Nov25

The Slightest Green by Sahar Mustafah

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The Slightest Green by Sahar Mustafah

This adult multi generational novel weaves a narrative that will stay with the readers for the warmth and depth it explores of a fictional family that over the course of 248 pages becomes very real, and in many ways familiar through its personal focus. The book is deliberately slow as it glides through different members of the family, their backstories and different points in time. The prose highlights the plight of Palestinians but not in a didactic or call to action sort of way. The characters and their stories, and their trauma and dreams are very tied to Palestine and the occupation, but the focus on the individual and the ripple effects is what will linger. I do not know when the book was written, (it is published in November 2025) as I read a digital arc which had very minimal backmatter, but this book is set before the recent genocide and is all the more important for today’s readers in pushing back against attempted erasure of Palestinian voice, culture, and history.

Intisar is a nurse in Chicago, the only daughter of divorced parents. She lives with her mother and has not seen her father in over 20 years. Not since he left the family to return to his home in Palestine, join the resistance and after a fateful mission is forced to serve a life sentence in Gahana Prison. When he is released to live his final days before he succumbs to cancer, Intisar heads overseas to see him one last time. Her grandmother Sundus additionally needs Intisar, the only heir, to fight for her to keep her land and home, a task that Intisar is not willing to pursue. As family history is shared, daily atrocities witnessed, Intisar starts to see herself differently, and considers if she could feel at home in her father’s homeland.

Again I read an arc, but there are a few sentences that really have me hoping line edits will still occur before the final version. The book is adult, it has a Muslim drinking and serving alcohol, there is assault, sexual and physical mentioned, and yet I didn’t feel like it was sensationalized, actually felt that the author was deliberately holding back to keep the story about the family and not the larger issues. Their is quite a bit of Islam, not from every character, but it is woven in and not an identity issue. Actually one line used frequently is my only real gripe with the book. “Pray to the Prophet,” is regularly said by a few characters, so I though perhaps it is something unique to them, up until about the midpoint, where many characters start to say it and I don’t like it. It makes it clear other places that Allah swt is One and who we pray to, it has the shahada in English and verses from the Quran, so I’m guessing it is a colloquialism perhaps, or maybe a poor translation, I honestly don’t know, but it bothered me, so I am sharing.

Nov17

Muzoon: From Refugee to Leader by Muzoon Almellehan illustrated by Asma Enayeh

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Muzoon: From Refugee to Leader by Muzoon Almellehan illustrated by Asma Enayeh

Such a delight to see Muzoon’s story coming to children in the West in the form of a Step into Reading Biography. The approachable format aimed at second and third graders reading paragraphs tells Muzoon’s story with quotations from her middle grade biography, Muzoon: A Syrian Refugee Speaks Out.  From her life with extended family, playing soccer, studying and enjoying Ramadan, to the changes that turned her country unsafe and forced them to become refugees. It follows her to refugee camps trying to find routine and hope and the role education and encouraging other’s to study plays in her life.  Eventually her activism and efforts catch the attention of UNICEF and today she works as a UNICEF Global Goodwill Ambassador and travels the world advocating for education and refugees and rebuilding Syria.

Divided into eight chapters, the 48 page book shows how relatable Muzoon’s life is and how the political events forced her family to abandon all they knew.  The presentation, in both the text and the illustrations, show the unexpected and hardships Muzoon and her family face as they make their way to the refugee camps and work to adjust. The book is not graphic, but the weight is conveyed as readers also see the power education and learning has in providing hope and opportunity. In a fictional story, a protagonist using their voice for the good of society is something to cheer, to see it from a real life person in the middle of a war, is something to admire and be inspired by.

I particularly like the inclusion of Ramadan in the story and the details showing her family joyfully gathering to break their fast together, as well as conveying some details about the Islamic holiday.

Nov16

Shining Hearts: Sahabah Stories for Kids by Marium Uqaili illustrated by Mirha Asim

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Shining Hearts: Sahabah Stories for Kids by Marium Uqaili illustrated by Mirha Asim

This book contains ten Sahabah stories, five males and five females, conveyed over 121 large 9×12 pages in an easy engaging manner for elementary aged children.  The stories are told one at a time, with simple illustrations, easy to read font, and pullouts featuring engaging blurbs that increase understanding, connection, or challenge the reader to think about something further.  The conversational tone and breaking of the fourth wall helps keep the readers interested while focusing on engaging bits and not a Sahabah’s entire biography.  Inclusion of hadith and ayats and seeing that a named Shaykh has written the forward really makes this book a great one to have in one’s home to read at story time, and to keep on the shelf as a resource. 

The Sahabahs included are: Mus’ab Bin Umair, Salmaan Al-Faarisiy, Abu Dharr Al-Ghifaariy, Jafar Bin Abi Talib, Bilal Ibn Rabaah, Sumayyah Bint Khayyat, Safiyyah Bint Abdil Muttalib, Asma Bint Abi Bakr, Umm Ayman (Baraka Bint Tha’laba) Lubabah Bint Al-Harith, may Allah swt be pleased with all of them.  The first page of each section has the Sahabahs name and one line description before the story begins.  Each section concludes with a dua to Allah swt to make us like the Sahabah we have just learned about in a specific way.  The pages about the Sahabah contain what they are most known for, some attributes about them, and function as a snapshot for young children to grow familiar with these “super heroes” and how we can emulate them in our own lives.

The tone is similar to the staple Migo and Ali Prophet Stories, and proves how desperate we are for Islamic texts that appeal to our children (and how few quality English resources we have).  The pictures aren’t great, but they are sufficient, and I appreciate that there are no faces or depictions. Even an image that could be seen as Sumayyah (rA) has an arrow saying “your grandmother” so there is no confusion. The binding is a bit weak, I was warned before starting, so I read the first few times for review and picture purposes at a table, before handing to my children and reading to my youngest at bedtime.  I’d encourage wrapping the book in contact paper upon receiving it. I appreciate all the letters of approval at the start, and the simple activities at the end, and am impressed overall with the book and how it engaged my children, alhumdulillah.  

Nov7

The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

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The Land of La La La by Sana Saghafi illustrated by Azam Vazehimogadam

This gorgeous and powerful 36 page picture book goes back in time to a Palestine where the struggles of today are still found, along with the resilience of the people, determination of the women, ingenuity of the children, love and hope.  The book is so strongly unapologetic in its portrayal of marbles representing strategy of kids to battle the giants aka soldiers, of children being imprisoned, of the occupiers being outsmarted by the people, and the joy that persists despite the attempts of erasure. The story within a story…within a story(?), doesn’t name Palestine until the very end, after the stories at hand have wrapped up, and doesn’t disclose that it is based on a true story, except for in the blurb.  It is also worth highlighting that the book is not OWN voice or sourced.  I still am sharing though because it is positioned as happening long ago, and thus hopefully not further erasing a Palestinian voice, but rather sharing a story to prevent it from being lost.  I do not know the author, illustrator, or publishers’ intent, this is simply my view and I am happy to be corrected if I have arrogantly overstepped.  



The book starts with a lullaby lilting through the air, the la la las, connecting the women caring for their children. Mama Laya is busy so Big Brother Bilal is playing with the children, marking which soldiers have been defeated on the paper that matches the marble game in the lane. When the giants take him away the children run to find Daddy Salim.

The searching children and family find Bilal in prison, and the giants don’t speak the language of the people to be reasoned with, so they must figure out a way to free him on their own.  Mama and the children have a picnic outside the prison and secret filled lullaby conveys the plan right under the giants’ noses. With Bilal free, the women gather to teach each other a secret way to communicate, to resist, to hope, in the lullabies that they sing.

There is no religion mentioned, but the title page begins, “In the Name of God,” and numerous characters are depicted wearing hijab.  I read a digital arc and I hope the printed version has backmatter to highlight that the author is not Palestinian, when this would have taken place, and if it is accurate.  Authenticity and accuracy are important, and I hope the book clarifies what is real, what is imagined, an where the information came from.

 

Nov4

Balti Kings by Sudha Bhuchar and Shaheen Khan

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Balti Kings by Sudha Bhuchar and Shaheen Khan

I don’t recall ever reviewing the script of a proper adult play before, and probably last read a play in college, needless to say it has been a while, and this 112 page script of a play performed 25 years ago, has me itching to dive back in to regularly attending live theater. Literary wise I love seeing the characters and plot develop with dialogue alone, and the power that every word on the page has. The play takes place in one day, in a Pakistani restaurant in Birmingham, England, and the stresses of an event happening that night is the catalyst that brings together the characters own lives, the chaos of the kitchen, the stresses of the times, and an inside view on immigrant life.

Set on Jummah, everyone seems to be religious when bosses come looking for their employees, but duas, and boundaries, and justifications also stem from Islamic practices. The owners of Balti Kings are trying to compete with Karachi Karahi in the neighborhood, their father has had a heart attack and the brothers are trying to relaunch the business with a Bollywood star studded Curryoke night and the start of their cheaper buffet. The attitudes and social hierarchy of immigrants is highlighted with the contrasting kitchen crew downstairs. A mix of ages and genders and skills, legal and soon to be illegal desi workers along with a Bosnian brother sister team, show racism and stereotypes in action.

Their personal lives spill in to the kitchen as the young Mariam finds herself expecting and coworker Nadeem denying it is his, while she is left warding off advances from her boss. The head cook is again threatening to leave for Karachi Karahi, the biriyani is burned, the stars are imposters, and the brothers have to accept the outcome of their choices.

I found myself smiling, getting irritated at characters, and appreciating the found family that the restaurant provides. I love the Foreword and Authors’ note that set the place in a time not that long ago, and show how perhaps very little has changed. The end features pictures of the play performances, as well as a glossary.

Oct31

A Tariq Twins Mystery: Murder for Two by Niyla Farook

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A Tariq Twins Mystery: Murder for Two by Niyla Farook

I don’t know what I was expecting, but woah once the actual crimes started piling up and the sleuthing began, I was invested in Riri and Ani working out their differences, solving the case, and freeing their accused dad.  At 336 pages, a full on murder, attempted murder, arson, thieving, and arrests all taking place, the book is definitely for older middle grade readers. The premise and dual points of view of 11 year old twins being reunited after 3 years apart by their divorced parents, getting to know how their OCD, ADHD, and autism factor in to their personalities, learning about TUSC, the town of Castlewick, and the side characters that will turn suspects, result in it taking the story a while to get going.  But if you can get through it, and can suspend belief, the book is a fun mystery that takes on heavy topics, and crime, but somehow keeps it light and consumable by the intended audience. The twins are Muslim, one wears hijab, and there are Islamic references, but once the identity is established, it really doesn’t play a role, or shape the characters’ view of the world or approach to dealing with their grief, anxiety, and obstacles they face.  There is mention of halal marshmallows and hijab, but they never say a quick dua or pray, and by the end is not really even shown to be a big part of their daily lives.  I have no idea if the neurodivergent rep is accurate, but the tone and approach is very positive and normalizing.  Parents may want to know that the book starts on the last day of school and the teacher is non binary, referred to as Mx Henderson with they/them/theirs pronouns. The character is mentioned a lot in the first nine pages, and then never again.  Pronouns for other characters are listed on their profile cards.  There is teasing of a girl having a crush on a boy, a few couples dating, a character being born out of wedlock, and a male character being in a relationship with someone named Toby that is mentioned a few times, but only on the final mention in the last few pages of the book, does it clarify that it is a boyfriend.  The book seems to be intentionally diverse in ethnicities, religions, identity, and orientation, but the story is a murder mystery, and a family reconnecting, and the mentions in passing are not detailed, or overly explored.  I mention all this for adults to determine what is best for their children.

SYNOPSIS:

Supersleuth Imani Tariq aka Ani lives in Castlewick with her father, Abderrazzak and spends time at Cafe Vivlio with Mrs. Kostas.  The small town is Ani’s stomping grounds for sleuthing and carrying out the cases her TUSC (Tariq Ultrasecret Supersleuth Centre) organization takes on.  She knows everyone, and everyone knows her, and she is not looking forward to spending the summer with her “evil twin” visiting from California.  Riri short for Noori, lives with her mom and is heading to the UK so her mom can set up a new office for her company, and the twins can reconnect after being apart for three years.  There is a lot of animosity in the former family of four, but the girls slowly start to rely on each other when they find Mrs. Kostas’ dead body in the secret garden, alibis not checking out, relationships coming to light and their dad being arrested for the murder.

WHY I LIKE IT:

I naively thought it would be a murder of a distant side character that the girls tried to solve, or maybe a trick and it looked like a murder, but ended up not being one, so I was really kind of shocked that in fact a murder occurred, that the girls found the body, and that the story of lies, deceit, art theft, secret identities, relationships, and webs of coincidences and manipulation was just getting started. The girls’ voices are distinct, but as they pop around doing what they do, the reader is often just expected to go along with it an not over analyze. I kind of liked that the ending spelled it all out, like a good villain in cartoons the culprit gets their moment to detail and confess what they did, how they did it and why.  In full disclosure though, with about 30 pages left in the book, I was genuinely still curious who the guilty person would be.

The book balances very real mirroring threads with absolutely bonkers ones.  The girls get counseling for grief, talk about their OCD and ADHD.  They also run circles around the police, unravel the plot through research, interviews, crime scene analysis and get the murderer to confess to only them.

The Islamic rep at the start really got me excited, but it stopped rather abruptly and there was no longer even any Assalamualaikums or walakumsalams after about the first 40 pages or so. The characters are of Pakistani decent, but I have never heard “hudafiz” as a farewell before, Allah hafiz and KhudaHafiz, yes, but never with an H.  It appears a few times in the book, and even the internet, for whatever it is worth, says it is probably a mistake.

FLAGS: (Things parents might want to know the book contains):

Murder, attempted murder, assault, framing, deceit, lying, arson, teasing, close boy/girl friendships (Muslim characters), hetero and lgbtq+ relationships, romantic interests, child out of wedlock, jealousy, revenge, name calling, parents are divorced, therapy/counseling, ADHD, anxiety, grief, abandonment, loss, OCD, autism, unemployment.

Oct29

Here’s Our Religion by Jenny Molendyk Divleli illustrated by Dasril Iqbal Al Faruqi

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Here’s Our Religion by Jenny Molendyk Divleli illustrated by Dasril Iqbal Al Faruqi

This HUGE 14 page board book is such an engaging, teachable, and shareable book for toddler to early elementary aged children.  Similar to the author’s First Words in the Qur’an I can see this book being shared at story times and in classrooms regularly.  Each two page spread is literally a board book in and of itself.  With headings of: Ummah, Shahadah/Qur’an, Salah, Ramadan, Zaqat/Sadaqa, Hajj, and Prophet Muhammad (saw)/ Sunnah, kids will be able to deduce from the pictures and simple captions how the details relate to the theme, learn new information, review what they already know, and delight in the illustrations.

I don’t know that I would sit down with a toddler or preschooler and just read the book straight through very often, but when I was doing multiple story times a week, I had planned books for every theme highlighted in this book. I would have loved to be able to pull it out after a few stories had been read and used it as a review, where I could point to a picture and the kids could holler out what the illustration was teaching.  The large size would have saved me from having to make story board pieces, and the critical thinking would encourage comprehension and retention.  Example: learning about salah, and then opening to the salah spread, kids could see the vacuuming child and decode that we pray in clean places, that the picture of four people praying together is to learn/remind/teach that it is better to pray together.  

 

 

Oct20

Sameer and Snazzy: Kindness Counts by Emma L. Halim illustrated by Herry Prihamdni

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Sameer and Snazzy: Kindness Counts by Emma L. Halim illustrated by Herry Prihamdni

The 32 page faceless picture book for toddlers and up, is set in Australia and follows Sameer and his cat Snazzy on a bushwalk.  At first I felt like it might be a little bit like the classic, “And to Think that I Saw it on Mulberry Street,” but the structured story with a repetitive refrain adds in Islamic phrases, silly encounters, and examples of kindness that make it unique.  Add in a fun surprise at the end, and like many other books by the author, be prepared to have it memorized as your little ones ask for it over and over again.

The book starts with Sameer look forward to his grandpa coming to visit, but wishing he had something exciting to share with him.  Snazzy suggests he shares that he can talk to animals, but Sameer knows no one would ever believe that, so the two set off on a bushwalk to find something exciting.

When they hear an “A-choooooo!” in the trees, the fun is just getting started with Miss Koala sneezing and making eucalyptus leaves fall. The duo finds a way to help, but the fallen leaves mean ants are stuck in their home and can’t get out.  Once again, Sameer and Snazzy, find a way to help.  After each episode the refrain of, “‘Imagine if I told Grandpa this!”‘ I say to Snazzy.  ‘He’d never believe you! he smiles.  ‘NO-ONE WOULD!’ We laugh together and continue along the path, when suddenly…”

The book ends with a surprise, that I won’t spoil. The backmatter has a reference to Surah An-Naml and explains that Prophet Sulayman peace be upon him, really could speak to animals.  There is also a glossary of the Islamic phrases and a QR code to continue to the fun after the story ends.

The book is a bit more text heavy than some of her others, but the illustrations are fun, and will keep kid’s attention.  It does not rhyme, but has a cadence that makes reading it aloud easy. The small size makes the book better suited to bed time, but could work in a story time, and would be wonderful tuned into a story board/felt board read aloud.  The book is a universal story, but at some point in Islamic fiction self published and small published books, I think we will need to have open dialogue and discussions if having characters that are not the same race as the author or illustrator is appropriate and beneficial, or is misleading and better to avoid.

***EDIT: The author reached out to me asking me to remove this generalized opinion of me calling upon the need to have discussion, I opted to amend, as I think we need to have conversation and believe intention and purpose in whatever one decides is a benefit.  So, to avoid errors in interpreting her ask, I will simply post the screen shots, and my response.  Please note I did not tag the author in my Instagram post, she reached out to me.  I purchased the book, it was not gifted.

Oct18

Home Away from Home by Nazneen Akbari illustrated by Rashin Kheiriyeh 

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Home Away from Home by Nazneen Akbari illustrated by Rashin Kheiriyeh 

Set in Oman, this 32 page picture book shows family, connections, trying new things, and similarities as the concept of home is expanded. The illustrations bring the text to life as Nuha travels to Oman with her mother without the reassuring presence of her belove doll Mary, and into the souk with her grandma who slowly nudges her into finding joy and fun and her home away from home.  The illustrations show Jadda and other characters in hijab, and greeting of Assalamu Alaikum being shared, the call to prayer is heard and a blue mosque is marveled at. I am not sure if the author is Muslim, she is not Omani but lived there according to the Author’s Note. The backmatter, also highlights the culture and Christian and Muslim respect for the names Mary and Maryam.  The beautiful book is heartfelt in showing the relationship between a young girl and her grandmother, as well as her culture.  With few books focusing on Oman, I’m excited to add this to my collection when it releases in February, and share it at story times and bed times with children ages four and up.

The book starts with Nuha not looking forward to an upcoming trip to Oman.  She doesn’t really know her Jadda, and is going to miss Baba and her home for the summer.  She finds reassurance in her doll, Mary, that at least she will have something familiar to hold on to.  When Mary gets left in the car, Nuha arrives in Oman grumpy and sad.

Grandma knows just what to do and scoots Nuha off to the souk to look for a new doll and where the sights, sounds, and smells, eventually win Nuha over.  From the nibbles turning into bites of shawarma, to henna being applied to their hands, to drums being played and danced with, Jadda and Nuha spend the day hand-in-hand.  When an Omani doll is finally chosen as they head home from the market, Nuha settles on the name Maryam, so that Mary and Maryam can represent ALL of Nuha.

Oct9

Steet Puppy, Masjid Cat by Moniza Hossain illustrated by Wastana Haikal

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Steet Puppy, Masjid Cat by Moniza Hossain illustrated by Wastana Haikal

I was a little nervous opening the book, I didn’t know if it was going to be a “Lady and the Tramp” type retelling, and I was unsure how dogs would be presented, but I sure was not prepared for the absolute adorableness that unfolded.  The simple rhyming lines contrasting the street puppy’s life to that of the pampered cat in the masjid, to their meeting, and the sweet imam leading with kindness warmed my heart.  The real chef’s kiss is the backmatter that doesn’t source, but references the sunnah of “acts of charity to every beast alive,” and notes that dogs, unlike cats, are not allowed in the mosque for religious reasons.  I love that “masjid” is in the title, that the author’s note and glossary explain adhan, imam, and the Quran, and ultimately that friendship amongst differences is the takeaway for all readers.  I don’t love that the adhan in the text is described as ringing and the imam as singing, but I acknowledge my pickiness.  And while I love that Prophet Muhammad saw is mentioned in the author’s note, I do wish salutations were given afterward.  The illustrations on every one of the 32 pages are delightful, and I love that the image on the jacket is different than the one on the book itself.  For ages 3 and up, and even emerging readers, this book has a lot of heart, and my 6 year old has read it aloud so many times, I just might have it memorized.

The book starts with simple rhyming lines showing the contrasting life of the cat and the dog, from their daily activities, to how other’s treat them.  When they meet, the cat is not too welcoming, but the imam shows the puppy kindness and the cat follows suit.  As simple as sharing and giving each other a chance, creates a friendship between the two animals, and a beautiful conclusion even the littlest children will understand.

The book is not didactic, and the role of the imam and setting of the masjid, for Muslim kids will be such a spark of joy, but in no way will it limit non Muslim children from connecting with the story.  The benefit for all is seeing a masjid environment and a Muslim in action, normalizing both, and inshaAllah reminding us all to be a little kinder to our animal friends.