Tag Archives: fictionalized

Under the Sana’a Skyline by Salwa Mawari illustrated by Mary Charara

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Under the Sana’a Skyline by Salwa Mawari illustrated by Mary Charara

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For the last 100 days it seems the only time I truly smile is when I see images of Yemen standing with Palestine.  It is impressive, so very inspiring, and equally humbling as well.  Sadly, there are not many children’s books celebrating Yemeni culture, heritage and joy available to us in the west.  This book published in 2022 is set in the war, with memories of easier times peeking through.  When Belquis is assigned to write an inspirational story about Yemen for a global contest, she is at a loss of what to write about as she is surrounded by “bombings, fighting, blockades, loss, and poverty.” This 38 page picture book is text heavy, admittedly it isn’t particularly literary or memorable, but it shows a culture and traditions that need to be shared with our children.  The media and talking points dismiss the rich history of the countries we are attacking in attempts to dehumanize those affected.  This book does not get political or even name the sides in the conflict, it simple shows a girl and her sister rediscovering their city, their history, and their peoples’ kindness and generosity.  I hope more books about Yemen will enter the marketplace, and I pray for the bombings to stop.

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Set in Old Sana’a Belquis dreams of being a writer, but when assigned to write about something “inspirational” she is at a loss. Her geddah encourages her saying that “Some of the most inspirational stories arise from hardship.” Her father encourages her, and her younger sister Saba, to go to the roof and look out from a “bird’s-eye-view.” At maghrib time as they listen to the athan from the Great Mosque they look out at the 2,500 year old city and the qamariyat sparkling in the changing sunlight, but don’t feel inspired.

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Beliquis briefly laments the looming deadline and the lack of sabaya to eat, but decides to go story hunting by taking Saba and rediscovering their ancient city.  They pass Khala Khadija’s crumbling house as they head to the museum where they are reminded about the Queen of Sheba, Yemen’s original name Arabia Felix, and Queen Arwa.

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As they leave the museum and head to Souk al-Milh they pass lines of people looking for handouts of food and waiting in line for fuel. When the war started, the tourists stopped coming, so the girls are free to browse, and end up using their pocket money to buy bakhoor for their mother before heading back home.  Heavy hearts make them wish they had instead given that money to a hungry family, and when the cracks from the weather and bombs destroy Khala Khadija’s house completely, the girls, their family, and their entire neighborhood will show the inspiring generosity and spirit of the Yemeni people.

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As always, with most every book I read,  I wish there was a map, and while there is a glossary, I wish there was a more robust backmatter section with actual photographs of the many places, foods, items mentioned in the story. This book is important, seek it out, urge your libraries to shelve it. Learn about Yemen, make duas for the people suffering, hurting, and standing up for the oppressed, ameen.

Messenger: The Legend of Muhammad Ali by Marc Bernardin illustrated by Ron Salas

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Messenger: The Legend of Muhammad Ali by Marc Bernardin illustrated by Ron Salas

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I’m always curious how books about Muhammad Ali will present his “Islam” and this 240 page graphic novel was no exception.  I was a little hesitant with the title, and with the foreword establishing that this book is akin to the heroic poems of Odysseus and Gilgamesh, and that “inspired by truth, and truth itself, aren’t the same thing.”  I did appreciate that it says if you are going to take a test on Muhammad Ali and this is your only source, you will fail.  It seems to recognize that Ali means a lot of very different things, to different people and this book at times is true and at times just feels true.  Broken into 12 chapters, 12 rounds, the author offers sources in the back, but leaves wiggle room for creative liberty.  I think if you are familiar with Ali’s life the book doesn’t provide anything shocking and you will enjoy seeing it play out in graphic novel form. If you aren’t familiar with him, the book is a little too choppy to paint a comprehensive biography and you will be confused and need outside clarification at times. I looked into the book before diving in, and many reviews say that the story makes his life accessible to middle grade and middle schoolers, the publisher says 10th-12th grade, and I think with the panel of a prostitute trying to talk to him, alcohol being offered to him, the recreation of him being positioned as a saint being martyred for a magazine cover shoot, comments about being with a lot of women, and some of the politics, the book is best suited for high schoolers.  

SYNOPSIS:

Framed around the lighting of the Olympic torch in 1996 the book then goes back and fills in the gaps on some of the big events of Muhammad Ali’s life:

Round One: Schwinn. 1954. Having his bike stolen and being introduced to boxing.

Round Two: Olympian. 1960. Winning Olympic gold.

Round Three: Church. 1961. Meeting Malcolm X.

Round Four: Sonny Liston. 1964. The fight.

Round Five: Media. 1967. Interview with Howard Cosell.

Round Six: Martyr. 1968. Esquire cover shoot.

Round Seven: Defendant. 1971. Draft evasion charges and fight with Joe Frazier.

Round Eight: Candle. 1974. Meeting a child with leukemia.

Round Nine: Rumble. 1974. Rumble in the Jungle.

Round Ten: Patient. 1980. Early signs.

Round Eleven: Shepherd. 1990. Iraq hostage negotiations with Saddam Hussein.

Round Twelve: Survivor. 1996. Lighting the Olympic torch.

WHY I LIKE IT:

It does articulate that he parted ways with Nation of Islam in chapter 11, Elijah Muhammad and Nation of Islam is pretty prominent in the book up until then, and then in Iraq it does show him praying salat, mentioning the blessings of Allah swt in freeing the hostages, and noting he is going as the most recognizable Muslim American.  I always enjoy reading about Ali and Cosell’s relationship, so I particularly enjoyed those scenes and like the premise of the book established, who knows if they are true, but they feel true and in many ways make Ali seem almost fictious with his equal parts arrogance, humility, humor, and insight.  I had to do a bit of outside reading about the Esquire cover shoot, and the Iraq hostage situation, the book did not seem to make it clear, and got me to thinking perhaps some of the other chapters only seemed clear because I had read about those incidents before.  

Normally I like books to be sourced and a book that is biographical to be accurate, but I almost wanted this book to just be extravagant.  To have fun with the persona of Ali and make him into something of legend that the foreword seemed to hint at.  What I thought was going to make him even more so “the greatest” seemed to just provide a safety net of protection to imagine what was going on in Ali’s head during the 12 rounds highlighted.

FLAGS:

There are some offers of alcohol which he refuses, some pointed political positions, a prostitute in a hallway invites him for free, he refuses. He recreates a martyr scene even once he established he was Muslim and wasn’t ok with it, but a phone call to Elijah Muhammad’s son, made it ok because it was for money, there is a lot to unpack there for kids.  He makes a comment about being with a lot of women at one point, not in your face, but in a graphic novel, to dedicate a panel to it, makes it stand out.  Racism, hate, bigotry, prejudice.

TOOLS FOR LEADING THE DISCUSSION:

I am a bit on the fence with this book.  I think it would work for a high school book club, but with a lot of context.  If you are discussing Ali, this would be a suitable supplement in a high school classroom.  If you are an English teacher talking about Homer and heroic poetry, I think this would be a great contemporary example. I don’t know that I would stop mature middle schoolers from reading it, but I don’t know that I would be suggesting it either.

If the book seems like a good fit for you, you can order it here.

I went for Hajj by Na’ima B. Robert illustrated by Paula Pang

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I went for Hajj by Na’ima B. Robert illustrated by Paula Pang

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Before I review this delightful book, I would like to make a public service announcement of sorts.  It is not Hajj season, not even close.  I pre-ordered this book on June 23 from Amazon, I should have/was supposed to have it before Hajj in the middle of July.  I got it TODAY! When I realized that the US publication date was delayed for a book already published in the UK, I reached out to Kube Publishing and they suggested trying “an independent bookseller such as IslamicBookstore.com or CrescentMoonStore.com.”  I know this.  Noura is a dear friend, but I messed up.  Please don’t do the same.  SUPPORT LOCAL BOOKSELLERS! I’m sorry, lesson learned.

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Now back to the book that already feels like a classic staple that needs to be on every Muslim families book shelf, and in every public learning space for non Muslims to enjoy and benefit from as well.   The 31 page “inspirational, semi-fictional narrative” is perfect for ages two to seven as it mimics the beloved Eric Carle and Bill Martin, Jr. classic, Brown Bear, Brown Bear, What Do You See? but framed around Hajj and what is seen, done, and heard.  Each two page spread begins with, “Hajji, hajji…”.

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The book starts with a detailed Note to Parents and Teachers that explains the points to highlight, and discuss with children.  The story is then organized by the steps of hajj in broad strokes and illustrated with both charm and detail that will hold readers and listeners attention.

Hajji, hajji what did you wear?

I wore two white sheets

And my shoulder was bare.

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The book starts with the little boy narrator on the plane looking down on the clouds and sea. He then puts on his two sheets, hears the call to prayer,  sees the black stone and the station of Ibrahim before he makes his seven tawaafs, runs between safa and marwa and heads to Mina. He prays at Arafat like the Prophet (saw) did, and falls asleep in the cold night desert air.  He sees stones being thrown and eats meat on Eid before getting his head shaved.  The book concludes with a glossary.

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The book is well done and is a great mix of information and entertainment, alhumdulillah.