Category Archives: OWN Voice

Jan25

The Girl Who Slept Under the Moon by Shereen Malherbe illustrated by Sarah Nesti Willard

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The Girl Who Slept Under the Moon by Shereen Malherbe illustrated by Sarah Nesti Willard

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I was really surprised by the number of gaps in this 46 page story that is so adorably illustrated and seemingly planned out. I thought perhaps I was being overly critical, so as always I tested it on my kids, and they too were confused by the main character’s rational and choice of words, the holes in the narrative, and the inconsistency of the characters. The book is wordy, so conciseness cannot be the reason for the holes, and it is published by a publishing company, so I would assume it has been proofed. Really the point of stories connecting us and giving us comfort when we need it, is sadly lost. I had hoped to love this fictional story of a Palestinian girl using prayer to give her comfort in her new home, but alas it seemed to be trying to weave in too much, and as a result the story isn’t fabulous for me unfortunately.

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Noor is new at school and stands out. She finds comfort in remembering the things that are the same. 1-Allah could still see and hear her. 2- The Angels were still by her side, and 3-She still slept under the same moon. She also wears clothes that remind her of home and provide an unspoken clue as to where home is for her.

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At school Noor has a problem, she needs a place to pray, but at lunch time the kids are not allowed to go inside and the dinner lady guards the door. Noor needs a distraction to sneak in the building and it isn’t clear if she provides the distractions, or just benefits from a baby bird falling out of a nest, a snake being in the grass, and a classmate getting hurt. Either way, when the teacher is occupied, Noor enters the building and finds a closet to pray in.

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On one such visit to the closet she finds someone already in there, Hannah. Hannah is there because she doesn’t like being on the playground because she is different. Noor never asks why Hannah feels different, so the reader isn’t made aware either. Hannah asks her why she is there and Noor says she comes “to pray because it reminds me of where I’m from.”

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When Hannah asks where she is from, Noor doesn’t just simply answer, she tells her stories about her homeland, the mountains, olive trees, where the athan floats in the air and fisherman return to the shore with their catch. The next day Hannah is there again, and Noor tells her more stories and legends about her culture and lessons of the Prophets. Noor learns that through her stories she feels connected to her old home.

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Weeks pass, and one day when she sneaks in to the school, she finds the door locked. With no where to go she heads back to the playground and starts to cry that she won’t be able to pray. She then sees Hannah disappear and she follows her in to the drama studio. When she enters she sees sets built that look like the setting of her stories, of her home. Hannah knew she missed home and built her sets to look like Palestine.

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Other kids miraculously enter, and Noor begins telling them her stories, without praying first. The other kids seem to enjoy her stories and Noor learns that she can pray anywhere while holding on to her three reassuring thoughts.

The illustrations are engaging, although I’m not sure where the prayer rug seems to magically come from for Noor to pray on in the closet the first time. Had the book just been about prayer and finding a way to pray, or just about the stories connecting us to our past I think it would have been more powerful. I’m glad that Noor loves salat and that Hannah is a good friend, but I feel like by trying to do too much, the poignancy of the little things was lost.

And as for my questions: Can’t Noor ask for a place to pray? Can’t she pray outside? How is Hannah making the sets all by herself? Noor says she prays because it reminds her of home, she doesn’t pray for the sake of Allah or because it is required of her? Why did Hanna feel different, and why didn’t Noor bother to ask? It says that she needed to distract the dinner lady, isn’t that dishonest even for a good cause? Did she harm the baby bird so that it would need rescuing? Put the snake in the grass? Hurt the little girl so that she could get by the teacher? How was Hanna getting inside at lunch time? How is the school ok with a kid coming inside to build a whole set with school materials, but can’t let another child inside to pray for less than 5 minutes? And if Noor didn’t feel comfortable asking for a space to pray, clearly Hannah had connections to get permission to create a huge scene, couldn’t she have asked, or helped Noor ask?

Oct25

Little Badman and the Invasion of the Killer Aunties by Humza Arshad & Henry White illustrated by Aleksei Bitskoff

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Little Badman and the Invasion of the Killer Aunties by Humza Arshad & Henry White illustrated by Aleksei Bitskoff

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It’s been a while since I’ve read such an over the top silly book that has a lot of heart.  It is 352 pages that remind me of the the My Teacher is an Alien book series of my youth smashed up with the Weirder School/Diary of a Wimpy Kid series of today.  Meant for upper elementary with some bad words (hell and damn), the story is Pakistani-British representation with many Muslim named characters, a Muslim author, and a shout out to a KFC in another town that is halal.  Don’t read it if if you want to learn anything, but definitely pick it up if you want to roll your eyes, giggle, and ponder a world where Desi aunties are the perfect disguise for force feeding an entire community delicious food as part of their evil plan to take over the world.

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SYNOPSIS:

Humza Mohammed Khan is an 11 year old Pakistani kid in Britain who thinks of himself as the next big rapper, Little Badman.  He dreams big and talks even bigger as he struts around primary school getting in trouble and trying to film his music video on his friend Umer’s extremely old Nokia flip phone.  With a normal enough mom, a hyper exaggerating father, and a handful of their friends known as Aunties and Uncles, Humza gets in trouble regularly enough, but overall seems to have a good heart.

Things at school slowly start to change after their teacher gets stung by a bee named Mustafa, that Umer brought to school to be his pet.  Weird as that might be, it is even more odd, when their teacher is replaced by a volunteer auntie.  Every day it seems like a teacher goes missing, and is replaced by some asian kids’ aunt.  When the supper ladies are replaced and the food improves, no one is complaining.  When every volunteer starts bringing snacks to school, no problem.  Who doesn’t love gulab jams, and samosas, and butter chicken all day long every day?  Well, as the school puts on the pounds and all the teachers and staff are officially missing, Humza, Umer and their former nemesis Wendy, start to get worried.  Humza’s Uncle who he calls Grandpa, claims his wife Auntie Uzma is not really his wife, and helps Humza investigate.

Secret meetings in supermarkets, teachers and grandpa vanishing, and Humza seeing a giant slug coming out of the substitute librarian, means that Little Badman is going to have to run away from cricket practice, not get sent in a crate to Pakistan, face his stage fright, and save the day from the aliens taking over the aunties.

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WHY I LIKE IT:

I like that it is cultural rep and own voice in its telling.  Humza is Pakistani and his cultural baggage is hilarious and part of him, and no explanations are needed.  In his world people are from lots of places and they all live and play and learn together and they eat caramel apples and toffee and jilabies.  The diversity is great and not articulated, it just is what it is, and they all have to work together to save the day. I think my favorite character is Grandpa, who Humza has to learn to appreciate and not just see as an old almost dead guy and Humza’s dad who exaggerates everything and takes his cricket very seriously.  At the end Humza has to have a heart to heart with his dad and his uncle, Grandpa and it makes this over the top nutty story really kind of sweet too.

There is no “Islam” in it aside from Muslim names and mention in a rap of a halal KFC.  I kind of like that they are Muslim kids and it appeals to a larger audience, sure something praying or something at some point might have been nice, but it isn’t a book that you’d be expecting spiritual nuggets from, so it is ok.

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FLAGS:

The words damn and hell are used.  There is disrespect of authority, parents, and teachers as well as lying.

TOOLS FOR LEADING THE DISCUSSION:

I had my ten year old read it and he thought it was ok, but was uncomfortable with the language, which I was glad, but I told him I thought he could handle it, and know what is appropriate to use.  That being said, school libraries should have the book, maybe not classroom libraries though, and I probably wouldn’t do it as a book club.  I will have my other kids read it though, cause like I said, it is silly and fun.

Interview with comedian author Humza Arshad: https://www.booktrust.org.uk/news-and-features/features/2019/march/meet-little-badman/

 

 

Oct11

Sadiq and the Fun Run by Siman Nuurali illustrated by Anjan Sarkar

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Sadiq and the Fun Run by Siman Nuurali illustrated by Anjan Sarkar

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This new series featuring Sadiq, a Somali American living in Minnesota, is great for early chapter book readers looking for representation and diversity.  There are four books about Sadiq, his family, and his friends and classmates in third grade, and all are either an AR 3.6 or AR 3.5.  At 57 pages long, divided into five chapters and filled with bright and colorful illustrations students in grades 1st through fourth, depending on reading level and interest, will enjoy these simple plotted, yet relatable stories.

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SYNOPSIS:

Sadiq’s friends are all getting ready to try out for football, but his parent’s say that he is too young for such a rough sport and has to wait until he is 12 like his older brother, Nuurali, did.  Sadiq’s parents and family encourage him to try another sport, and with a new running club starting in a few days coached by a member of the national team, that’s what he opts to do.  Begrudgingly he joins the team, but is hurt when his friends talk about how much fun football is and how much more tough and difficult it is compared to running.  While this is going on, he is getting support from his brother to keep running, and from his teammates, but it is hard and he doesn’t enjoy it.  Slowly, he starts to improve, however, and with the Fun Run the climax of the book he sails across the finish line in first place when he sees his friends have come to cheer him on!

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WHY I LIKE IT:

I love that the book/series proudly features a Somali-American-Muslim family.  There is information about Somali at the beginning as well as some Somali terms and a portrait with names for the members of Sadiq’s family.  The mom and older sister wear hijab, “Salaam” is one of the defined words and the characters use it when they meet.  I also love the diversity of skin tones in the illustrations and one of the girls on the track team wears a scarf as well.  There are Muslim named kids and non Muslim named kids in the story, and while Islam isn’t mentioned outright, it is definitely represented through the characters words, names, and appearances.

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The story is straightforward and perfect for the age group, the books in the series do not need to be read in any order, and you will get to see the different supporting casts featured more prominently in different books, thus getting to know Sadiq and his world.  I like that he doesn’t get his way, and doesn’t get to do what all his friends are doing, but he makes it work.  He is grumpy and upset, but he doesn’t get obnoxious or overly whiney.  I think this subtly gives readers some tools and insights to model in their own disappointments.  I also like that while he has to put in the work and fix his attitude, he doesn’t have to do it all alone.  His family and coach are supportive, and eventually his friends apologize and support him too.  For the simplicity of the book, you actually do get invested in his little trial and want to see the outcome.

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FLAGS:

None, it is clean.

TOOLS FOR LEADING THE DISCUSSION:

This book is like a boy protagonist version of the Meet Yasmin books, they show a kid of culture in everyday experiences.  The target audience wouldn’t make it work for a school wide book club, but I think early elementary teachers would benefit from having the series in their classrooms and letting kids in small groups discuss if they want. These books would be great for first graders that are way above reading level and parents are struggling to find appropriate books.

The end of the book has some resources as well: a glossary, discussion questions to talk about and some to write down, as well as a home workout guide and information about the author and illustrator.

Dec7

Miss Never Pleased by Ayesha Marfani illustrated by Aisha Aamir

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Miss Never Pleased by Ayesha Marfani illustrated by Aisha Aamir

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I’ve been accused of being brutal in my reviews.  And while I don’t enjoy being mean, I do take some pride in the attribute, as I am paying for these books myself (unless I get them at the library) and it takes time out of my day to write these reviews.  I don’t get paid, I do it because I love books, I like supporting Muslim authors and those including Muslim characters in their stories.  I take recommending books to others serious, and can’t remember things if I don’t write them down, so here I am.  With this review I don’t want to be rude, or overly critical nor do I want to sound pompous and arrogant and privileged, but at the same time, I ordered the book off of Amazon for $7.99 so a fair review shouldn’t hold punches to spare what the author is trying to do and appreciating that she is writing for a cultural audience. 

Please believe me it isn’t personal, I am reviewing it based on my same criteria I review all the books through, my own personal bias.  That being said, if the reader is living in Pakistan, or has recently lived in Pakistan and English is a second or fifth language the 70 page story with games and activities at the end is decent.  Meant for ages 7-12 in that situation, that are intrigued by the moral lesson presented, I think the plot holes can be forgiven.  For those without ties to Pakistan, or with loose ties like me (I’m half Pakistani and grew up spending my summers visiting family) the book will be choppy, culturally specific, confusing and lacking.

SYNOPSIS:

The book opens with Habiba being distraught over her world crashing down on her and the pain she has caused her relatives consuming her.  She then opens her diary that she has kept for six years, starting back when she was seven recounting how she as Miss Perfect justified her self in incident after incident.  Thirty-one incidents to be exact, detailing how she would rat out her cousins, or critique elders food, or her tell her friends how to dress and what to study because it was the honest thing to do.   How she would decide who should be friends with who, if her family should go on picnics and how she didn’t want gifts but didn’t want to not get gifts either.  All-in-all Habiba is a self righteous awful, awful girl, I don’t think it is her trying to be perfect, I think she is just awful.  At the beginning she attributes it to praise she received as a child from her mom and grandma, but for this behavior to have gone on for so many years, I don’t think it was their praise, it was their lack of discipline that leads up to her catastrophic moment.  She fails her exams and then learns what her family really thinks about her in a poem, with a way too forced rhyme scheme, left lying around.  The story then returns to her undoing and a faqeer coming to cure her and her parents taking the blame for her poor upbringing.  She crosses out the title on her journal from Miss Perfect to Miss Never Pleased, to presumably denote how nothing could satisfy her.  The story then skips forward to her returning after University as the best international psychologist.  

WHY I LIKE IT:

I love the concept of the book, that a girl thinking she was so perfect could realize in fact she is not.  The idea is great.  I think it is a bit sad that her parents and involved extended family took so little interest in correcting her behavior, but at the same time I didn’t think it believable that she was absolved of all responsibility either. 

I feel like this book was a great first draft.  It needs some fleshing out, and some continuity corrections.  Incident #3 makes no sense, it starts with a party, then her ruining the mood of everyone at the party, and then her crushing her cousin’s dream of being in a play for her own twisted reasons.  But the jump from one idea to another seems like something got edited out and the rest of the four-and-a-half-page story didn’t get altered to reflect the missing details.  I have no idea what the party was for, what a wish gift is, and why anyone in their right mind would take a child’s opinion regarding someone else’s life so strongly. 

There are also contradictions, for example on page 14 she makes a big huff about her cousin wanting to study to be a teacher saying she wouldn’t be good at it, then on page 49 saying she would be marvelous, and this is before her climactic change of heart.  There are some awkward passages as well, that I had to read a few times, which could have been do to a different style of English, but sometimes I think it was confusing on its own.  Page 24 was all over the place with her not wanting to thank people for giving her a gift because she deserved the gift, but then telling them she appreciated it, along with her saying the gift, a dress, appealed to her, but that they should not have gotten it because it was an inferior quality.  Inferior to what we don’t know. So she didn’t say thank you, but said she appreciated it, isn’t that the same thing?  She didn’t like the dress, but it had appealed to her? Very confusing and just one example.

I say it is for Pakistani’s because I don’t know that anyone outside the subcontinent would know what a faqeer is, yes there is a glossary at the back, but it seems assumed in the story as a religious practice, which I find some issue with.  When Habiba was trying to dress everyone she says that a fishtail would look nice on her cousins and she gets a blue one.  I have no idea what a fishtail is.  It is not really explained, an illustration would have been helpful, but is not provided. She also once refers to her cousin as “dark” in a negative connotation, and that seemed very out of place and inappropriate to me.  And ultimately, if you don’t know the Pakistani school system I’m not sure you would understand how important the exam she failed is, nor why the scores are in the newspaper,  or that they have to pick their fields of study so early.  That being said, how did she get to University and do so well? If at 13 they had to choose their college and she didn’t pass wouldn’t she not be allowed to continue? I am so confused. And then she comes back after University, but is already being written about in the papers as if she has had a long and successful career.

The book doesn’t tell how she makes things right with all those she wronged either, after so many incidents, I think a little self reflection and humbling should have occurred to those that felt her wrath for so many years.  There isn’t really even a solution, her dad comes and talks to her, she reads what people think about her and then boom, happily ever after.

The illustrations are sporadic, but not consistent in the book.  The style seems to be different in each sketch.

 

FLAGS:

The girl lies and is incredibly mean but there isn’t anything inappropriate in terms of language or violence.  Islam is mentioned at the end when she thanks Allah swt for His help.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t do this as a book club because it is so short, and I don’t know that kids would be compelled to read past the first few pages if it was in a classroom library.  

Book Video https://www.youtube.com/watch?v=QWoCiEnvg5U

If this book would have been written 20 years ago or so, I think readers everywhere would have given it a try as there was so little to choose from in Islamic Fiction, but there are options now, and much better ones.  I feel awful that I didn’t love the book, but I can’t suggest it either.  I plan to read one more book of the author’s to see if this one just didn’t work for me, and I’ll let you know what I think.

Jun21

Amal Unbound by Aisha Saeed

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Amal Unbound by Aisha Saeed

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This book was suggested to me and I was thrilled to find it at the public library so quickly after its May 8, 2018 release date.  I love that it is an AR 4.2 and 226 pages about a girl standing up for her self, determined to be educated, and facing whatever society, and culture, and circumstance throw at her.  The protagonist is 12, but I think most middle school readers will find the story a bit too idyllic, perhaps even too simplistic and neat.  I really think the AR level of 4.2 is spot on in terms of writing level, interest, and story telling: 3rd through 5th graders will benefit the most from this inspiring, memorable and informative tale.

SYNOPSIS:

Amal lives in a small Pakistani village.   The book opens with her begrudgingly having to take time off from school, as the oldest, to help her mother who is about to deliver her fifth daughter.  The stage is quickly set to show a supportive father, but the cultural stress involved in educating a girl is incredibly strong.  The priority is to care for the home when push comes to shove and this fight is simplified in the book, but not completely belittled.  Right away we also see some class divisions with servants and landowners and the various positions in between.  It is easy to judge those with money as being evil, but the author does show some nuances in character aside from wealth and position.  As Amal’s mom struggles with recovering after the baby, it is decided that Amal will miss more school.  This devastates Amal who dreams of being a teacher.  Burdened by keeping up the house and carrying for everyone’s meals, laundry, and watching her younger sisters constantly, frustration mounts and she snaps when an arrogant man tries to take her pomegranate in the market.  Her simply saying no, is the catalyst that changes her life as the man she stands up to, Jawad Sahib, is the wealthy land owner everyone in town is indebted to.  Saved by his mother, Nasreen Baji, who is in need of a personal servant, Amal is now forced to pay off an impossible debt to a cruel powerful family. 

In  many ways the story doesn’t really get good, until Amal enters the Khan family’s world, about 50 pages in to it, but obviously the character building and detail is necessary, so if you find your kid is getting a bit bored, encourage them to keep going.  

Once, she arrives at the Khan compound, she begins to make friends, and enemies, and similarly see just how ruthless Jawad Sahib is, and can be.  As she finds her own voice and realizes her own role in determining how others treat her, what her future holds, and what power she does have, she is forced to wrestles with the choices in front of her. Ultimately, the reader will cheer for her to take a stand and be bold in doing what is right, no matter the cost.  And while one can guess, because of the target demographic, that it has a happy ending, I won’t spoil the climax, the resolution, or outcome of the young heroine.

WHY I LIKE IT:

I love that despite the themes, the story isn’t depressing, in many ways it is informative and inspiring. I think the fact that things are not left to ponder but clearly articulated, has its merits in a book for elementary children who might be overwhelmed by the cultural aspects to think critically on their own.  At the beginning, with the birth of yet another daughter, the biggest concern is that the mom is depressed because she hasn’t had a boy.  The mom even apologizes to the dad about this.  The neighbors, friends, everyone seems so upset about it, but Amal doesn’t understand why the women particularly seem disappointed, when they themselves were little girls once, and this simplistic point of view on such a complex and real issue, is so spot on and obvious, I loved it.  The mom and dad point out that it is God’s doing and they clarify that they are not sad the baby is a girl, and to me it seems obvious the mom is suffering from postpartum depression, but the book only describes it, it doesn’t identify it.  I also love that there is perspective on how while Amal is in forced servitude and thus not free, either is her female boss, who is unable to go visit her family, or to garden.  This helps amplify that even the wealthiest woman, is still limited to be truly free in the context of the character’s world.  

I like that the book is culturally authentic and not judgemental.  There are strong females, supportive male friends, and plenty of details to show that the author is writing about what she knows, and that she loves her culture.  Islam is mentioned only a few times with regards to prayer time, but nothing more.  There is nothing about praying for anything specific, or covering, or religious beliefs, practices, or traditions.   The book like the author’s first book Written in the Stars, almost oddly leaves religion out, and stresses culture.  Because this book is for a younger audience, it isn’t as obvious, and if I didn’t write reviews about books I probably wouldn’t notice.  

The presentation of culture, the idea of indentured servitude, and females being educated is balanced and explained pretty well.  At most many of the readers will know little of Pakistan, but may have heard of Malala, and the author talks about her in the Author Note.  I like that this book shows a fictional strong female in a similar vein as Malala, but also shows that it isn’t an outside force, the Taliban, preventing her from an education, but in some ways a whole societal view.  I think this expansion of paradigm is really the most powerful thing about this book.  It is important to understand that people may want their daughters educated, and opportunities may be available, but sometimes more is needed.   A lot more to change tradition, on a lot of different fronts.

The book also does a good job of showing some of the paradoxes that exist in developing countries as well: Amal rides in a car for the first time, but also is handed a cell phone from her mom, she knows all about email but has never used a computer.  For readers to see that somethings are very similar to their own lives, and some things are foreign, will make Amal and what she stands for have staying power and relevance, long after the end of the book.

FLAGS:

There is talk of physical violence when people are murdered, crops burned, and Amal is slapped.  There is some lying, but the truth comes out. Overall: clean.

 

TOOLS FOR LEADING THE DISCUSSION:

I would absolutely present this book as an Elementary Book Club selection and I would encourage teachers to use it as a novel study.  There is a lot of perspective to be had from this book, and its clean simple style will keep the keep points in focus.

Author’s website: http://aishasaeed.com/amalunbound/

Q & A with the Author: https://www.publishersweekly.com/pw/by-topic/childrens/childrens-authors/article/76814-q-a-with-aisha-saeed.html

Discussion Guide: http://www.penguin.com/wp-content/uploads/2018/05/AmalUnbound_Brochure.pdf

Jun29

Blackout! by Sumayyah Hussein illustrated by Majd Massijeh

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Blackout! by Sumayyah Hussein illustrated by Majd Massijeh

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Presenting the stories of refugees to young children often involves a balancing act of fact, emotion, and restraint, all while finding the common ground to create empathy in the reader.  Increasingly on bookshelves are successful picture books that use illustrations to build bridges of understanding and bright colors to convey hope.  For older children there are books that can devote time to explain issues or offer first hand accounts along with political back stories and historical events.  For elementary age children 2nd and 3rd grade particularly, chapter books on refugees are not very common.  Children this age seem to relish in silly outlandish characters with a few font happy sentence and pictures on each page or stick to series that are easily predictable as they present tidbits of history or simple mysteries.  All reasons to encourage your child to read Blackout! and break the monotony and gain some empathy.  As delicate as the subject matter is, the book manages to resonate with most children how good they have it and how fortunate they are, without getting preachy or pretentious.

SYNOPSIS:

Yusuf, a 12-year-old Canadian boy is anxiously waiting the arrival of his cousin Ahmed from Syria.  Ahmed recently lost his father when their makeshift boat capsized, and while coming to Canada is a blessing, he is still haunted in his dreams and memories by all that he has seen and endured.  This idea that being safe now, doesn’t erase all the pain and fears experienced, is a concept most adults understand, but I was surprised that my children had to talk it out a bit.  They understood that he would be sad, but hadn’t really thought how hearing loud noises would immediately remind him of the explosions he heard in Syria and of his home and buildings crumbling down.

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The story’s focus is the present however, and follows Yusuf.   The backstory of Syria and Ahmed’s escape is juxtaposed with an ice storm turning Toronto powerless and cold.  As Yusuf deals with the annoyance of a few days without electricity he learns a bit of compassion for others in the world, who endure a similar situation indefinitely.  In a beautiful way, Ahmed’s enduring optimism changes Yusuf as they find reasons to smile at the raccoon rummaging through their food put outside to stay cold, or playing in the snow to pass the time.  The characters have a lot of heart, for a short book, and you really feel like you get to know them and feel for them.  Yes, Yusuf whines, but he is a kid who’s winter vacation plans have gone awry and is frustrated and bored.  Ahmed, while a survivor, still struggles, but maintains a personality much more than just victim.  The other family members are background, but they aren’t flat, they have warmth and humor and pain in equal parts, implying if the book was longer, we’d get to know more about them too, and probably like them as well.

Despite the refugee story line, and the blackout, the crux of the story is actually helping one another and being neighborly.  Ahmed at one point is telling a story of how he began helping someone in a refugee camp and that it gave him purpose.  This reminds Yusuf that they have an elderly neighbor and the radio alerts had encouraged people to check on one another.  The boys rush over to find Mr. Caldwell, suffering from carbon monoxide poisoning brought on by his kerosene heater. Luckily an ambulance is able to get there just in the nick or time. On the third day of the blackout, the Imam speaks about helping one another and making this obstacle into something positive.   Ahmed tells Yusuf how the neighbors in Syria would gather in the winter to share what food they had.  This brilliant idea gets the support of Yusuf’s dad, the Imam and the whole congregation as they rush home to invite the neighbors to a neighborhood BBQ.  The perishable food needs to be consumed, so what better way to enjoy it, than to share it.

When the power comes back on, Yusuf is not the same kid, he has grown in compassion, and patience, and inshaAllah the reader will be similarly affected for the better.

WHY I LIKE IT:

I love that the book addresses a hard topic on a kid level.  It does not overwhelm the reader or frighten them.  MashaAllah, it balances what they can understand, with something bigger.  The illustrations keep it light in their doodle like appearance and the font, spacing, chapter length and presentation are perfect for the target audience.

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The women wear hijab, they pray, they go to the mosque, yet they don’t quote hadith or Quran or say a lot of mashaAllah and Alhumdulillah, making the book work easier for non Muslims.  The coming together of community is nice.  No one asks or worries what religion, race, or ethnicity anyone in the neighborhood is, they just come together to share a meal and welcome Ahmed and his mom to Canada.  The Imam is relatable and the dad is involved and generous, the mom is competent and respected, all normal behaviors that reinforce community and normalize diversity and acceptance.

FLAGS:

The violence of war may affect young children differently.  Nothing is sensationalized or graphic, but Ahmed does get stuck in the rubble when his house is destroyed, and his father’s drowning is discussed.  Nothing is talked about in depth, but the ideas are presented.

TOOLS FOR LEADING THE DISCUSSION:

This book would be perfect for a young book club.  I’m looking forward to reading it with my six-year-old son and my eight-year-old niece so that I can see how what they get from the book.  There is a brief explanation on refugees at the back of the book, and I think current events would naturally make a book club discussion easy to facilitate.  I think gathering items and meeting refugees after, would also be a wonderful way to turn the fictional story into real action.  It is also worth noting 100% of profits from this book will be going to the Syrian Canadian Foundation‘s mental health and wellness initiative for Syrian newcomers.

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Apr4

Amina’s Voice by Hena Khan

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Amina’s Voice by Hena Khan

amina voice

This book really marked a shift in Islamic fiction for me and the genre.  First of all I was waiting for the book to come out.  I didn’t stumble upon it or hear about it from someone else.  I knew when it was going to be released, and I knew I wanted to read it. Additionally it was the first books published by Salaam Reads, an imprint of Simon and Schuster. Which according to their website was “founded in 2016, Salaam Reads is an imprint that aims to introduce readers of all faiths and backgrounds to a wide variety of Muslim children and families, and offer Muslim kids an opportunity to see themselves reflected positively in published works.”  This is big, huge in fact.  The bar has been raised, and a platform has been given, no more excuses.

Alhumdulillah, Amina’s Voice is a beautiful 197 page book for children ages 8-12.  The book is not AR, but probably will be in a few weeks.  I think it is spot on for 3rd through 5th grade in terms of content, message, and appeal.  The book caters to females and Muslims, but naturally is not limited to those two demographics exclusively.  There are characters of a variety of ethnic and religious backgrounds in the novel that play significant roles in saving the day and keeping the book powerfully optimistic and inspiring.

SYNOPSIS:

Amina is starting middle school and everything is changing for Amina. Her friends are acting different, her older brother is skirting with trouble and her religious uncle is coming to visit from Pakistan.  Internally, she doesn’t like the spotlight but desperately wants to get out from behind the piano to sing.  All of this combines in a climax that pivots around the destruction of the mosque she attends and her having to find her voice, and use it to take center stage in her own life.

WHY I LIKE IT:

There is a lot going on in the book, but it doesn’t get over whelming with Amina’s voice keeping the reader focused on her and her view of the events around her.  The author does a good job of getting inside a 12 year-old girls head without being condescending or heartless.  The reader feels her stress that she is losing her best friend, Soojin to Emily, a girl who used to torment the two “ethnic” girls, without belittling her concerns.  You also feel her love of Islam and struggle to understand if music and singing is permissible within Islamic rules.  The book is realistic fiction with school, friendships, and family guiding the story.  Everything from the ups and downs of group projects, inside jokes between siblings, and trying to pronounce the big HAA in Arabic.  The macro of middle elementary years combined with the micro facets of culture, religion, and current events, and you speak to a section of readers that will connect with Amina and what she goes through in a very authentic, relatable story.

The only points that gave me pause is the premise and music in the book.  It is a point of disagreement amongst nearly every group of Muslims, so to have the Imam sitting and listening to her play the piano, is a bit hard for me to accept as the norm, no matter how cool Imam Malik is.  Additionally, I wish that Amina’s mom had some depth, and the relationship between Amina and her uncle, Thaya Jaan, was fleshed out just a tad more.  In both cases I felt something was lacking, and I wanted more.

FLAGS:

Nothing major, but a few minor issues, that a parent may want to be aware of for younger readers.  Mustafa, Amina’s brother, is seeing skipping Sunday school class and reeking of cigarette smoke.  He denies it, and the issue is definitely not glorified.  There is also crushes discussed amongst Amina’s friends and when Amina spills a secret, she has to own up to it and work it out to maintain her friendships.  The destruction of the mosque could also be upsetting to younger readers.  It isn’t graphic, but her emotional response and the intensity of it, is the climax, and a very real part of our world sadly. For parents, this fictional vandalization could possibly be a great place to start a discussion from if your children are somehow unaware of the current status of Islam in the west.  It also shows that people are good, as the whole larger community, comes together to show unity, love, and respect are values to us all, alhumdulillah.

TOOLS FOR LEADING THE DISCUSSION:

This book would be perfect for a 3rd through 5th book club.  If I was starting a new book club I would start with this book.  It has it all. It has real issues, religious issues, universal issues, and heart.  All while staying on age level and all in a realistic fiction safe space to have an opinion about objectively.  The discussions after the book is read will flow naturally, but just in case:

Reading Group Guide:  http://www.simonandschuster.com/books/Aminas-Voice/Hena-Khan/9781481492065/reading_group_guide

Author’s Page: https://www.henakhan.com/

 

 

 

 

 

 

 

Jul25

Burning Boats by Zaynab Dawood

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Burning Boats by Zaynab Dawood

burning boats

This book came highly recommended from a friend that read it aloud to her Kindergartener and I ordered a class set based on her raving review.  After trying to get into the book on three separate occasions I concluded that yet again I should have waited and read the book myself before ordering it.  So I handed it over to my avid reading eight-year-old who read it in a day and said it was pretty good, asked a few questions, and continued on her way confused as to why I couldn’t finish it.  So, I started it again determined to get through it and with Ramadan quickly approaching I thought I could motivate myself to do so.  However, I could not, and it sat on the shelf for the entire month with a book mark only a few chapters in.  At the prodding of my guilty conscious to return the book to my friend, I continued reading from where I left off, rather than starting over, again, and found that by dismissing completely who any of the characters are and how they are related, the story does get off the ground and I was able to finish it.  That being said, I think the story might have appeal if read aloud one chapter at a time. To read it in one setting did not help the story that can’t seem to decide it if wants to be character driven or action driven.  The sheer number of characters is completely over the top, there are at least 20 characters mentioned by name and the book is only 137 pages.  And honestly I never bonded with any of them.  There is action in the book, but the details seem misplaced.  The author details characters all saying salam and walaikumasalam to one another and giving moral reproaches based on Quran and Sunah, but I never felt I understood why the main characters were leaving, why the villain was so bad, or how (spoiler alert) a pivotal character in the book died. I guess by never connecting to the characters or feeling an emotional tie, positive or reproachful, the book didn’t live up to it’s potential.  The book is recommended for ages 12 and up, but I think younger children could read it and even younger could listen to it being read to them without any major concerns.  With guidance the book is by no means a waste of time, but if you recommend it to a child and they struggle to get into it, you might just have to let them find something else to read.

SUMMARY:

A small fishing village is being harassed by a corrupt businessman’s attempts to take over the entire industry in Tobay.  The principal of the school and a few close friends are trying to stop him, but have decide they cannot and thus are planning to move elsewhere.  The children are forbidden to go to the harbor as boats are being burned and crimes committed to persuade the local fisherman to abandon their solo endeavors.  With few places to play, the loss of the harbor affects the children greatly as well.  A tropical storm complicates matters as it tears through the village destroying the poor inhabitants meager dwellings as well as the damaging the school and the mosque.  With friends taking in homeless neighbors and the main family planning to leave the children plan one last game that turns dangerous when all the boats in the harbor are set a blaze.

WHY I LIKE IT:

There are some definite good qualities in the book, despite the holes.  It opened up a good discussion between my daughter and I about preparing a body for ghusl and Janaza.  It does show that people can change and that when people are sincerely apologetic and are striving to correct their behaviors, those around them should offer forgiveness in not just their words, but in their actions as well.  It also shows that good kids can make bad choices, and that the consequences can also be very real.  Similarly it shows that adults also don’t always know what to do, and that they can be forced to reconsider as well.

FLAGS:

There is violence in the book and death.  Nothing too graphic, but one might have to explain to younger, more sheltered reader,  that just because someone has a Muslim name doesn’t mean they are practicing Islam and are good people.

TOOLS FOR LEADING THE DISCUSSION:

There aren’t any online tools, but I would suggest having the readers keep a character journal.  Every time a new name appears, write down who they are, (and who they are related to), so later they can look back on it if they become confused.

Because of the “holes” in the story I would probably ask the students to give their thoughts as to what happened or why the characters decided to do what they did and then turn it back on them and ask them what they would do.

Why was Ibrahim leaving? Would you have left? What made Nasser change? Would you have forgiven him? How do you think Ayesha died? Etc.

Jul19

Magid Fasts for Ramadan by Mary Matthews illustrated by E. B. Lewis

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Magid Fasts for Ramadan by Mary Matthews illustrated by E. B. Lewis

Magid Fasts for Ramadan

The intent of this 48 page chapter book is good, however, a few things rubbed me the wrong way about how Ramadan and Islam are presented.

Nearly eight-year-old Magid wants to fast on the first day of Ramadan, but everyone says he is much to young.  He decides to deceive everyone and fast anyway.  I’m actually okay with this main story line, as I could genuinely see a child wanting to do it so much they would lie about it.  The author even has the family sit down after the truth comes out and discuss how honesty is important and this is not how Ramadan should be celebrated.  Lesson learned for Magid and the reader, right? Nope, the author kind of blows it and takes it to the other extreme.

Magid’s sister Aisha is twelve and is “forced” to fast so she isn’t the only girl not fasting at her all girl’s school in Egypt.  What a sad reason to fast, The whole reason Magid wants to fast is to be a “truly obedient Muslim” which sounds great on the surface, but it get’s repeated so often that Magid at one point is judging a classmate who isn’t fasting and isn’t always at Jummah (Friday) prayers.  The parents decide at the end to let Aisha fast until school is out, hence shortening the day for appearance purposes, and Magid can fast til lunch.   He is told he can fast full days when the days are shorter.  Again a really odd reason to wait when fasting has been prescribed for us, to make it an issue of convenience.

So aside from the very negative view of Ramadan and the kids rejoicing at the end that they don’t “have” to fast, the lying, the disobeying your mother, and the judgmental laden diction of being truly obedient, the book does cover a lot of ground well.  The book shows the characters doing wudu and praying, it shows them trying to be kind to one another, it talks about how the Quran was revealed in the month of Ramadan and it does have a plot.

The water color illustrations are nice, and I also like how it showed a bit of Egyptian culture with the lanterns, singing, and food.  Interestingly the author says it is harder for Muslim’s in America to fast, but elsewhere says that Aisha has to watch the girls at school not fasting, eat lunch.

I really wouldn’t recommend this book, for the intended audience of 3rd through fifth graders I think it would do more harm than good in promoting Islamic values in Muslim children and in showing non-Muslims what Ramadan means to Muslims.