Tag Archives: safety

Mama Shamsi at the Bazaar by Mohdeh Hassani and Samira Iravani illustrated by Maya Fidawi

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Mama Shamsi at the Bazaar by Mohdeh Hassani and Samira Iravani illustrated by Maya Fidawi

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At first glance it might seem that this Iranian set book with a chador at it’s core is a political statement.  I do not believe that it is.  The backmatter does state that, “Our wish in writing this book is to add to the growing list of stories for children that demystify this veil (that is too often used as a symbol of hate) and instead present a different view of it as the safe and comforting space we always knew it to be.”  This is an OWN voice authored book, from what I can find online the authors do not cover. It is a warm memory of finding love and humor and safety in the modest coverings worn by a grandmother.   I do wear hijab and I choose to do it based on my understanding of what Allah swt commands, I have never been forced to cover by a person or government, and do not know how that would effect my love of fulfilling a tenant of my faith.  But all that is an aside to make the point that this book to me is not weighing in on Iran’s politics, books are written and slated to be published years before they finally release, and this book is a silly heartfelt picture book about a girl and her chador wearing grandmother heading to the bazaar.

In the bustling city of Tehran, Samira is heading out to buy groceries in the big bazaar for the first time with her grandmother. Samira is nervous that it will be loud, and she might get lost, she asks her grandmother if she can rider under chador on her back. Her grandmother tells her no, she will look like a turtle.

Samira then suggest they walk in a line with grandma in front and her behind.  Grandmother Shamsi says, na, na, na, she doesn’t want to look like a donkey. Various other suggestions involving hiding under the big black chador and staying close to Mama Shamsi are suggested, but all make grandma look like a funny animal, and she declines.

When at last they arrive at the bazaar, Mama Shamsi encourages Samira to not hide but to use her eyes, and ears, and nose to learn about the world around her. Hand in hand, they stick close together, and enter the market.

The love between the two characters is heart warming in the text and truly elevated by the remarkable illustrations.  You love their relationship, you can feel Samira’s nerves, you appreciate Mama Shamsi’s humor to lovingly empower her granddaughter, and at the end you truly long to have your grandma next to you guiding you.

I enjoyed this book and don’t mind one bit reading it over and over again as kids giggle at the pictures and find details they hadn’t noticed before.  The book releases in February, and I hope that presales can reinforce the power of OWN voice authentic tales to be shared.  You can preorder/purchase it here.

 

My Voice is my Super Power by Shariea Shoatz illustrated by Kilson Spany

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My Voice is my Super Power by Shariea Shoatz illustrated by Kilson Spany

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I want to believe most parents and/or caregivers discuss body boundaries and what’s appropriate and what’s not, with their children regularly.  But if you don’t, or haven’t, or just glossed over it while at the doctors office, this book is a great discussion starter and road map.  The author comes from a place of educational and personal experience and the 33 page book tells a story that children can read independently with a discussion guide for parents to follow at the end.  Even if you don’t feel comfortable letting your children read the story independently or with you, there is a page depicting male and female private parts, I still think the book is a way for adults to face their own squeamishness of discussing it, and get ideas of how to present to their children.  Being nervous or uncomfortable is not an excuse to not discuss sexual abuse against children with our children.  For their voice to be their super power, we must first be willing to use ours to open the subject with them, educate them, and empower them.  Abuse happens in every culture, religion, socio economic bracket, period, to think differently is naive and dangerous.

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Nine-year-old Buddy is heading to his cousins’ house for a sleepover, but before heading out, he addresses the readers to make sure they know the body safety rules and to make sure his super power, his voice, is ready.  His voice is what he can use if he feels unsafe, or to help his friends if they feel unsafe.  He can say “Stop” or “No” if someone breaks one of the Body Safety Rules.

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His mom, a muhajaba, has being teaching him since he was three to use his voice to let people know his body belongs to him.  He knows he can say no when he doesn’t want to hug or kiss or touch someone, even if they are a family member.

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The book then talks about body parts that everyone can see and labels them with a diagram before explaining private parts and labeling them as well.  The book also discussing using the proper names, not nicknames or “cute” names, such as hotdog and cookie, to describe anatomy and body parts.

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If someone breaches or doesn’t listen to the “No” or “Stop” the book encourages everyone have a safety circle of adults you trust and like and that you feel safe and comfortable talking to.  It also mentions that if one person doesn’t listen or believe you to go to another person in the circle until someone does.

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Another rule is No Secrets, and the book explains the difference between a secret and a surprise, which does eventually get told.

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When Buddy gets to his cousins house, the kids play and have fun, when a friend of the aunt’s stops by and gives only Keisha a treat before leaving.  When Buddy asks about the friend, his cousin talks about how they play pretend and tickle and how they have a secret touch game.  Buddy explains the rules to his cousin and then goes with her to help her talk to her mom about the breaking of Body Safety Rules.

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The story ends with the mom calling “people” to take the friend away and the kids feeling empowered that they kept their bodies safe.

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The Activity Guide for Adults gives information for each of the pages in the story to help the adult understand why that part of the story is included (i.e. grooming, disclosure, etc.) and activities to ensure understanding and mastery.

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The book is not religion specific, and would be a great benefit to all children, everywhere with parental involvement and dialogue.

May Allah swt keep all our children safe, ameen.

 

Azad’s Camel by Erika Pal

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Azad’s Camel by Erika Pal

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This beautifully illustrated picture book takes the reader in to the world of camel racing, children jockeys, mistreatment by adults, children being sold by their families and running away, all in a span of 40 pages and on an AR 3.5 level.  Yeah, its a lot for a kid’s book, but it has a happy ending and it does draw attention to an atrocity not often discussed or thought about.

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Young Azad lives with his old uncle in a village outside the city.  He helps take care of the goat and fetches water for tea in the mornings,  in the afternoons he plays with his friends.  One day he is doing handstands on a soccer goal post when a rich Sheikh drives by and sees him.

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The Sheikh comes back and convinces the uncle to let him take the boy to be trained as a camel rider to one day be famous.  The uncle agrees saying he can’t afford to keep him.

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The Sheik takes Azad to the desert with other boys to live and be trained.  Azad learns that food is earned and chores are a must.  The races are dangerous and Azad doesn’t like them, but he is good and is forced to keep racing.

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One night the camel, Asfur, talks to Azad and the two plan to keep running past the finish line at their next race.  The pair are so fast that, they do just that, and no one can catch them.  They run through the city, and back to the desert.

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The other animals of the desert keep them warm when it gets cold and until a Beduin tribe discovers them and takes them in.  At last Azad and Asfur find a home.

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There is information about camel racing at the end including how robots are replacing child jockeys in some countries and how many young children are being returned to their families, school and a normal life.

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I like that the book takes on a real and sad occurrence, bringing camel racing and forced child labor in to light.  The story is truly written for younger elementary kids with short paragraphs on each page, large engaging illustrations, quick jumps in events and glossing over any truly graphic details.

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I do worry that stereotypes are reinforced with the use of calling the rich man who bought Azad a “Sheikh” and the Bedouins dancing at the end.  Culturally the book is a generic Middle Eastern country and doesn’t mention or emphasize religion at all with the exception of the women in the pictures being veiled.

I found the book at the library and think it has good information to discuss with your children, but I don’t know that I can see it being anyone’s favorite book, or a regular night time request.  While, yes, it does have a happy ending, you don’t really “feel” what Azad is going through, you are just glad he finds people that want him.