Tag Archives: culture

Jun19

Yippee! Ramadan is over, It’s Eid by Farjana Khan

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Yippee! Ramadan is over, It’s Eid by Farjana Khan

yipee

A friend loaned me this book from the local public library, so I was not only excited that a book about Eid was readily available, but also hopeful that it was good quality.  Then I saw the title.  I mean I get that the “Yippee!” is a title part of a series of books on the different holidays Muslim’s celebrate, but for as excited as Muslims are for Eid, they are usually very sad that Ramadan is over.

Nevertheless, I opened it up and hoped to be swept away.  The list of Eid activities and rituals however, were very dry and anticlimactic.  The characters are not named, the pages are meant for pre-schoolers I would imagine, but the lack of excitement in the language is disappointing.

yippi hugThere are 19 pages of text, and the first few pages start off pretty well with a little boy seeing the Eid moon.  Then the family goes to the mosque and learn that Eid marks the end of fasting and the month of the Quran.  The boys father then gives money to the mosque, it doesn’t say that it is charity, but if one is familiar with Eid, one could assume. However, the book seems to be for those unfamiliar with Eid, so for me, this is where the book started to be lacking.  The next page also is where the list seems to start, and some of the items on the list are a bit of a stretch.  “We hug family and friends,”  followed a few pages later by a whole page dedicated to “My mother sets the table.”

yippi table

The book is also obviously desi as they eat parathas and firni.  At one point the kids play a game, not sure what game, it only says what sister’s favorite game is, and then a page is dedicated to the fact that “sister’s team wins.”

yippi fries

Perhaps I am too harsh, as the book is colorful and shows family and friends happily interacting.  There are women covered, not covered and with niqab, and there isn’t anything erroneous in what is written.  I just would hope for more.  The book is small in size, 8.5 x 8.5, and could have been fleshed out a lot more.  It reads like a child’s rough draft, each page or so, being a topic sentence, without the details.

I really don’t know what one would learn or get out of this book, that they wouldn’t get out of a fictionalized account or even a character driven story at Eid time.  Online prices don’t convince me the book is a stand out either.  There are much more fun, engaging, and memorable Eid books out there, not sure why the library chose to invest in this one, but alhumdulillah, I suppose it is better than nothing.

Jun6

Zachariah’s Perfect Day by Farrah Qazi illustrated by Durre Waseem

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Zachariah’s Perfect Day by Farrah Qazi illustrated by Durre Waseem

IMG_4757I was really excited to learn about this book from the author, as it seemed to be a book that would stand out in a very crowded genre and work for both Muslim and non Muslim kids.  When I tore off the package however, the face on the cover seemed a bit off for my taste, the glossary is on the back cover and while the pages are full size and full color, the book starts on the first page and somehow seemed more “home done” than “professional.”  Which isn’t a bad thing, and I’m happy to support local writers, but alas I do often judge books by their covers and format, and my first impression had to be stuffed away so I could give the book a fair chance.

The book is 20 pages with the 20th page being recipes.   I would guess children 5 and up would be considered the target audience.  It basically is a book telling about Ramadan with the author trying to blend in a story, that for me, sometimes worked and sometimes really didn’t.

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It starts with Zachariah, a 12 year-old-boy waiting for his mom to wake him up to fast, a day he has been waiting his whole life for.  Why he had to wait to fast at age 12 is not clear to me or made clear in the story.  His 10 year-old-sister only does half days, but in the illustrations she seems to only look about 3 years old, so I’m not sure where the arbitrary age requirements for fasting come from.  There is also a third sibling in the pictures that is never mentioned, not sure why, my kids and I speculated a lot more on that than we probably should have.  It isn’t told from Zachariah’s point of view but he is the focus as his day gets started.

The characters are undoubtedly desi as the book is very steeped in subcontinent cultural over tones.  Sehri, the pre dawn meal, is described in abundance of detail, “His mom made omelets, fried potatoes, with curry and tomatoes and his favorite parathas: thin leavened dough that is friend in olive oil or butter”  It’s a bit detailed of how the items are prepared for a kid’s book, and that is just page one of two pages dedicated to detailing the food on the table for breakfast.  Iftar the meal to break the fast is also two pages of description and cooking methods, but about double the amount of text.

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Culture is often food, and Ramadan has its own food traditions, but there is a lot of space dedicated to food in this book,  and it kind of takes away from the message of fasting, and moderation, and not going in excess.  Later in the book the mom does pack up some of the food to take to the less fortunate which is great, but she does it while the rest of the family is breaking their fast.  Not sure why she couldn’t have done it before or after and joined them.

After sehri is presented the family talks about Ramadan and what it means and what they like best about it.  There is a bit of dialogue that is actually sweet and funny, and gives some warmth to the story.  It is clear the author is just trying to flesh out the facts about Ramadan, but for a kid’s book, I think getting the facts in and presenting them in a fictionalized setting is a useful tool.

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The story seems a bit lopsided when it shrinks Zachariah’s day at school to one five line paragraph saying it was wonderful and then moves on saying “Later, he helps his mom.”  After spending 10 pages on the predawn meal, I would have liked to know a bit more how school went for him, it is his perfect day after all.  Also, the lapse in time by the narrator seemed a bit off to me in the sequential flow of the story, as it was following him in real time so to speak, and then fast forwards the bulk of the day only touching on lunch time, and

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Alhumdulillah, the family is sweet and excited for Ramadan. They pray together and are seen with smiling faces.  There isn’t much diversity in the pictures, the family has darker skin, the friends at lunch are more fair.  The mom wears hijab and is in the kitchen, dad doesn’t seem to be, but Zachariah helps his mom.

The book is colorful, and busy.  I’m not sure if the pictures are meant to be a stylized reality or look computer generated, but they seem a little blurry in places.  The font and backgrounds are nice.  There is a verse from the Quran in English and Arabic, as well as the athan and some Islamic calligraphy.

Overall, there is nothing “wrong” with the book, it just isn’t memorable.  There are some really good Ramadan books out there, and this one does it’s job of explaining Ramadan, but lacks the characters to leave an impression.  I definitely don’t regret buying it, but I don’t know that my kids or I will read it again this Ramadan, it doesn’t create that reaction.  It will probably stay on the shelf until next year, when we can’t recall many of the details and give it another go.

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May23

The Shapes of Eid According to Me by Samia Khan illustrated by Maria Ahmed

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The Shapes of Eid According to Me by Samia Khan illustrated by Maria Ahmed

shapes of eid

A new Eid book that talks about the religious aspects of Eid, such as praying and going to the mosque, as well as the cultural fun of getting henna done and eating samosas, presented through the shapes a little girl finds all around her.  I liked the idea of presenting Eid through a different lens so to speak, and finally gave in and ordered the $17 hardback 28 page book.  I had touched base with the author before I ordered it to see if it would work for little kids at a masjid story time and she thought it would.  The text is one to four lines per page and rhymes, which allows the little ones to stay engaged.  Some of the lines are forced or seem to break the rhyme scheme, but overall a book about shapes with rhyming lines makes sense.

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The part that I was underwhelmed with was the illustrations.  A book with such a visual concept at its core, to me would require breath taking pictures.  But alas, the pictures seem done with crayon and colored pencils, and on many pages finding the shape is almost difficult for little ones.  The detail is lovely, but the presentation seems lacking. They aren’t bright and shiny, they are muted and flat.  The disconnect of the text and binding with the pictures seemed jarring to me. Perhaps it was just the price point made me expect more, I don’t know.  I like the book, but I don’t love it.  I will be reading it to a group of kids and if they love it I will take back my criticism of the pictures, happily.

shapes 3

I think the book works up to about 2nd grade, as the geometric shapes are both flat and 3-D, plus getting excited for Eid is something everyone enjoys.  There is no reason this book is limited to Muslim children, but non muslims might be left with more questions after reading it about how Eid is celebrated and what aspects are religiously required and which are just fun customs.  There is a small intro at the beginning to what Eid is, but no glossary or further info is included.

May19

Drummer Girl by Hiba Masood illustrated by Hoda Hadadi

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Drummer Girl by Hiba Masood illustrated by Hoda Hadadi

drummer girl.jpg

 

Before she was Grandma Najma, she was just Najma.  A girl in Turkey with a secret dream of being a musaharati, the person who walks the streets waking up the neighbors for suhoor in Ramadan.  But, a girl had never done this and thus the dream stayed hidden until she was 12 and the neighborhood musaharati was feeling ill.  Confiding in her baba, his love and support makes her dream come true against cultural norms and naysayers.  The line from her Baba, “Girls can be anything they like,” is so clear that her one girl revolution grabs the hearts of the reader and turns readers into cheerleaders.  The added beauty is her father’s support is not limited to his words, he accompanies her out every night almost challenging anyone to say she can’t do it.  Overtime she becomes the pride of the area, and her brothers accompany her if she doesn’t want to go alone, and then eventually her husband and her children.

drumemrgirl2The book warms the soul and uplifts the spirit.  The text seems geared to 7 year olds and up, as there is a lot of it, and at 26 pages does require some ability to focus. But with minor tweaks and condenscing the story appeals to children 4 and up and the pictures help hold their attention as they create a mood of wonder and whimsy.

drummer text

Structurally the book is hardback and dust jacket free, yay! the cover is printed on and thus easier to maintain.  The book is longer horizontally with most illustrations on the left side making it great for story time where the kids can see the pictures and the reader can hold and easily see the text without blocking the children’s line of sight.  There is a glossary, an author’s note telling where the story comes from, and a little biography of the author and illustrator and publisher in the back.

drummergirl1

A beautiful, beautiful book to share with children this Ramadan and all year long, alhumdulillah.

Mar17

A Long Pitch Home by Natalie Dias Lorenzi

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A Long Pitch Home by Natalie Dias Lorenzi

a long pitch

The correlation between baseball and cricket provides the foundation for detailing the relationship of  Bilal’s first year in America after having to leave Pakistan in a hurry: the same, but different.  This 248 page book written on an AR 4.6 pivots around sports, but has a lot of heart as themes of family, friendship, and longing, take center stage.  Throw in a whole new culture, the English language, Ramadan and prom and you have a whole lot to cover in this well crafted story.

SYNOPSIS:

Bilal has a good life in Karachi, Pakistan.  He is the oldest of three kids and at 10 years old, his world pretty much involves Cricket, friends, and his dad.  When his father disappears things get frantic, and when his father returns, the family decides to move to America.  Unfortunately Bilal’s dad can’t come.  As Bilal, his mom, his younger sister Hira and younger brother Humza, board a plan to Virginia, everything Bilal knows is left behind.

Virginia is home to Bilal’s maternal Uncle, his wife, and their teenage son, Jalaal.  Jalaal plays baseball and arranges to have Bilal join him at baseball camp for the summer.  Learning the new sport, and a new language, and the nuances of life in a new land are frustrating and often comical as Bilal points out how confusing navigating American life can be.  He also keeps an ongoing list of new things in America to share with his dad over Skype, as they swap memories of an old life in preparation for a new one.  The supporting characters on the field are generally kind and accepting of Bilal, because they have a bigger problem then a foreign boy, there is a girl on the team, Jordan.  Jordan is new too, and the coaches niece at that, naturally they become friends, but its not easy, Bilal has to learn what being a friend really means.

The majority of the book stems from the tension of waiting to hear from Bilal’s father, and to see if he can come to America.  The passing of time with baseball games and school are anecdotal to the larger arc that sets the pace of the book.  Will Baba be able to come, and if so, when?

WHY I LIKE IT:

Interestingly religion has a pretty big role in Bilal’s life and the author does explain some tenants in Islam.  He wakes up for fajr (although he does miss it occasionally), he only eats halal zabiha, the family fasts in Ramadan, and they celebrate Eid.  Bilal wants to fast, but him mom tells him he is too young when they are coming to America, and the following year he doesn’t because of baseball, which is unfortunate, because a lot of kids fast and play sports all over the world.  They go to the mosque on Eid only, and it mentions that the women in his family do not wear hijab like some of the women at the mosque.  His older cousin Jalaal wants to take the neighbor girl, Olivia, to prom, which the family explains awkwardly as something that Muslims don’t really do until they are older, or at least that is how Bilal understands it.  In the end, they let Jalaal go with Olivia and a group of friends, and the whole family Skype’s the family in Pakistan and sees them off.  Even more funny is that they don’t join their friends for dinner before the dance, because Jalaal is fasting and can’t eat until later.  I don’t know if this will confuse 4th and 5th grade readers, but as an adult I found it hysterical, because these cultural contradictions are more common than not.  I did like that nothing was done behind the parent’s backs.  Things were discussed and worked out instead of lied about.

Another thing that I found interesting, but since finishing the book, I have come to appreciate, is that there is no Islamaphobia in the story, or even xenophobia.  The kids are accepting of Bilal’s faith and culture.  He is far more self conscious about being different or not understanding than those around him are.  Its idealistic perhaps, but at the same time, I think it would distract from the core of the story.

While the book focuses on sports, I think even non sports fans will be able to enjoy the story.  The author doesn’t get too technical and it moves steadily with mini climaxes and triumphs through out.  Girls and boys will enjoy the book, Muslims and non Muslims too, the readers might even learn something about baseball or cricket or Pakistan, or even about themselves along the way.

FLAGS:

The book is remarkably clean and what you would expect for a good quality, solid 4th grade and up story.  There is the “prom” issue, but there is no hugging, kissing, longing etc.  They “like” each other, but it isn’t more explicit than that.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know if I would use this for a Book Club.  One could, but I think it would require a lot of coaxing to get kids to give a book about baseball/cricket a try.  I have no doubt if they started it, they would finish it, but it might be a tough sell.  The confusion in American life would make for an awesome discussion after being read, because everyone can relate to some of the oddities of the English language, and challenges of learning a new language and culture.  I think how Islam is handled would also make for some good discussion in addressing how each family handles things differently as they arise.  Although written on a 4.6 level if I were to do it in a school setting, I would probably do it for middle school kids who could articulate their own life parallels to the story.

An interview with the author:

http://wordspelunking.blogspot.com/2016/09/a-long-pitch-home-blog-tour-interview.html

Overall a solid decent book about an immigrant Muslim boy making his way in America, while not losing or giving up on who he is, alhumdulillah.

 

Mar10

The Storyteller by Evan Turk

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The Storyteller by Evan Turk

the-storyteller-9781481435185_hr

Set in Morocco a long, long time ago near the edge of the great Sahara, a young boy goes in search of water.  But just as the city grew and grew and people forgot about the threat of the desert, people forgot about storytellers too.

This 44 page book weaves a tale of story within a story within a story, and combines different times in the past to illustrate how vital stories are to our existence.  Much like the thirst that only water can quench, the human soul needs connections.  With a Djinn threatening to cover the town in a sandstorm and the mysteries of the blue water bird, can a well told story really restore water and safety?  Written on a 4.9 level this book could get a bit confusing to a struggling reader, or a child trying to keep everything straight.  I found this book works best with kids that can get caught up in the story and the imagination of it all, without over thinking all the layers. It, like the story within the story suggests, works best to be listened too.  There is a lot of text, but it is very soothing and engaging.  The pictures are splendid, but in a dream like manner.  The book works well with sleepy children listening to your voice and getting lost in the pictures, making a storyteller out of the reader, and proving the engaging power of a story.  Second graders and up will enjoy listening to the story, and learning about desert life, and oral storytelling in lyrical way.  There is no Islamic element other than the hijab wearing women in the pictures, and the mention of a djinn.  There is is an author’s note at the end telling of the resurgent efforts of public storytelling in Morocco.

When a storyteller dies, a library burns-old Moroccan saying

Feb19

A Tale from Turkey The Hungry Coat by Demi

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A Tale from Turkey The Hungry Coat by Demi

the hunger coat.jpg

It really bothered me that I didn’t love the version I read of  The Parrot and the Turkey about Nasreddin Hodja, especially after finding out how entwined he is in Turkish culture, and reading some of his tales online.  So, when I found that Demi had also rewritten and illustrated a tale from his collection I was anxious to check it out.

hungry-coat

The  Hungry Coat is a charming story and Demi does a great job of bringing it to life with her pictures and storytelling abilities.  The book is 36 pages and a 4.1 on AR.  The text isn’t overwhelming in volume, but to read it definitely requires a bit of an older child’s vocabulary.  Words like caravansary, hostel, banquet, frisky, and commotion are scattered through out.  However, to listen to the story and to understand the message Nasrettin Hoca (an alternate spelling) is conveying, is easily enjoyed by children four and up.  The story flows very smoothly and the catch line of “Eat, coat! Eat!” makes the story absolutely delightful.

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Nasrettin Hoca always keeps an apple in his pocket for any goats he might pass while he is out and about.  One day he helps round-up a goat that has gotten lost, and in all the commotion had become quite a mess and lost too much time to go home and change his clothes before heading to a friend’s house for dinner.  Deciding to go in his patchy, smelly clothes, Nasrettin soon finds that none at the dinner party will sit by him, or even sit facing him.  He slips out quietly from the gathering and has an idea.  He goes home and preens himself, and returns to the party where he is greeted with attention and kindness.  At dinner he begins placing the food in his coat, rather than eating it.  Each time he opens his coat he commands it to eat.  After he fills his coat he pats his belly to the bemusement of all around him as they ask him what he is doing.  He makes his point that when he came in his old coat he wasn’t fed, but when he came dressed so beautifully he was, and thus clearly the coat was invited to dinner, not him.  Everyone cheered and learned the lesson.

“A coat may be fine, but a coat does not make a man.”

The illustrations are rich and detailed, but I did find myself a little put off when Nasrettin seemed to go from looking like an old little man, to being very effeminate.  The inconsistency bothered me a bit, which surprised me for a Demi illustration.  Also, it is worth noting that there is mention of wine in the story, that many may find off for a children’s book, particularly one about Muslims (Nasrettin was an Imam and a Dervish, so he may have drunk, I’m just saying it surprised me).  The last two pages of the book are an afterword about Nasrettin Hoca in real life and the influence of his folk tales and lessons.

Feb4

The Sky of Afghanistan by Ana A. de Eulate illustrated by Sonja Wimmer

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sky-of-afghanistan_book-cover

An Afghani girl dreams of peace in this illustrated 24 page poem.  She soars and flies like the kites against the wind and giggles and learns and hopes with her feet on the ground.  The book is written on a third grade sixth month AR level, but even at that the poem is hard to follow for elementary age children.  The voice doesn’t sound like a child’s, it is far more reflective and mature for how she is presented.  The text, not really a story, wanders and alludes to what obstacles face Afghani’s but doesn’t detail them.  The author assumes the reader knows that Afghanistan has been under war for decades, that war is painful and gloomy and gruesome.  Adults maybe can find the hope for peace and the struggles inspiring, but I don’t think children will really have a clue as to what the text is about. Luckily the pictures are AMAZING.

 

The illustrator does an amazing job in keeping the story light and hopeful and showing the culture without judgement or despair.  The domes of the masjids, the hijabs, the mendhi on the hands and even the smiling faces beneath the niqabs are done with lightness, kindness and beauty.  There is even a touch of whimsy that reminds the reader that this is supposed to be from a child’s perspective.

The sky can be full of kites, I think to myself,

but it can also be full of dreams…

And mine flies up high, high into the sky,

towards the stars…

The book overall is poetic and artistic.  I can see children enjoying the illustrations and maybe falling asleep to the melodious words, even if they can’t really make sense of them. The book says that profits go to charity, and that the book was translated from Spanish.   For the illustrations alone, the book has merit and older children may be inspired to take something difficult and turn it into something beautiful with their words.

 

Feb2

Sitti’s Secrets by Naomi Shihab Nye illustrated by Nancy Carpenter

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Sitti’s Secrets by Naomi Shihab Nye illustrated by Nancy Carpenter

sitti

Sitti’s Secret was published in 1994 and given the events of the week, I’d say it is more relevant today than it was when written.  And if by some chance the events of the week haven’t affected your children, then the poetry and soul of the book still makes it an amazingly powerful story.

Mona travels from America to Palestine to visit her grandma, her Sitti.  Without the ease of speaking the same language, Sitti and Mona learn to communicate and build a tight bond cut too short by a vacation coming to an end.  When Mona returns she sees the news and writes a letter to the President, telling her Sitti’s secrets, telling him they would be great friends, and telling him they only want peace.

Truly Nye is a poet, even in Turtle of Oman her words transport you to a place where time slows down and the connection between a child and a grandparent make you nostalgically yearn for a simpler time.  Having spent my summer’s abroad visiting my grandma I could relate to so much of this book and truly had to still my heart.  The little things, like examining your grandma’s hand, or hanging out laundry, or brushing her hair. Even that dreaded final hug as you prepare to leave,  I could relate and it was enchanting.

No where in the book does it mention the Middle East or Islam, only at the beginning does she hint at it by dedicating the book to her 105 -year-old Sitti in Palestine, it mentions that she speaks Arabic and a few words are sprinkled in. And the Grandma does wear a scarf.  Other than that the book is by and large not political.  If you know that Nye has a Palestinian father and American mother and often writes semi auto biographical pieces, the book can take a bit of a different role to the reader.  Many reviews criticize the activism upon her return (the letter to the President), and found it disjointed to the rest of the story.  But in today’s climate I found it empowering and hopeful.  The world will only find peace when we put a face to those that are different to us, and even children can change our stereotypes.  I love that my children are seeing that they can make a change in the world today, and to see it reinforced in literature was gratifying.

The book is 32 pages and written on an AR 3.9 level.  The illustrations are beautiful.  They bring the words to life in a tender and heartfelt way.  The detail is subtle but deep and i have found myself thumbing back through the pages to get lost in the illustrations multiple times.  I think the book works on different levels for different age groups.  If you have a family that has to overcome great distances to be together, even younger readers will be able to identify with the story’s tenderness.  If you are in 3rd-6th grade and are aware of what is happening in the world you will be inspired.  If you just are looking for a sweet book, subhanAllah it manages to fulfill that category too.

Aug27

Broken Moon by Kim Antieau

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Broken Moon by Kim Antieau

Broken Moon.jpg

I didn’t initially think the premise of the book was terribly original: a poor scarred girl in Pakistan working as a servant, cuts her hair to look like a boy and be free to move about and rescue her brother.  But the weaving in of the One Thousand and One Arabian Nights stories into the larger story, and the plot of kidnapping children to be camel jockeys in the Middle East, made the story good.  Really good, but not the book.  I really struggled with the format of the book.  It is written as letters by the main character Nadira to her young brother Umar.  The information seems too forced in this style, she is telling him how old he is, or retelling him things he said a few days ago.  Once they are together she has to clarify that now she is writing it to their mother, and then again alter it to be writing to those following her story.  It presents too many characters, that are awkwardly introduced because presumably he knows who they are, the reader does not, and bridging that gap makes the book halt the reader from diving head first into a really compelling story.  I feel like the book’s editors let the characters down, it would have been an easy fix to tell the story as Nadira told it to the Sheikha, and then when the story caught up with the present to continue it from there as written, without the guise of it being shared in letters or a diary format.  But, alas no one asked me.  Luckily the book is only 183 pages and written on a AR 4.2 level so it is a speedy read.  Do not let the fourth grade level, however, trick you into thinking it is content appropriate for a 10 year old. There is a lot of abuse, in every sub category of the word.

SYNOPSIS:

When Nadira was 12 years old she was attacked by a group of men seeking to avenge an alleged crime Nadira’s older brother committed against their daughter.  By this girl’s reputation allegedly being ruined by Nadira’s brother, the village decides that a female in his family should in exchange be ruined.  Nadira manages to fight and ends up with some external scarring, including a moon shaped scar on her face, a lot of internal scarring, but the book points out quite often that she got away from being sexually abused.  In her culture she is assumed to be ruined, and will never be married.  She begins to work as a servant to help the family financially as her older brothers have more or less disappeared and no longer are of any help to her family.  When her father dies, her mother and younger brother, Umar, rely on Uncle Rubel who is a horrible man who covertly sells Umar to the smugglers to become a camel jockey.  The family that Nadira works for seem kind, they stick to the norms and don’t include her in their fun and frivolity, but they don’t abuse or belittle her either.  They offer her, her mother, and Umar a place to live on the property, and assist her in finding someone to locate her brother.  Nadira, however, is strong and determined and takes matters into her own hands by cutting her hair to look like a boy, finding the smugglers, and convincing them to take her.  Once in the camp she wins over all the boys, by becoming Sherazad and telling a story to delay her being beat.  Her wit, tenacity, and perseverance is infectious and you find yourself cheering her on.  As she prepares for the races and to broaden her access to camps to find her brother at, she meets a western vet, a Sheikha who essentially owns her, and discovers that all the boys she lives with know she is a girl and love and respect her.  The climax involves her racing in the Sheikha’s Race where the winner is granted a wish by the Sheikha.  Can Nadira win? Can she find her brother? Can she save all the boys at the camp that she has taken in as her brothers? I won’t spoil it this time.  You’ll have to read it.

WHY I LIKE IT:

I like that the author did not cast judgement on a group of people.  Not all Pakistanis are bad, not all women are helpless, not all men are oppressive, not all employers are abusive, etc..  similarly, there is a western character, but she doesn’t swoop in and save the day, in fact I read her to be complacent in what she knew were obvious human rights violations.  I loved the relationship that Nadira had with her father.  The love of learning and love of his daughter is so sincere and beautiful that I think readers can see that the stereotype of daughters not being prized jewels in a family as being false.  I wish the mother would have been further developed.  She seems defiant, but not fleshed out, which is unfortunate. I also like the subplot of the gardener boy, Saliq.  A boy who completed some of his education in England, only to be made crippled by a horse, and sent back to be a servant.  He’s role and respect of Nadira furthers the notion that her scar does not define her, as he proposes marriage and pledges to support her in her efforts to continue rehabilitating kidnapped children and stopping the cycle.  I also like that the author doesn’t share her response, as if to emphasize that she is liberated and with or without a husband she is a complete person.

The characters are Muslim by culture, but there is no real mention of Islam or Islamic practices.  Before Nadira cuts her hair she wears a scarf, but that is neither her nor there.

FLAGS:

The premise of the book is an accusation of a sexual crime.  One of the stories she tells at the  camel camp to delay the beatings,  is the story of the lady who traps a merchant, a king, a carpenter, and a Kazi to free her lover.  She offers her body to the men and traps them in a cabinet naked after obtaining their signatures.  There is some kissing and some innuendos and references to sexual acts.  There are also references to the sexual abuse at the camps as well as descriptions of the physical ones that take place.  Not for the faint of heart or young and innocent. The boys at camp also discover that Nadira bleeds like their sisters, as a clue to them figuring out she is a girl, but compared to the sexual crimes, menstruation seems hardly like a flag, and I only mention it because the AR level is so low, not because there is any reason for shame or shyness in discussing an act all women endure.

TOOLS FOR LEADING THE DISCUSSION:

I think high school students could handle the book, and would allow a plethora of discussion options from child labor, civic responsibility, abuse, justice and the power of literature as a coping mechanism.  I wish the author would have included some information on camel racing and how they are regulated and jockeys are obtained, and maybe thrown in a recipe for masala chai as well.

There are no online websites or guides that I could find to accompany the book.