Category Archives: YA FICTION

Dec25

The Thread that Connects Us by Ayaan Mohamud

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The Thread that Connects Us by Ayaan Mohamud

 

At just over 400 pages this book expertly blends the stresses of school, bullies, and friends in the UK with the twists and secrets of broken families, shattered hearts, and a past that needs to be reckoned with.  Told in dual perspectives from girls thrown together by the actions of their parents, Safiya and Halima maintain distinct voices that are rich with Somali culture, Islam, vulnerability, and ultimately love and hope.  The book is YA, but the premise is a bit mature and is better suited to older teens in my opinion, I think a high school book club would be wise to consider this book, as once you start reading, it is difficult to put the book down. 

SYNOPSIS:

Safiya is mature beyond her years.  Since her father abandoned her and her mother five years prior, she has managed the bills, the upkeep of the home, and for the most part her grades. Hooyo checked out and is rarely more than a silent being curled up unable to care for herself, much less her daughter.  With the the help from the community, particularly her best friends and neighbors Muna and Yusuf, Safiya has a found family that helps her weather the tough times.  When her dad moves back to London with his new family from Somalia, Safiya is forced to deal with not only all the painful memories of her past, but also the very real presence of her family living in her neighborhood, showing up to Eid prayers, and taking over the safe haven that school has often served as when home life has been so cold and lonely.

Halima’s father died when she was young, and life with her Hooyo in Mogadishu was good until her mother remarried, Safiya’s dad.  Her two younger half brothers that came further added to the rift between her and her mother, and now that they are moving to England with the husband, despite her protests, has her plotting a way to return to her home.  The language, the culture, the weather, are all added stresses to finding her way, and are compounded when she gets paired up to have Safiya show her around and help translate for her in school.  

The two girls hate each other, at least they have that in common, but their inability to avoid each other forces them to interact more than either wish to do.  As questions, and secrets are voiced, the two girls realize that they might have to work together to get what they want, and figure out their past.

WHY I LIKE IT:
I really enjoyed the owning of the characters’ language and culture and faith and how easy it was to be invested in their world.  Nothing pulls you out of the story, it is rich and lush and the reader can figure out why even though there is a crush, nothing is going to happen, and why they are wearing hijabs, and waking up to pray fajr, the balance is both inviting and educating, without the reader even realize it is happening, because hello, we are to busy trying to figure out what these two girls’ parents have done. 

The story has layers, and the emotional attachment I feel to both these girls, made me glad the story was over, they deserve some peace, but also desperate to know that they are going to be ok in the future too.  I can’t say too much without the risk of spoiling, but the writing is strong, the plot solid, the details intentional and relatable, and the characters very real.

FLAGS:

Lying, bullying, fighting, assault, crush, drug use, arrest, accusation, gossip, abandonment, relationships, edibles, affairs.

TOOLS FOR LEADING THE DISCUSSION:
This would be such a great upper high school read, the way the story unfolds will keep readers hooked from the first page and motivate those that start, to finish.  Students will see themselves in the characters, and be sleuths themselves trying to uncover what secrets are true and how do the pieces of the puzzle fit together.

 

Nov23

Vultures in the House of Silence by A.R. Latif

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Vultures in the House of Silence by A.R. Latif

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This 312 page richly imagined Islamic fantasy is both engaging and compelling.  It is too advanced for me to review as it weaves a complex tale based on history, religion, fantasy, and imagination.  I do know that it was for the most part well written, I have some issue when the character’s diction would include words that felt too contemporary slang, but it didn’t happen too often.  The pacing though, unfortunately for me, was definitely off.  Undoubtedly the author has tremendous skill.  The emotional pulls, the world building, the consistent cliffhangers at the end of each chapter, kept me curious to see what would unfold.  The story beats just dragged more often than they should have for no clear reason in developing the plot, defining character arcs, or adding to the rising action.  I don’t think I ever stopped reading at the end of a chapter, those hooks were well placed, but when I stopped in the middle of the chapter, it often took four or five days for me to be motivated enough to open the book back up.  I truly think it just needs a good editor to help cut certain scenes, and smooth out the tempo.  The idea and layers are great, and if I, as someone who struggles with middle grade fantasy, couldn’t walk away from this YA/Adultish read, I’m sure lovers of fantasy, jinn, monsters, Islamic history, found family, gray characters and action, will find this book an enjoyable read, even the slow parts, that  I struggled with.  So no this is not a negative review,  I am hopeful my teenagers will read it and enjoy it, I just really hope the author will consider working with an editor to elevate the text as it truly has potential.

SYNOPSIS:

I don’t know that I can retell the story, it has a lot going on and I’ll probably inadvertently spoil something, so here is the summary from the back of the book:

“A boy wakes up surrounded by corpses. Unable to move, he is assaulted by vultures who stop pecking at him only when he speaks. To survive this nightmarish ordeal, he tells them the story of how he ended up on their menu…

What follows is the wild tale of the young gardener Khurafa, coping with the aftermath of the Mongol invasion of Baghdad and the death of his parents amidst the bloodshed. After a vivid dream and several supernatural encounters, he becomes convinced that an ancient group of nine sorcerers called the Servants are bent on world domination. Accompanied by his scholarly mentor Shaykh Nariman, and the sly, uncannily perceptive Zakiyya, he seeks saintly help against the Servants, but finds mostly monsters instead.”

WHY I LIKE IT:

I love the opening, it really grabs you, the emotion of Khurafa and the loss of his parents and his predicament with the vultures connects you to him and his vulnerabilities.  The twists are also well developed and keep the book interesting.  I feel like the end needed more, and the middle needed less.  SPOILERS: I didn’t get the cat, or the going from village to village.  All the names, and all the drama at each village, dragged for me.

It appears the book is meant to be a series, so I wonder if many of the characters that died will return, but I feel like the final battle was a little disappointing, and anti-climatic.  All the build up and then it went so quick.  I appreciated the full circle on the House of Silence, and the answering of some of the questions, but for all the emotion  at the start, the end didn’t mirror that in the cathartic way I hoped it would.

I say all this with full acknowledgement that I am not drawn to fantasy, I am not well versed in Islamic history, and it is absolutely possible, that I just don’t get it. In brief, I am not the target audience.

TOOLS FOR LEADING THE DISCUSSION:

I think this book could be a good book club selection, with some motivation to get to the end, I think readers will be happy that they did, and I would imagine they would be willing to read the next book in the series. For many I would imagine it would be the first Islamic fantasy they will have read that has the layers, richness, and intrigue that this book does, and inspire them.

Nov5

The Thirty Before Thirty List by Tasneem Abdur-Rashid

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The Thirty Before Thirty List by Tasneem Abdur-Rashid

This is the second book I’ve read by the author and while I didn’t do a full review of the first (Finding Mr Perfectly Fine), I am going to do a full review of this one, because the book might not be “halal, halal” or intentionally Islam centered, but with a robust Muslim cast it stays impressively clean and there is a lot of Islam present.  I’m glad I bought a physical copy so my nieces or my daughter can pick it up and enjoy Rana’s growth and antics.  The book is nearly 400 pages long, but they fly by, and if you are 16 and up looking for a rom com style escape book this will fit the bill.  The only thing that really gave me pause is an early label the protagonist slaps on her self as “not being a devout Muslim.”  I get the point is to not let the stereotype of an arranged marriage and strict brown parents overshadow the initial impression of the book, but the author is a better writer than that early statement indicates.  As the story progresses you see her Islam IS very much part of her identity, her environment, her outlook, and the author shows it in relatable nuanced ways that the early “telling” was not needed.  Yes, the book has the protagonist and a different boy or two alone at times, and there is some hand holding and a few hugs, but the intention is always to find a spouse, and religious lines are usually clearly on the character’s radar.  There is some talk about mortgages, and a side Muslim character that has a girlfriend he keeps secret as they go on holiday together, but again, nothing obscene, or defensive, just realistic actions from contemporary characters viewing things their own way and doing the best they can.

SYNOPSIS:

Maya’s life is pretty predictable, she lives at home, goes to work, hangs out with her childhood friend on the weekend, and dodges any attempts to be set up for marriage.  Then one day on the tube a mysterious stranger, Noah, his leather bound notebook, and everyone else in her life moving forward, prompts her to open the notebook and copy his 30 before 30 list.  Adapting what doesn’t make sense at all for her life, she never peeks ahead, but rather takes one adventure at a time.  When people from different circles in her life start interacting, and Noah reenters her life, Maya will have decisions to make and a new list to commit to, her own.

WHY I LIKE IT:

I needed a diversion, I was going to be spending a few consecutive days in waiting rooms at hospitals and knew I’d need something light, easy to read, pause, and return to, and something to make me smile.  Maya is likeable, and her family and friends relatable.  Her Bangladeshi and British culture add depth and I was genuinely surprised and appreciative with how much Islam managed to find its way in to the plot and character arcs.

FLAGS:

Relationships outside of marriage, nude model, lying, hugs, hand holding.

TOOLS FOR LEADING THE DISCUSSION:

This would make a great adult, college, or even 12th grade book club selection, for just a fun book to laugh about and enjoy with friends.  It isn’t that deep, but there are threads that will hit, and to chat about it will bring friends closer together.

Oct3

The Hysterical Girls of St. Bernadette’s by Hanna Alkaf

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The Hysterical Girls of St. Bernadette’s by Hanna Alkaf

This 352 page young adult mystery, thriller could possibly be classified as magical realism, or speculative fiction, I’m not really sure, but I do know, that my expectations were really low, and I was so pleasantly surprised by how the story pulled me in and kept me engaged.  Told primarily by dual points of view, Khadijah and Rachel, the book offers commentary on sexual assault and believing victims.  The book starts with a trigger warning of “ghosts and monsters, some of whom hide beneath human faces. It includes discussions and descriptions of sexual assault, trauma, and PTSD,” before diving in to a prestigious Malaysian girls school full of secrets, hysteria, and a past that seems to be repeating itself.  There are no religious identity crisis or issues, the student body is diverse and it is a non-issue, Khadijah recites Ayat ul Kursi, makes time to pray, and wears hijab as she tries to figure out what is making the students at St. Bernadette’s scream, what happened to those that have gone missing, and how to overcome the trauma that has made her stop speaking.  The symbolism is solid, the book starts out with the screams, but builds on it by adding backstory to the main characters, mystery with the disappearance, and numerous red herrings to keep the reader guessing.  I told myself to get to the midpoint before calling it quits, but once I was there, I read the second half of the book in one sitting. I appreciated that the book was unique, there was no relationship side stories, the cultural authenticity heightened the reading experience, and that I understood the haunting magical elements.

SYNOPSIS:

St. Bernadette’s is an old prestigious all-girls school, but one day a chain reaction of girls screaming starts and the hysteria doesn’t seem to be stopping any time soon.  When Khadijah, who is dealing with her own trauma of being sexually assaulted by her step-father, starts to look into the causes, more questions than answers arise.  In efforts to protect her younger sister, Khadijah discovers not only has this happened as their school before, but it doesn’t stop with the screaming, and the shadows, last time a girl went missing.

Rachel’s life is controlled by her single mother, who is determined that Rachel is successful and a reflection of how perfect and successful they are, despite, Rachel’s father abandoning them.  When in an act of rebellion Rachel signs up for monologue competition, she plans to get into character, not to become the character.  As Rachel starts to lose her self to the girl with pink lipstick and white ribbons in her hair, she starts to notice sights and sounds around the school, but when she falls victim to the screaming hysteria herself, will anyone care enough to save her?

WHY I LIKE IT:

So often with magical realism, I honestly don’t get it, so I’m not sure if my excitement of having it all be clear means the book was a bit simplistic, if I’m getting better the more of the genre I read, or if the writing was just good.  If I’m being honest, it is probably a little bit of all of it.  Often with the author’s book, the story is really good, until it is not, and I honestly feel like this is her best book yet, with the threads coming through, the ending feeling satisfying, the pacing being consistent, and the plot not getting lost on tangents and over explanation.

I loved the symbolism of screaming and it being largely brushed aside as society’s collective apathy to victims of sexual assault.  No one at the school has answers, no one likes questions being asked, everyone just wants to carry on as if nothing is happening, and the juxtaposition of the silence and the hysteria for me was powerful. A few plot holes were the result of telling over showing such as the case of the Khadijah and her sisters relationship, but that Khadijah stayed largely silent throughout the book, did not mean she was unable to communicate or not present, and I thought it was shown in a meaningful way.

I liked that the overbearing mom, with high expectations, and lacking emotional maturity was not from the Muslim parent, at least in Western literature, that is a common trope.  But it is worth noting that presumably the rapists mentioned in the story are Muslim.  Their faith is not a factor, but I noticed, and so I do feel that should be shared.

FLAGS:

Sexual assault, ptsd, rape, kidnapping, trauma, hysteria, lying, ghosts, monsters, magic, fear

TOOLS FOR LEADING THE DISCUSSION:
I think this would be a great high school book club read.  The conversation about sexual assault, both in the story and in real life would be important to have in a safe space.  The triggers would require some evaluation if the book is a good fit, but I think the elements that unfold and the commentary on expectation, honesty, trauma, monsters, etc. would create incredible discussion.

Sep23

With All My Heart by Aasia Khan (Book One in the Exciting New Maren Springs Series)

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With All My Heart by Aasia Khan (Book One in the Exciting New Maren Springs Series)

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I would assume this 185 page book sets out primarily to be a wholesome halal romance and to that end it probably meets its goal and gives teen Muslim girls a sweet idyllic fluffy love story within the bounds of Islamic rules. The main couple are hinted at as being alone a few times, but they are aware of it, and there is no touching, the intent is always to marry, it is worth noting there are birthdays celebrated, females singing in front of males, some element of threat, murder, criminal activity and hinted at (not described) obscene images. So for what it is, it is a fine, but for anyone not clamoring for any and all clean halal romance books, the plot is very, very weak, the climax none existent, the lacking rising action incredibly frustrating given the premise and thus potential of the book. Even the plot holes are a bit hard to overcome, even given their propensity in the genre. Written in third person omniscient keeps the book at arms length, and further prevented me from connecting with any of the characters.  The entire path the book will take is established in the first few pages, and with no twists or turns, or emotional connection, the book drags.  The perfect wealthy family of hafizes, that have no flaws, fix and provide everything and make no mistakes, are too unrealistic for me, and I found it off-putting, which isn’t to say your 14 year old dreamy eyed daughter won’t absolutely love it, but for me it is rather forgettable.

SYNOPSIS:

Two brothers, married two sisters and each have a son, the boys are raised as brothers.  At some point a family friend’s daughter, Layla, drinks from a bottle that contains the breast milk of Asad’s mom, and thus Layla becomes his “foster” sister, but not Usmans.  The baby the milk was intended for passed away early on, and through it all the families stay in touch, but never again meet.  The children, Usman and Layla have not met since Usman was 5 and Layla 1, yet they think of each other often and don’t know why the families keep apart.   Both can sense each other, identify what they have touched, and where they have been.  When Layla’s parents are killed and Layla turns up at the family’s estate in Maren Springs, Usman knows he will marry Layla, as the family welcomes their missing foster daughter/niece home.

WHY I LIKE IT:

I honestly had to read the prologue five times, and I flipped back to it while reading at least that many more times, and the book is not long.  The term “foster” threw me off which is my own ignorance, but alhumdulillah the book does eventually explain it and my Lit Sisters helped me to understand that in Arabic it is Radhaa’a which translates to “foster” to describe when mother’s milk is shared and the relationships that result.  I don’t know that the family tree is necessary, I suppose it helps since the parents are called by their first names, but it should have been in the front if included, it was a bit odd at the end.  Similarly odd is the book claiming itself “exciting” on the cover.  Blurbs are usually from others describing their thoughts or excitement about the book, not part of the title from the author, I also don’t understand why the fictional location is Maren Springs is in the title, when the four main characters work and live 4 or so hours away in Orkney. They should just live and work in Maren Springs, I didn’t see the benefit of them commuting every other chapter for no reason, and taking up unnecessary page space detailing if they were here or there, coming or going.

I feel like the book would be better in dual point of view, the characters as written don’t stand out, and there is too much telling and not enough showing.  Layla is shown to be helpless, but told to be strong, and the brothers too overly good, there needs to be more backstory of the characters, to ground them, flesh them out, and make them more interesting.  As for the plot, (SPOILERS) had the cause of why Layla was running, the murder of her parents been a looming threat, the blackmail emails with doctored images, the witness protective program been woven in, the book would have had readers intrigued, and on the edge of their seats.  Sadly it is all glaringly absent, and thus it becomes so dry just to read page after page about everything being perfect and then when it isn’t, the brothers just take care of everything in a few sentences to resume it to being, you guessed it, perfect.  The idea of Layla being on the run after her parents’ death and finding refuge in old family friends, is a great set up, but there is absolutely zero follow through. Layla doesn’t even know where the boys work, the name of the company, the reader is never really sure what they do, what anyone’s skill or academic background is, it is very vague.  At times it is downright juvenile that the heads of the company are called “big bosses,” the magical realism connection between the couple, referred to as the “alien” or “Martian” connection. Clearly the premise of the relationships and the positioning of bringing everyone together was thought through by the author, but the execution on the page sadly doesn’t reflect it.

I know in the romance genre the plot holes are always present, but to have them so early before any character development has occurred provides little incentive for the reader to overlook them because they are invested in the story.  A love connection between a 1 and 5 year old is a pretty big leap the reader is expected to be ok with, no backstory showing how close the families were, no phone calls or Facetime sessions, just letter writing, doesn’t convince the reader that there is a foundation to revisit when tragedy strikes.  The ease in which the “climax” is resolved and minimized feels dismissive and will highlight the missed opportunity even to younger readers.

I know this reads as a harsh review, but I wouldn’t have bothered writing my thoughts up if I didn’t think there was some potential for revisions to be made. The book isn’t awful, it just really is close to being a lot better than it currently is, and I hope the author will consider revisiting the story and elevating it (the benefit of Amazon print on demand) to a book that our Muslim teens can fall in love with.

FLAGS:

Some threat, birthday celebrations, singing in the car in mixed company, murder referenced, fear

TOOLS FOR LEADING THE DISCUSSION:

I purchased the book and will get it to the Islamic school library, but it isn’t a candidate for a book club selection as there is nothing really to discuss.

Sep8

Fledgling: The Keepers Records of Revelation by S.K. Ali

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Fledgling: The Keepers Records of Revelation by S.K. Ali

fledgling

 

This 544 page science fiction dystopian fantasy is in my humble opinion S.K. Ali’s best work, and that is saying something.  A lot actually, especially considering I am a Muslim book reviewer and there is no Islam featured in the book. As my author friend Shifa Safadi articulately put it, “it is Muslim coded,” a much more succinct term to describe my rambling thoughts of how Islam seems to be just below the surface, never breaking through, but making the book seem OWN voice and authentic. The book is for ages 14 and up and stays fairly clean, allowing for complete immersion in to the story, the world, the future, and the characters’ lives, without any fear that something drastically detailed and haram, would suddenly appear and pull me out of the flow of the story.  There is a bride market where women can be bought and mention of lovers being taken, but it isn’t normalized, it is for a purpose, and the acts are not detailed.  From start to finish this book is a gift to readers.  The writing quality is superb. The book is told from nine (?) points of view,  and I never once felt the need to flip back to see who was speaking, as each voice is clear and unique. The twists, the heartache, the triumph is all palpable and griping.  The mix of genres works because the characters have multitudes and incredible storytelling made the lengthy book, not nearly long enough. I can’t wait for the second part of the duology, from the Underground to Upper Earth, the world was not one I left willingly, and I look forward to returning for the conclusion.

SYNOPSIS:

I really am not sure how to summarize the book without giving much away, I’m actually surprised myself that I’m writing a full review for a book by a Muslim author with no Islam present, so here we are.  As with all S.K. Ali books, this book starts with a possible “romantic” relationship, in this case though, it is an arranged couple meeting, and it isn’t going well.  But where comedy and faith might normally then enter the story, this book, veers from her norm, drastically.  Set in a dystopian future where scalplinks and mind control allow the “enlightened” to live a vastly different life than those on Lower Earth who’s resources have been plundered, the union is to be between Raisa, of Upper Earth, and Lein the crown prince of Lower Earth as an attempt at achieving peace.  Politics, greed, loyalties, love, all add in to the mix of a rebellion and the hope that comes from the Fledgling.

WHY I LIKE IT:

The book starts with a character list which is an incredible tool for readers as the first half of the book is forced to simultaneously balances character development, world building, and plot progression with a lot of moving parts. The style of memory records, announcements, current events, flashbacks, and changing povs keep the book’s pacing moving, but it really took about until the midpoint for me to be unable to put the book down. What at times early on could be perceived as cumbersome, became truly what makes the book stand out.  To see each character through their own eyes, through their own lived experiences, and to see their thoughts and feelings grow and change, really pulls you in and brings the humanity to life in a book that could have become more plot than character. It also emotionally ties you to the characters and the twists and revelations and loss, hurt a little more than I would have expected as days later I am unable to stop my head from returning to parts of the story that still have a hold on me.

FLAGS:

Death, torture, abuse, killing, murder, hunting, manipulation, lying, a love scene between a coded married couple, oppression, colonization, bride markets, misogyny, cheating, it is YA dystopian, fantasy, sci fi, romance, adventure, so there is some grit at times, but not for sensational vulgarity, it is always for a point and not taken lightly.

TOOLS FOR LEADING THE DISCUSSION:

This book would be incredible to read in a high school class: Islamic school, home school, public school, private school, you name it.  There is so much to discuss about colonization, oppression, rebellions, politics, and yet none of it comes at the expense of good story telling.  I would love to hear students discuss their favorite characters, opine on their motivations, and argue right vs wrong with citings from the text.  No two people would feel the same, I would almost guarantee it.

Sep4

If You’re Not the One by Farah Naz Rishi

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If You’re Not the One by Farah Naz Rishi

I suggest one reads my ENTIRE review of this book before deciding if it is right for you, because just the first few lines might signal that I liked this book, and honestly it was just ok, but I really liked parts of it. The protagonist is Muslim, it isn’t something that guides her view of the world or dictates her actions, but she is unapologetic, and it is not something she is grappling with. She prays, makes duas, it mentions a hadith, so I appreciate that it is there and always just below the surface. The “romance” might not be halal, halal, but it definitely isn’t raunchy and stays close to the line even when it crosses it. The male and female character are very close friends, and spend a lot of time alone together even before SPOILER there is hugging and a kiss, it is a rom-com after all. I loved the annotations, especially reading an e-version flipping to the protagonists commentary of her thoughts and then flipping back was easy and fun. I think my favorite line in a long time in the book is her translating rice to chawal (see images). My biggest frustration though, with the book is how close it mirrors the author’s biography, Sorry for the Inconvenience, which I read just over a month ago. Truly, it was like the biography was the book and this was the movie adaptation. Sure the younger brother was switched out for a younger sister, and this wasn’t as gritty or traumatic, but the romantic literary beats were all more or less the same: childhood betrothed, falling for a friend who made a bad first impression, dad being sick, parents and their on again off again divorce, medical diagnosis, it really is two versions of the same story, which meant I was never invested in the fictionalized characters, or on the edge of my seat to see what would happen next. When you have seen the behind the scenes inside scoop so to speak, it is hard to get on board with the faded carbon copy. Add in the consistent lack of communication, telling instead of showing, unlikability of the protagonist, and the non existent foundation of any of the relationships, and it made it hard to get lost in the fluff of the moment.



Side note: I had a whole paragraph rant about the cover, but when I went to post my review on Goodreads (still banned from Amazon) I saw that there is a newer cover with Marlow wearing yellow crocs. I have no idea why the illustrator and publisher would have arcs with the male lead in flip flops, but I think by now it is common knowledge there is often a lack of communication between authors and illustrators. sigh.



SYNOPSIS:
Anisa is in college, she has worked hard to get in to the all girl’s school near where her almost fiancé Isaac is already enrolled. When she takes a class on Isaac’s campus she meets Marlow, who makes a poor first impression on the very “perfect” Anisa. When Marlow and Anisa get paired up for a class paper, Marlow also offers his services as a “love coach” to help Anisa reconnect with a drifting away Isaac. The more time Anisa and Marlow spend together, and the more Anisa learns about Isaac , the more she ultimately learns about herself and what she wants out of a partner.



WHY I LIKE IT: (SPOILERS)
I’ve read a few of the author’s books, so I know she can write, which irritated me even more that this book felt so flat. Anisa and Isaac have been “together” for over six years, but know nothing about each other, don’t talk or text, and as much as the book wants to make it seem like it is an all of the sudden thing, it provides no real tangible suggestion that they have ever had any sort of connection. So why did they decide to be potentially engaged???? All the parents are on board, but how did the two of them set this into motion? With the exception of Isaac visiting her one late night before he went to school, there is so little for the reader to be emotionally invested in. Anisa has terrible communication with every character in the book, not just Isaac, even with Marlow and her family, the side characters all keep in touch just fine, and it is never addressed as a quirk, it just is accepted. If your dad was sick, or your parents divorcing, wouldn’t you be texting them periodically, or non stop? And text between characters are shown on the page, so how is Anisa texting Marlow throughout the 352 pages, but then goes MIA the last 20? It didn’t work for me clearly.

Additionally, I was so tired about hearing how perfect Anisa is, when it never seemed to show it, sure the duplicity with her outward appearance and home appearance was well done, but it never really shows up in any other facet of her life. She is unorganized, has few friends, doesn’t seem to be a very present daughter and sister, the repetitive telling and lack of showing, gave the book no foundation. I know romance-y type books often have to fudge common sense at times, but with no foundation at all, it was hard to be invested in any twists or swooning gestures. I think I just didn’t really like Anisa, and I weirdly feel guilty about it, because she so closes mirrors the author, and I liked the author’s self portrayal in her earlier memoir.



FLAGS:
Close male/female friendships, hugging, kissing, lying, “cheating,” talk of titillating role playing video games (otome) not details so much as shaming and teasing about Anisa playing them (the word porn is tossed in a few times).

TOOLS FOR LEADING THE DISCUSSION:
I think I’d shelve this book in an Islamic school library for high school students. I don’t think I would promote it, but I think those romance loving high school girls will enjoy and be able to handle this story. It won’t work for a book club, but it does make clear that Anisa “dates” with intent to marry, there is reassurance that she wants to marry a Muslim, that Marlow has been reading about Islam, but that Anisa isn’t going to force him, and that societal expectations and appearances aren’t impossible to push back on- which I think are good considerations for 16 and up readers to see fleshed out.

May11

This Book Won’t Burn by Samira Ahmed

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This Book Won’t Burn by Samira Ahmed

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It is clear that this 384 page contemporary YA book is about the hot topic of burn banning in America, and I would imagine most are aware that the overwhelming number of books that have been recently banned or pulled because of objection, are by BIPOC and queer authors featuring BIPOC and queer themes and representation.  So I read it not so much to see the author’s perspective, but more to see how the Muslim author had the Muslim identifying characters in the book approach the topic.  The book is very black and white: book banning is wrong, Republican right wing MAGA members are fascist, and liberal freedom of speech supporters are LGBTQ+ identifying and allies and upholder of first amendment rights.  Islam and the character’s Indian heritage is ingrained in the characters’ being, and a label they are comfortable with, unfortunately, it has no impact on how they act, think, or the lens in which they view their world. Every 50 pages or so some vague mention of Ramadan, or a tasbeeh, or mosque appears, only to disappear just as abruptly. The Muslim protagonist, Noor, likes two different boys, is often alone with one or the other, nearly kisses both, and with the support of her family attends prom. Her younger sister, Amal, is unsure if she wants a boyfriend or a girlfriend, it is not a major part of the story and is just mentioned in passing.  A major side character is lesbian, and starts a bit of a relationship with another girl, they hold hands, and there are a few kisses on cheeks, nothing overly detailed.  There is profanity in the book, arson, threats, racism, and stereotypes.

SYNOPSIS:
Noor and her family move to a small town from Chicago when her dad abruptly abandons the family.  It is the end of Noor’s senior year, and with the grief, stress, and emotional upheaval of her family, Noor just wants to get to graduation.  Quick friendships with Faiz and Juniper, and realizing that she is the daughter of her activist parents though, thrusts her into making enemies her first week in the conservative town by questioning the school’s book banning policies. Add in her strained relationship with her mom, her conflicting feelings for Andrew and Faiz, and her sisterly concern for Amal, and Noor has a lot on her plate as she shakes up a small town.

WHY I LIKE IT:
The first chapter is incredibly written, no doubt.  I hated the dad, actually more than that, I was so disappointed in him, and so concerned for Noor, Amal and their mom.  To feel such strong emotions for characters just introduced is a testament the author’s abilities.  Sadly, insight into why their dad left never came, and  perhaps no answers is something the characters had to grapple with, but as the reader, I felt it wasn’t really explored, or articulated, it just was unresolved, and I really wanted some closure.  In terms of literary quality, the book went down hill pretty quick for me.  The middle was slow and repetitive with the heavy handed views on book banning.  Some shades of gray, or some discourse would have prodded the readers to maybe think about the implications of banning books, but the narrative never allowed for that.  It is right vs wrong, us vs them from the start.  There really is no growth of the protagonist, she doesn’t have much of a character arc, and the supporting cast is not fleshed out.  I wanted to see more of Noor and her Mom, not just be told repetitively how absent she is, I wanted to see Faiz as a full person, not just the only other brown Muslim at the school and who likes to cook. Where are his parents, do they support his activism, that he is going to prom? Truly, there is no Islam in practice it is just a label that gets dropped when it furthers the notion of raging against an established bias system.  I’m not saying they need to be praying and reading Quran on every page, but I don’t know that the story would be much different if the family was not Muslim Indian American. Really the catalyst is that they are a new family, and a visible minority.

FLAGS:

Straight and LGBTQ+ relationships, arson, threats, stereotypes, racism, bullying, cursing.

May3

The Djinn’s Apple by Djamila Morani translated by Sawad Hussain

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The Djinn’s Apple by Djamila Morani translated by Sawad Hussain

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This short, 160 page YA book is really quite gripping. Admittedly, during the first third of the book, which is primarily world building, I had no idea what was really going on, but I was intrigued and by the half way mark, I was so invested, I truly could not put the book down. I received an early digital copy so I am not sure if the grammar errors, typos, and lacking punctuation is because it had not been through line edits yet, or a result of translation oversights, none-the-less I thoroughly enjoyed this book and read it in a single sitting. I wish this book was 500 pages long, with details about the time and environment, and build up to the conclusion, and angst to the romance, but it is not there, it is short, and rushed, and I don’t really know how to review it, because to point out all that is wrong, doesn’t convey all that was right. I am a self appointed reviewer, so I’m going to break my own standards and just copy and paste the teasing blurb, I can’t say it better, you are welcome: “Historical fiction meets crime fiction in The Djinn’s Apple , an award-winning YA murder mystery set in the Abbasid period—the golden age of Baghdad. A ruthless murder. A magical herb. A mysterious manuscript. When Nardeen’s home is stormed by angry men frantically in search of something—or someone—she is the only one who manages to escape. And after the rest of her family is left behind and murdered, Nardeen sets out on an unyielding mission to bring her family’s killers to justice, regardless of the cost…”

SYNOPSIS:

See above, I know my standards are slacking, but that blurb is what helped guide me when I got lost a little lost with the words on the pages.

WHY I LIKE IT:

I love the map and in this case the glossary and backmatter really helped me to understand the setting because the text assumes the reader knows about Harun Al-Rashid, the Golden Age of Baghdad, and the Abassids. I appreciated the Reader’s Guide and further information about the Bimaristan, as well.

I like that it showed the family as being practicing Muslims, them being accused of being infidel Zoroastrian, and the adopted father and teacher being Jewish, it added a layer that entices the reader to reconsider stereotypes and look further into the society. The book doesn’t offer much commentary about it, but does highlight the different religious groups and show them interacting.

The book really pulls you in and considering that I was lost and there were grammar errors and typos, really speaks to the story and heart of the writing. I am glad I read it, it will stay with me, and I may not be able to pass an AR test on it, but I do plan to get a physical copy for the library and for myself, so that I can read it again.

FLAGS:

Murder, plotting, revenge, poison, romantic feelings.

TOOLS FOR LEADING THE DISCUSSION:
I need to read the book again, but yes, it would be awesome as a book club selection for Middle School or even High School to discuss, pick apart, analyze, research, and enjoy.

Apr26

Three Summers: A Memoir of Sisterhood, Summer Crushes, and Growing Up on the Eve of the Bosnian Genocide by Amra Sabic-El-Reyess with Laura L. Sullivan

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Three Summers: A Memoir of Sisterhood, Summer Crushes, and Growing Up on the Eve of the Bosnian Genocide by Amra Sabic-El-Reyess with Laura L. Sullivan

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It is difficult and probably rather inappropriate for me to offer a “review” of a memoir, after all who am I to have opinions on someone’s lived experience.  And this non fiction book in particular is so desperately needed and important, as OWN voice middle grade literature about Bosnia is fairly non existent. So continue reading my thoughts with a grain of salt, suffice it to say, that I enjoyed the book, and loved the author’s YA book The Cat I Never Named, but ultimately I struggle to suggest this for the intended audience of 8-12 year olds.  As a child my family was involved with Bosnian refugees in the 90s, as an adult I understand that Islam, and being Muslim, is not a monolith, as someone who can empathize with loss and heartache, I couldn’t put the book down.  Yet, I truly doubt that many fourth graders will feel the emotional climaxes that are not shown, but told.  That they will understand the timeline and what is about to happen if the book were to continue.  That they will feel a connection to the characters who read so much older than them.  If the book was fiction, I would say the characters read YA, with the bikinis and details of body growth, kissing, making out, having boyfriends, and dancing at the discotheque, cigarette smoking, backless dresses, noting which neighbors are having affairs, and trying to become their “truest self,” but the book is a memoir, this is the author’s life when she was 11, 12, and 13.  In an environment where her maturity is noted as being heightened because of the loss of her brother and her personality, the book shows cultural norms, that will still strike contemporary reader as being much more adult in nature. Islamically, the label of Muslim and Bosniaks, is ever present.  Bosniaks were massacred for being Muslim, period.  The book never shows them praying, or mentions Allah swt or the Quran, covering is something only the older generations did, they do drink alcohol on occasion, but they have a cow slaughtered Islamically and burials are done in accordance with Islamic principles.  There is kissing, having boyfriends is not problematic unless they are Serb, the only imam mentioned does weird black magic type things.  So while the label of “Muslim” may feel to Muslims readers more like a cultural marker at times, it is none-the-less incredibly empowering to see that Amra takes pride in her Bosniak identity and doesn’t shy away from it. Other flags/triggers are domestic abuse, bullying, physical violence, attempted drowning, accidental drowning, death of a sibling, kidnapping, imprisonment, threat of war, racism, Islamophobia, music, fortune tellers, lying, threatening.  The backmatter offers a timeline and thus gives some information about the rape, torture, genocide, abuse, and destruction.

SYNOPSIS:

The book starts with a visiting fortune teller giving Amra and her family hope that her older brother Amar will be pain free soon. Amar suffers from Marfan syndrome, and is frequently weak, teased, and in pain.  But he is also wise and patient, brilliant and gentle, and beloved by so many, and Amra is broken when he passes away.  To help break her from her debilitating grief, her parents reach out to a cousin in Belgrade, who has long been estranged for marrying a Serb, to come visit for the summer.  Zana and her younger sister Vedrana, engulf Amra in warmth and adventure and the summer on the River Una is just what Amra needs.  The next summer Zana and Amra resume their idyllic adventures of swimming, make-up, crushes, and coming of age, with only a hint of fracture based on religious lines creeping in the final days.  The following summer Amra is starting to mature on her own and understand the world around her.  Her father has lost his job, been kidnapped essentially and tortured, and while nights dancing at the discotheque give laughter and light, the girls final summer, is the end of peace, and innocence for all Bosniaks.

WHY I LIKE IT:

I love the end, that there are real life updates of the people in the book.  It made me cry.  It is also so timely to what is occurring in Gaza and how no matter how clear it is that it is genocide, and it is oppression, and it is racism, some just cannot see it.  The book is joyful, but the reality of the backmatter is heavy, and real, and important.

I like that the book shows Bosnia and the culture and the traditions, the few books I’ve read focus on the war, and the rich culture and deep history doesn’t get to shine like it does here.

I do wish the book was more showing than telling.  I know it is a memoir, but at times it was just too advanced commentary and insight.  I fully believe the author is brilliant, and at 11 years old was pondering her life, but most readers just aren’t at that age, and the tangents keep the readers at arms length.  The book says it is about crushes, so I don’t want to keep harping on it, but it really is Amra and Zana and a gaggle of other female cousins quite often worrying about boys, and crushes, and kissing.  It doesn’t get obnoxious, but it isn’t a line here or there, it is the bulk of the book.

FLAGS:

Domestic abuse, bullying, physical violence, attempted drowning, accidental drowning, death of a sibling, kidnapping, imprisonment, threat of war, racism, Islamophobia, music, fortune tellers, lying, threatening, death, loss, grief, affairs, cheating, racism, bare bodies, crude jokes, crushes, kissing, making out, sneaking out, smoking, drinking, developing bodies, bullying, internalized Islamophobia, kidnapping, imprisonment, dancing, black magic imams.  The backmatter offers a timeline and thus gives some information about the rape, torture, genocide, abuse, starvation, and destruction during the Bosnian genocide.

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TOOLS FOR LEADING THE DISCUSSION:

I think with some context about war, about communism, the Ottoman empire even, this book could be used in a teaching setting to allow the time frame to be seen from those living it, but, for more mature middle school to early high school readers.  It is a lot for MG and that it is non fiction makes me want it to be understood and appreciated and I don’t know that for the intended demographic, even with context and guidance it would be achieved. There really isn’t a plot, it is a memoir, and the pacing and assumed context knowledge I feel like, just wouldn’t be there for the typical western middle grade reader.