy light, but seamlessly interwoven into a weekend wedding are very serious notions of racism and prejudice within the Muslim community.  The writing is flawless as I tried to tell the summary to my daughter I realized just how many characters there are in the book, yet while reading, I never once was confused about who someone was or how they fit in to the family, it really is quite remarkable how real and personal the characters all become.  In many ways the story is uniquely an American-Muslim (arguably) one with characters that are half this culture, a quarter that, wearing cultural clothes to coordinate with friends, mutli lingual, multi ethnic, and yet all coming together as friends and family.  We, nor are the characters perfect, but that our weakness is explored in fiction so that we all might benefit in reality, is truly remarkable.  I honestly couldn’t put it down, and my teen and tween children may or may not have had to figure out their own meals, as I hid in the corner to devour this book in a single day. I regret nothing.

SYNOPSIS:

Janna Yusuf has just graduated high school and has been spending the last few weeks at her father’s sprawling house on a lake to help with wedding preparations for her beloved older brother.  What started out with plans to be a small nikkah between Muhammad and Sara, has quickly snowballed into a “wedding” with a few hundred guests and an ever evolving color scheme.  With extended family and friends pouring in over the three days, Janna is anxious to see Nuah and finally tell him that she is ready to return his feelings, reunite with her mom after being apart for weeks, and see who her best friend Tats is bringing as her plus one.  But, Nuah is acting weird, her mom seems to be considering remarrying, and her father is revealing himself to be racist.  There is a lot going on, and in between wedding preparations, possible crushes, family drama, prejudice overtones, and a curious ice cream man, Janna is having an unforgettable weekend.

Janna and Muhammad are close, they are the children of an Indian American non practicing father and an Egyptian American religious mother.  Their parents have been divorced for a while, and their dad and his Greek wife Linda have two little boys and are hosting everyone and the wedding.  The heart of the story is Janna as she thinks she is ready to pursue something halal with Nuah, but is slightly intrigued by Sara’s cousin Haytham and very perplexed by her mother’s potential future new husband’s nephew Layth. Being it is a wedding, and many people are staying at her father’s house and many more at the hotel in town with their own families.  Jana is trying to figure stuff out about Nuah while hanging out with Nuah’s older pregnant sister.  She is constantly thrown together with Layth as she meets his Uncle Bilal, her mom’s college friend that has proposed to her, and who’s own daughters are friends of Sarahs.  Yeah, there is a lot of overlap, a lot.  It’s like real life. As attractions wax and wane in such a short time, it is the relationship Janna has with her own family and the contentment she must find within herself that ultimately matter most.

WHY I LIKE IT:

I love how authentic the story and its characters are.  I come from a small family, but a very close friend has a huge family, and this just reminded me of going to her family events and finding how interconnected and small the world really is.  I absolutely love Janna, she is Muslim by choice through-and-through and is genuine in her understanding and actions that, while the book is meant for Muslims and nonMuslims, she really sets the standard of how fictitious characters can positively affect their readers.  The only slightly forced thread for me was Janna suddenly loving animals and being ready to head to Peru.  I get that she was crushing, but it seemed a little too over the top for an otherwise very plausible plot.

The best part of the book, in my opinion is that it isn’t all fluff and fun, there are some very real issues that get spotlighted.  Like in Saints and Misfits where Janna is sexually assaulted by a seemingly devout, religious, well liked male, this story addresses racism and prejudice within the Islamic community.  Janna’s dad always felt treated as less than by Janna’s mom’s family for not being Arab.  He flat out warns Janna about her feelings for Nuah because he is Black.  Sarah’s Aunt is offended that the mendhi is more Desi than Arab.  The issues aren’t just pointed out, they require active acknowledgement and action.  The author’s note at the end, even discusses the significance and weight of such views at the end.

FLAGS:

There are mentions of the sexual assault that happened to Janna in the first book.  There is mention of periods, a possible affair, racism, and a character who drove while drunk and killed his son as a result.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that this book would be a great fit for a school book club, but I think a group of high school or college aged girls would thoroughly enjoy reading this and discussing it, and I would totally invite myself to their gathering to do so.

Feb24

Hana Khan Carries On by Uzma Jalaluddin

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Hana Khan Carries On by Uzma Jalaluddin

hana khanTechnically this book is adult fiction because the protagonist is 24 years old, but the halal rom-com is so sweet and considering the YA options that exist in the same genre, I think high school juniors and senior would do better to dive in to this light, enjoyable, albeit predictable, read over so many of the other options out there.  I read the 368 page book in two days, I was hooked and impressed with the strength of all the female characters, the step away from all the stereotypical tropes and the smooth writing style.  The book is for everyone and while packaged as a light read, there are some themes of immigration, family, choice, and OWN voice realizations that are presented and explored in a thoughtful and impactful manner.

SYNOPSIS:

Hana Khan’s mother owns and operates Three Sisters Biriyani Poutine in Toronto, there are not three sisters, biriyani poutine is not on the menu and business is bad, really bad.  The 15 year old restaurant that Hana named when she was nine is struggling even though it is the only halal option in the close-knit, diverse, golden crescent community.  When news hits that a new upscale halal restaurant is opening a few doors down, Hana chooses to ignore that the business was struggling and instead blames the new proprietors.  They are wealthy, corporate and insufferable.  Well, the dad is anyway, the son Aydin, he isn’t so easily defined.

Hana balances shifts at the restaurant, her internship at Radio Toronto and her own anonymous brown girl podcast.  Hana, real name Hanaan, comes from a supportive and close family.  Her dad was injured in a serious car accident, her older sister is pregnant, and her cousin from India along with a cousin-aunt have just arrived under suspicious circumstances.

As the new restaurant gets closer to opening, Hana finds herself stooping to all new lows to sabotage their success.  Encouraged by an anonymous podcast listener who she has been chatting with for quite a while, and inspired by her rebel cousin-aunt, Hana is determined to secure a permanent job in radio, save her family restaurant, and destroy the competition.  But, an attack downtown draws attention to growing Islamophobia and forces Aydin and Hana to work together.

In a fictional story where everyone knows everyone both in India and Toronto, crazy family members are endearing and loyal, it is no surprise that the main characters are more connected than they think.  As Hana finds her strength to carry on amidst change, she also figures out what direction to focus her energy, her talents, and voice.

WHY I LIKE IT:

I absolutely love the writing.  I was invested in many of the characters, not just the protagonist, and absolutely cheered as she gave a nod to so many assumptions so that she could move past them: forced marriage, hijab, acceptable professions, inclusion, etc.. The family is all about choice and not getting hung up on stereotypes show the power that OWN voices have in telling stories that resonate with everyone.  The book is full of religion, from waking up for fajr, to listening to the khutbah at jumah, going to the masjid to find peace, and believing in destiny.  It is not a preachy book by any means, but the characters are Muslim inside and out.  The traditional family does not pressure Hana to get married, her sister’s marriage was a love one.  She is often alone with her male cousin or brother in law, or best friend Yusuf.  She knows who she is and her family trusts her.

I love the food, the insight of immigrants and family.  I was particularly moved by her articulation of being told by outsiders what it means to be Muslim in Canada, or an immigrant and then not being listened to when pushed back upon. Her challenging a teacher on what the fourth pillar of Islam is and not being heard, resonated profoundly.

Within the first 100 pages or so the reader figures out who everyone is and how they are connected, save one surprise, but it is like watching a favorite movie, you keep going because it is fun, and enjoyable and the point isn’t to figure it out, but to enjoy the ride.

FLAGS:

There are relationship threads, but nothing more detailed than a hand touch after a funeral.  Her best friend Yusuf marries their best friend Lily an Agnostic, knowing that both families are against it.  There is music and racist talk and vandalism.

TOOLS FOR LEADING THE DISCUSSION:

The high school book club usually tries to include a halal romance novel for the loyal participants that clamor for it in the group and I plan to suggest this one to them.  For as light and straightforward as the book is, there is a lot to discuss when the surface is peeled back.  There would be lot to explore from her podcast, internship experience, and her hate crime experience, that the romance part will be seen as simply a vessel to more profound issues to explore.

Feb9

The Awakening of Malcolm X: A Novel by Ilyasah Shabazz and Tiffany D. Jackson

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The Awakening of Malcolm X: A Novel by Ilyasah Shabazz and Tiffany D. Jackson

img_8312This historical fiction piece about Malcolm X follows him through incarceration with flashbacks to his childhood and teenage years.  Written by his daughter it is hard to know where this 336 page book is factual and where it takes artistic freedom with filling in the blanks. A few creative liberties are mentioned in the author’s note at the end, but some sources in the back would help clarify, as she was a toddler when her father was killed. The time frame of Malcolm X’s life and a large portion of the book covers his introduction and conversion to The Nation of Islam, but it never mentions even in the timeline at the end that he left it, or that they were responsible for his assassination.  The book is beautiful and heartbreaking at the same time, it is also so very humbling and empowering. I just don’t know that younger middle school readers (the stated intended audience is 12-18), will really grasp the content, his condition, and his searching, while trying to keep all the characters, time frame references, and slang straight.  With the mention of his girlfriend who he is/was sleeping with, as well as the drugs, the alcohol, and the abuses occurring in prison, older teens might be able to handle the book better, and be tempted after to dig deeper to learn about him going for Hajj, becoming Sunni, changing some of his views, and ultimately being gunned down in front of his family.

SYNOPSIS:

Malcolm Little is living between Roxbury and Harlem and going by the nickname Detroit Red.  When the story opens, Malcolm and his friend Shorty are about to tried for stealing a watch, a crime that he acknowledges he committed, but undoubtedly doesn’t deserve 8-10  years in prison for at age 20.  Nearly every chapter starts with a flashback to an earlier time and then concludes with the atrocities of prison life at hand.  As the narrative flips back and forth Malcolm’s story and awakening emerges.

Born in Omaha the Little family’s home is burned down by the Ku Klux Klan, they move a few times as the growing family grows closer together and establish themselves as followers of Marcus Garvey in advocating for Blacks.  Malcolm’s preacher father is killed when Malcolm is six years old and his mother institutionalized when he is 13, for refusing to feed her children pork amongst other things, and thus leaving the family grasping as they know she isn’t crazy, yet cannot get her released.  Malcolm is incredibly bright and attends a nearly all white prep school, but even after being class president, a teacher discourages him from pursuing his dreams of being a lawyer, and Malcolm drops out of school and ends up being a hustler.  His white girlfriend, a married woman in Boston and her friends convince him to rob some wealthy white neighborhoods and when he later takes a stolen watch to be fixed he is arrested and found guilty of grand larceny, breaking and entering, possession and more.  He is sentenced to Charlestown State Prison and day-to-day life is rough.

The guards at the overcrowded prison are aggressive, the food un consumable, and being put in the hole as punishment is beyond inhuman.  Malcolm is filled with anger and rage and is still trying to hustle people.  He learns his family has become followers of The Nation of Islam and he doesn’t want to hear it, he doesn’t want to hear about his prison mates preaching the Bible and he doesn’t want to hear about God.  He feels betrayed by God and feels guilty for not being a man his father would be proud of, the refrain: up, up, you mighty race! echoes throughout.

Throughout it all his family’s love is felt in visits, letters, and warm memories of life before his incarceration.  His flashbacks to events in his childhood that defined him, inspired him, molded him, show what a beautiful family he had and how racism in large part destroyed it.  His parents valued education and discipline and his elder siblings carry that torch and pass it on to the younger children, they are a large family and their love is palpable for each other and for the liberation of Blacks in America.

Little’s sisters write letters and eventually get Malcolm transferred to a much nicer prison, Norfolk, where he really channels his rage into reform, determined not to leave the same man he entered as.  He has access to a full library, he joins the debate team, he takes classes, converts to The Nation of Islam and then refuses to get a polio shot and is sent back to Charleston for the remainder of his sentence.

The book concludes with his release, and teases that members of his family are becoming uneasy with the Honorable Elijah Muhammad.  At the very very end, he meets Betty, the lady who will be his wife.

WHY I LIKE IT:

I love that this chunk of Malcolm X’s life shows the transformation of his thinking, how outside influences forced him to dig in to himself and reflect in such a profound way.  The book is as timely as ever as the systemic racism that is determined to see people of color fail is still running and growing.  There is a little mention of how veterans are treated better in other countries on the front lines than they are at home when they return that I wish was explored more, but there are so many characters that flit in and out of Malcolm’s prison world, it is hard to tell them apart as it is Malcolm’s story and his development that is being told.

Not surprisingly, I wish there was more about him converting to Sunni and going for Hajj.  The book stops before then and I am sure that most readers, will not understand the difference between The Nation, the Ahmadis mentioned, and Sunni Muslims.  This concerns me as the acceptance of Elijah Muhammad as a Prophet is hard to read.  I think some conversation with readers would be necessary as the book offers little if any to differentiate.

I like that each chapter starts with a direct quote of Malcolm X and the the fact that the relevance of his words in today’s world don’t need any explanations or context is devastatingly powerful.  I also appreciate how engaging and smooth the writing is.  You really feel the layers of Malcolm X the character, being pealed back and him coming into the proud confident leader that he is known to be.

FLAGS:

There is profanity, mention of him sleeping around, memories of kissing his girlfriend, alcohol consumption, cigarettes, drug use, violence, beatings, abuse.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I would do this as a book club for middle school.  Possibly if I was a high school teacher I would offer it as outside reading or extra credit when reading about the Civil Rights Era, or if I was teaching the Alex Haley, Auto Biography of Malcolm X.

Feb5

Counting Down with You by Tashie Bhuiyan

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Counting Down with You by Tashie Bhuiyan

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I have to be honest that this book really held my attention and was hard to put down for about two-thirds of the 416 pages.  I was genuinely invested in the characters and wanted to see how it all resolved.  Sadly, by the end, I was disappointed with the conclusion, the predictability, the stereotypes, and the cliche’ of it all.  The author mentions in the forward that she is representing her story, not a representation of all Bangladeshi- Muslim American girls, but for an OWN voice book with such a clever premise, I really wanted to be shown more than I was told, I wanted to feel the protagonists strength, and cheer her on as she found her happiness on her terms.  But alas I felt that she let other’s fight her battles and she really only threw her religion and culture around as weighted plot oppressors, not as strands of her life that she had to decide to embrace or understand in the process of growing into herself.  There was a lot of potential to discuss mental health and family expectation, but the end unraveled all that the book could have been.  Undoubtedly the author is a good writer, and brown Muslims are not a monolith, but I feel like sometimes we need to square away who we are before we just clamor for what we want.  This book has relationships, it is a romance novel afterall, but whether the characters are straight or LGBTQ+, there isn’t more than kissing and hand holding and would probably be fine for 9th grade and up if you are ok with a Muslim lead lying to her parents and having a boyfriend.

SYNOPSIS:

Karina Ahmed is 16 and expected to be a doctor when she grows up.  Her conservative Muslim parents are immigrants from Bangladesh and very over protective of their oldest child.  Samir her younger brother, a freshman, is a robotics nerd and the pride of their family.  Karina loves English and wants nothing more to major in English in college, but her parents are insistent and despite her struggles with math and science she is determined she has no choice in the matter and must make them proud by being a doctor.  This inability to be what her parents want has caused tremendous anxiety within Karina and when her parents leave for a vacation to Bangladesh for a month, she is hoping to be able to relax and enjoy life for 28 days with her Dadu, paternal grandma, and her friends, Cora and Nandini.

The only extracurricular activities Karina is allowed are Pre-Med Society and tutoring, where she helps others with English.  Her teacher asks her to tutor a classmate one on one to prepare for the end of the year exams, and reluctantly she agrees.  Very reluctantly.  The classmate is brooding resident bad boy Ace Clyde, a beautiful slacker that seems to not care about much.  In Karina’s efforts to get Ace to study and taking advantage of limited parental supervision, Karina goes with Ace to a sweetshop and even ends up at his house where she meets his family.  Ace is not ready to admit to his incredibly wealthy family that he is seeking help from a tutor and instead introduces Karina as his girlfriend.  Ace’s older brother Xander, the Student Body Class President, isn’t buying it, so Ace announces it on social media and shows up the next day with coffee for Karina as he walks her to class determined to convince everyone that they are indeed a couple. Karina is not ok with this, but he does promise her a dozen books a week and he is aware that the “relationship” can only last 28 days, so she is in.   Karina’s friends predict that they will fall hopelessly in love and they are pretty correct.  Over the course of the next three and half weeks the two grow closer, he even comes over and spends time with Dadu and Samir.  She encourages him to fix his relationship with his family, and he encourages her to fix hers.  And somewhere in the midst of pretending they decide to make it real and then Karina’s parents return.  She at this point has been cheered on to stand her ground on confronting them about not wanting to be a doctor by Ace, Cora, Nandini, Dadu and Samir.  The conversation does not go well and Karina goes into a two week slump pushing everyone out before she *spoiler alert* resolves to date Ace in secret as long as he respects her lines, and Dadu stands up to her parents for her.  The story concludes with her going to Jr. Prom and her resolved to just stay strong for a little while longer until she is “free.”

WHY I LIKE IT:

I like that I really didn’t know if the book would turn cliche until it ultimately did.  I really liked the realness and rawness of Karina coping with her anxiety and her friends supporting her in Googling coping mechanisms and helping her test them out.  I feel like it was a missed opportunity for Karina’s parents to not reach out to her, or for Karina to even mention that they were missing it.  I think readers that see themselves in Karina would have hoped to see that story thread play out and give them hope of getting help and support or at least getting it out in the open to normalize it.  I love the growth of Samir once Karina make him aware of the double standard, but I feel like he doesn’t read with a consistent persona.  He has a job, he has friends, he likes a girl, but he reads like he is clueless and maybe 10 years old at best, not in high school.  A bit off for me.  And of course you have to love Dadu, a wise old woman who supports her grandchildren and sticks up for them.  I wish Karina would have taken her cues from her beloved grandmother and stood up to her parents with Dadu in the room rather than let Dadu fight the fight and just stand there.  I thought the big climax would be Karina standing up to her parents, so I felt let down when she let someone else fight her fight.  Yes Karina tried and failed, but I think her grandmother should have backed her up in round two, not taken over.

Karina throughout says she is Bangladeshi-Muslim and uses it as a reason to fear her parents and feel obligated to not date or study English.  She does say she isn’t against religion, and actually likes being a Muslim and praying and knows Allah loves her, but that it is the tradition that blindly is followed that gives her trouble.  Her maternal grandfather is an Imam and her mom is much stricter than her father, but he follows her lead in raising the kids.  My critique isn’t so much to argue with the author’s perspective about religious standards, but more a literary one, when the character says she is Muslim and uses that to reason why she has lines, but yet is never seen praying or wresting with what she wants and what she believes.  Never asking Allah for help with her anxiety or confronting her parents or anything for that matter.  As soon as her parents leave she is in a crop top, so where is the religious line and where is the cultural one?  Where is her understanding of her culture and where it fits in her life and where she wants it to fit in her future? Is she Muslim because her parents are or because she believes it? She won’t eat ham, and eats halal, but later eats meat at Ace’s house? Everyone, even fictional characters, get agency, but in a book where the premise is a fake relationship turned real turned rebellious because of religion and culture, a little introspection seems warranted.

The conclusion after hundreds of pages of being called lionhearted and brave and strong seemed diminished when going to prom and lying to parents and having grandma fight your battle is the happy ending.

FLAGS:

Relationships: The main couple hold hands and kiss. There is a supporting character that is bisexual as is a cousin, one is gay, they hold hands and kiss as well. Nothing more than that or detailed. There is lying and deception.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I would do this as an Islamic School book club selection because it would imply agreement with lying and going behind your parents backs.  Granted her parents are difficult and her grandma is aware and ok with the situation, but I still think it would send the wrong message to endorse such behavior from a religious school perspective.

Jan22

The City of Brass by S.A. Chakraborty

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The City of Brass by S.A. Chakraborty

This series is adult fantasy written by a Muslim author for her ummah and contains Muslim characters. I think the series as a whole is definitely not YA, as the main characters would age out of the target demographic, but I think that book one could qualify. I’ve contacted the author to get her perspective on the matter, and will update this if I hear back. So why am I reviewing it? Because it is so good, and I’ve heard of a lot of people letting/encouraging their teens to read it, and honestly, I did as well. There is complex world building, implied physical interactions, one hinted at gay romance, alcohol, concubines, violence, djinn, ifrits, killing and one kiss/slight make out session. There is also Middle Eastern culture, Islam, and a fiery protagonist that make the 530 pages in the first book fly by. I’m only reviewing the first book, and I think 14 years and up can handle it, I know my 14 year old and I haven’t stopped talking about it, and it has been quite fun to fan girl with her over it.

SYNOPSIS:

Nahri is living in 18th Century Cairo. She is completely alone and always has been. To survive she relies on her healing abilities and her ability to steal, cheat, and con her way to food and shelter. She knows nothing of her past, but is able to pick up any language after hearing a few words. At a performance to con a family needing help healing their daughter, she accidentally summons a djinn, Dara, which in turn awakens a graveyard full of ifrit, and sends Nahri on the run. Not trusting Dara they are travel companions none-the-less as they make their way to Daaevabad, a protected home of the fire beings, and the only place Dara thinks she will be safe. Along the way on the month long journey, Nahri tries to learn about the djinn, called Daeva, and the creatures they are running from. She also learns that she is the last surviving Nahid, healer, and while she may be a shafit, a half blood, she has powers and lineage the kingdom desires. Dara isn’t forthcoming with information, as a result his dark past and incredible powers keep Nahri on edge. She is constantly plotting her escape from the magic carpet carrying them and the future that she doesn’t understand let alone know if she wants.

The book is told from Nahri’s perspective and from Ali’s as well. Ali is the second born son to the king of Daevabad and has been raised away from the palace at the citadel. With a soft spot for the shafit, second class citizens of Daevabad, he gets tangled up in a plot to free child slaves and gets called back to the palace to be watched and tested as his brother’s future Qaid, the top military official that he has been preparing for his entire life. Ali is already an outcast to his family, as a devout Muslim in practice, belief, and actions, unlike his family who identify as Muslim for political unity.

Once Nahri and Dara cross in to Daevabad and the two narratives come together, the politicking, deception, deceit, and historical complexities get intense. The king demands that Ali get to know Nahri so that she can be persuaded to marry the emir, Muntadhir, but Nahri is in love with Dara and struggling to learn how to be a healer in the mythical world. To say that the story gets messy with the djinn tribes, and the manipulation of power and historical atrocities would be a simplification. But the writing is superb, and the world building encompassing. The book doesn’t drag and even after reading all three volumes, you’ll find yourself thrilled to know that the author has some additional points of view online.

WHY I LIKE IT:

The author takes a lot of liberties with Prophet Suleiman’s story, but it is fiction and I don’t think that anyone would be mislead by the information given about him and his control over the djinn. The “Islamic” elements in the book are really just that, elements, they aren’t plot lines, or more than just a layer to the setting and the characters. The history and the cultural richness is made more complete by the foods, clothes, and salat times mentioned, but there is nothing Islamic fiction about the text.

I love the writing. Period. It is engaging and doesn’t lag or feel repetitive. The characters are very fleshed out: no one is good or bad, the entire cast is shades of gray, and their motives and intentions are often debatable. My daughter and I have argued and I don’t think we have tried this hard to convince each other about characters since Harry Potter, and it is so great!

FLAGS:

SPOILERS: Dara and Nahri have chemistry and they kiss and long for each other, but it isn’t the bulk of the story line. Ali starts to fall for Nahri, but he has poor judgement so it is by and large dismissed. Muntadhir is always drinking wine and courting courtesans and is never in his own bed, nothing is detailed, it is said in passing, or implied. It is also hinted that Muntadhir is in love with his best friend, a male, and pretty much everyone knows, and they just look the other way. It does not state anything explicitly about them, but it is hinted at, implied, and mentioned by the other man’s father that the prince has broken his son’s heart numerous times.

Wine is always present, as is stealing, and lying. There is a lot of violence, not overt gore, but occasionally graphic as Nahri is a healer and there is a war simmering in the current time line, and a historical one that wiped about a whole tribe that is discussed throughout.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t be able to do this for middle school, but perhaps closer to the end of the school year, I would suggest that the high school book club consider it. There is a ton online for this award winning debut novel, so I’ll just include the author’s website: http://sachakraborty.com

Happy Reading!

Jan8

Punching the Air by Ibi Zoboi and Yusef Salaam

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Punching the Air by Ibi Zoboi and Yusef Salaam

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Four hundred pages of painfully powerful verse that you will have to force yourself to slow down and not rush through.  Yes, you want to know what happens to the young, black, muslim teen writing his truth, but to read it too quickly will deprive you of feeling and contemplating and absorbing the message that if, you, like me are a white (ish) person of privilege, need to surround yourself regularly with to understand.  The OWN voice narrative is co-written by one of the Central Park Exonerated Five and should be required reading for everyone 14 and up.

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SYNOPSIS:

Amal Shahid is 16 years old, and maintains he is being wrongfully accused of a crime that has left a white boy unconscious.  He acknowledges he threw the first punch, but is adamant that he didn’t throw the last.   From his trial to his incarceration in a juvenile detention facility, the narrative pushes forward as he adapts to confinement with flash backs to pivotal moments in his life.  He is a gifted artist and writer and his creativity and ability to express himself is what will hopefully provide him a way to survive.

I know I’m leaving this vague, because truly I cannot do it justice.  I started taking pictures of powerful sections, and when I found myself taking pictures of nearly every page, I realized that the book is something to be experienced in its entirety and will include just a few internal pages to tempt you.

 

 

WHY I LIKE IT:

The book is impactful in that it claims only to share the protagonist’s truth, it doesn’t get off tangent from that, but allows for the reader to add to the narrative their own understanding to make it personal and resonate most profoundly.  His situation involves so many injustices plagued upon him only because of his skin color, and a system that is designed to keep racism alive and powerful.  He was at the wrong place at the wrong time perhaps, but while the book is heavy, hope is ever present.  I’d like to believe it is because of those that refuse to give up on Amal. I was swept away by the power of a mother’s love.  Truly, what strength for a young man in Amal’s situation to have the world betray him so often in his young life, to find unflinching love, support, belief, and determination in his mother.  

I love that his mother is a practicing Muslim, his grandmother attends church, and he loves them both and values their spirituality.  Allah, the Quran, and Islam are mentioned regularly.  It never is preachy, or gives much doctrine, but it is present, and is a tangible part of how Amal sees the world.

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FLAGS:

There is language and violence.  He has a crush on a girl and she writes him letters, nothing obscene.  There is racism, bullying, racial slurs.

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TOOLS FOR LEADING THE DISCUSSION:

There is so much to discuss in this book, and so many resources online.  I think the book might be too mature for my middle school book club, but I am suggesting it to the high school book club.  This book needs to be read, discussed, breathed in, and experienced.  Plus the author’s real life experiences should be incorporated into the discussion as well as the student’s understanding of how present racism is and how they can use their voices and influence to create real, lasting, change, inshaAllah.

Jan1

The Theft of Sunlight by Intisar Khanani

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The Theft of Sunlight by Intisar Khanani

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Breathe, deep breaths, exhale, phew.  This book is good, like really good, but it ends on a cliff hanger and I was not prepared for it because I read a digital copy and didn’t think 528 pages had gone by.  Needless to say I was not emotionally prepared for there not to be a resolution.  Then the afterward said it was a duology, and I may have freaked out and contacted the wonderfully patient author and had her talk me down, because such words could imply that Thorn was book one.  Also, when I’m frantic I don’t read clearly, but now all is well, she assured me there will be a conclusion, inshaAllah, to Rae’s story.  Picking up chronologically where Thorn left off, this book is a companion in the Dauntelss Path series, but follows a different protagonist and while I highly suggest reading Thorn first, it is not necessary to understand this original tale.  So, phew, I am breathing again, and happy to venture back to Menaiya to share my review of a lovely story, written by an amazing Muslim who once again weaves such an engulfing tale that doesn’t drag or have holes in the narrative, is filled with strong female characters, and text that reads so effortlessly it just sweeps you away.  Truly it is fun for middle school and up (13+), and clearly I’m not passionate about books and fictional characters and don’t need to get a reality check.  

SYNOPSIS:

The book opens in a small village where Rae is in the market with her littlest sister Bean and their friends, Ani and Seri, when the unspeakable happens: Seri goes missing.  This isn’t a tale of a child who has wandered off, it is about a child taken by the snatchers and the materialization that the rumors and horrors they have been hearing of children being taken, becoming very real.  Niya, Rae’s middle sister is a secret mage who tries to track Seri, but can’t break through the mark that keeps her hidden.  As the townsfolk exhaust all resources and resolve she is just another child lost, Rae gets an opportunity to find answers.  Her pregnant cousin has invited her to spend the summer at the royal court and attend the wedding of Prince Kestrin and Princess Alyrra.  Convinced that the palace must have more information about the snatchers, Rae reluctantly agrees to go and investigate what is being done to stop the country’s loss of children.  Rae is nervous to leave her horse ranch, afraid of the teasing she will receive because of her twisted clubbed foot, but above all desperate to help her friend’s family.  

Everything about Tarinon baffles Rae: the extreme poverty on the outer skirts of the palace, the vacant stares of the children, the ignorance of the courtiers, the politicking and secrets.  She doesn’t get much time to ease into this new role though, because she is thrust head first in to it when asked to be one of Princess Alyrra’s attendants. She once again reluctantly agrees, with the hope of getting answers to help recover Seri and other lost children.  After tests to gage if the princess can trust Rae, the two join together to secretly unravel what is going on.  This work in and of itself is incredibly dangerous as those that ask questions often go missing.  Her work is compounded when the princess sends her to get information from the head of a thief ring, Red Hawk, and his informants.  The closer Rae gets to answers, the more perilous situations she gets in and out of, often having to count on her bravery, determination, and wit to stay alive.  She finds an unlikely ally in Red Hawk’s right hand man Bren, help and friendship in an employee in the tax office, Kirrana, and the need for favors from a Fae mage and his Cormorant.  As the investigation progresses, it leads to battles with neighboring thief rings, Rae held hostage at one point, getting her finger chopped off at another, the Circle of Mages seeming guilty, and royalty within the palace duplicitously involved.  All this while a week long royal wedding is underway and the princess’s brother is attempting to kill the princess.  No wonder 500 plus pages still ends with a cliffhanger, eh?

WHY I LIKE IT:

I love the world building and detail and speed of the story, but I’ve really delayed writing this review as I try and pinpoint and articulate what it is about the characters that I truly am invested in.  And the answer is, I really don’t know, it probably it isn’t just one thing.  They are believable, and flawed, yet so very strong.  Rae in particular has her own self doubt and questioning, but she is a force and she makes mistakes, yet is still gracious and humble, she really is well rounded. There might be some romantic twinges between Rae and Bren, but she isn’t going to compromise one bit of who she is for him or anyone for that matter, which doesn’t mean though that she isn’t still growing and learning.  The book absorbs you right away, there aren’t dull parts that you skim over, or character’s that you mess up and have to go back and clarify.  Unequivocally, the writing is superb.    

The snatchers are inspired by the slave trade and child trafficking that unfortunately is not fiction and is all too real.  I think the edginess and intensity is heightened when that realization occurs for the reader to see that it isn’t just a fictitious conflict within a fantasy plot.

There is nothing Islamic in the book, the characters have their own religion that pops up as Speakers are involved in healing the recovered children and Alyrra goes to pray at one point, but it doesn’t detail what that looks like.  The author is Muslim.

FLAGS:

The book is remarkably clean, especially for the genre.  It does mention that some of the girls snatched end up in brothels, and the guards sent to investigate take advantage.

TOOLS FOR LEADING THE DISCUSSION:

I think I would absolutely do this for a middle school book club book.  To open the students eyes to quality writing, taking a real problem and nesting it in fiction to be sorted out, and just to see their response to the journey that Rae under takes would make for a great lunchtime discussion.  The book has not been released yet, so there aren’t a lot of reader’s guides or author interviews about it, but I suspect there will be soon.

Nov13

That Can Be Arranged: A Muslim Love Story by Huda Fahmy

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That Can Be Arranged: A Muslim Love Story by Huda Fahmy

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I’m not entirely sure why I didn’t review and highlight the first book, “Yes, I’m Hot in This: The Hilarious Truth About Life in a Hijab” I really should have, so to cut to the chase if you don’t follow the author/illustrator on social media you really should and you should read both her books.  Both are for all ages and while meant for adults, teens and tweens love it as well, I should know I’ve purchased and gifted over a dozen of them. I find my kids thumbing through both books a lot: my (early) teen girl and my tween boys.  Part of is it because the comics are funny, relatable, but more importantly as I’m learning from my kids, because they are curious.  In this book particularly, it is a great example of how Muslim marriages can happen, sure my kids know how my husband and my marriage was “arranged,” but they are constantly surrounded by ideas of dating and crushes and even divorce that I never realized that a book like this, featuring Muslims, actually Islamically contextualizes some of their gleamed information.  The fact that the book is hilarious and clean and rings with such honesty, makes it easier for them to articulate their questions and removes some of the taboo as well.  So, buy it for yourself to enjoy and if you have kids 11 and up in your home, you are ok to let them read it too.

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SYNOPSIS:

It isn’t a chapter book, it is part comic book, part story, part info-graphic, and all biographical.  The book opens with an ayat about spouses from the Quran and follows with an informative and funny message to the reader.  Seriously, I laughed as she explained about drawing herself with hijab in bed and noting that most people don’t read the notes to the reader at the beginning. There are also a list of helpful terms before the introduction begins.  Her story is broken up in to sections to pace and move the story along.  It starts with the ground work of expectations and cultural norms and then tells her story of how she eventually met and married her husband.  Not that it is straight forward, the book is 192 pages.  There is a decent amount of explaining Islam and the role culture plays in the many pitfalls and big decisions along the way.

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WHY I LOVE IT:

I think any female, born Muslim, over the age of 20 will relate to a lot in this, lots of others will as well, but that demographic specifically will find parts very reflective of their own experiences.  I love that it shows the banter between the protagonist and her mother, truly that to me was the heart of the story.  I love that it shows female empowerment and vulnerability at the same time within an Islamic context and unapologetically.  This book is by a Muslim for Muslims, but non Muslims will enjoy it as well.  It dispels and illustrates what an “arranged marriage” can mean for Muslims and shows that there is more than one way to understand the label.

I love the size of the book, the binding and the page quality.  I had no problems with “Yes, I’m Hot in This,” but after seeing the larger size of this book 7 x 8 and the thicker pages, I really preferred this presentation.

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FLAGS:

Clean

TOOLS FOR LEADING THE DISCUSSION:

Obviously not really a candidate for a book club, but I think teen girls would enjoy reading this and laughing about it with a group of friends.

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So fun and so good, alhumdulillah.

Oct16

Not the Girls You’re Looking For by Aminah Mae Safi

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Not the Girls You’re Looking For by Aminah Mae Safi

This book did not work for me. Despite the fact that the main character is Muslim and it is Ramadan, no matter how much I wanted to connect with this multicultural lead and her friends, and see myself in her as she navigates high school, I just could not. The writing was choppy 3rd person which distanced the main character for me, the crude language on every page, the drugs and alcohol in every scene, the detailed sexual encounters throughout, the lacking growth of the characters and the muddled point of the book in general made the book difficult to read. The book is an AR 4.9 but content wise is more suited for mature 18 year olds. Even this review might be a little too much, I’ll do my best to keep it clean. Ultimately this book missed the mark for me in showing females defining themselves, celebrating friendships and diversity, or even just creating characters to cheer for as they navigate life.

SYNOPSIS:

Leila is half Iraqi Muslim from her dad’s side and half American Catholic from her mother. She doesn’t know how to pray as her father isn’t religious, but celebrates Ramadan and Christmas and defines the world on her own terms. She is fearless and owns herself, hence she hates her name and goes by Lulu instead. The book opens with her making out with a boy in a closet which she kind of regrets and then goes to join up with her friends at the party to drink and get high and attack one another for their poor choices resulting in drama. In this instance Lulu’s anger pushes a boy in the pool, and then the four friends devise a way to get home and work out the lies they will need to tell to the parents involved. This scenario with only slight variations repeats five or six times in the book.

Lulu is the fearless one, Lo, short for Delores, is the leader, Audrey is an alcoholic math whiz and Emma, not to be underestimated and often is forgotten (literally) is coming out in her first lesbian relationship. Yes these labels are limiting and stereotypical, especially in a book calling for girl power or what not, but sadly that is really the only space they flesh out, not a whole lot more is known about them. The girls defend each other fiercely to outsiders, but are truly awful and angry to one another all the time. They break apart and Lulu doesn’t really know why, so the path back to one another isn’t really cathartic. They pull a prank to get back at a boy that crossed the line with Lulu, but it fizzles when the threat of what the prank could do is enough to keep him away and they don’t have to complete it completely.

Between the parties there are some sub plots that weave in and out. Lulu has to spend time with Iraqi family friends who don’t accept her and are critical, in Arabic, of her mother. This gives some cultural layer to the story, but the characters are pretty flat and petty and hypocritical. The bombings in Paris a few years earlier, and the resulting bullying by classmates hardened Lulu, but there isn’t much info on how awful they treated her or how it defined her, so not much sympathy is garnered by the event nor does it help the reader get inside Lulu’s head. There is also a sweeter love story brewing than the one night stands that define Lulu, but then she goes with her mother to get birth control so she can sleep with him all while making it clear that he isn’t her boyfriend, she just wants to have sex with him- which she does on her seventeenth birthday.

Eventually the girls are back together and gushing with tales of sorrow and personal growth and vows that they will always be like sisters.

WHY I LIKE IT:

I don’t mind the premise so much as the execution of it. I get that people practice Islam differently, but I really don’t get the need to even bring her religion in to such a story. Culture maybe, but even that is a stretch. I don’t know if the story would be better if it was first person, I would like to think so, as not connecting with the main character was such an obstacle for me. I wanted to see her grow and change or at least have clarity in her decisions even if I didn’t agree with them or couldn’t relate to them. I wanted to feel her remorse or the weight of her decisions, but was often just told in passing that something scared her or was hard for her, not shown it. The theme of not belonging anywhere is a legit one, but I don’t know that this book explored it, it just sort of brushed by it almost as a trial to see if the emotions would stick. Which for a character built up to be unapologetic and unafraid to suddenly want a victim label without any real emotional ties, didn’t work for me. There are such holes in the story, that at times things didn’t seem believable or details were so specific with no context that I didn’t get their purpose. I would have loved to know more about her brothers and the tests they went through, or why her family was so loyal to the Arabs around them. I desperately wanted something that showed a different side of Lulu not just the anger and “F everyone who wants to change me” mantra. People are scared of her and she enjoys that power, but I don’t get why they are scared and why she enjoys it. It seems like a big part of her story and of the book in general to miss. Yes she is independent, and I get that can be misread, but she almost seems one dimensional and flat which defies the concept of defining yourself on your own terms and carving out where you want to belong among groups that see you as other, right?

The character is pretty open that she knows little about Islam, she also claims she isn’t interested. She fasts not so much because it is a commandment but more to appreciate poor people. She says this, but actions don’t seem to back it up. She tries not to drink during Ramadan but she still smokes, gets high, makes out, and lies once the sun goes down. At one point she calls a bride and her mother whores, and refuses to apologize, so her dad gets a fatwa issued. Lulu’s mom mentions that something went all Shiite on the situation, so I’m not sure if the fatwa issuing for such a specific thing is a shiite thing or something I’m just not aware of or familiar with as a tool for handling family dramas.

FLAGS:

The whole book really. Sex, drugs, alcohol, sexual assault, lying, cheating, blackout drunk, vaping, talk of orgasms and going down, lesbian relationship, hetero relationships, sexual encounters, language etc etc etc.

TOOLS FOR LEADING THE DISCUSSION:

Would never cross my mind to share or suggest this book. Even religion representation issues aside, I don’t know that there is really a single “healthy” relationship highlighted among the main characters, some of the side characters maybe, but not enough information is given to really make that case. The characters just all seem so angry, not saying teenage years aren’t angry and messy, but this one doesn’t seem to add much perspective to that singular thought unfortunately.