Mar17

A Long Pitch Home by Natalie Dias Lorenzi

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A Long Pitch Home by Natalie Dias Lorenzi

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The correlation between baseball and cricket provides the foundation for detailing the relationship of  Bilal’s first year in America after having to leave Pakistan in a hurry: the same, but different.  This 248 page book written on an AR 4.6 pivots around sports, but has a lot of heart as themes of family, friendship, and longing, take center stage.  Throw in a whole new culture, the English language, Ramadan and prom and you have a whole lot to cover in this well crafted story.

SYNOPSIS:

Bilal has a good life in Karachi, Pakistan.  He is the oldest of three kids and at 10 years old, his world pretty much involves Cricket, friends, and his dad.  When his father disappears things get frantic, and when his father returns, the family decides to move to America.  Unfortunately Bilal’s dad can’t come.  As Bilal, his mom, his younger sister Hira and younger brother Humza, board a plan to Virginia, everything Bilal knows is left behind.

Virginia is home to Bilal’s maternal Uncle, his wife, and their teenage son, Jalaal.  Jalaal plays baseball and arranges to have Bilal join him at baseball camp for the summer.  Learning the new sport, and a new language, and the nuances of life in a new land are frustrating and often comical as Bilal points out how confusing navigating American life can be.  He also keeps an ongoing list of new things in America to share with his dad over Skype, as they swap memories of an old life in preparation for a new one.  The supporting characters on the field are generally kind and accepting of Bilal, because they have a bigger problem then a foreign boy, there is a girl on the team, Jordan.  Jordan is new too, and the coaches niece at that, naturally they become friends, but its not easy, Bilal has to learn what being a friend really means.

The majority of the book stems from the tension of waiting to hear from Bilal’s father, and to see if he can come to America.  The passing of time with baseball games and school are anecdotal to the larger arc that sets the pace of the book.  Will Baba be able to come, and if so, when?

WHY I LIKE IT:

Interestingly religion has a pretty big role in Bilal’s life and the author does explain some tenants in Islam.  He wakes up for fajr (although he does miss it occasionally), he only eats halal zabiha, the family fasts in Ramadan, and they celebrate Eid.  Bilal wants to fast, but him mom tells him he is too young when they are coming to America, and the following year he doesn’t because of baseball, which is unfortunate, because a lot of kids fast and play sports all over the world.  They go to the mosque on Eid only, and it mentions that the women in his family do not wear hijab like some of the women at the mosque.  His older cousin Jalaal wants to take the neighbor girl, Olivia, to prom, which the family explains awkwardly as something that Muslims don’t really do until they are older, or at least that is how Bilal understands it.  In the end, they let Jalaal go with Olivia and a group of friends, and the whole family Skype’s the family in Pakistan and sees them off.  Even more funny is that they don’t join their friends for dinner before the dance, because Jalaal is fasting and can’t eat until later.  I don’t know if this will confuse 4th and 5th grade readers, but as an adult I found it hysterical, because these cultural contradictions are more common than not.  I did like that nothing was done behind the parent’s backs.  Things were discussed and worked out instead of lied about.

Another thing that I found interesting, but since finishing the book, I have come to appreciate, is that there is no Islamaphobia in the story, or even xenophobia.  The kids are accepting of Bilal’s faith and culture.  He is far more self conscious about being different or not understanding than those around him are.  Its idealistic perhaps, but at the same time, I think it would distract from the core of the story.

While the book focuses on sports, I think even non sports fans will be able to enjoy the story.  The author doesn’t get too technical and it moves steadily with mini climaxes and triumphs through out.  Girls and boys will enjoy the book, Muslims and non Muslims too, the readers might even learn something about baseball or cricket or Pakistan, or even about themselves along the way.

FLAGS:

The book is remarkably clean and what you would expect for a good quality, solid 4th grade and up story.  There is the “prom” issue, but there is no hugging, kissing, longing etc.  They “like” each other, but it isn’t more explicit than that.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know if I would use this for a Book Club.  One could, but I think it would require a lot of coaxing to get kids to give a book about baseball/cricket a try.  I have no doubt if they started it, they would finish it, but it might be a tough sell.  The confusion in American life would make for an awesome discussion after being read, because everyone can relate to some of the oddities of the English language, and challenges of learning a new language and culture.  I think how Islam is handled would also make for some good discussion in addressing how each family handles things differently as they arise.  Although written on a 4.6 level if I were to do it in a school setting, I would probably do it for middle school kids who could articulate their own life parallels to the story.

An interview with the author:

http://wordspelunking.blogspot.com/2016/09/a-long-pitch-home-blog-tour-interview.html

Overall a solid decent book about an immigrant Muslim boy making his way in America, while not losing or giving up on who he is, alhumdulillah.

 

Mar10

The Storyteller by Evan Turk

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The Storyteller by Evan Turk

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Set in Morocco a long, long time ago near the edge of the great Sahara, a young boy goes in search of water.  But just as the city grew and grew and people forgot about the threat of the desert, people forgot about storytellers too.

This 44 page book weaves a tale of story within a story within a story, and combines different times in the past to illustrate how vital stories are to our existence.  Much like the thirst that only water can quench, the human soul needs connections.  With a Djinn threatening to cover the town in a sandstorm and the mysteries of the blue water bird, can a well told story really restore water and safety?  Written on a 4.9 level this book could get a bit confusing to a struggling reader, or a child trying to keep everything straight.  I found this book works best with kids that can get caught up in the story and the imagination of it all, without over thinking all the layers. It, like the story within the story suggests, works best to be listened too.  There is a lot of text, but it is very soothing and engaging.  The pictures are splendid, but in a dream like manner.  The book works well with sleepy children listening to your voice and getting lost in the pictures, making a storyteller out of the reader, and proving the engaging power of a story.  Second graders and up will enjoy listening to the story, and learning about desert life, and oral storytelling in lyrical way.  There is no Islamic element other than the hijab wearing women in the pictures, and the mention of a djinn.  There is is an author’s note at the end telling of the resurgent efforts of public storytelling in Morocco.

When a storyteller dies, a library burns-old Moroccan saying

Mar7

What Does a Muslim Look Like? by Mohamed Abdel-Kader illustrated by Abdullah Badawy

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What Does a Muslim Look Like? by Mohamed Abdel-Kader illustrated by Abdullah Badawy

what does a muslim look like.jpeg This 22 page, simplistic book written in rhyming couplets, is such a timely and necessary book.  Much like Owl and Cat: What Islam Is… this book has value that extends far beyond its audience level (not AR but, I’d say three years and up), as the content breaks down stereotypes while being framed in a positive, non condescending way.

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A brother and sister pair, Jack and Jane, go about their day when at dinner Jack remarks that he learned that two of his classmates are Muslim and they look like them.  Thus arises the question, what do Muslims look like?  The book then goes on to break down stereotypes and broaden views in the same rhyming manner that keeps the book light and child friendly.  The conclusion is that like people of other faiths, everyone is different, and that no one should be judged on what is on the outside.

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The book appears to have been started on Kickstarter in 2012 and Alhumdulillah it got the needed funding to get published.  I got my copy through the public library system, and I am beyond thrilled that I found it where hopefully a lot of people can get their hands on it.  Reading the author’s campaign on where the concept came from, he would have had no idea how much more timely the book is now, then when it was first published.  I get asked quite regularly from old school friends, how they can introduce Islam or get the ball rolling  to talk to their kids about Muslims, and this book would be a great start.  Told from non Muslim kids perspectives, with very hip parents, the book does not discuss any tenants of faith or belief, it just identifies the many shapes and sizes and colors that Muslims come in.  It would work well to show that Muslims are everywhere not just in the news, without overwhelming even the youngest of readers.

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The pictures in the book are absolutely perfect in complimenting the story. They are not only silly, but also diverse as the book’s text would require.  Interestingly there are ladies with hijab and those without, and scarves are not mentioned in the text, and also noteworthy is there are no bearded men in the pictures.  Overall, a wonderful book that I would love to have on my shelf with extras to hand out.

Mar4

Never Say A Mean Word Again: A Tale from Medieval Spain by Jacqueline Jules illustrated by Durga Yael Bernhard

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I love when tales from the past provide timeless lessons in relevant ways.  Inspired by a medieval legend about the Jewish poet Samuel Ha-Nagid, a royal advisor in Muslim Grenada, Jules creates a story that works for children of all ages and backgrounds.

The Grand Vizier’s son, Samuel, bumps into the tax collector’s son, Hamza, and the boys don’t rub each other the right way.  Later that day, Samuel spills his drink on Hamza and can’t convince him both were accidents.  Hamza calls Samuel some mean names and storms off.  Samuel and his father think the name calling is uncalled for, but the vizier does not solve his son’s problem and instead assigns him to “make sure Hamza never says a mean word to you again.”  Samuel imagines ways to teach Hamza a lesson or punish him, but some ideas are too complicated and some just silly.  This is proving to be a hard task.  The next day Samuel shows up to Hamza’s house with a lemon.  He thinks forcing Hamza to eat it is a good punishment for a mean mouth, however Hamza thinks the lemon is to help with the stain that ruined his clothes, and tells him his mother already tried that.  Caught off guard by Hamza’s reaction, the two somehow end up playing catch with the lemon and enjoying the afternoon together.  The next day he shows up to Hamza’s house with ink and paper thinking he will make Hamza write him an apology.  Hamza however, thought Samuel showed up to draw, and once again the boys enjoy an afternoon together.  This carries on until the boys are so used to seeing each other and having fun together, they become friends.  Samuel fears that he disobeyed his father and did not handle Hamza only to realize that by befriending his “enemy” he did in fact make sure Hamza never said a mean word again.

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The book is 32 pages with an Author’s Note about the real life events that the story draws upon.  The book is not AR, but the large bold typeface and the warm simple pictures make this book work great for story time with young children.  It compliments themes about bullying and making friends as well as being silly.  It works well for third graders and older ones too, as they might understand people of different faiths struggling to get along or people of different socio-economic classes, or even just imaging how they would solve a problem without their parents doing it for them.  I was pleasantly surprised by the book and how it handled the Muslim/Jew staging of the characters.  Especially right now in today’s world, this story has a poignant lesson for us all. If we all spent time together having fun, we too could end up being friends, or at least getting along.  I think the story and its lessons have merit and relevance, and thus a place on the bookshelf.

 

 

Mar1

Samira and the Skeletons by Camilla Kuhn

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Samira and the Skeletons by Camilla Kuhn

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Quite possibly there is nothing Islamic about this book, but the main character’s name, Samira, is traditionally an Islamic name and thus it caught my attention.  I also think one could argue that the mom in one of the pictures (see picture below) is possibly wearing a hijab.  So, probably I shouldn’t include it on the blog, but the book is so disturbingly creepy, in a fantastical way, that I thought, why not.

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Samira learns that everyone has a skeleton and bones one day at school, and it frightens her.  She starts seeing everyone’s skulls instead of their outward body parts and she refuses to accept that she has such morbid parts or that her friend Frida does too.  Knowing that she is chewing with teeth, skeleton parts poking through, at lunch is too much and she can’t even be near Frida.  When she gets home she tells her mom she wants to be free of her skeleton, and her mom agrees.  Yes, agrees! They resolve the tooth fairy will be delighted to get a whole skeleton, not just a few teeth.  So the mom, gets some tools and preps a table to perform the surgery required to remove her skeleton.  Luckily Samira runs for it and finds Frida, and alas the girls accept that they have skeletons and use humor to diffuse the fears they have of what lurks beneath their skin.  That is of course until the next day at school comes, and they learn that they have muscles, just like steak.

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The imagination of the girls is quite remarkable.  I love that it starts with a lesson and that information about skeletons and animals, such as jelly fish that don’t have them exist, is sprinkled through out.  I also like the approach, its weird, but in a delightfully fun way.  It also lends itself well to a discussion of how we are more alike than different.  Our outward appearance doesn’t define us when we are all made up of bones and muscles.  The story doesn’t address it, but some kids might infer it or connect the dots with a little prodding.    img_3064

The book is not AR, but I think most 5 year olds and up can read it or follow along giggling all the way through.  It probably isn’t for every child, but those with a darker sense of humor will enjoy all 34 pages.

Feb26

Nasreen’s Secret School: A True Story From Afghanistan by Jeanette Winter

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It is widely written about, even amongst children’s literature, that in parts of the world, girls are not allowed to go to school, but that many find ways to do so anyway.  What sets this book apart is that it is based on a true story, and while there is some hope for Nasreen, overall it is a really melancholy tale without a happy ending.  At 40 pages, author Jeanette Winter once again conveys a story that shows compassion instead of judgement and undeniable admiration for her characters.  Written on a 4.2 level, the story packs a lot into small, simple sentences, and her illustrations do not shy away from the realities of Afghanistan.  While I was surprised to see that twice the book was challenged, in 2014 and 2016, for showing Muslims praying and for violence, I was glad that it was never banned.   The strength and determination of Afghani women should not be silenced, it should be shared and celebrated.

 

The story is told from the point of view of Nasreen’s grandmother.  She is heartbroken that her granddaughter is not allowed to attend school and practice the arts as she was, and even her daughter-in-law, were able to do as children.  Since the Taliban has come things are dark.  Things get worse when one night soldiers come and take Nasreen’s father with no explanation.  When he doesn’t return, Nasreen’s mother leaves to find him, displaying her own strength to independently take on a society that doesn’t permit her to go out alone.  Unfortunately she does not return either, and Nasreen stops speaking.  Grandma learns of a secret school for girls.  Determined that Nasreen should know of the outside world, great risks are taken for many girls to learn in a private home a few doors down.  Dodging Taliban soldiers and neighborhood boys helping keep their school a distraction starts to pay off as Nasreen finds a friend and starts to open her heart.  The book ends with mom and dad still missing, but hope for Nasreen to see through the window education has opened for her, inshaAllah.

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Feb23

Malcolm Little: The Boy Who Grew Up to Become Malcolm X by Ilyasah Shabazz illustrated by AG Ford

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Malcolm Little: The Boy Who Grew Up to Become Malcolm X by Ilyasah Shabazz illustrated by AG Ford

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I had hoped to have a handful of selections to review for Black History Month, but alas I started too late in collecting titles, inshaAllah next year I will be better organized.  I did want to share this beautiful book though, as a great story of hope and love, that I don’t think is often included when we study Malcolm X or talk about him today.  This is the story of his parents and the philosophy of equality they tried to raise him in before hatred and bigotry destroyed his family, before he went to prison, before he became “Detroit Red,” a member of the Nation of Islam, before he became a civil rights leader, a Muslim, before he became Malcolm X.  This is a story, based on love, written by his daughter to give children of all ages something to think about.

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The story of Malcolm Little, is a story that I feel cannot be rushed, it is very heavy in text and at 48 pages, the warm beautiful pictures make it accessible in pieces to younger children, but it is written on an AR 6.5 level (sixth grade fifth month).  The book tells about how his mother and father met, believed in universal equality and justice, and started a family where these values took center stage.  The family suffered for their beliefs and their home was burnt down, but they rebuilt and the family continued to find strength and see the power of possibility.  The books shows the lessons taught in everyday activities such as raising a garden, doing laundry, reading books, doing homework, and even fishing.

When Malcolm’s father was killed, however, and his mother taken away, the family was forced to separate and Malcolm to deal with an unwelcoming world, more or less alone.  The book ends with Malcolm in 7th grade so, to young readers who have maybe only heard his name in passing the book is full of hope and roots for the man he would become.  It is almost a fairytale start to a man who would be cut down in his prime years later.  They will understand how unfair society treated his family, how warm and educated and strong his mother, Louise was, and how inspiring his father as a preacher was. The takeaway will be how Malcolm’s upbringing and personality allowed for him to rise up and refuse to stay down during horrific events in his life.

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For older elementary and middle schoolers it is a story of possibility, of how quickly things can change, and the effect of hate.  They should also see how institutionalized and normative the oppression of African Americans was and how it really wasn’t that long ago.  When Malcolm’s English teacher Mr. Ostrowski tells Malcolm that he as an African American should not have such high expectations, readers should realize that the acts of the Ku Klux Klan may be viewed as “extreme” but society as a whole was systematically enabling such bigoted acts.  The lessons passed on to Malcolm by his parents are universal themes of hope and love and equality that still have to be stood up for today, and even young listeners can grasp that, and also grasp that because of their skin color alone they were seen as second class citizens.

The book shows depth to a historical character that gives some insight to what made him so dynamic.  Many young readers will be surprised at how quickly Malcolm’s world unraveled, and some of the reasons why, while empathizing with the injustice of it.  The Author’s Note at the end is also fascinating as it details the family members and their stories about the characters in the book.   I liked the softness of the book and the smaller lessons for children that it presented.  It didn’t shy away from the violence and prejudice that the Little family faced, but presented it through a lens of optimism to hopefully inspire children to carry on with the social activism that still needs to be done.

 

 

Feb21

The Complete Persepolis by Marjane Satrapi

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The Complete Persepolis is both Satrapi’s volume one and two of her memoir about growing up in Iran during the revolution.  At 341 pages of black and white graphic novel intense story telling I was fascinated by its 3.3 AR level for volume 1 and 3.9 for volume 2. Clearly this is once again a loophole in the AR system rating a book for word and sentence difficulty and not content.  The book is for high school and above, despite the simplistic style it is presented in.  The content of multiple wars and coming of age,  provides detailed political commentary not tempting to many elementary and middle school children, and her coming of age narrative is no way appropriate for third or fourth graders.

SYNOPSIS:

Marjane is an only child in Iran growing up with a loving liberal family in a time of change.  She comes across as being very entitled, very financially well off, and very deeply engaged even as a child.  As her society changes and becomes more religious with the revolution, she shows the contradiction in people and their attitudes as they use religion as a power and political tool.  Her retelling of the torture and horrors family and friends go through, is kept light by her universal coming of age musings and struggles.  She is encouraged to be vocal and outspoken about social issues, with her parents boundless support for whatever consequences her actions bring on.  In the second volume Marjane has gone to Austria for school to get away from the confinements of Iran.  Here she finds different struggles as she finds it hard to fit in, hard to conform, and hard to be away from home.  She experiments with drugs, and boys, and ideologies, but alas returns home after she finds herself homeless, friendless, and in poor health.  Back in Iran she finds she has now joined the contradictory world she left behind, and being back in school and married to a man she doesn’t love forces her once again to leave her homeland, and take all her life lessons to rebuild herself as someone she wants to be.

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WHY I LIKE IT:

I like that it is a graphic novel. In many ways it makes the political influence of her country on her life easier to understand.  Iran’s political history is complex and to take a reader unfamiliar with it and use it as a narrative in shaping her and her thought process, it works surprisingly well.

I primarily wanted to read the book to see how Islam is presented.  Obviously it would be a major factor in the book, and obviously the author is not a practicing Muslim in favor of the revolution.  So, I was equal parts nervous and curious to see how such a popular book would show such a religious society.  And to be honest, I feel like she handled it in a very secular way.  She never seemed to attack the doctrine of the faith, but more its presentation as a tool to oppress or control Iranians.  Her rebellion in clothing and alcohol and drugs and promiscuity is presented as a rebellion against a society that is using Islam and the contradictions people have with it in public as opposed as to behind closed doors. For example she doesn’t support the veil or hijab, but it didn’t seem that she was opposed to someone wanting to wear it, she was opposed to it being forced upon women, and she pointed out the hypocrisy of people not wearing it one day then wearing it and policing other woman’s manner of wearing it the next.  I felt this was made a bit clear when she meets a religious man, who passes her on her ideology test.  She refers to him as a “true religious man” who respects her honesty.  In my mind I saw this as her not being a religious person and not being surrounded by people who were religious for the sake of belief, but rather for their own personal gain and agenda.  When she critiques her country’s laws about boys and girls being together, or consumption of alcohol she doesn’t go into the verses in the Quran or hadith, but rather how she is able to skirt the law with a fine or deceit.  She doesn’t pray, but also makes clear she doesn’t know how to pray, she doesn’t know how to read Arabic, etc.. Thus the idea of being Muslim is foreign to her, she simply lives in a country that claims to enforce Islamic rules.  By her then going to Austria and having “freedom” but not finding happiness I also found it made the nuances of what is religion and what is culture and what is politics a little bit easier to see.  Ultimately it is a girl finding her self and defining her self irregardless of what country she is in and what religion that culture follows.  Whether people learning of Iran of Islam for the first time would see the shades of gray within the novel I don’t know, but I truly don’t believe Satrapi based on this book hates Islam or is trying to get others to view the faith as a whole negatively.  And even despite her feeling confined in Iran I think she has a deep love of her country and her people.

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FLAGS:

Violence, language (lots), sex, drugs, alcohol.

TOOLS FOR LEADING THE DISCUSSION:

I would never use this book as a book club book at an Islamic school.  The themes are just too mature to justify the coming of age story aspect of it, or even as a historical supplement to Iranian culture.  That being said, I personally as an adult would love to be in a book club with this book.  I know a lot of Iranian and Iranian Americans who are religious, but I have never inquired as to their personal political views, and vice versa. I know even more secular Persians, many with disdain for Islam, but again not for practicing Muslims, and never have dared ask how their political and socio-economic status may have influenced them and their views.  I think it would be fascinating, both to hear their stories and to solidify my own views on such a contentious issue.

Feb19

A Tale from Turkey The Hungry Coat by Demi

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A Tale from Turkey The Hungry Coat by Demi

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It really bothered me that I didn’t love the version I read of  The Parrot and the Turkey about Nasreddin Hodja, especially after finding out how entwined he is in Turkish culture, and reading some of his tales online.  So, when I found that Demi had also rewritten and illustrated a tale from his collection I was anxious to check it out.

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The  Hungry Coat is a charming story and Demi does a great job of bringing it to life with her pictures and storytelling abilities.  The book is 36 pages and a 4.1 on AR.  The text isn’t overwhelming in volume, but to read it definitely requires a bit of an older child’s vocabulary.  Words like caravansary, hostel, banquet, frisky, and commotion are scattered through out.  However, to listen to the story and to understand the message Nasrettin Hoca (an alternate spelling) is conveying, is easily enjoyed by children four and up.  The story flows very smoothly and the catch line of “Eat, coat! Eat!” makes the story absolutely delightful.

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Nasrettin Hoca always keeps an apple in his pocket for any goats he might pass while he is out and about.  One day he helps round-up a goat that has gotten lost, and in all the commotion had become quite a mess and lost too much time to go home and change his clothes before heading to a friend’s house for dinner.  Deciding to go in his patchy, smelly clothes, Nasrettin soon finds that none at the dinner party will sit by him, or even sit facing him.  He slips out quietly from the gathering and has an idea.  He goes home and preens himself, and returns to the party where he is greeted with attention and kindness.  At dinner he begins placing the food in his coat, rather than eating it.  Each time he opens his coat he commands it to eat.  After he fills his coat he pats his belly to the bemusement of all around him as they ask him what he is doing.  He makes his point that when he came in his old coat he wasn’t fed, but when he came dressed so beautifully he was, and thus clearly the coat was invited to dinner, not him.  Everyone cheered and learned the lesson.

“A coat may be fine, but a coat does not make a man.”

The illustrations are rich and detailed, but I did find myself a little put off when Nasrettin seemed to go from looking like an old little man, to being very effeminate.  The inconsistency bothered me a bit, which surprised me for a Demi illustration.  Also, it is worth noting that there is mention of wine in the story, that many may find off for a children’s book, particularly one about Muslims (Nasrettin was an Imam and a Dervish, so he may have drunk, I’m just saying it surprised me).  The last two pages of the book are an afterword about Nasrettin Hoca in real life and the influence of his folk tales and lessons.

Feb16

Snow White: An Islamic tale by Fawzia Gilani illustrated by Shireen Adams

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Snow White: An Islamic tale by Fawzia Gilani illustrated by Shireen Adams

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A lot of the twists that I was surprised by and endeared to in Fawzia Gilani’s Cinderella, seemed lacking in her re-telling of Snow White.  Perhaps it is the mere fact that Cinderella has a legacy of being re-told from different cultural perspectives and in different time periods, where Snow White doesn’t, that made this book stumble where her other sailed much more smoothly.

The basic premise of this Snow White version is naturally the classic tale.  Snow White is the envy of her stepmother, in this case however, it isn’t a magic mirror, but a jinn who answers her questions. Once the huntsman is convinced not to kill her, and a boar’s heart and liver are taken instead,  Snow White finds the companionship and shelter of the dwarves.  In this re-telling, it is a female crew with countless skills that they are happy to pass on to their newest friend.  When the evil stepmother finds out Snow White still lives she concocts poisonous dates to present in disguise to Snow White who is awaiting the appointed iftaar time.  The dwarves arrive home too late to save Snow, but see who has done the evil deed.  The Prince makes his brief appearance as he arrives at the cottage, makes dua’a for Snow and then sends his mother to nurse her back to health.  In fairy tale tradition a wedding soon follows, but the evil step mother has one more trick up her sleeve, she poisons a comb that Snow is surely to use as she prepares for the big day.  The dwarves cannot thwart the stepmother and Snow is only saved when the stepmother in all her vanity accidentally picks up the comb to fix her own hair.  Over time she recovers and Snow forgives her and they all presumably live happily ever after.

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Perhaps it isn’t fair to compare the two books, but I would imagine they are often purchased together and I feel like there are some notable differences that are worth mentioning.  In Cinderella, the setting is Andalusia and they are all about the same skin tone.  Snow White seems to resort back to old stereotypes and the stepmother seems to be the only one with a darker complexion with all the others being more fair.  Granted her name is Snow White, but it is established on the first page that her mother prays for a child with a “heart as pure as snow,” so really that doesn’t hold up.  Also, where I felt that Cinderella could work for Muslims and non Muslims alike, I think this one would be a hard sell for non Muslims.  There are a lot of references to dua’as of Noah and Job, there is Ramadan, the role of the jinn, she even does tayammum at one point and readers may be confused why sometimes she is in hijab, and when home with the women she is not.

Like Gilani’s Cinderella, the book is very thorough in being Islamically appropriate.  The sisterhood is a nice twist and the Prince has a really small part.

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The illustrator is the same, yet for some reason the pictures seem a bit dull in this book.  The bottle of poison is shimmery, but the other illustrations seem muted and almost rushed.  The book is 41 pages with a glossary and Reference for Quran in the back, and is very text heavy.  Probably 3rd or 4th grade level with some assistance on the Islamic concepts.