Category Archives: middle grades

Sep11

Betty Before X by Ilyasah Shabazz with Renee Watson

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Betty Before X by Ilyasah Shabazz with Renee Watson

betty

This 248 middle grades (AR 4.9) fictionalized biography of Betty Sanders, later to be Betty X and then Betty Shabazz, is the early years of her life in Detroit during the 1940s and how she understood her place in her family, and in the community.  Written by her daughter, the book hops around to major events in her life and doesn’t detail a lot of the whys, but rather keeps an 11 year-old-perspective, allowing readers to identify with her family stresses and anger at the racial discrimination and violence that is rampant.  Showing disagreements within the black community allows young readers to broaden their horizons and not see the civil rights as a monolithic point on a timeline, but something that is still ongoing and part of culture still today.  There is nothing Islamic in the book, as this is a glimpse of her childhood long before Nation of Islam, her conversion to Sunni Islam or her Hajj, in fact the majority of the book focuses on her involvement in the Bethel African Methodist Episcopal Church.

SYNOPSIS:

Betty was born in Georgia, as the story goes, but before she was even a year old, Betty’s grandma took her away from her mother and gave her to her aunt, Fannie Mae, to raise.  Having seen a bruise on the baby girl’s neck Grandma Matilda didn’t feel that the young mother was capable to care for Betty.  Fannie Mae showered Betty with love and consistency and treated her like her own daughter.  Betty saw her first lynching while in Fannie Mae’s care and the image stayed with her her whole life.  When Betty was seven her aunt died and Betty went to live with her biological mother, Ollie Mae, in Detroit.

In Detroit, Ollie Mae has married and has three daughters with her husband, Arthur, who also has two sons.  A full house that is religious and disciplined, but for Betty not full of love.  She prays that her mother will look at her the way she looks at her sisters, but that never seems to happen. The family attends Bethel AME church and at age 11 that is when the story gets going.  Betty and her friends sneak out of church to get candy and the cost will probably be a whipping.  Luckily a few of the church ladies like Betty and realize how hard Ollie Mae is on her.  They work to get Betty permission to hang out with girls her own age and try and convince her mother to let her join the Jr. Housewives’ League.  Ollie Mae doesn’t agree with the work of the Housewives, a strong group of women that work to convince others to only support businesses that hire Negroes.  This organization is a major division within the community and the church.  Mrs. Malloy and Mrs. Peck are leaders in the organization, and one of Betty’s friends is for it, while another is against it. This rift affects Betty in many ways.

At age 11 Betty leaves home to go and live with the Malloy family.  A husband and wife who have no children and own a shoe repair shop.  One night turns into two and then she is living there full time and only seeing her siblings and mom at church on Sunday.  She even gets to calling Mrs. Malloy, Mother.  As she comes of age with a new family, and splintering friendships she seeks to make her own family with those that love her, and seeing violence targeted against blacks when a young boy is shot by police in the back, and working with civil rights activists- the icon and leader we know Betty Shabazz to be, is shaped and inspired.

WHY I LIKE IT:

I love that she gets her own story and own voice, not just to be left as someone’s wife.   She is a force before she meets Malcolm and after he is murdered.  Her story is shaped by so many outside influences, but ultimately it is her own and even in her early years the reader feels that.  She seeks out those that love her the way she should be loved, but she doesn’t give up on those that try and leave her either.  She fights for her mother’s praise and doesn’t abandon friends that believe differently than her, which is powerful to see from an 11 year old.  She sees the world around her and takes a stand against that which is wrong, she feels and hurts and doubts, but she gets back up.

I like that she questions if what she is fighting for will make a difference, while simultaneously doesn’t want to take racism quietly.  The day-to-day nuances flesh out the struggle of the civil rights and give a unique perspective that biographies that cover adult lives or larger portions of one’s life don’t necessarily spend time on.  Seeing activism affect a young girl’s friendships will stay with readers,  as well as how desperate she is for her mother’s love, just as seeing how she is treated on a shopping trip will create a sense of universal struggle that make equality in society resonate as being the responsibility of us all, not just those that are being oppressed.

FLAGS:

Racism, violence, murder, lynching, abuse, Betty being born out of wedlock.

TOOLS FOR LEADING THE DISCUSSION:

The book would work for a book club, and would definitely be a great historical fiction touchpoint to bridge with the Black Lives Matter movement.  A classroom discussing Civil Rights and Malcolm X would perhaps get more value from it than a half hour lunch chat, but either way the book should be read, the ideas discussed, and people made aware of Betty Shabazz’s life.

 

 

 

Sep4

The Girl and the Ghost by Hanna Alkaf

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The Girl and the Ghost by Hanna Alkaf

ghost

A book meant for middle grades, 8-12 year olds, that has depth and layers and culture and strength is not something you find very often.  Over 275 pages, the book is at times dark and haunting, but what is truly remarkable is that it doesn’t talk down to young readers and with its pop cultural references and relate-ability,  the book is not dreary.  In fact, the true “haunting” occurs after the book is finished and the concepts of friendship, being alive, and forgiveness stick around and require thought and consideration.  The book is based on a Malyasian folktale, how much is a fleshing out, or simply a starting point, I do not know, but I do know that the characters are memorable, the concept thought provoking, the writing flawless, and the intertwining of Malay culture, Muslim characters and the supernatural, a combination that makes for an enjoyable read.

SYNOPSIS:

When an old witch dies, her pelesit, her ghostly demon, is passed on to her granddaughter Suraya.  Suraya lives with her mother, a teacher, and is lonely and emotionally neglected.  An adventurous girl, the pelesit, keeps the small girl safe, but waits to reveal himself to her in the form of a grasshopper when she is older.  When he does reveal himself to her, she asks him his name, and he doesn’t know it, so she names him Pink.

Suraya and Pink become best friends, and he provides company for her as she receives very little from her mother and has no friends.  Suraya had no knowledge of her grandmother and Pink modifies the stories to leave out how evil, cruel and vindictive she was through him.  As an evil being with no heart these acts never bothered him, although he stopped enjoying them long before she died.  With Suraya however, he feels things.  He is sad that she is unloved by her mother, teased by the other children, and that she doesn’t have the things other kids have.  Suraya is kind, and forgiving, and tries so hard not to let things bother her.  Pink however, with a twitch of his antenna can make things happen.  Bad things.  Things that might at first seem like a part of life, but when Suraya catches on, she scolds Pink.  She makes him promise never to use his magic to hurt people, ever.  He reluctantly agrees, she is his master after all.  Unfortunately he doesn’t keep his promise.

On Pink’s prodding, Suraya makes friends with a new girl at school, Jing, and their friendship makes Pink jealous.  He harms Jing and Suraya decides she no longer wants to be his master.  As a result Pink is determined to make Suraya’s life miserable.  As desperation mounts, Suraya tells her mom about Pink and a pawang is called in to separate the spirit from Suraya.  Something seems off about the pawang, and when Suraya investigates, she realizes that she must save Pink from him.  Together with Jing, Pink and Suraya are off on an adventure against the pawang and might just learn more than Pink’s backstory in their efforts along the way.

WHY I LIKE IT:

I love that Suraya and her family are Muslim and that Jing is not and they are best friends.  Suraya and her family pray, celebrate Eid, give salams when at the graveyard, but obviously also believe in magic and ghosts, and somehow in the story it doesn’t seem to be contradictory or odd.  I love Suraya’s strength.  None of the relationships in her life are good.  Yet, she is good, and she forgives and fights to make those close to her better.  Pink is manipulative and controlling and abusive, but she still fights for him to be treated better and that says more about her, than whatever he is.  Suraya’s mom is distant and neglectful, but yet, there is still realistic hope that their future can be and will be better.  I love that all these layers are there and yet are subtle too.  Kids are smart and they will bring their own experiences, understanding, and expectations to decipher these relationships, and that is amazing.  I love that the characters in the story may be so different than the typical western reader, but they will still see themselves in this poor Malay girl from a small village, in her best friend Jing who lives and breathes Star Wars, or even in the religions pawang who is a power hungry charlatan; toxic friendships and family secrets make the book universal.

FLAGS:

Pink makes it look like blood is on a girls back side, implying a girls fear of leaking, but it isn’t explicit or named.  There is death and dying and supernatural and lying.

TOOLS FOR LEADING THE DISCUSSION:

I am thinking strongly about using this as a book club book, as the discussion would be delicious and varied among the participants.

Interview with the author: https://thequietpond.com/2020/08/20/our-friend-is-here-an-interview-with-hanna-alkaf-author-of-the-girl-and-the-ghost-on-writing-friendship-malaysian-childhoods-being-true-to-your-stories/

 

 

 

Aug21

Leila and the Sands of Time by Shirin Shamsi

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Leila and the Sands of Time by Shirin Shamsi

shirin shamsi

This 127 page book has a lot of potential, but ultimately didn’t win me over.  It is one of those that needs a good editor to encourage the author to flesh out the characters, take advantage of a potentially cathartic resolution, and fill the gaping holes in the story.  Meant for ages 8-12 the tiny font, and tight spacing, make the book really dense and intimidating to look at and read.  The book, as written, should be well over 200 pages, if spaced appropriately for the target audience.  Once you accept the presentation and get in to the story, it isn’t an awful read, it just could have and should have been so much more.  I hope the author revisits it and polishes it up- the time travel, the science DNA component, and the death of the protagonist’s parents, offer a lot for Muslim and non Muslim readers to sink their teeth in and be swept away by, but ultimately, I don’t know that most readers will be motivated to finish the book, and those that do, won’t remember anything about it.

SYNOPSIS:

Laila’s dad has recently died, and with her mother having died years earlier, Laila is now 13 and an orphan living with her stepmom and baby sister.  Feeling resentful that her dad remarried and had a child that took time away from her in his final span of life, doesn’t make Laila a very kind person at home.  Her best friend Beth, even points out how cold she is to her family.  With school vacations approaching, Laila is headed for Umrah with her dad’s brother, her uncle, and his wife.  While making tawaf, Laila loses her aunt and uncle in the crowd and finds herself transported to 7th century Arabia.  She hears a baby crying and learns that the baby’s life is in danger.  To save her, she must get the baby, the baby’s mom and baby’s sister from Makkah to Yathrib.  The only way to do that is to join a caravan, and they can only join a caravan if they have a male escort.  So Laila chops off her hair, acts like a boy, and gets them in the caravan.  They meet bandits along the way, but nothing too scary, they arrive in Medina and right before they meet RasulAllah, Laila finds herself back in the present.  She is in a hospital, but the doctors do not know what is wrong with her so they release her.  She returns to the US, relays the story to Beth, and decides that at an upcoming field trip to study DNA, she is going to submit the baby’s hair that she still has for dating.  The results show it is from 1400 years ago and a family heirloom of her step moms reveals that the baby is a great great great great… grandmother of her’s.  Resolved to open her heart to her family, Laila is a changed person, alhumdulillah.

WHY I LIKE IT:

I love the premise, it is like Sophia’s Journal and When Wings Expand  thrown together and scrambled.  Laila is struggling with her faith and is trying to find it, while also finding a way to move forward after losing her father.  There are just a lot of things that aren’t answered, are contradictory, or don’t make sense.  It says she learned Arabic because her mother spoke it, her dad is desi, but really no hiccups speaking in 7th century Arabia other than forgetting the word for scissors?  She at one point said she was a cousin from the north, but while on the caravan mentioned that she had never travelled through the desert.  There really should have been more action with the thieves and the regrouping when the men came back.  Similarly, her gender reveal should have been a bigger deal than it was.  I was hoping there would be a mention of if her hair was long or short when she awoke in the hospital, I don’t think I missed it, but maybe, or maybe it wasn’t there.  Once back home, there really needed to be a reunion scene with Laila and her stepmom and half sister, I mean the whole point of the time travel was to save a baby. Really? Nothing? I was disappointed that it was glossed over and mentioned as a retelling to Beth and pushed aside.  The second climax is when the DNA testing is being questioned, but I didn’t get the need for the babysitter and everything to be rearranged for a two second conversation with the principal accusing Laila of theft, a phone call should have sufficed, plus when Laila and Beth mention it to the scientist, it seems everyone was questioned, but Beth wasn’t, something wasn’t consistent there either.  Overall, the book needed more action for a book that involves time travel and more emotional attachment and character connection for a book that involves a newly orphaned young teen girl.

I like the conveying of Islamic facts and information and history in a fairly smooth way.  At the beginning, Umrah being explained was a little text bookish, but it smoothed out as the book progressed.  I love the little flashbacks at the beginning of each chapter, I wish there would have been some information about the remarriage of her father and her emotions on the matter at that time.  It is one thing to be grieving, but really she is a brat to her step mom, and if the uncle and aunt live right there, not sure where they live, someone should really be working on getting them all some family therapy, not a quality situation for anyone.

FLAGS:

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TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t use the book as a book club selection, nor would I think it would get read if on a classroom shelf.  I might use the premise of going back in time to meet Prophet Muhammad, as a writing prompt though.  Would be a good assignment with factual and Islamic references to get kids stretching their imagination to make it all come together and work.

 

Jul3

Diana and the Island of No Return by Aisha Saeed

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Diana and the Island of No Return by Aisha Saeed

dianaThis Wonder Woman story of Princess Diana as a young girl is not noteworthy because of its groundbreaking storytelling, but more for the fact that the series and story is by a Pakistani-American Muslim author.  I am not sure how authors are assigned or chosen to  write these reimagined character series, but I think it is a great compliment to her writing and a great mainstream representation of diversity that we should celebrate.  Even more exciting is the subtle addition of Diana’s best friend, Princess Sakina, daughter of Queen Khadijah to the story, and that while they are citizens of fictitious world of Greek gods, they seem to spout Islamic wisdom on occasion, and be equally strong and important to the adventure at hand.  The book is meant for middle grades and at 288 pages is a fun light read for girls and boys of all ages.

SYNOPSIS:

Young Diana is anxiously waiting for the start of the yearly Chara Festival, when strong women from all over the world come to her island home of Themyscira to celebrate their different cultures and strengths.  Most of all Diana is waiting to spend the week with her best friend Sakina.  Frustrated that her mother is not allowing her to train with the other Amazonian women, Sakina listens to her and they hope to persuade Queen Hippolyta that this is the year.

As the women are arriving and gathering in the palace, Diana discovers a boy near the ships, Augustus.  Boys are not allowed on Themyscira.  There is no exception, but when all the women in the palace are drugged to sleep, her and Sakina are forced to trust him to try and save their loved ones.

Augustus confesses that a demon has hypnotized everyone on his island home, and that he was told to break the spell he needed to bring Princess Diana to the demon.  With no options and determined to prove her self, Diana and Sakina and her trusty bird fly off on a chariot to another world.

With tests around every corner, literally, the trio has to work together, to stay alive, gather the ingredients to make a potion to save the people on both islands, and push themselves to be brave.

WHY I LIKE IT:

So the story is ok, it is fun, I’m sure most kids that like superheroes and even many that don’t will enjoy the quick paced plot of the story.  There are definitely little nuggets of inspiration and motivation that make the book a positive influence on the reader.  The trio discuss bravery and how being scared doesn’t make you less brave, they encourage one another to push themselves and they forgive each other when they make mistakes.

Sakina and her people are scholars and on occasion says deep thoughts.  She says at one point, “My mother always says we are supposed to enjoin the right and forbid the wrong.” Which is a general principal, but the word choice sounds a lot like Surah 3 verse 110 “enjoining what is right, forbidding what is wrong,”

FLAGS:

There is talk of Zeus and the other gods.  There is lying.

TOOLS FOR LEADING THE DISCUSSION:

I probably wouldn’t do this as a book club book, but I would definitely encourage kids to read it.  I think muslim kids will get a kick out of seeing the names Sakina and Khadijah in the book and feel like its a bit of a shoutout, which I think is awesome.  It seems like it is book one in a three part series, so I hope to have my kids read them all and make sure the 3rd-5th grade teachers at their school have them as well.

 

Jan10

Luv Ya Bunches by Lauren Miracle

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Luv Ya Bunches by Lauren Miracle

bunchesA book about 5th grade friendships told from the perspective of four different girls in a variety of styles: instant messages, chatroom conversations, video scripts, and traditional text.  The author seems to have a checklist of diverse characters and afflictions that all must make an appearance in the 335 page story.  It is written on an AR 4.4, but with one of the main characters having two moms, details of a suicide mentioned, talk of pole dancing, male anatomy joked about, thongs, crushes, and mental illness, four girls coming together to form friendships and take down a bully, might raise more questions for young readers than they are ready to handle.  Yasaman the Muslim girl in the group, also borders on perpetuating more stereotypes than she breaks, and while I definitely don’t think this book is a good fit for 4th and 5th graders, I don’t really recommend it for readers of any age, there are just better books out there.

SYNOPSIS:

Asian American Katie-Rose doesn’t have friends, unless you count her neighbor Max, but she doesn’t.  She dreams of having blond haired Camilla as a best friend, but the Camilla she went to Pioneer camp with is not the Milla at school who hangs out with Modessa (aka Medussa) and Quin, and is popular.  Katie-Rose also dreams about being a cinematographer or director, she isn’t sure yet, but she loves to imagine scenes and scripts and how things ideally should play out, even when in reality they never quite seem to do so.

Milla, isn’t sure if she wants to stay friends with Modessa and Quin, they aren’t nice and she has a lot more fun with Katie-Rose, but somehow she always ends up going back to the popular crowd.  She also has a lot of anxiety and needs various totems with her at all time to feel secure.  When her little plastic turtle goes missing, she struggles to stay composed, and her and her turtle will end up changing a lot at Rivendell Elementary.

Violet, is the new girl at school and she is not liking her life at home or at school.  Her mom is in a mental hospital and she misses her desperately, her dad brings home fast food every night for dinner and life just isn’t the same since she moved to California.  Immediately able to tell who the popular kids are at school, she hasn’t decided which group of friends is the best fit for her, but when she stumbles on Tally the turtle, and doesn’t immediately return it to Milla, she has to understand what that says about her, and figure out if she is strong enough to make things right.

Yasaman is the quiet computer wiz, she is also Turkish-American, Muslim, and a hijabi.  She designs a platform where kids who are too young to join Facebook can chat, stream videos and send cupcakes.  The only problem is, she has no friends to get to join.  When Katie-Rose and her strike up a friendship, the first seeds of the four flower named girls are planted, but it will take all four of them to put Modessa in her place, rescue Tally, and deal with stereotypes, emotions, and family along the way.

WHY I LIKE IT:

I love that a Muslim, muhajaba is included in the quartet, and that her religion, her scarf, her culture, and her belief in Allah, actually are sprinkled in.  I don’t love how in the book’s efforts to include such diversity, that it also seems to fall for a lot of the stereotypes that it on the surface seems to be dispelling.  Katie-Rose asks her if she even knows what YouTube is before being made aware of how computer savvy she is.  All this is to subtly show the assumption that Muslims are not aware of technology and whatnot, and set the record straight, but also regularly thrown in are side comments from Yasaman that her father would never let her wear something, or she wouldn’t be allowed to do that because of her dad, definitely reinforcing a male dominated, authoritarian, out-of-touch patriarchal view.  Even her mother, an artist, is shown to demand a lot of Yasaman and be incredibly strict.  A lot of things aren’t spelled out, they are just dropped in and assumed that the reader get’s it.  But only Yasaman’s parents are portrayed this way.  Milla’s two mom’s are caring, Violet and her dad seem close, and Katie-Rose’s parents are rarely highlighted.  So, I felt like it was noticeable, and not in a positive way.

I’m still completely confused as why pole dancing and male anatomy made appearances in the book.  And the pole dancing reference appeared not once, but twice when Yasaman is talking to an older cousin who is talking about a friend who’s aunt is a pole dancer, and then later when Katie-Rose’s babysitter also mentions the same friend.  They also discuss people as being slutty and boy crazy and skanky.  The male anatomy isn’t spelled out it is hidden with a girl with major orthodontia reading a Wikapedia page on the greek satyrs, discussing their physical pleasures and talents.

There is also a lot of mental health issues that I’m glad are present, but I’m not sure if they are handled seriously enough.  I’m glad they are addressed, because awareness is a good thing, but discussing how someone swallowed pills to commit suicide and even though she changed her mind still died, and not giving any context seems to make the concept come across as a bit trivial to me in its presentation.  Same goes for Camilla’s anxiety and Violet’s mom being in a mental hospital.  These girls have some major stuff going on that their preoccupation with a snotty group of girls, and the obsession of mud being consumed in an ice cream shake, seems a bit off.

Overall, the girls seem incredible perceptive and articulate in their self reflection and understanding of social personas, that I found their banter completely disjointed.  I don’t think the author’s voice is consistent, and the heavy stuff is too much coming from 5th graders in my opinion.

FLAGS:

Stereotypes, and discrimination against Yasaman and her younger sister Nigar.  Possible triggers with talk of suicide.  Milla has two moms, it is never labeled or made an issue, she just refers to them as Mom Abigail and Mom Joyce. Talk of boy private parts and erections, crushes, pole dancing, words such as skanky, and slutty and dingleberry (poop hanging on) used.  There is lying and bullying and retaliation and poetic justice.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t use this book for a book club or even have it in the classroom.  I think it gets a bit crass unnecessarily and the cute flowery cover and inside flap, makes it all the more surprising.  You might expect some potty humor in other books, but knowing it is there allows the reader to make a decision to read it or not, I would imagine most Muslim parents would see four diverse girls on the cover, one wearing hijab, get excited and hand the book to their 3rd or 4th or 5th grade daughter and have no idea what the book also includes in passing, with no relevance to the story lines highlighted on the inside flaps and back of the book.

Oct25

Little Badman and the Invasion of the Killer Aunties by Humza Arshad & Henry White illustrated by Aleksei Bitskoff

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Little Badman and the Invasion of the Killer Aunties by Humza Arshad & Henry White illustrated by Aleksei Bitskoff

badman

It’s been a while since I’ve read such an over the top silly book that has a lot of heart.  It is 352 pages that remind me of the the My Teacher is an Alien book series of my youth smashed up with the Weirder School/Diary of a Wimpy Kid series of today.  Meant for upper elementary with some bad words (hell and damn), the story is Pakistani-British representation with many Muslim named characters, a Muslim author, and a shout out to a KFC in another town that is halal.  Don’t read it if if you want to learn anything, but definitely pick it up if you want to roll your eyes, giggle, and ponder a world where Desi aunties are the perfect disguise for force feeding an entire community delicious food as part of their evil plan to take over the world.

aleksei-bitskoff-little-badman-1

SYNOPSIS:

Humza Mohammed Khan is an 11 year old Pakistani kid in Britain who thinks of himself as the next big rapper, Little Badman.  He dreams big and talks even bigger as he struts around primary school getting in trouble and trying to film his music video on his friend Umer’s extremely old Nokia flip phone.  With a normal enough mom, a hyper exaggerating father, and a handful of their friends known as Aunties and Uncles, Humza gets in trouble regularly enough, but overall seems to have a good heart.

Things at school slowly start to change after their teacher gets stung by a bee named Mustafa, that Umer brought to school to be his pet.  Weird as that might be, it is even more odd, when their teacher is replaced by a volunteer auntie.  Every day it seems like a teacher goes missing, and is replaced by some asian kids’ aunt.  When the supper ladies are replaced and the food improves, no one is complaining.  When every volunteer starts bringing snacks to school, no problem.  Who doesn’t love gulab jams, and samosas, and butter chicken all day long every day?  Well, as the school puts on the pounds and all the teachers and staff are officially missing, Humza, Umer and their former nemesis Wendy, start to get worried.  Humza’s Uncle who he calls Grandpa, claims his wife Auntie Uzma is not really his wife, and helps Humza investigate.

Secret meetings in supermarkets, teachers and grandpa vanishing, and Humza seeing a giant slug coming out of the substitute librarian, means that Little Badman is going to have to run away from cricket practice, not get sent in a crate to Pakistan, face his stage fright, and save the day from the aliens taking over the aunties.

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WHY I LIKE IT:

I like that it is cultural rep and own voice in its telling.  Humza is Pakistani and his cultural baggage is hilarious and part of him, and no explanations are needed.  In his world people are from lots of places and they all live and play and learn together and they eat caramel apples and toffee and jilabies.  The diversity is great and not articulated, it just is what it is, and they all have to work together to save the day. I think my favorite character is Grandpa, who Humza has to learn to appreciate and not just see as an old almost dead guy and Humza’s dad who exaggerates everything and takes his cricket very seriously.  At the end Humza has to have a heart to heart with his dad and his uncle, Grandpa and it makes this over the top nutty story really kind of sweet too.

There is no “Islam” in it aside from Muslim names and mention in a rap of a halal KFC.  I kind of like that they are Muslim kids and it appeals to a larger audience, sure something praying or something at some point might have been nice, but it isn’t a book that you’d be expecting spiritual nuggets from, so it is ok.

aleksei-bitskoff-little-badman-3

FLAGS:

The words damn and hell are used.  There is disrespect of authority, parents, and teachers as well as lying.

TOOLS FOR LEADING THE DISCUSSION:

I had my ten year old read it and he thought it was ok, but was uncomfortable with the language, which I was glad, but I told him I thought he could handle it, and know what is appropriate to use.  That being said, school libraries should have the book, maybe not classroom libraries though, and I probably wouldn’t do it as a book club.  I will have my other kids read it though, cause like I said, it is silly and fun.

Interview with comedian author Humza Arshad: https://www.booktrust.org.uk/news-and-features/features/2019/march/meet-little-badman/

 

 

Aug19

Malala’s Magic Pencil by Malala Yousafzai illustrated by Kerascoet

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Malala’s Magic Pencil by Malala Yousafzai illustrated by Kerascoet

malala

I’m going to try my best to review a nonfiction autobiographical book and focus on the story, not on the author because yikes, Pakistanis have strong opinions about Malala, and I have no desire to get pulled in to an argument.  I’m half Pakistani, I know the position of both sides.

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I have read both the Young Readers Edition and original I Am Malala books, so I didn’t jump to review this book in 2017 when this AR 3.6 40 page re-re-telling of her story came out.  After reading numerous other children’s books about girls in the subcontinent striving to go to school and be educated, I thought maybe the controversy had calmed down and I could read this large hardbound book a bit more objectively, and thus focus on the story a bit more.

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The book is listed as a biography, not an autobiography, so I’m not sure Malala even wrote the book, but none the less it is a synopsis of her story for younger elementary children.

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Starting off a bit like Harold and the Purple Crayon, Malala asks if the reader believes in magic, and then tells what she would do if she had a magic pencil to draw things that would make other’s happy like a proper soccer ball for her brothers and a way to stop time so she could sleep in a little longer in the morning.

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Every night she hopes for a magic pencil, and every morning she is sad one hasn’t appeared.  As she starts to notice the world around her she realizes that the kids looking for food and metal scraps in the junk yard, have it much much worse.  She asks her father about it and learns that if the children were in school their family’s might go hungry.

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As she notices “real” problems around her, her ideas for what her magic pencil could fix, evolves and develops into a burgeoning social conscience.  But quickly her naive outlook is changed when dangerous men start to appear on the streets and girls in her class stop coming to school.

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Her magic pencil finds real world power when she uses her words and her voice to make a stand and people start to pay attention.  The rest of the book highlights how she made progress despite the attempt to stop her and how she now uses her “magic pencil” to work to make a more peaceful world.

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The surface story is incredibly hopeful and would motivate young children to notice the world around them and do what they can to improve it. Inquiring children might be alarmed at children going through trash, or want a lot more information about who the scary men are and why they don’t want girls going to school and why she gets to travel around and tell her story. Information that is given at the end of the book in an afterwards of sorts.

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Most pages have sparse text and the ones that have a lot are kept on level and avoid being preachy.  Even the attempt on her life is present, but not detailed, sufficing to say that they tried to silence her, but failed.

The illustrations are beautiful and tell the story as much as the words do.  The book does not mention religion, but in the pictures where she is out of the house her hair is covered, but not when she is at home in bed and whatnot.  Obviously it is how she carries her self in real life.

Overall, I think the book is incredibly well done and inspiring to young readers.  Anytime a modern day figure can show children that they too have a voice and can use it, I think it is a good thing.  The fact that the voice comes from a minority, a female, a person with a name and culture different than the ones in most western children’s text books is also a plus.  I hope if nothing else it opens a window to children that there are a lot of amazingly strong and courageous people in all cultures and to seek out their stories.

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Jun21

More to the Story by Hena Khan

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More to the Story by Hena Khan

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For a book written by an accomplished author for 3rd to 7th graders focusing on a Muslim family, I was surprised at how despite wanting to absolutely love this book, I only kind of liked it.  For the first 100 of 271 pages, I really kept hoping there was going to be more to the story.  Luckily the story did pick up, but I couldn’t get passed how much crushing all the sisters were doing on the one boy in the story, and how much stronger I wanted the main character to become.

SYNOPSIS:

Told from Jameela, “Jam’s” perspective, the second of four daughters living with their parents in Georgia, the story focuses on the interpersonal relationships of the members of the family and their parents’ close friends who’s nephew has moved in with them from England, Ali.  All the kids are close in age and of Pakistani ethnicity, and are Muslim.  As the reader gets to know Maryam, Jam, Bisma, and Aleeza, you see the characters develop pretty well and their quirks and personalities emerge.  Jam is more tomboyish than the gorgeous Maryam who likes to bake.  Jam and Bisma share a room and are closer than Jam and Aleeza, the baby of the family who Jam finds is becoming a brat.  Jam also enjoys watching football and eating spicy food with her dad and desperately wants to be an award winning journalist like her grandfather.  She puts out a family newsletter and is ecstatic to be named the feature’s editor as she starts 7th grade.  Ali is a year older and has moved to stay with his aunt and uncle until his mom and sister can join them.  He spends a lot of time with the sisters and in Little Women inspired fashion the little ones want his attention, Jam is a little jealous to learn he finds himself tongue tied when talking to the beautiful Maryam and Maryam in 9th grade is drawn to Ali, but doesn’t vocalize it too much.  And then as the story picks up speed, Jam says, “In a matter of weeks, Baba got a new job and moved across the world, Bisma got sick and has to be in the hospital, and I messed up everything with Ali and the paper. How did my whole life get turned upside down so quickly?”  

The rest of the book is dealing with Baba working in the Middle East, Bisma being diagnosed with lymphoma, Jameela learning some journalistic basics, and Ali and Jameela becoming a bit more than just friends. 

WHY I LIKE IT:

I love that a Muslims desi family is being represented in an own voice novel that mentions religion as a natural part of their life, and doesn’t apologize or overly explain it.  That being said, I feel like the book is trying to present “us” to the outside so to speak, rather than empower our own.  And I point this out, because I feel like it could have done both.  Dialogue between Ali and Jameela about how they might date as they get older, how Ali can’t see any of the sisters having an arranged marriage.  How when Maryam gets asked to a dance her mom doesn’t mention any religious reason her daughter should say no.  None of the girls wear hijab, and they mention that they don’t wear hijab, at one point Jam knows she should get up and pray, but doesn’t.  I don’t expect a fictional story to teach our upper elementary age kids how to behave that is a parent’s job, but to have some basic Islamic tenants brushed aside after being mentioned is worth noting.  Had the book just been more cultural, maybe I wouldn’t be so critical, but Muslim girls are going to be excited to see themselves in this book and some of the messages might tilt a little more liberal than some parents would expect.  It is one thing when our girls read a book with a romantic twist and we say that, that is not for us, but when a book celebrates us not just crushing, but vocalizing those crushes and moving in to a gray area (they hug but it could be an innocent friend hug) and they make a point to be next to each other, Muslim parents should be aware.  In the larger society it wouldn’t even register on the radar, hence I point it out.

Another thing that kind of bothered me and was again related to Jameela and Ali’s relationship was that when Jameela cut her hair in support of Bisma losing hers with chemo treatments, she seems to need Ali’s approval.  I get that she wanted him to see her and all that, but I really wanted her to be strong enough in and of her self that even if she looked awful she would own it and not let it define her and not let a boy’s opinion about her physical appearance weigh that heavily on her.  Again I know 4th grade girls start noticing boys and having crushes and middle school is only worse, but I just was hoping that her strength and confidence would come from her own growth arc, not from someone else, let alone someone she likes. Side-note here too about the hair, it is donated to make a wig, which I know might also be a sensitive subject regarding if that is allowed in Islam or not.

In terms of the cancer and the sister’s rallying together all that I thoroughly enjoyed and found the most interesting passages in the book.  I think the understanding of a real subject and finding a way to help and deal with this was executed expertly and powerfully without sensationalizing the concern or simplifying the experience either.

FLAGS:

The book is clean, but there is a lot of mention of how Ali affects the girls.  And potentially depending your own opinions on the hair being donated.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club book, I’m actually hesitant in even recommending it to my 12 year old daughter.  I know she has read worse, but again me handing her a book about Muslim girls might make her understanding of what we expect regarding boy/girl interactions to be a bit muddled.

 

 

Jun14

Nimrullah: The Quest for the Green Dagger by Aaron Spevack

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Nimrullah: The Quest for the Green Dagger by Aaron Spevack

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Oh this one was hard for me to finish.  It was the only thing I took to keep me entertained on a 7 hour plane ride in February as I was determined to read this, and even between the going and return flight, I couldn’t force myself to get through it.  Four months later out of sheer stubbornness I finished this 204 page book and I’m not better for it.  If it was your thing, I’m glad for you, but I didn’t get it, I don’t know what age group I’d even suggest it for, and for all the potential it could have had in being a fantasy series with religious overtones like Chronicles of Narnia by C.S. Lewis or some grand adventure with moral highlights, for me it was just a simple story made complex by huge religiously vague passages and too many dozens of characters.

SYNOPSIS:

The bare bones of the book is pretty straightforward.  Much like even Lord of the Rings or any basic video game, the main character has to do this, then do this, then do that to succeed and win and reach the end.  In this book it is a ten year old boy named Ahmad who crawls under the mimbar of his Massachusetts mosque and finds himself in a land of talking animals who need him to go on a quest to save their way of life.  His sister Amina also finds her way to this enchanted land and Nimrullah’s garden, but they have little interaction with each other or with Nimrullah, a tiger and head of the Dar al-Ashjar folk.  Along the way Ahmed meets beavers, and snakes and rabbits, and dragons, all with names and random tidbits of information flung in, but no real purpose or back story or attachment.  Ahmad is given a book by a turtle that will guide his internal journey, that quite often Ahmad doesn’t understand and the author doesn’t even share the text so the reader doesn’t understand, and when the author does share the text it is paragraphs and pages long, that what it means is baffling to me as an adult, let alone any elementary aged child.  The point of the journey is to get to a green dagger that is on an island in a crystal sea, but he isn’t going to an island to get it, he is going to a mountain and then a cave.  The villains are the Kadhibun that mine crystal and enslave the animals from Dar al-Ashjar in factories destroying the crystal sea, and thus the environment and animals’ way of life.

WHY I LIKE IT:

I love what the author tried to do.  Even comparing it to C.S. Lewis’ work gave some hope that Muslim children would find a surface level adventure story to fall in love with, and be compelled to understand the symbolic undertones of religion, morality and faith.  However, it not just fell short, it never really gave itself a chance.  There is too much telling and not enough showing.  All the characters and animals and references to things are not explained and lose the reader, and even when I would go back I wouldn’t find concrete points to fall back on.  There are too many characters that are just name dropped and become more words to skim over.  Major battle scenes are never detailed, and the narrator resorts to saying, “it would be hard to explain.”  Characters are trusted, but no reason to trust or mistrust them is provided. Litany’s are to be recited, but aren’t shared. “Ahmed opened his book again, and started reading the commentary, which contained the litanies.  Their details cannot be mentioned here, as such a sword cannot be handed to anyone.” There is a litany of the mountain, litany of the cave and a litany of the crystal sea.  But, apparently the litany of the sea is the same as the cave one, huh? It really is a mess, I’m sad to say.  It builds up to something and then just lets it drop.  On top of that, and now I’m just ranting, there are no page numbers!  

The overall moral of Ahmad learning self contron and slaying his ego and trusting Allah and being patient is all there, but it is so hidden and muddled that I don’t think the average reader will find it inspiring or triumphant.  It is almost like the author tried to put a ton of Sufi knowledge into a children’s book, but forgot to simplify it for children.  Just having the framework of a ten year old boy surrounded by talking animals isn’t enough to deliver the message, the message itself has to be palatable for kids too.  And basic writing and story telling are critical as well.

FLAGS:

The book is clean

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t use this book for a basic book club, I couldn’t even get my 9 year old son who reads over 300 pages a day to get past the first third.  If I am missing major Sufi tenants, which I definitely could be as I know very little about Sufism, and this book is a foil for much bigger and more critical concepts then perhaps someone with Sufi knowledge teaching children in a clever way, will find this book useful, unfortunately I’m not that person, so I think I’ll have to pass on suggesting the book to others.

Feb1

Lulu and the Very Big Meanies by Mac McGooshie illustrated by Alexis Hogwood

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Lulu and the Very Big Meanies by Mac McGooshie illustrated by Alexis Hogwood

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I don’t know what is more frustrating: quality books that are poorly packaged (binding, illustrations, font, spacing, etc.) or beautiful books that miss the mark in storytelling and basic writing skills.  Both are equally annoying, and while yes, a good story should be the basis, this book is really well written that the presentation of it just makes me sad.  At 116 pages, the book is perfect for 3rd graders.  My daughter and son read it a few years ago when I first picked it up.  I made them read it.  And last week when I pulled it out to read myself, both remarked that it was a good story.  The fact that they remembered it and remembered liking it are huge pluses, and made the fact that I had to make them read it all the more disheartening.  I’m certain if you can get your kids to read eight maybe 10 pages they will zoom through the rest of the book.  It is the getting them to pick it up and start, that is the tricky part.  The book is paperback, thick and glossy, but the cover looks homemade almost.  If you thumb through it the font is too small, spaced too tight and the illustrations mean well, but don’t deliver.  Unfortunate, because like my children, I too think the story is fun and I’m disappointed that the book was published in 2013 as #1 in the Lulubug’s Week in the Life Series, and no further books have come out.

SYNOPSIS:

Laila (Lulu), and her family are American Muslims living in Southern Virginia.  Lulu’s mom is a lawyer and a convert, her dad is from Egypt and owns an Italian restaurant, and her older twin brothers are 12 and keep an eye on her.  Being incredibly bright Lulu has skipped third grade and is having trouble with some bullies in her new fourth grade class: Veronica B. and Veronica C.  aka the Veries.  Using help from her brothers, her neighbor and friend Toni, and some friends in class, a trap is set to get the bullies to confess to their evil mischief, but that unfortunately isn’t the only thing Lulu is going through this week.  Throw in her parent’s sudden decision to move closer to the masjid in another city, a litter of kittens abandoned on the side of the road, and some weird noises coming from the woods behind their house, and Lulu has a lot to deal with.

WHY I LIKE IT:

I love that it shows the day-to-day of a typical Muslim family in a normal presentation.  They pray together, they watch what they eat, they know their neighbors and worry about each other.  It doesn’t idolize the family, making them better than anyone or preachy, but makes them very relatable and likable in a realistic way.  When bees are discovered or the kittens need carrying for, sunnahs and ayats are identified, but very seamlessly, that non Muslim kids will learn a bit about Islam and Muslim kids will be excited to see themselves.  My favorite scene regarding this is when the mom finds out there will be a middle-school dance, and even though the boys are not planning to go, know that it isn’t for them, and don’t even seem tempted by it, they still have a family meeting about it, to discuss.  I also like that at one point Lulu meets another Muslim girl and they don’t hit it off right away, the girls work through it, but it is nice to see some diversity in even the way Muslims are presented and possibly misunderstood even amongst one another.

There is a lot going on in the book in terms of action items, but there still is a lot of character development and dimensions to Lulu.  Lulu has to navigate relationships with her family and friends that ring true and aren’t over simplified.  Her friend and neighbor, Toni, expects Lulu to act different at school now that they are in the same class, but returns to her silly self once they are home.  Lulu clashes a lot with her mom, but can smile and get her way super easy with her dad and manipulates that a lot.  She has to balance her sassiness with her teacher and principal, pick her battles with the Veries, and abide by other adults’ rules and expectations.  The book reads in a similar vein as Junie B. Jones, or Clementine, just maybe a more mature and less obnoxious reincarnation.

I wish the adventure involving the backyard noises, was a bit more dramatic, and maybe even the unveiling of the trap involving the dye was more resolved.  At times the book seemed rushed to wrap up all the stories introduced and I think they deserved a little more time to be explored and enjoyed.  If the font and spacing and pictures could be tweaked I think the book would really speak to kids in a fun way.  Third and fourth graders can easily handle a 150-160 page book that has good pacing and is packaged in a tempting, non intimidating way.  I’m holding out hope that maybe the author will write some more, tweak this one, and give it the chance at reaching an audience that would benefit from the smart, fun, grounded life of Lulu.

FLAGS:

Clean, it does mention that Toni likes a boy, but Lulu thinks that boys are trouble.

TOOLS FOR LEADING THE DISCUSSION:

If I still did an elementary book club, I think this book would work.  I think kids need a nudge to give it a try, but once the book gets going, girls and boys alike will enjoy it.  I may read it for a Lunch Bunch choice (I read once a week to 4th and 5th graders while they eat their lunch).  Kids will love seeing themselves, their stresses, their families, and their faith presented well.