Category Archives: 1st through 3rd

Muzoon: From Refugee to Leader by Muzoon Almellehan illustrated by Asma Enayeh

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Muzoon: From Refugee to Leader by Muzoon Almellehan illustrated by Asma Enayeh

Such a delight to see Muzoon’s story coming to children in the West in the form of a Step into Reading Biography. The approachable format aimed at second and third graders reading paragraphs tells Muzoon’s story with quotations from her middle grade biography, Muzoon: A Syrian Refugee Speaks Out.  From her life with extended family, playing soccer, studying and enjoying Ramadan, to the changes that turned her country unsafe and forced them to become refugees. It follows her to refugee camps trying to find routine and hope and the role education and encouraging other’s to study plays in her life.  Eventually her activism and efforts catch the attention of UNICEF and today she works as a UNICEF Global Goodwill Ambassador and travels the world advocating for education and refugees and rebuilding Syria.

Divided into eight chapters, the 48 page book shows how relatable Muzoon’s life is and how the political events forced her family to abandon all they knew.  The presentation, in both the text and the illustrations, show the unexpected and hardships Muzoon and her family face as they make their way to the refugee camps and work to adjust. The book is not graphic, but the weight is conveyed as readers also see the power education and learning has in providing hope and opportunity. In a fictional story, a protagonist using their voice for the good of society is something to cheer, to see it from a real life person in the middle of a war, is something to admire and be inspired by.

I particularly like the inclusion of Ramadan in the story and the details showing her family joyfully gathering to break their fast together, as well as conveying some details about the Islamic holiday.

Shining Hearts: Sahabah Stories for Kids by Marium Uqaili illustrated by Mirha Asim

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Shining Hearts: Sahabah Stories for Kids by Marium Uqaili illustrated by Mirha Asim

This book contains ten Sahabah stories, five males and five females, conveyed over 121 large 9×12 pages in an easy engaging manner for elementary aged children.  The stories are told one at a time, with simple illustrations, easy to read font, and pullouts featuring engaging blurbs that increase understanding, connection, or challenge the reader to think about something further.  The conversational tone and breaking of the fourth wall helps keep the readers interested while focusing on engaging bits and not a Sahabah’s entire biography.  Inclusion of hadith and ayats and seeing that a named Shaykh has written the forward really makes this book a great one to have in one’s home to read at story time, and to keep on the shelf as a resource. 

The Sahabahs included are: Mus’ab Bin Umair, Salmaan Al-Faarisiy, Abu Dharr Al-Ghifaariy, Jafar Bin Abi Talib, Bilal Ibn Rabaah, Sumayyah Bint Khayyat, Safiyyah Bint Abdil Muttalib, Asma Bint Abi Bakr, Umm Ayman (Baraka Bint Tha’laba) Lubabah Bint Al-Harith, may Allah swt be pleased with all of them.  The first page of each section has the Sahabahs name and one line description before the story begins.  Each section concludes with a dua to Allah swt to make us like the Sahabah we have just learned about in a specific way.  The pages about the Sahabah contain what they are most known for, some attributes about them, and function as a snapshot for young children to grow familiar with these “super heroes” and how we can emulate them in our own lives.

The tone is similar to the staple Migo and Ali Prophet Stories, and proves how desperate we are for Islamic texts that appeal to our children (and how few quality English resources we have).  The pictures aren’t great, but they are sufficient, and I appreciate that there are no faces or depictions. Even an image that could be seen as Sumayyah (rA) has an arrow saying “your grandmother” so there is no confusion. The binding is a bit weak, I was warned before starting, so I read the first few times for review and picture purposes at a table, before handing to my children and reading to my youngest at bedtime.  I’d encourage wrapping the book in contact paper upon receiving it. I appreciate all the letters of approval at the start, and the simple activities at the end, and am impressed overall with the book and how it engaged my children, alhumdulillah.  

The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

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The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

This gorgeous and powerful 36 page picture book goes back in time to a Palestine where the struggles of today are still found, along with the resilience of the people, determination of the women, ingenuity of the children, love and hope.  The book is so strongly unapologetic in its portrayal of marbles representing strategy of kids to battle the giants aka soldiers, of children being imprisoned, of the occupiers being outsmarted by the people, and the joy that persists despite the attempts of erasure. The story within a story…within a story(?), doesn’t name Palestine until the very end, after the stories at hand have wrapped up, and doesn’t disclose that it is based on a true story, except for in the blurb.  It is also worth highlighting that the book is not OWN voice or sourced.  I still am sharing though because it is positioned as happening long ago, and thus hopefully not further erasing a Palestinian voice, but rather sharing a story to prevent it from being lost.  I do not know the author, illustrator, or publishers’ intent, this is simply my view and I am happy to be corrected if I have arrogantly overstepped.  



The book starts with a lullaby lilting through the air, the la la las, connecting the women caring for their children. Mama Laya is busy so Big Brother Bilal is playing with the children, marking which soldiers have been defeated on the paper that matches the marble game in the lane. When the giants take him away the children run to find Daddy Salim.

The searching children and family find Bilal in prison, and the giants don’t speak the language of the people to be reasoned with, so they must figure out a way to free him on their own.  Mama and the children have a picnic outside the prison and secret filled lullaby conveys the plan right under the giants’ noses. With Bilal free, the women gather to teach each other a secret way to communicate, to resist, to hope, in the lullabies that they sing.

There is no religion mentioned, but the title page begins, “In the Name of God,” and numerous characters are depicted wearing hijab.  I read a digital arc and I hope the printed version has backmatter to highlight that the author is not Palestinian, when this would have taken place, and if it is accurate.  Authenticity and accuracy are important, and I hope the book clarifies what is real, what is imagined, an where the information came from.

 

The Prince of Stars: Ulugh Beg’s Quest to Map the Stars and Seasons by M.O. Yuksel illustrated by Zelma Firdauzia

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The Prince of Stars: Ulugh Beg’s Quest to Map the Stars and Seasons by M.O. Yuksel illustrated by Zelma Firdauzia

This gorgeous 40 page picture book biography is both flowing in its storytelling and informative in its sourced details of a fairly unknown, underappreciated figure.  I was humbled reading this book and learning about the accomplishments of someone I had never heard of before.  Truly this book, bringing to the attention of our young and old ones alike, such a remarkable figure, is a much needed gift.  The publisher suggests the book for 4-8 year olds, but I think it also will appeal to older readers familiar with Copernicus, Galileo, and Ptolemy and who will appreciate the efforts driven by curiosity from someone so long ago. The diction in a few lines did give me pause, but nothing that overshadows how well the author has once again proven to master the storytelling of non fiction Muslim accomplishments in an engaging, accessible, exciting way for today’s audiences.

The book opens with a map of the Timurid Empire in 1405, before showing the reader a young prince, Ulugh Beg, gazing out and the stars and wondering how many there are.  The next spread makes no sense to me, but I acknowledge others might not be bothered, how can the young boy be watching days fade into weeks, into months, into years, and then wonder how many days are in a year? Seems that either those terms weren’t yet around, or some details about the generalized meaning made him curious about the specifics.  Either way, him wanting to know how many days in a year and the changing of seasons, along with counting the stars are the questions he wonders about as a child and works to answer throughout his life.

The king of the Timurid Empire, Ulugh Beg’s grandfather, insured his intelligent grandson had the best teachers and was allowed to travel, learn, and follow him curiosity.  At 15, when Ulugh Beg became the ruler of Turkistan, he built a madrasa and invited scholars, artists, students, philosophers, and inventors to attend making Turkistan “a mecca of learning.”  Yes, the usage of mecca here made me laugh.  I know it is appropriate, but it seemed a little on the noise in a book where Mecca, the direction we pray is also mentioned.  The book then details the controversy of studying the stars, as astrology and astronomy at the time, were seen as one and the same.  And with only God knowing the future, he had to assert that he was curious about the science of the stars and planets.

I love that faith and Islam is centered and that the inscription on his school is “Seeking knowledge is the duty of every Muslim man and woman.” But it alludes that this is a hadith, and while I agree it is inspired by a saying of Prophet Muhammad (saw), I think adding the man and woman part, where to the best of my knowledge the hadith is just “every Muslim,” is something that should be clarified. None-the-less, that it was Ulugh Beg’s motto, so to speak, and that he made a point to articulate “woman” is remarkable.  He determined the exact time of the five daily prayers, the direction to Mecca, and the dates of holidays.

He also built the world’s largest observatory, and numerous tools, including the Fakhri sextant to measure the location of the stars and movement of planets.  He encouraged being challenged and challenging others’ findings, and over 17 years wrote a star catalog of more than 1,000 stars. He answered how many days in a year, down to the seconds, why the seasons change, and inspired future astronomers and scientists.

As incredible as the story is, the backmatter is equally impressive with an Author’s Note, Ulugh Beg’s Biography, a Glossary, Astronomical Timeline, Bibliography, Further Reading, and Acknowledgements.

The illustrations are the cherry on top, somehow I don’t love the cover, but the inside spreads are nice and match the tone of the words and the detail of what he was accomplishing.  The book is on preorder and I hope, teachers, librarian, and families will prioritize learning about him, and giving him credit for what he helped us to understand, about our world.

Eliyas Explains: What was Prophet Muhammad (saw) Like? by Zanib Mian illustrated by Daniel Hills

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Eliyas Explains: What was Prophet Muhammad (saw) Like? by Zanib Mian illustrated by Daniel Hills

Zanib Mian once again fills a void in the literary world for our children using her easy to read and relate to protagonist’s voice.  Over 149 pages, filled with illustrated doodles, details about our beloved Prophet Muhammad (saw) flow through the fictional framing of Eliyas and his family heading to the airport to pick up their Mamoo.  It starts with the standard introduction of characters that all Eliyas books have, so while it is part of the series it can be read as a standalone as well. But really if you have children 5-14, you should invest in the entire collection.  Also, as with the rest of the series, the book is checked by a Shaykh who is named at the beginning so that the reader can enjoy the Islamic details that are to follow. I know there is some debate about the cave and the spider, a story shared briefly within the pages, but I will leave it to those more knowledgeable to decide upon.  The book works well read aloud and independently, either way I’m confident children will enjoy the story, learn something new, and grow in their love of our Rasul Allah, alhumdulillah.

SYNOPSIS:

Eliyas’s dad’s uncle, Haroon Mamoo is coming for a visit, and while Mum wants to make sure they leave at a specific time to get to the airport, Dad isn’t stressed, he had a dream about Prophet Muhammad saw the night before and the kids want to hear all about it.  The story progresses weaving in things around them with Mum and Dad tying them to the sunnah.  From a fight at the airport, to a pigeon getting stuck, to Haroon Mamoo seeming to have gotten lost. The book is preachy, in the best way possible, as Eliyas and Aasiya banter, crack jokes, and learn along with the reader.

WHY I LIKE IT:

I love Eliyas’s voice and the weaving of a fictional story to convey the non fictional sunnahs that are truly the heart of the book.  The information presents in an easy way for children to hopefully remember it, and to also see how they should be behaving and acting in their own lives. The fun fonts, illustrations, and layout make it inviting to pick up and keep reading.

FLAGS;

None

TOOLS FOR LEADING THE DISCUSSION:
This book is not a journal, like some in the series are, but provides ample opportunity to discuss points on each page.  

Music of the Mountains: A Story in Pakistan by Sabrina Shah illustrated by Manal Mirza

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Music of the Mountains: A Story in Pakistan by Sabrina Shah illustrated by Manal Mirza

Set around an Eid concert in the North-West Frontier in Pakistan, a young girl must find her courage to play the rabab in front of an audience, even though she is still learning her first song. The beautiful illustrations of Manal Mirza and focusing on an under represented population, made me hopeful that this book would transcend the musical focus and weave in Islam and culture. Sadly, though, the book falls victim to cliche lines that mean nothing, and a story that doesn’t make a lot of sense once you move past the superficial attraction. The backmatter infographics about the rabab, where it can be heard, details about the Pathan/Pashtun people, What Eid is, the traditional clothing, and a Pashto Glossary, add to the vibe of the book, but still fail to offer any specific “hospitality, courage, and rich traditions,” that are only ever referenced in generalized terms and statements.

The book starts with Roohi’s favorite time of day, the sun is settling behind the snow capped mountains and her family is gathering around to listen to her grandfather, Neeka Baba, play the rabab. No they aren’t praying maghrib, or breaking their fast, so presumably it is not Ramadan.  When Neeka Baba plays, “songs full of rhythm echo through the cherry blossom hills.  Songs from long ago tell stories of folklore, heroes, and love. . . songs of Roohi’s ancestors.” A beautiful sentiment, but it is not a thesis statement or main idea of the book as we, the reader, never learn about her ancestors, or folklore, or about the culture.” We are just told they all had courage, and she needs to channel that strength.

She will need strength to play the rabab at her school concert, except remember “she hasn’t even learned a whole song yet.” She also worries she won’t be as good as her grandfather, but presumably he has been playing longer and she is just starting, so I never connected why she felt she should be as good as him.  No one in the story compares them, or says she should be as good as him, or even strive to be as good as him.  There is nothing that hints that this is even a part of the characters development other than the repetitive refrain that she must “play with the courage of those who came before her.” So the cathartic release of being told “to play like yourself” also seems forcefully contrived and not a natural arc of growth and understanding.

As Eid creeps closer, Roohi has lessons with her grandfather on the rabab, and then Neeka Baba coughs and is in the hospital. The reader has no idea how this man falls ill, or recovers, if it was sudden or a known affliction, but he is no longer the focus, the rabab is, and so the story continues.

At the school concert, Roohi is introduced as playing music from the North-West Frontier Province.  Hold up, yes I thought I skipped a page.  They live in the North-West Frontier, don’t they, this is a school concert? What an odd introduction, did they travel? At the end there is a “smile as wide as the lush valleys back home.”  When did they leave home? And why a silent prayer, why not a “bismillah.” Isn’t the point of OWN voice to have the little details and the voice that can’t be imitated by researched work?

I am going to spoil the ending, she freezes, Mama and Neeka Baba help her find her beat in the audience and she steals the show so to speak. The ending is sweet, but not anywhere near as heartfelt as it should have been if the audience would have been shown the strength and courage of the Pashtun culture, not just repeatedly told it, felt the warmth of their hospitality, the rich ancestral values that would be threads that manifest in the music that she is hoping to share with others. Sadly we are just expected to know that they all exist and cheer for Roohi to succeed.

Disappointing, considering how fantastic the illustrations are, sigh.

Sunnah and Science: What Modern Research Tells Us about Prophetic Traditions by Aquila Fatima illustrated by Azra Momin

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Sunnah and Science: What Modern Research Tells Us about Prophetic Traditions by Aquila Fatima illustrated by Azra Momin

The title and premise of this hardbound 54 page resource book for children definitely caught my eye.  The contents covered, the two page fully illustrated compelling spreads, and the intext labeling of hadith and Quranic ayats make this book versatile in homes and classrooms for a wide variety of ages.  As the daughter of a convert, the knowledge that science is not in contradiction to Islam is something I grew up hearing about a lot in casual conversation, and I love that this book addresses it head on for children with pull out bubbles, reminders, fun facts, duas, and the like.  My only concern that I truly can’t wrap my head around, is why isn’t their sourcing for the “scientific” information? Nothing is overly scientific, and nothing “feels” off, but none-the-less, the book repeatedly says “Research shows,” and “Science proves,” “Scientists are still,” “Scientific research says,” but never once shares what scientist, or research, or science.  The book has the space for footnotes or sourcing or a bibliography, and in a book trying to give readers the confidence to show how the sunnah and science support one another, to not have the sourcing to back it up, is a glaring admission.  Buried in the author bio it states the author has “a Masters degree in genetics” and worked as a “science teacher for elementary school students,” but to me, the book needs to back up the statements to successfully empower and accomplish what it sets out to do.  I hope future printings will include sufficient backmatter, even without the book is well done, but the standard is the standard for good reason, non fiction needs sourcing.

The book covers 25 topics, dedicating two pages to each topic, with a title heading, and an Islamic source subheading.  The topics include, smiling, rain, sleeping, swimming, wudu, salah, fasting, honey, cleanliness, bathroom etiquette, yawning and hygiene to name a few.

Most pages contain facts, ayats from the Quran, sunnahs, benefits, supporting scientific tie ins, and adorable illustrations.  The book concludes with an author’s note, thoughts by readers on the book, and an author bio.

Amar’s Fajr Reward by Amire Hoxha illustrated by Hilmy An Nabhany

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Amar’s Fajr Reward by Amire Hoxha illustrated by Hilmy An Nabhany

As Muslim authored stories are increasingly more available, certain cultural Muslim stories continue to be limited or none existent. Since 2021, when four of us reviewers created the Muslim Book Reviewers and Muslim Book Awards space, we have constantly been encouraging Amire to work on her dream of being an author, and write a joyful Muslim Kosavar book. Through Ruqaya’s Bookshelf, her dream has become a reality, Alhumdulillah, in the form of this 32 page, 8.5 by 11, full color books for early elementary readers. In all my years of reviewing I have not ready many Kosavar books, and of those few, none have been OWN voice, and all have focused on the war.  Enter Amar’s Fajr Reward, a simple story of a boy and his Gjyshi, going for fajr at the masjid, finding the door locked, and the obstacles, determination, and results that transpire, not just for Amar but his grandfather as well.

The book starts with Gyjishi splashing water on Amar to wake him up for Fajr, while reminding him that “Prayer is better than sleep.”  Grandpa’s quick steps and a sleepy little boy, keep Amar hustling after his Gyjishi only to arrive at the masjid and find the door locked.  

Gyshi cannot be deterred by his grandson wanting to go home and pray, or a locked door and decides to jump the fence, something he has done in the past.  Calamity strikes, when he falls and hurts his foot and it is up to Amar to help.  But he can neither scale the wall or find anyone to help.  When the muadhin finally runs up the street Fajr can be made, Gjyshi can be assisted, and changes can be made so that hopefully getting locked out doesn’t happen again.

I love that there are pronunciation tips on the cover page of Gjyshi, grandfather, and Axhi, uncle, but I do wish there was some backmatter showcasing Muslims in Kosovo.  Are Muslim communities spread out in large diverse areas, or do they tend to have neighborhoods that are tied together by faith? As a place not often seen or heard about, a little layering of details would have deepened the story.  Especially, if the reasons are cultural or societal explaining why people don’t wake up until the athan is called, but were annoyed that Amar was knocking on the doors at that time, or maybe why the didn’t just pray outside the masjid, calling the athan and waking up the regulars that attend. Also about why the key to the masjid is “special.” Are places of worship regulated or only allowed to be open at certain times?  I also wish it would have given a little build up about Amar and this particular day. At the start he wants to pray at home as it seems like that is his norm, and Gjyshi going to the masjid seems to be the grandfather’s norm, so was this something special, a right of passage, are kids not typically seen in masjids is he visiting his grandfather? 

The book is sweet and warm, with a lot of heart and I love that it takes place in a masjid and threads in that salah is better than sleep, and that praying in congregation is 27 times the reward.  I also love that the author fulfilled her dream inspired by her own grandfather, and inshaAllah she will continue to write and bring Kosovar stories to our bookshelves, ameen.

My First Salah Book: Why and How we Pray by Learning Roots

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My First Salah Book: Why and How we Pray by Learning Roots

Over 91 pages this informative book tells “The Story of Salah” through the miraculous night journey, how to do wudu and its benefits, step by step how to make salah, and then a story style portion of “Life with Salah.” I do not have the digital “kitab” pen that allows readers to have the book read to them and activities made interactive without parental involvement, but even with out it, the book is a pretty solid resource.  The hardback binding, and full color pages are not crowded, they introduce nine characters at the beginning and feature them throughout the pages learning the steps, imagining witnessing the events, and putting the lessons into practice.  Some of the recent Learning Roots books have the characters watching or imagining themselves in story’s of the Sahabas and Prophets, that make me uncomfortable.  The first chapter of this book, is more limited as it illustrates a light in the sky as the Buraq being seen by some children, not the characters in the book, and a silhouetted tree as Sidrat al-Muntaha.  As I am not knowledgeable enough to know if it is “right” or “wrong” to have a child seeing the silhouetted tree and pointing to it, or who it is meant to be, I’ve included pictures for you to decide what is best for your family.  I particularly like that on the pages where Arabic is spoken it is found written in easy to read Arabic with English translation and transliteration.  Within the text there are attributions of hadith and after each chapter there is an activity and questions.  The book concludes with a glossary.

Whether as a tool to learn for the first time, or a book to revise with children already praying, the approach is gentle and easy, inviting children to engage with the pages.  The four chapters are packed full of information, but the illustrations, diagrams, and steps, also allow the book to be referenced, or read cover to cover.

The last chapter, “Life with Salah” shows the character group engaging with salah in a very idyllic way, but given the tone of the book, it works, and will allow readers to see salah as more than just an obligation, which is important.

I got my copy from crescent moon store, if you use my initials (ISL) at checkout you can save 10%.

The Donkey who Carried the War on her Back by Hooda Al Shawa illustrated by Sienny Septibella

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The Donkey who Carried the War on her Back by Hooda Al Shawa illustrated by Sienny Septibella

This 44 page story told from Zahra’s perspective, a donkey in Gaza, juxtaposes her life and what she sees before the bombardment of Gaza with after, and the determination and hope that drives her and her owner Sami to help. I love that it shows the daily joy, beauty and the resilience in the face of attempted erasure. By using the donkey as the protagonist, the book is able to explain and show realities in a manner that remains simplified, removed, apolitical, but informative none-the-less, for young children. The book was created with the collaboration of the Tamer Institute for Community Education who’s vision is, “Towards a Free and Safe Palestinian Learning Society,” so, I’m not sure that my opinion counts for anything, but I do worry that the “telling” comes with the words the donkey hears of “sanctions, closures, embargoes, blockade,” but the “showing” comes when “one day, a war came to my city.” It feels like it could be interpreted that life was fine and then one day it wasn’t, and yes, the backmatter defines the words, but it doesn’t “show” the donkey at checkpoints, or show any previous destruction, or struggles.  Presumably the book wants to show the joy and beauty of Gaza to humanize a population that the global media is endlessly working to dehumanize, but the framing and the memorability paints a picture that to my acknowledged outsider, non Palestinian heart, feels dismissive of years of oppression, and aligns with the erroneous narrative that it started in October 2023. That isn’t to say the story is not important,  I think that with guided conversation and contemplation, the book will show children what Gaza looked like before the attacks by the occupation, the importance of pack animals such as donkeys, and why the people of Gaza dream of freedom.

The book starts with Zahra the donkey standing on green grass with buildings and the ocean in the background, acknowledging that Gaza is not an “ordinary city.”  She hears words in the market place that the greengrocers call out “sanctions,” “closures” “embargoes, “blockade,” and hears that the people cannot travel or leave, “that life is difficult and RESTRICTED!” But despite that, she enjoys carrying things in her wooden cart as she makes deliveries, food, solar panels, strawberries, stopping with Sami to get ice cream.

Then when the war hits, the city is turned to rubble, and people must live in tents. Zahra and Sami’s daily routine changes, they transport ration supplies, serve as an ambulance, transporting families to refugee camps, and the border with Egypt to try and leave. The sounds of crying are devastating, but she also hears laughter, and music, and stories from the hakawati.

I like that what they deliver is defined to explain what she is carrying “mahshi kousa,” although it seems like a translation error perhaps and should be “kousa mahshi” with the noun coming first, but again, what do I know. It appears the author is Palestinian Kuwaiti, but there is no mention in the text of the book about any religion, or indication online of the author or illustrator’s faith identity,  I share this not for its Islamic rep, but for solidarity and awareness.  There are visible Muslims in the illustrations.