Category Archives: YA FICTION

Aug21

The Hajj Adventures of Jamila and Fasfoose by Ediba Kezzeiz illustrated by Abd al-Hayy Moore

Posted on by
Standard
The Hajj Adventures of Jamila and Fasfoose by Ediba Kezzeiz illustrated by Abd al-Hayy Moore

FullSizeRender (13)

The book isn’t much to look at with its black and white, with yellow thrown in cover, and its 40 pages bound with a staple, but for independent readers between 2nd and 4th grade or so, the book is good.  In many ways it is an older kids version of Zaahir and Jamel, adding a fictional story to the learning about the steps of Hajj.  

SYNOPSIS:

The setting is Hajj and all of its different rituals, but the story is that Jamila and her pet mouse Fasfoose get lost in Mecca.  Along the way to finding Jamila’s parents and performing the requirements of Tawaf, Sai, Arafah, Mina, Muzdalifa, Jamrah, and Eid, a few duaas are thrown in, friendship with people of different nationalities and lessons in patience, speaking with your heart and finding your internal compass of wrong and right all come to light.

WHY I LIKE IT:

I like the target audience, and how it doesn’t ever feel preachy or like a How-to-perform-Hajj manual.  If a child is familiar with the rituals of Hajj the story gently reminds them of what they already know and the story takes center stage.  If they are unfamiliar, the book doesn’t talk down to them, and may prompt them to want to learn more.  Strong lessons of being kind and not hurting anyone or anything while in ihram are strong, as are the  beauty of multiple cultures speaking from their heart to find common threads.  There are illustrations to break up the text and not overwhelm the young reader, and the story is divided into seven chapters.  The font and size are all age inviting and even older middle school kids would probably pick it up if they saw it, read it in about 20 minutes and be glad that they did.

FullSizeRender (14)

FLAGS:

None, alhumdulillah

TOOLS FOR LEADING THE DISCUSSION:

The book is fun, probably not long enough for a book club selection, but a great read -a-loud. The length of the chapters make it a short read that ideally could be read the week before Hajj or Eid.  My 3rd grader read it and is enjoying listening to me read it to my 2nd grader.

FullSizeRender (15)

Apr29

Watched by Marina Budhos

Posted on by
Standard
Watched by Marina Budhos

Watched-

This book is so incredibly timely that it feels like it could be real, granted its been timely since 911 and homeland security took to watching people more aggressively and openly.  But, New York police have been in the news about their methods regarding watching muslims and mosques, and this fiction book does a great job of getting inside a boy’s mind as he explores both being watched and being the watcher.  The book is 265 pages and is written on an AR level of fourth grade, but content wise I would not recommend it for anyone younger than high school.  The concepts and themes need to be put in perspective to appreciate the book.  And at the same time, being able to understand how terrorist recruit and how police aren’t always ethical, creates some gray area that require a certain level of maturity to make it resonate.  It isn’t a black and white story with good pitted against bad or legal verse illegal, the nuances in between are where the action takes place.

SYNOPSIS:

Immigrant. Muslim. Teenager. Screw-up. Lots of labels for high school senior Naeem Rahman.  Born in Bangladesh, he moves to Queens in New York, after his mother dies and his father has remarried in America and sends for him.  While there is a gap in his relationship with his father, the story doesn’t focus on issues at home.  He has a very strong relationship with his step mom, and his younger brother, making him very likable and endearing.  He has problems elsewhere, however, that stress his family and get him in to trouble.  His grades are poor and he learns he will not be able to graduate, which further distances Naeem from his small shop owning father.  And his friends have dwindled to a single friend, Ibrahim,  that enjoys weaving tales mixed with truth and fantasy and dreams, that gives Naeem a taste for living on the edge and running fluidly around the city.  When an adventure with Ibrahim goes bad, and Naeem gets stuck holding stolen goods, it is a deal with some cops that comprises the bulk of the story, and forces Naeem to decide if he can go from being watched, to being a watcher, an informant for the police.

With a prior run in with the law, some marijuana in his backpack, a working class family, and not wanting jail time, the police officers know that they can pretty much ask anything from Naeem and he will comply.  Naeem starts spying on his community online and by going to the masjid for prayers, volunteering with MSA’s, helping out with summer schools for Muslim kids, all things he and his family had stopped doing after 9/11 when cameras started going up on poles outside of mosques, and fellow worshippers started eavesdropping on each other to report back to the police.  But, now that Naeem is on the inside, he finds power and strength in what he is doing, a confidence he has never had before.  He starts helping neighbors, helping the family income, fasting in Ramadan, but all with a guilty conscience.  His foundation is deceptive.  When the story comes full circle and Naeem realizes the path he is on, he has to find a way to get out and own up to the choices he has made both to his community and to the police.

WHY I LIKE IT:

The story has moments of action and intensity, but it is also poetic and introspective.  Budhos really gets inside Naeem’s head and shares that with the readers.  Obviously, the book is for Muslims and non Muslims, it is a companion story to her book Ask Me No Questions, but I think the reason it resonated so much with me is because it is something I am familiar with.  So the poetic musings made Naeem more likeable to me, I didn’t see them as speed bumps in a book billed as a thriller.  I was glad that Naeem was charming and fleshed out.  His relationship with his little brother and with his step mom, really show that he has layers and isn’t just one label or another.  There is a lot of diversity in the Muslims presented and their backgrounds that make them who they are.  There are also a lot of cultures presented in this immigrant neighborhood that make the details solid.  There is no doubt that the author knows what she is talking about, that she is perhaps lived it in some capacity, the authenticity is definitely present.

FLAGS:

Aside from the arcing themes that raise flags for the younger, more sheltered readers. There are a lot of things mentioned, although not explicit or celebrated, they are presented in passing to create understanding of an environment.  There is drug use, kissing, violence and some profanity.  In a story like this there is obviously a lot of lying, stealing, talk of homegrown terrorism.

TOOLS FOR LEADING THE DISCUSSION:

The author’s website: http://www.marinabudhos.com/books/watched

Author interview with NBC news: http://www.nbcnews.com/news/asian-america/immigrant-teen-gets-swept-nypd-surveillance-marina-budhos-watched-n661171

Feb21

The Complete Persepolis by Marjane Satrapi

Posted on by
Standard

Persepolis cover.jpg

The Complete Persepolis is both Satrapi’s volume one and two of her memoir about growing up in Iran during the revolution.  At 341 pages of black and white graphic novel intense story telling I was fascinated by its 3.3 AR level for volume 1 and 3.9 for volume 2. Clearly this is once again a loophole in the AR system rating a book for word and sentence difficulty and not content.  The book is for high school and above, despite the simplistic style it is presented in.  The content of multiple wars and coming of age,  provides detailed political commentary not tempting to many elementary and middle school children, and her coming of age narrative is no way appropriate for third or fourth graders.

SYNOPSIS:

Marjane is an only child in Iran growing up with a loving liberal family in a time of change.  She comes across as being very entitled, very financially well off, and very deeply engaged even as a child.  As her society changes and becomes more religious with the revolution, she shows the contradiction in people and their attitudes as they use religion as a power and political tool.  Her retelling of the torture and horrors family and friends go through, is kept light by her universal coming of age musings and struggles.  She is encouraged to be vocal and outspoken about social issues, with her parents boundless support for whatever consequences her actions bring on.  In the second volume Marjane has gone to Austria for school to get away from the confinements of Iran.  Here she finds different struggles as she finds it hard to fit in, hard to conform, and hard to be away from home.  She experiments with drugs, and boys, and ideologies, but alas returns home after she finds herself homeless, friendless, and in poor health.  Back in Iran she finds she has now joined the contradictory world she left behind, and being back in school and married to a man she doesn’t love forces her once again to leave her homeland, and take all her life lessons to rebuild herself as someone she wants to be.

persepolis-1

WHY I LIKE IT:

I like that it is a graphic novel. In many ways it makes the political influence of her country on her life easier to understand.  Iran’s political history is complex and to take a reader unfamiliar with it and use it as a narrative in shaping her and her thought process, it works surprisingly well.

I primarily wanted to read the book to see how Islam is presented.  Obviously it would be a major factor in the book, and obviously the author is not a practicing Muslim in favor of the revolution.  So, I was equal parts nervous and curious to see how such a popular book would show such a religious society.  And to be honest, I feel like she handled it in a very secular way.  She never seemed to attack the doctrine of the faith, but more its presentation as a tool to oppress or control Iranians.  Her rebellion in clothing and alcohol and drugs and promiscuity is presented as a rebellion against a society that is using Islam and the contradictions people have with it in public as opposed as to behind closed doors. For example she doesn’t support the veil or hijab, but it didn’t seem that she was opposed to someone wanting to wear it, she was opposed to it being forced upon women, and she pointed out the hypocrisy of people not wearing it one day then wearing it and policing other woman’s manner of wearing it the next.  I felt this was made a bit clear when she meets a religious man, who passes her on her ideology test.  She refers to him as a “true religious man” who respects her honesty.  In my mind I saw this as her not being a religious person and not being surrounded by people who were religious for the sake of belief, but rather for their own personal gain and agenda.  When she critiques her country’s laws about boys and girls being together, or consumption of alcohol she doesn’t go into the verses in the Quran or hadith, but rather how she is able to skirt the law with a fine or deceit.  She doesn’t pray, but also makes clear she doesn’t know how to pray, she doesn’t know how to read Arabic, etc.. Thus the idea of being Muslim is foreign to her, she simply lives in a country that claims to enforce Islamic rules.  By her then going to Austria and having “freedom” but not finding happiness I also found it made the nuances of what is religion and what is culture and what is politics a little bit easier to see.  Ultimately it is a girl finding her self and defining her self irregardless of what country she is in and what religion that culture follows.  Whether people learning of Iran of Islam for the first time would see the shades of gray within the novel I don’t know, but I truly don’t believe Satrapi based on this book hates Islam or is trying to get others to view the faith as a whole negatively.  And even despite her feeling confined in Iran I think she has a deep love of her country and her people.

732c8f4f6e49237b963aee4bbe0faee3

FLAGS:

Violence, language (lots), sex, drugs, alcohol.

TOOLS FOR LEADING THE DISCUSSION:

I would never use this book as a book club book at an Islamic school.  The themes are just too mature to justify the coming of age story aspect of it, or even as a historical supplement to Iranian culture.  That being said, I personally as an adult would love to be in a book club with this book.  I know a lot of Iranian and Iranian Americans who are religious, but I have never inquired as to their personal political views, and vice versa. I know even more secular Persians, many with disdain for Islam, but again not for practicing Muslims, and never have dared ask how their political and socio-economic status may have influenced them and their views.  I think it would be fascinating, both to hear their stories and to solidify my own views on such a contentious issue.

Feb11

The Treasure at Bayan Bluffs by Farah Zaman illustrated by Kim Zaman

Posted on by
Standard
The Treasure at Bayan Bluffs by Farah Zaman illustrated by Kim Zaman

img_2961

At 231 pages this book claims to be for ages 9 to 18 and that’s a pretty large spread for a mystery, yet alone an Islamic fiction one by a first time author.   In a tone reminiscent of Nancy Drew and the Hardy Boys,  it should really should just say 9 and up, I was hooked!

SYNOPSIS:

Adam and Layla along with their younger twin brothers Hassan and Hakeem from America are visiting their family home of Bayan Bluffs in Midan for the summer.  Their grandfather and great aunt and a few long time servants aren’t much entertainment for the children, so their parents arrange for their college friends kids’ Zaid and Zahra from Crescent City, a few hours away, on the other side of Midan to join them.  The children get along right away and decide to try and solve a mystery of a hidden treasure that they have heard bits and pieces of over the years.  Their search for the Moon of Masarrah starts innocently enough, but quickly escalates as they learn they aren’t the only ones searching for the missing gem.  As they learn more about the jewel and the circumstances of its disappearance the gem and the murder of Adam and Layla’s great grandfather get further entwined.  With a few of the suspects still alive and many of their family members still in the city, the children soon find they themselves in danger as well.

WHY I LIKE IT:

The biggest reason I like it, is it is well written.  There aren’t confusing passages, or too many characters or boring preachy paragraphs.  The plot is good, the dialogue believable and the fact that they are Muslim children, just depth to the story.  They plan to meet after asr or before Jummah, and they say inshaAllah and mashaAllah, and its just a really good balance of who they are, but not all they are.  In retrospect, maybe they all get a long a little too well, but it isn’t syrupy and they have some minor annoyances, so it doesn’t hinder the story.  The only thing I caught myself looking back on was the age of the twins.  At times they seem like toddlers and at other times much, much older.  Even the author says they are “about six years old,” and having a six year old myself, I do believed that they can vacillate to both extremes in any given moment and thus I accepted their antics and let it go.  Additionally I wish she included a map.  It isn’t confusing, but it would have been great to look back upon as the action speeds up, and would definitely help younger readers visualize the details.  The terrain vocabulary for anyone younger than nine might need some explanation.  There is a glossary at the end for some of the Arabic words, and for some of the specific ships and weapons mentioned.  Their are a few illustrations that I think help the younger readers, they aren’t needed for the story, but they don’t impede it either.  I wasn’t crazy about them within the story, but I did appreciate that they show the girls in hijab and the illustrator clearly put a lot of work in to them.

bayan.jpeg

I wish that the cover was more appealing, for a story that was so good, I wish it begged to be picked up.  InshaAllah word of mouth will carry the book, so that more like it are written and published.

FLAGS:

None, mashaAllah it is clean and wholesome.  There are good and bad Muslims and no judgement is put in a religious context.  There is some violence, but it is nothing even a seven year old would find offensive.  Alhumdulillah.

TOOLS FOR LEADING THE DISCUSSION:

I would love to do this as a Book Club book for 5th through 8th grade.  The writing quality and the different characters the students would be able to identify with, would make it a lot of fun.  There isn’t any deep or though provoking discussion points to accompany the book, but I think the genre is hard to come by and Muslim kids seeing Muslim kids solving a crime and going on a treasure hunt, is just exciting.  I couldn’t find any study guides or even much information on the book or author, but none is needed to enjoy the story.  Farah Zaman if somehow you see this review, know that I hope you keep writing, and I thoroughly enjoyed your book!  Happy Reading Everyone!

 

 

Oct20

Umar and the Bully by Shabana Mir illustrated by Asiya Clarke

Posted on by
Standard

Umar and the Bully.jpg

With it being October and Bullying Prevention Month, I thought to review a book that has been on my bookshelf for a long, long time.  It won the Islamic Foundation Story Writing Competition in 1996 and is just as relevant today.  At 44 pages, the story, the layout, and writing style appeal to children on a second or third grade level.

SYNOPSIS:

Umar stumbles across some older kids plotting something covertly in the school yard and some money being exchanged.  He then encounters a younger student upset.  Being a kind person, Umar gets Asad to confide in him what the bullies, Harith and David, are up to, and vows to keep Asad safe.  While all that seems simple enough, the true battle begins within Umar,  as he has to figure out what is he going to do, and how is he going to stop the bullying.

WHY I LIKE IT:

I love the length and the target audience.  My six-year-old son summed it up perfectly when he finished.  “Woah, that was a good book, I didn’t expect it would give me so much to think about.”  The author follows the bullying strategy of telling an adult, or a teacher, but gives some depth when that teacher doesn’t care or take the time to help.  It also shows a variety of people that you can go to for help and characteristics you should look for when deciding who a good person to talk to would be.  Umar decides to talk to a good friend of his about what is happening to Asad and devise a plan to help.  Mohammad is kind and trustworthy.  He also gets some advice and encouragement to be brave from Mohammad’s older sister and brother.  All this is done within an Islamic context of asking Allah swt for help, of finding inspiration from stories of his namesake Syedina Umar Al-Farooq. It also, as we get in Umar’s head, reveals how he himself is scared of facing the bully.  This is great because it shows that it can be scary to confront someone even if you are not the victim.  Umar feels he shouldn’t be scared because he is a Muslim, which I really don’t understand, but he turns to Allah swt asking for bravery to do what is right and to be strong.  And beautifully, after it undoubtedly raps up in a happily ever after children’s story way, he does remember to thank Allah (swt) for being there for him and gives credit to Allah for giving him strength.  The book shows the responsibility we have to do what is right even if it isn’t being done directly to us.  It also shows one or two children can make a difference.  I really like that the point of view is from Umar, not the one doing the bullying or receiving it.  Allowing the reader to see how empathetic he is to another person is a wonderful lesson in and of itself.

The book also has mostly Muslim characters, but a few names sprinkled through out as victims and perpetrators could suggest non muslims as well. This is great in showing that bullies are everywhere and that perhaps being in an Islamic school or in a majority Muslim school does not mean bullying doesn’t exist.  Similarly it is good to see that bullying isn’t just non Muslims disliking Muslims, as often time books about bullying for Muslims would suggest.  I think the book could be for Muslims and non Muslims alike, but with the religious reliance, it is geared more for Muslim readers.

FLAGS:

The book is clean, it mentions that the bullies are violent, and possibly smoking.  The children being bullied obviously are lying but it is clear that it is done out of fear, not because they are deceitful by nature.

TOOLS FOR LEADING THE DISCUSSION:

There aren’t any reading guides or activities to accompany the book that I could find online, but I think the natural discussion that would follow make it a great option to read as a book club book, or in small groups.  There are a lot of very easy places to ask children what they would do, if Umar made a good decision, and how they would feel as the story unfolds.

 

 

 

Aug27

Broken Moon by Kim Antieau

Posted on by
Standard
Broken Moon by Kim Antieau

Broken Moon.jpg

I didn’t initially think the premise of the book was terribly original: a poor scarred girl in Pakistan working as a servant, cuts her hair to look like a boy and be free to move about and rescue her brother.  But the weaving in of the One Thousand and One Arabian Nights stories into the larger story, and the plot of kidnapping children to be camel jockeys in the Middle East, made the story good.  Really good, but not the book.  I really struggled with the format of the book.  It is written as letters by the main character Nadira to her young brother Umar.  The information seems too forced in this style, she is telling him how old he is, or retelling him things he said a few days ago.  Once they are together she has to clarify that now she is writing it to their mother, and then again alter it to be writing to those following her story.  It presents too many characters, that are awkwardly introduced because presumably he knows who they are, the reader does not, and bridging that gap makes the book halt the reader from diving head first into a really compelling story.  I feel like the book’s editors let the characters down, it would have been an easy fix to tell the story as Nadira told it to the Sheikha, and then when the story caught up with the present to continue it from there as written, without the guise of it being shared in letters or a diary format.  But, alas no one asked me.  Luckily the book is only 183 pages and written on a AR 4.2 level so it is a speedy read.  Do not let the fourth grade level, however, trick you into thinking it is content appropriate for a 10 year old. There is a lot of abuse, in every sub category of the word.

SYNOPSIS:

When Nadira was 12 years old she was attacked by a group of men seeking to avenge an alleged crime Nadira’s older brother committed against their daughter.  By this girl’s reputation allegedly being ruined by Nadira’s brother, the village decides that a female in his family should in exchange be ruined.  Nadira manages to fight and ends up with some external scarring, including a moon shaped scar on her face, a lot of internal scarring, but the book points out quite often that she got away from being sexually abused.  In her culture she is assumed to be ruined, and will never be married.  She begins to work as a servant to help the family financially as her older brothers have more or less disappeared and no longer are of any help to her family.  When her father dies, her mother and younger brother, Umar, rely on Uncle Rubel who is a horrible man who covertly sells Umar to the smugglers to become a camel jockey.  The family that Nadira works for seem kind, they stick to the norms and don’t include her in their fun and frivolity, but they don’t abuse or belittle her either.  They offer her, her mother, and Umar a place to live on the property, and assist her in finding someone to locate her brother.  Nadira, however, is strong and determined and takes matters into her own hands by cutting her hair to look like a boy, finding the smugglers, and convincing them to take her.  Once in the camp she wins over all the boys, by becoming Sherazad and telling a story to delay her being beat.  Her wit, tenacity, and perseverance is infectious and you find yourself cheering her on.  As she prepares for the races and to broaden her access to camps to find her brother at, she meets a western vet, a Sheikha who essentially owns her, and discovers that all the boys she lives with know she is a girl and love and respect her.  The climax involves her racing in the Sheikha’s Race where the winner is granted a wish by the Sheikha.  Can Nadira win? Can she find her brother? Can she save all the boys at the camp that she has taken in as her brothers? I won’t spoil it this time.  You’ll have to read it.

WHY I LIKE IT:

I like that the author did not cast judgement on a group of people.  Not all Pakistanis are bad, not all women are helpless, not all men are oppressive, not all employers are abusive, etc..  similarly, there is a western character, but she doesn’t swoop in and save the day, in fact I read her to be complacent in what she knew were obvious human rights violations.  I loved the relationship that Nadira had with her father.  The love of learning and love of his daughter is so sincere and beautiful that I think readers can see that the stereotype of daughters not being prized jewels in a family as being false.  I wish the mother would have been further developed.  She seems defiant, but not fleshed out, which is unfortunate. I also like the subplot of the gardener boy, Saliq.  A boy who completed some of his education in England, only to be made crippled by a horse, and sent back to be a servant.  He’s role and respect of Nadira furthers the notion that her scar does not define her, as he proposes marriage and pledges to support her in her efforts to continue rehabilitating kidnapped children and stopping the cycle.  I also like that the author doesn’t share her response, as if to emphasize that she is liberated and with or without a husband she is a complete person.

The characters are Muslim by culture, but there is no real mention of Islam or Islamic practices.  Before Nadira cuts her hair she wears a scarf, but that is neither her nor there.

FLAGS:

The premise of the book is an accusation of a sexual crime.  One of the stories she tells at the  camel camp to delay the beatings,  is the story of the lady who traps a merchant, a king, a carpenter, and a Kazi to free her lover.  She offers her body to the men and traps them in a cabinet naked after obtaining their signatures.  There is some kissing and some innuendos and references to sexual acts.  There are also references to the sexual abuse at the camps as well as descriptions of the physical ones that take place.  Not for the faint of heart or young and innocent. The boys at camp also discover that Nadira bleeds like their sisters, as a clue to them figuring out she is a girl, but compared to the sexual crimes, menstruation seems hardly like a flag, and I only mention it because the AR level is so low, not because there is any reason for shame or shyness in discussing an act all women endure.

TOOLS FOR LEADING THE DISCUSSION:

I think high school students could handle the book, and would allow a plethora of discussion options from child labor, civic responsibility, abuse, justice and the power of literature as a coping mechanism.  I wish the author would have included some information on camel racing and how they are regulated and jockeys are obtained, and maybe thrown in a recipe for masala chai as well.

There are no online websites or guides that I could find to accompany the book.

Aug16

Ten Things I hate About Me by Randa Abdel-Fattah

Posted on by
Standard

Ten Things I Hate About Me

I’ve read and reviewed a few Randa Abdel-Fattah books and read and reviewed even more cheesy West-meets-East-and-my-parents-are-so-strict-so-I-will-rebel books, that with such a flimsy title referencing a movie which references Shakespeare, I didn’t expect much.  With such minimal standards, the book didn’t disappoint and the surprising warmth of many of the characters actually left a pleasant smile on my face.  I’ve had this book on my to-read list since it came out in 2006, and for some reason it is a bit hard to find now a days.  There seems to be a few covers out there, and I don’t know if they differ, but the one pictured above is the one I read, and it is 297 pages and written on an AR 4.8 level, but probably would appeal and be more content appropriate as a light read to 9th through 12 graders.

SYNOPSIS:

Jamilah Towfeek leads a double life.  At home she is a proud Lebanese Australian that goes to Madrassa, plays the darbuka drums in an Arab band, and identifies as Muslim.  She has recently dyed her hair blond and wears contacts to hide her Arab heritage and doesn’t allow her sister who wears hijab to pick her up from school where she is known as an all Australian girl, Jamie.  Her mother has passed away and her father is pretty strict about who she goes out with and her curfew.  They even have a contract posted on the fridge. Despite this, Jamilah and her dad seem to have an ok relationship and it is definitely something they both are fighting to improve.  Jamilah’s older brother is a bit of a rebel and goes out with girls to bars and the book definitely discusses the double standard.  He however, isn’t painted as “bad” or as presented as an outcast, he just does things differently, and must wage his own path to build a relationship with their father.  At school Jamilah has acquaintances more than friends, as she is constantly pushing people away.  The stage is set that she has to keep lying to her friends, but it is more in her head than in reality.  She doesn’t open up to her friends, nor they to her.  As a result the Jamie at school amongst her peers are presented as incredibly shallow, which is partially intentional I think, and partially, under developed.  She makes up excuses to not attend parties and it isn’t a big deal until the most popular guy at school starts to take an interest in her.  In frustration she starts opening up to someone who has started e-mailing her.  Her user name is Ten_Things_I_Hate_About_Me and the dialogues between her and Rage_Against_The_Machine reveal a lot about how she sees the world.  There is some tension with immigrants in Australian and Jamilah starts to realize that her silence is consent to the bigotry and bullying around her, and that there is no way to stay neutral.  There really aren’t any major plot twists, you can see a mile away who the mystery email boy is, and that he likes her, you can see that her friend Amy will come through, and that she will have to reconcile her two identities.  There are a few minor ones with her dad getting remarried and thankfully with her opting to not “hookup” with anyone in the end despite a climatic kiss in order to stay honest with her father.

WHY I LIKE IT:

I’m obviously older than the target audience and the characters, as is the author, but compared to a lot of the other books of similar content, I feel like this book stays the most grounded.  There are some pop cultural references, and obviously the kids are naive, but there are some universal truths and experiences brushed upon that I think a lot of high schoolers can relate to, not just immigrant Muslim ones.  The idea of having to be two different people at home and at school, family relationships, cultural identity, being true to yourself, dealing with the loss of a parent, taking a stand when you see something wrong, etc.. All that being said there is a huge gaping plot hole.  How her friends that have known her from elementary school when her mom brought Arab food suddenly don’t know she is Arab, or don’t pick up on her ethnic last name is beyond even a 5th grader to over look.  If you can tune out your internal sense of logic for the premise, the book is much more enjoyable, but it really is a stumbling point.

I wish that Jamilah was a bit religious.  She identifies as Muslim and clearly her sister is, but pretty much all of her actions and gripes come more from her culture than from her faith.  Many of her father’s friends drink, as they are either not religious, or Christian, which is fine, but part of me really wanted her to live up to the picture on the cover of the book and discover her religious stance alongside her owning up to her cultural one.  I love that at it’s core it is a book about a girl’s relationship with her dad and being true to her self, but somewhere her religion fizzled out of the narrative and I wish it hadn’t.  I Would have loved that she turned down the prospect of a boyfriend because it wasn’t Islamically permissible, in addition to her wanting to be honest with her father.  But, alas the author didn’t pursue that.  She did however, do a good job of not making it a judgement of culture or faith, just as attributes of her characters.

FLAGS:

There are racial slurs, drinking, dating, and kissing.

TOOLS FOR LEADING THE DISCUSSION:

Surprisingly I wouldn’t completely disregard this book for a Book Club selection.  It would be for older kids, ideally upper High School.  But I think especially in an Islamic School setting the discussion would be so much better than the book.  Many send their children to Islamic Schools to reduce the need for dual identities and I would love to see how the kids view the effectiveness of it.  I would also enjoy hearing students’ perspectives on going to formal dances with siblings or a group of girls, the double standards of boys in girls, and dealing with Uncle’s and Aunty’s constant opinions.

Author’s Website 

 

 

 

Aug1

Written in the Stars by Aisha Saeed

Posted on by
Standard

written in the stars.jpg

It has definitely been done before in books dealing with the crossing of desi and the west with a female lead, that there must be: forbidden love, physical and or sexual abuse, a a sympathetic side kick, and evil parents or in-laws.  So, perhaps this book just assembles the ingredients in a new way, or my deliberate hiatus from said genre softened my heart with time.  But, either way Written in the Stars was an enjoyable read that didn’t get caught up in the dichotomous rhetoric of good vs. bad, us vs. them, right vs. wrong, and I found that refreshing.  It is in the AR database as a level 4.1 book, but there are sexual references and rape, so while it is written very simply and linearly, I would not let an elementary student read the book.  The protagonist is 17, so really the story line is more high school relevant.

SYNOPIS:

Naila is a senior at a Florida high school with scholarships and dreams to be a doctor. She has friends and stability at home. However, she also has a boyfriend, a big no-no to her conservative Pakistani immigrant parents.  When she sneaks out to prom and gets caught her parents drag her to Pakistan and secretly work to marry her off.  The premise isn’t very original, but the author keeps it interesting by having the boyfriend also of subcontinent descent, and Naila being naively clueless about what her parents and extended family are doing to her.  As she begins to realize what her parents’ end goal is, she gets desperate to return home, putting her against her family.  The story is quick and Naila is definitely a girl of action as she tries to escape, as she gets drugged, gets married and pregnant.  And remarkably she doesn’t spend too much time bemoaning her situation, which is nice as the book is only 284 pages with the Author’s Note, Glossary, Resources, and Acknowledgements.  A long the way you meet some kind characters and minor villains, you see a bit of the culture and Naila’s determination.  The parents are underdeveloped and I wish they were fleshed out so that the reader could see their perspective.  They are presented as pretty vile and cold and nothing more than that unfortunately.

WHY I LIKE IT:

At first I found it odd that religion was not in the book, like at all.  Her rules regarding boyfriends and male friends are presented as being cultural.  While in Pakistan and being shown around a cousin points out a mosque, tells Naila her father is in there, and if she wants to see inside they can come back when it isn’t pray time. That is it. So, the characters are Muslim, but Islam is not mentioned.  The author on the jacket flap states that she is Muslim and had a good arranged marriage.  So as I’ve reflected back on the book, I think I kind of like how she left religion out of it.  Albeit leaving a gap in the narrative, it allows the book to be seen in a character driven way more than a “that’s how they do it” sort of way and thus opening it up to a wider audience.  Also, seeing both good and bad in the same cultural population removes the idea that different is bad, which is often lacking in these “cultural” novels.  I really want to meet the author and see what her reasoning is, but I think it was deliberate and thus I’m growing to appreciate her restraint on bringing the religious tinge into the book.  I wish it was written a little more complexly.  In addition to more about the parents, I wanted to know more about Saif, the boyfriend, I wanted to know about the future of her cousin Selma, who was her confidant, and about the aunt that never married, just to name a few.

FLAGS:

There is kissing, and while not detailed, Naila is raped by her husband and it is implied and reflected on. There is some additional physical violence as well.

TOOLS FOR LEADING THE DISCUSSION:

I would consider this for a selection if I did a high school book club. Definitely not middle or elementary.  I would possibly suggest the book to older middle school if they could handle it.  There are lots of talking points, and some girls are so drawn to the romance genre that at least this one isn’t too over the top.

Curriculum Discussion Guide

Author’s Blog 

Jul21

Better Than a Thousand Months: An American Muslim Family Celebration by Hassaun Ali Jones-Bey

Posted on by
Standard
Better Than a Thousand Months: An American Muslim Family Celebration by Hassaun Ali Jones-Bey

Better Than a Thousand Months.jpg

To be honest, I didn’t get the book.  I mean I understand that it was derived from stories the author told his children, and I’m guessing it was written to show similarities between Muslims and Christians, but I don’t understand how the 168 pages with lots of photographs and text from the Qur’an got published as a book.  That is not to say it isn’t without merit, it just leaves a lot to be desired.  The teacher in me really, really, really, wanted to pull out a purple pen and start editing.  I checked twice to see if I had an advanced copy or uncorrected proof, I even Googled the book to see what I was missing.  It doesn’t work for me as a completed book.  To me, however, it is a wonderful outline that is desperately wanting to be fleshed out.

SYNOPSIS:

A man in San Fransisco is sitting on the train when there is an earth quake, thus delaying his trip home.  As he dozes off he imagines interactions with his children that share his knowledge of Islam with them, and thus the reader.  The first interaction is with him and his young daughter discussing Christmas, and how Muslims view Jesus and the power of Allah the creator of all.  They jump in the “time machine” truck and drive through the hills of San Francisco reflecting on the concept of patience.  As Ramadan comes and the narrator dreams we get bits of how Muslims in America celebrate Ramadan, and some of the tenants of faith.  When he is awake we get some story about his family, how he came to Islam and his Grandma passing away.  But nothing is explained or even connected.  I have no idea how many children he has, what the story is with the step children and the confusion from having two daughters with the same name.  The story goes back and forth with his dreams being more “real” then his awake time, and both kind of moving in the same direction of explaining how Islam is practiced as a family in America (praying together, waking up for suhoor), the questions that arise from the children (how to pray at school, why Ramadan decorations don’t decorate the city), and how we are all more alike than different (same Prophets, similar stories).  The final dream sequence is sweet with the father and daughter showing, not just talking, about giving and charity, that I really want to send the author back to finish writing the book.  There are so many tangents that would give it depth that are stated in a few sentence paragraph that could so easily be developed in to whole chapters.  Unfortunately, as is, the reader is just left disjointed and confused.

WHY I LIKE IT:

I really like the premise, I like the literary flip of telling the story in the dream.  The ideas are just not presented smoothly.  I don’t think that a tween would get it, and the choppiness of the ideas bouncing around from short paragraph to short paragraph would dissuade even the most seasoned middle school reader.  The book has some good tidbits, but they are lost in the short glimpses of story and long passages of meaning of the translations from the Quran.  The Arabic Calligraphy is nice, but it isn’t stop in your tracks beautiful, and the font of the English translations are difficult to read.

FLAGS:

None, the book is clean.

TOOLS FOR LEADING THE DISCUSSION:

I tried to get my daughter to read it, but she was so lost and even asked if it was a collection of stories or a chapter book, that I couldn’t force her to finish.  If you can get through it, one could discuss how to “fix” some of the struggles the book has, thus emphasizing what the reader liked and imagining the back story for all the questions that arise but are ultimately not answered.

Jul11

Bestest. Ramadan. Ever. by Medeia Sharif

Posted on by
Standard
Bestest. Ramadan. Ever. by Medeia Sharif

Bestest.-Ramadan.-Ever.-by-Medeia-Sharif

This book fails on so many levels: the writing quality, the title, the representation of Islam and Ramadan, messages about weight and beauty, and female self-worth to name a few.  This 299 page 5.0 AR book looked great as I was skimming through the library book catalog.  I knew it was young adult romance and saw that it would involve crushes and boys, and “typical” teenage stuff, but really this book has so few redeeming qualities for any demographic, I’m not sure why it was written, why it was published, and why the library shelves it.

SYNOPSIS:

Almira is a 15-year-old girl of Persian-Syrian descent living an all American life in Florida. She has good friends, is a good student, and is financially well off.  She is Muslim, but doesn’t really know what Islam is, “I’ve been to a mosque exactly twice in my life” she says.  She doesn’t pray, her parents only do on occasion, yet she feels “different.”  This over stretch is the first of many plot holes, that make the tone of the book more whiney and shallow, than the premise requires.  Having tried fasting the year before and been found cheating by her culturally strict grandfather, Almira is determined to fast this Ramadan to lose weight and prove she has willpower.  There is a glimmer that her shallowness will fade, but the weight issue is mentioned every few paragraphs and thus there is no pushing it away.  The author presents Ramadan as one giant weight loss program.  There is no mention that Ramadan as a spiritual time or reflective time.  Nope.  She is fasting to lose weight, and everyone around her is supporting it, by constantly commenting at how much better her size 8 is looking as the month progresses.  The biggest storyline in the book is that Almira wants a boyfriend.  Again, this is contrary to Islamic practices, but naturally crushes and crossing rules is a reality.  However, even to girls not faced with a religion that forbids boyfriends, the messages in this book regarding boys is pretty pathetic.  Almira changes her self to impress the boy, pretending to have interests that she doesn’t have.  She is willing to sacrifice her best friend since Kindergarten to get said boy, and while they mention that everyone treats them superficial based on their looks, they too treat each other the same way.  Almira and her friends get so much of their self worth and confidence from how boys ogle them that I found myself often cringing with disappointment.  Now, granted it is a YA book, and 15-year-old romances probably are pretty shallow, but again the whininess just starts to be too much.  There is a brief glimmer of hope when the family goes to the mosque and prays and breaks fast together, but it is short lived as Almira finally gets the boy, finishes Ramadan, and celebrates in a bikini on the beach, “And look at us, half naked on Eid,” she says to her Muslim friend, Shakira, as if that is the epitome of making it in America.

I don’t expect all books to have a message, but if you are going to have a moral message in a book, I would hope that a book written on a 5th grade level would have a good one.  This book’s lesson is to lie and lead a double life.  And no that is not me over simplifying and putting my own bias on the author’s storyline choices.  “I’ll sneak out with Peter whenever I can, while I show my parents a goody-two-shoes facade that will be impenetrable.  I can keep this secret,” thinks Almira as the book concludes (page 287) and everything is right in her world. She feels a tinge of guilt that she can’t talk to her parents, not guilt at her actions, which is really the epitome of my confusion to why the book has an Islamic implied title.  Ok I get maybe she wants a bit of cultural layers to add depth to the characters, but why structure the book on religion when religion is made to be such a joke by failing to give it any substance? Had she made it more cultural and the characters culturally are Muslim, even that would have worked better.  But, they aren’t.  The parents are really really one dimensional.  Mom is “hot” and even when the family is talking she is in the corner doing crunches.  She loves karaoke and doesn’t like grandpa is about all we know about her.  Nothing about her dreams, her family, her life growing up, her fears, her education.  Dad similarly is pretty flat.  He is a dentist and just looks at people’s teeth. He goes from being uber mellow and cool, to deleting pictures on her computer and yelling at her that she can’t date.  Neither trait seem to define him, and make an already shaky premise, more awkward.  Almira whines and complains about her parents, but they overall seem supportive and kind, again a plot hole that makes the book lose traction.  Grandpa is the scary old-world stereotypical character, that calls everyone a prostitute that doesn’t dress modestly, but goest out of his way to teach Almira to drive.  The grandma fades into the back ground, but oddly enough the author takes time to mention that recently she started wearing a scarf and used to wear heels and make-up, so did grandpa call her a prostitute? Again things don’t line up and once again the female characters are defined by their looks, and the males as being hot tempered and judgemental.  It is unfortunate that the foundation of the book is so weak.   Additionally, all the pop culture references, already start to date the book (it was written in 2011), most 15 year olds today probably are not obsessed with Robert Pattinson and Angelina Jolie. The author tries really  hard to sound like a teenager, that at times it seems overly forced.

WHY I LIKE IT:

Obviously I’m not a big fan of the book, so finding things I like is a bit of a stretch.  I have more hope that girls can be strong and independent and not completely boy and appearance obsessed.  And while I know that is wishful thinking, this book just validates the sad idea that self worth is tied to looking good in a swimsuit and having a boyfriend.  I feel like our daughters deserve more, are capable of more.  I like that Almira is willing to try new things, like fasting and going to the mosque. And I do like that she more or less puts up with her grandfather in a kind manner, even though they disagree about most everything.  In terms of the “romance” aspect at least the author didn’t go overboard.  The characters kiss and hold hands, it does stay within the PG-13 guidelines. So, Alhumdulillah, if a young Muslima picks it up thinking she might actually read about an amazing, spiritual Ramadan experience, she will be terribly disappointed, but at least she wont be exposed to something R-rated.

FLAGS:

The flags are with content, presentation, and writing style. There is no language.  The idea of violence, if her grandfather caught her with her boyfriend stoning her, seems out of place and not a realistic threat.  There is nothing negative per se about Islam, as there really is no Islam in it. I doubt even someone with no Islamic knowledge would equate anything in the book with Muslims.  They may wonder if in fact we lose weight during Ramadan, but that is about it.

TOOLS FOR LEADING THE DISCUSSION:

There isn’t much to discuss in the book, just criticize unfortunately. The author’s blog reveals that Islam and cultural characters seem to be a common back drop in her books, but I doubt I’ll muster up the desire to read any other novels of hers to see if they ever serve more than that.