Category Archives: 2nd through 4th grade

The Silly Chicken by Idries Shah illustrated by Jeff Jackson

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This story reads wonderfully aloud as it is silly, repetitive, and the message is more clear than in some of Idries Shah’s other Sufi inspired teaching books.  Written on an AR 4.0 level with 32 pages.  Some pages are heavily text laden while others just sprinkle a few words across a beautifully illustrated page.  Like his other books, the illustrations are truly spot on.  The lively faces on the characters, and colorful scenes bring the story to life and keep the audience engaged and giggling.

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A man decides to learn how to speak “chicken,” when that doesn’t work, he teaches the chicken to speak our kind of language.  Fluent and conversational, the chicken then tells the villagers that, “The earth is going to swallow us up!”.  Everyone runs in all directions, up the mountain, down the mountain, across the meadow, around the world, but they can never get away from the earth.  When they return, they are upset with the chicken and ask how he knows that the earth is going to swallow them up, to which he replies that he doesn’t.  After they recap all the trouble he has put them through he poignantly laughs at them and asks, ” You think a chicken knows something just because he can talk?” Realizing how foolish they have been the chicken begins telling more outlandish things, just to make the people laugh, and isn’t taken seriously again.

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The message is clear, the characters funny, and the illustrations engaging. I finally found an Idries Shah book that I like! Yay, I guess for me they are hit or miss, and this one was definitely a hit!

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The Color of Home by Mary Hoffman illustrated by Karin Littlewood

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The Color of Home by Mary Hoffman illustrated by Karin Littlewood

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This powerful book about Hassan’s first day at school is a bit graphic, and incredibly important.  While it is a picture book, it is definitely not meant for small children.  The rich water color illustrations and the impactful text match the AR level 3.6 and would really appeal to thoughtful 2nd through 4th grade students.

A refugee from Somalia, Hassan finds it “tiring remembering even a few English words.”  He misses the color of Somalia, his cat, the warmth of the sun, and the freedom of learning out doors.  He doesn’t miss the violence though.

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When it is time to paint, Hassan paints his home and his family, all 9 of them, and his pets, in bright happy hews, much to the delight of his teacher.  But then, Hassan, engulfs his house with the red paint of flames, smudges out his Uncle Ahmed when the black bullets that take him down, and Hassan communicates his sadness to his teacher.

Hassan doesn’t take his picture home, he knows it will upset his mom and little sister, Naima.  The next day, a translator comes to help Hassan.  Fela is Somali and wears a black hijab, like Hassan’s mom, but western clothes, a new concept to the young boy.

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Through Fela, Hassan opens up to his teacher and explains what it was like when the soldiers came and he had to hide under the bed.  How they had to leave without any of their stuff, including his beloved pet cat Musa.  All they could take was his father’s prayer rug and the Quran, as they set off on foot in the night.  He tells about leaving his grandparents and cousins behind and being scared on the plane.

Being able to share his fears, seems to help as he paints a new picture to share with his mom.  This one filled with his animals, and not with fire and bullets.  There is hope for Hassan as he looks forward to adding color to his new life and reminds himself to learn the english word for “home.”

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The book  is great for seeing the experience through Hassan’s eyes, and taking the reader through some of his adult like fears, and childish stresses.  Older kids should appreciate that what he has lived through is horrific, but his understanding as a child is slightly limited.  It should increase empathy, compassion, and kindness.

While the illustrations are rich and detailed they are very realistic.  This adds to the somberness of the book, and keeps this work of fiction a very real reminder of the world and what trials so many go through.

The characters are visibly Muslim, but there is no mention of religious doctrine, and readers may not know what a prayer rug is or a Quran.  They will be able to use context clues to figure out hijab, but there is not a glossary in the back.

The Clever Boy and the Terrible, Dangerous Animal by Idries Shah illustrated by Rose Mary Santiago

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The Clever Boy and the Terrible, Dangerous Animal by Idries Shah illustrated by Rose Mary Santiago

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This book makes me forgive the author for his other books that left me puzzled as to his popularity.  This is wonderful, timeless and so simplistic, yet full of wisdom, lessons, and reflection that I’m thinking of gifting it to many of my teacher friends.  In its 32 pages written on an AR third grade, 2nd month level, the simple and powerful lesson of how ridiculous it can be to be afraid of what you don’t know is driven home.

And just think. It all happened because a clever boy was not afraid when a lot of silly people thought something was dangerous just because they had never seen it before.

A boy goes to a neighboring village and finds the villagers afraid of, wait for it, a watermelon.  The boy laughs and laughs, and pulls out a knife to cut it and enjoy its sweet juices.  The villagers then fear the boy, until experience and knowledge about what it is and how to grow it, change everyone’s opinion and the village renames itself Watermelon Village. Oh, the power of knowledge.

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I can see this book being so great to introduce kids to how a little knowledge, asking questions, trying something can do everything from finding something you like, to breaking down stereotypes, to shifting your paradigm.  I feel like Islamaphobia, among so many other things, could be done away with by and large if people would just get to know us!

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The villagers depicted wear kufis and hijabs and kurtas, and the author writes to share his stories from his oral Sufi tradition, but there isn’t anything overtly Islamic in the text.  The kids as young as preschool will enjoy this at storytime.  They will find being afraid of a watermelon preposterous and silly, making the point that much stronger.

I like that the cover doesn’t given much away, and most children will take the title at its word and think that it is an animal.  Getting student’s ideas of what the terrible animal will be adds to the creative thinking and discussing after as well.  The pictures are wonderful and endearing and many editions come in two language formats.

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The Boy Without A Name by Idries Shah illustrated by Mona Caron

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The Boy Without A Name by Idries Shah illustrated by Mona Caron

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It is hard to know what a child would get out of this 32 page 3.2 AR level, but even if they just get lost in the pictures, and swept away by the idea of a boy searching for his name and a dream, I suppose there is value.  Some, ok most of Idries Shah’s, Sufi teaching stories are beyond my comprehension, but they are lyrical and often silly just the same. He has written over 30 and the libraries have quite a few, and people online seem to love so many of them, so perhaps I’m just not clever enough or philosophical enough to grasp them.  Which is neither here nor there, but maybe don’t buy one until you read one and see what you get out of them.  I keep checking them out and hoping I too will fall in love with one, I’ll keep you posted.

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Before they can name their son an old man comes and tells the parents to not name him and to wait.  The boy grows up searching for a name, hoping someone has one he can have.  At one point he is made aware that he has nothing, even to trade for a name.  He responds that he has an old dream he no longer wants.  He and his friend Anwar then go to the wise man and he receives his name and a new dream.

The synopsis claims that patience and determination is learned, but I couldn’t get over the fact that the parents just didn’t name their child, and I never felt like I learned why he was such an important boy.

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The pictures are wonderful with the scenic village’s tall minarets and colorful hijab clad women in the market place.  I particularly like the magic spilling out of the boxes in the old man’s house when the boys are finding names and dreams.  There is nothing overtly Islamic in the text, I’m not aware of how strong the Sufi origin is, not being Sufi, or having studied it.  But the illustrations definitely place the book in an Islamic cultural environment and the names reinforce this.

 

The Farmer’s Wife by Idries Shah illustrated by Rose Mary Santiago

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The Farmer’s Wife by Idries Shah illustrated by Rose Mary Santiago

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The book reads very much like the western children’s story/song, “I know an old lady who swallowed a fly,” but in this Sufi inspired repetitive story, An old Farmer’s wife can’t get an apple out of a hole.  

The silliness starts right away when she wants to get a bird to fly down the hole to get it for her.  When the bird says, “tweet,” which means no, she deems him naughty and then moves on to asking a cat to jump on the bird, to get the bird to get the apple.  The funny thing is the chain of events is funny and illogical at points. She wants water in a puddle, to put out a fire to burn a rope, the rope to tie up a bee keeper, and so on.  Luckily the wind finally blows the apple out of the hole and they all live happily ever after.

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The book supposedly is to teach patience, I am hoping to use it when I do a lesson on thinking outside the box and how sometimes that is great, but the trick is knowing when it might also be easier to reach down and pick up the apple.  

The book is AR 3.4 and 32 pages.  Many versions are dual languages.  The pictures are great with the abiya wearing woman and the chunky cartoonish side characters making the silly story fun to read a loud.  There is nothing “islamic” other than the illustrations showing the woman in hijab, and the author being a well known sufi writer who uses lessons from the Sufi tradition to teach lessons to children.

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A Little Tree Goes for Hajj by Eman Salem

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A Little Tree Goes for Hajj by Eman Salem

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A friend loaned me this book with a bit of hesitation as to its quality, and although I needed one more Hajj book for an upcoming story time, it seemed that it was yet another book about the steps for Hajj, so I wasn’t stressing about acquiring it. Luckily we were both wrong, at least from my perspective.  The book is so sweet, and not so much about the steps and details of Hajj, but more about the longing to go.  To seal the sweetness deal, it is about the friendship between a man, and a tree, and perfect for 3 year olds and up.

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The little tree dreams of traveling, but more than anything he dreams of going to see the Ka’aba.  Noting the logistical struggles of travel with roots, his mother encourages him to make duaa for his heart’s desires.  After a lot of patience and a lot of duaas, (alhumdulillah, it shows duaas take time and are not a magical instant granting of a wish) a young man walks by on his way to the coast to catch a boat for Mecca.  Startled by a talking tree, the clever boy just happens to have a basket and he uproots the tree and they head out together.

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The book shows the two doing all the steps in a large two page illustration, keeping the text to a minimum.   On the next page though, it highlight the two praying and trimming their hair and leaves. When the tree is returned to his mother, she is watered with Zam Zam water and “they agree it is the sweetest water ever tasted.”

The friendship continues, as they journey on countless adventures, and in the end, when the man is old and the tree is too big, the old man returns to rest on the tree’s roots and tell stories to the nearby saplings.

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Written in both English and Arabic, the story is a fast read that holds even the little one’s attention as they look at the expressive illustrations.  There is additional information on the Hajj rituals page, but it can be used according to need, like the glossary in the back.  The story is for Muslim children and families as it does not explain the requirements of Hajj, importance of the Ka’aba, or history of the rituals.

 

The Hajj Adventures of Jamila and Fasfoose by Ediba Kezzeiz illustrated by Abd al-Hayy Moore

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The Hajj Adventures of Jamila and Fasfoose by Ediba Kezzeiz illustrated by Abd al-Hayy Moore

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The book isn’t much to look at with its black and white, with yellow thrown in cover, and its 40 pages bound with a staple, but for independent readers between 2nd and 4th grade or so, the book is good.  In many ways it is an older kids version of Zaahir and Jamel, adding a fictional story to the learning about the steps of Hajj.  

SYNOPSIS:

The setting is Hajj and all of its different rituals, but the story is that Jamila and her pet mouse Fasfoose get lost in Mecca.  Along the way to finding Jamila’s parents and performing the requirements of Tawaf, Sai, Arafah, Mina, Muzdalifa, Jamrah, and Eid, a few duaas are thrown in, friendship with people of different nationalities and lessons in patience, speaking with your heart and finding your internal compass of wrong and right all come to light.

WHY I LIKE IT:

I like the target audience, and how it doesn’t ever feel preachy or like a How-to-perform-Hajj manual.  If a child is familiar with the rituals of Hajj the story gently reminds them of what they already know and the story takes center stage.  If they are unfamiliar, the book doesn’t talk down to them, and may prompt them to want to learn more.  Strong lessons of being kind and not hurting anyone or anything while in ihram are strong, as are the  beauty of multiple cultures speaking from their heart to find common threads.  There are illustrations to break up the text and not overwhelm the young reader, and the story is divided into seven chapters.  The font and size are all age inviting and even older middle school kids would probably pick it up if they saw it, read it in about 20 minutes and be glad that they did.

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FLAGS:

None, alhumdulillah

TOOLS FOR LEADING THE DISCUSSION:

The book is fun, probably not long enough for a book club selection, but a great read -a-loud. The length of the chapters make it a short read that ideally could be read the week before Hajj or Eid.  My 3rd grader read it and is enjoying listening to me read it to my 2nd grader.

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Stepping Stones: A Refugee Family’s Journey by Margriet Ruus Artwork by Nizar Ali Badr

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Stepping Stones: A Refugee Family’s Journey by Margriet Ruus Artwork by Nizar Ali Badr

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I usually have a running lists of books to check and see if the library has in their catalogue, and another list for when I have a few extra dollars and/or a reason/excuse to purchase books for my own.  I’ve seen this book recommend by countless critics, educators, refugee resettlement volunteers etc., and was thrilled that I could get it from the local public library.  However, it isn’t enough to have this book and mull over the artwork and prose for three weeks, it deserves a permanent place on the shelf.  Or better yet, open hands to pass the book around to within your home, to reflect on the humanity that binds us all, and the plight of so many in the world.

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The story is fairly simple, Rama and her family have a good life in Syria and the war changes that, forcing her and her family to flee on foot to Europe with what they can carry.  The emotions on the other hand, are not that simple.  The book is illustrated in stone, but the reader would have to have a heart of stone to not be moved.  Written on an AR 3.2 with 28 pages, the book is written in both English and Arabic.  The book is not sensational, but it does discuss the shortage of food, and going hungry, how they are not free, not really, how bombs fall and kill people going to the market,  and it does show that people were lost in crossing the sea.  The family has to walk, there is no going to the airport or cars to take them across borders so easily, this is contrasted to the beginning of the book where Rama was free to play and go to school, things the reader can relate too.

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Ultimately the book is full of hope.  The fictionalized account of a horrific reality still on going, pales only to the story of how the book came to be.  The Foreword is wonderful and gives the book so much more warmth and heart.  How the author saw the artisans work, sought him out, and built the story around his pieces, gives even the youngest reader a sense of reality for an unfathomable situation.  After the story is more information about the author and the illustrator, as well as a list of resources to volunteer, donate and help.  Portions of the book sales go to help resettlement organizations across North America.

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The publishers page gives info and has a youtube book trailer as well: https://steppingstonesthebook.com/

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The book would be great at story time or in a classroom setting followed by an activity with making pictures with stones previously collected.  At bedtime the book is great to read aloud and let the words sweep your listener toward empathy and compassion.  Check your library first, and if it isn’t there, I don’t think you’ll regret your purchase.

Alana’s Bananas by Mariam Hussein illustrated by Saima Riaz

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Alana’s Bananas by Mariam Hussein illustrated by Saima Riaz

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A silly, silly book about a girl’s love of bananas and her despair when a storm wipes out the banana crops in Costa Rica.  The moral of the story is to try new foods, and in 36 pages I think the reader will grasp just how over the top Alana’s obsession with bananas truly is and the lesson will be learned.

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My only stumbling block is I’m not sure what age the book is for.  The bright silly pictures work well for ages 3 and up.  The theme works well for ages 4 and up.  The amount of text on the page, however, is more 6 or 7 and up, and the concepts of where banana’s come from, multiple uses for banana peels is about the same.  The character in the book, Alana, is eight and goes to the library and reads cook books and cooks independently, but the way her parents trick her into eating other foods is to hide eggs, peanut butter, rice, avocados and anything else they could find in banana peels, which keeps with the silliness of it all, but seems a bit off for 8 years old. Also talk about very patient parents allowing their 8 year old to only eat bananas for so long, and then not being upset when they have to resort to extreme levels of trickery.

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There is nothing islamic in the text, and the only islamic elements are the author, illustrator, and the family based on the illustrations.  The mom wears hijab, but it is neither mentioned or referenced and no islamic vocabulary or phrases are in the story. In a scene at school, the girl sitting next to Alana is wearing hijab.

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The book is about 10×10 and sturdy in its construction.  The back cover has a recipe for Alana’s Banana Breakfast Muffins. Enjoy!

Blackout! by Sumayyah Hussein illustrated by Majd Massijeh

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Blackout! by Sumayyah Hussein illustrated by Majd Massijeh

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Presenting the stories of refugees to young children often involves a balancing act of fact, emotion, and restraint, all while finding the common ground to create empathy in the reader.  Increasingly on bookshelves are successful picture books that use illustrations to build bridges of understanding and bright colors to convey hope.  For older children there are books that can devote time to explain issues or offer first hand accounts along with political back stories and historical events.  For elementary age children 2nd and 3rd grade particularly, chapter books on refugees are not very common.  Children this age seem to relish in silly outlandish characters with a few font happy sentence and pictures on each page or stick to series that are easily predictable as they present tidbits of history or simple mysteries.  All reasons to encourage your child to read Blackout! and break the monotony and gain some empathy.  As delicate as the subject matter is, the book manages to resonate with most children how good they have it and how fortunate they are, without getting preachy or pretentious.

SYNOPSIS:

Yusuf, a 12-year-old Canadian boy is anxiously waiting the arrival of his cousin Ahmed from Syria.  Ahmed recently lost his father when their makeshift boat capsized, and while coming to Canada is a blessing, he is still haunted in his dreams and memories by all that he has seen and endured.  This idea that being safe now, doesn’t erase all the pain and fears experienced, is a concept most adults understand, but I was surprised that my children had to talk it out a bit.  They understood that he would be sad, but hadn’t really thought how hearing loud noises would immediately remind him of the explosions he heard in Syria and of his home and buildings crumbling down.

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The story’s focus is the present however, and follows Yusuf.   The backstory of Syria and Ahmed’s escape is juxtaposed with an ice storm turning Toronto powerless and cold.  As Yusuf deals with the annoyance of a few days without electricity he learns a bit of compassion for others in the world, who endure a similar situation indefinitely.  In a beautiful way, Ahmed’s enduring optimism changes Yusuf as they find reasons to smile at the raccoon rummaging through their food put outside to stay cold, or playing in the snow to pass the time.  The characters have a lot of heart, for a short book, and you really feel like you get to know them and feel for them.  Yes, Yusuf whines, but he is a kid who’s winter vacation plans have gone awry and is frustrated and bored.  Ahmed, while a survivor, still struggles, but maintains a personality much more than just victim.  The other family members are background, but they aren’t flat, they have warmth and humor and pain in equal parts, implying if the book was longer, we’d get to know more about them too, and probably like them as well.

Despite the refugee story line, and the blackout, the crux of the story is actually helping one another and being neighborly.  Ahmed at one point is telling a story of how he began helping someone in a refugee camp and that it gave him purpose.  This reminds Yusuf that they have an elderly neighbor and the radio alerts had encouraged people to check on one another.  The boys rush over to find Mr. Caldwell, suffering from carbon monoxide poisoning brought on by his kerosene heater. Luckily an ambulance is able to get there just in the nick or time. On the third day of the blackout, the Imam speaks about helping one another and making this obstacle into something positive.   Ahmed tells Yusuf how the neighbors in Syria would gather in the winter to share what food they had.  This brilliant idea gets the support of Yusuf’s dad, the Imam and the whole congregation as they rush home to invite the neighbors to a neighborhood BBQ.  The perishable food needs to be consumed, so what better way to enjoy it, than to share it.

When the power comes back on, Yusuf is not the same kid, he has grown in compassion, and patience, and inshaAllah the reader will be similarly affected for the better.

WHY I LIKE IT:

I love that the book addresses a hard topic on a kid level.  It does not overwhelm the reader or frighten them.  MashaAllah, it balances what they can understand, with something bigger.  The illustrations keep it light in their doodle like appearance and the font, spacing, chapter length and presentation are perfect for the target audience.

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The women wear hijab, they pray, they go to the mosque, yet they don’t quote hadith or Quran or say a lot of mashaAllah and Alhumdulillah, making the book work easier for non Muslims.  The coming together of community is nice.  No one asks or worries what religion, race, or ethnicity anyone in the neighborhood is, they just come together to share a meal and welcome Ahmed and his mom to Canada.  The Imam is relatable and the dad is involved and generous, the mom is competent and respected, all normal behaviors that reinforce community and normalize diversity and acceptance.

FLAGS:

The violence of war may affect young children differently.  Nothing is sensationalized or graphic, but Ahmed does get stuck in the rubble when his house is destroyed, and his father’s drowning is discussed.  Nothing is talked about in depth, but the ideas are presented.

TOOLS FOR LEADING THE DISCUSSION:

This book would be perfect for a young book club.  I’m looking forward to reading it with my six-year-old son and my eight-year-old niece so that I can see how what they get from the book.  There is a brief explanation on refugees at the back of the book, and I think current events would naturally make a book club discussion easy to facilitate.  I think gathering items and meeting refugees after, would also be a wonderful way to turn the fictional story into real action.  It is also worth noting 100% of profits from this book will be going to the Syrian Canadian Foundation‘s mental health and wellness initiative for Syrian newcomers.

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