Category Archives: Story Time

Feb2

Sitti’s Secrets by Naomi Shihab Nye illustrated by Nancy Carpenter

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Sitti’s Secrets by Naomi Shihab Nye illustrated by Nancy Carpenter

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Sitti’s Secret was published in 1994 and given the events of the week, I’d say it is more relevant today than it was when written.  And if by some chance the events of the week haven’t affected your children, then the poetry and soul of the book still makes it an amazingly powerful story.

Mona travels from America to Palestine to visit her grandma, her Sitti.  Without the ease of speaking the same language, Sitti and Mona learn to communicate and build a tight bond cut too short by a vacation coming to an end.  When Mona returns she sees the news and writes a letter to the President, telling her Sitti’s secrets, telling him they would be great friends, and telling him they only want peace.

Truly Nye is a poet, even in Turtle of Oman her words transport you to a place where time slows down and the connection between a child and a grandparent make you nostalgically yearn for a simpler time.  Having spent my summer’s abroad visiting my grandma I could relate to so much of this book and truly had to still my heart.  The little things, like examining your grandma’s hand, or hanging out laundry, or brushing her hair. Even that dreaded final hug as you prepare to leave,  I could relate and it was enchanting.

No where in the book does it mention the Middle East or Islam, only at the beginning does she hint at it by dedicating the book to her 105 -year-old Sitti in Palestine, it mentions that she speaks Arabic and a few words are sprinkled in. And the Grandma does wear a scarf.  Other than that the book is by and large not political.  If you know that Nye has a Palestinian father and American mother and often writes semi auto biographical pieces, the book can take a bit of a different role to the reader.  Many reviews criticize the activism upon her return (the letter to the President), and found it disjointed to the rest of the story.  But in today’s climate I found it empowering and hopeful.  The world will only find peace when we put a face to those that are different to us, and even children can change our stereotypes.  I love that my children are seeing that they can make a change in the world today, and to see it reinforced in literature was gratifying.

The book is 32 pages and written on an AR 3.9 level.  The illustrations are beautiful.  They bring the words to life in a tender and heartfelt way.  The detail is subtle but deep and i have found myself thumbing back through the pages to get lost in the illustrations multiple times.  I think the book works on different levels for different age groups.  If you have a family that has to overcome great distances to be together, even younger readers will be able to identify with the story’s tenderness.  If you are in 3rd-6th grade and are aware of what is happening in the world you will be inspired.  If you just are looking for a sweet book, subhanAllah it manages to fulfill that category too.

Jan26

Princess Siyana’s Pen by Zainab Merchant

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It is hard to not compare a big, brightly colored Princess book to the golden standard of a Disney princess story, which obviously isn’t fair. But for as much as I wanted to love this strong Muslimah and her doe-y eyes as she saves herself and the kingdom, I felt the author let me down.  The plot feels overly familiar, it is like a mix of Rapunzel in Tangled (minus the tower and Mother Goethel), Anastasia (not Disney, but in the same genre), throw in Jafar and (a nice) Iago from Aladdin, sprinkle in Islamic wisdom and insights, and tada you have Princess Siyana.

Siyana is the daughter of King Tariq and Queen Fatimah, the wonderful rulers of Lusitania.  While still a baby, the evil Chief Advisor Shargor kidnaps the young princess and leaves her in the neighboring mountainous kingdom of Baetica.  As her kingdom searches for her, a traveler in Baetica finds her and gets her to Ms. Salma at El Sol Orphanage.  Her life is good growing up. She shares her knowledge of modesty and salat with the younger girls at the orphanage, and has a very close relationship with Ms. Salma.  Meanwhile, in Lusitania, Shargor has imprisoned the King and Queen and is ruling unjustly and ineffectively.  When Siyana is 16 years old Ms. Salma surprises Siyana with a trip to Baetica for an interview at Baetica Academy, Siyana’s dream school.  While there, a tornado tears the two apart, and Siyana is rescued by an elderly couple.  This couple is struck by her name and fill her in on the story of the missing princess.  Siyana boldly journeys to the castle, storms in, frees her parents, forgives Shargor and presumably they all live happily ever after.

The author puts not just Islamic values of forgiveness, and kindness to others in the story, but pushes the point of hijab and talking to Allah (swt) as well.  Siyana discusses how at the orphanage they don’t cover, but when they go out they do.  One of the younger girls even asks her, “why wear such a pretty dress if no one can see your hair?”  Hijab comes up a few times through the book and isn’t too awkward.  However, I felt the concept of writing letters to Allah (swt) a little forced and less smooth, especially considering it is the title action of the book.  Once a week the girls at the orphanage write letters to God with special pens Ms. Salma had given them. They then drop these letters in the lake.  A bit odd for the environment in my opinion, but I get it I’m cynical.  In her first letter she writes about wanting to help others and even remarks, “Oh my Lord, my Guide, my Everything, How I’ve missed you, even though I talked to you just an hour ago in my Salaah!” The author has Ms. Salma explain that you can always talk to Allah (swt) and that duaas and letters are good, but remembering Him in your heart is the best.  Siyana writes two letters in the book, and the letters aren’t long, but it seems like the lead up in to them and after them, explaining the connection to God through many different forms is good, and which are better, and which are required, etc., gets a bit wordy.  Again I do acknowledge my own unease with writing letters so formally to Allah (swt) in literature. I have now reviewed a few books were it presents itself, and in all cases I find it weird, and I don’t know why.  Interestingly the Author never uses the word Allah (swt), but she does use hijab and salaah.  And there is space at the back of the book to write your own letter to God.

I do like that the plan is for Princess Siyana to rule the kingdom and that she is traveling for educational reasons when the tornado strikes.  I also like that Ms. Salma seems to be a strong independent woman and that Siyana, doesn’t wait around for someone to save her parents, she takes control, trusts Allah, and saves the day.

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The book is beautiful and big.  The illustrations are radiant and well done.  At 40 pages long, there is also a recipe for Macaroons and amaze at the end, the story is quite long in both the number of pages, and in the amount of text on each page.  I would place it on at least a 3rd or 4th grade level for reading, and possibly a KG or 1st grade level for story time.  The book isn’t dry, but it would definitely test a 3 or 4 year old’s attention span.  Obviously it is an Islamic alternative to the mainstream princess story, but at $19 and the way it is beautifully presented, I guess I wanted more than just Islamic morals infused into something so familiar.  I feel like the author could do more, it is definitely within her writing ability and the publisher, Sun Behind the Cloud, who it seems is responsible for the illustrations as well, definitely know what they are doing.

There is a youtube teaser: https://www.youtube.com/watch?v=6qS_Jw2rp8Q

and an interview with the author https://www.youtube.com/watch?v=HCclUg9pUXI

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Jan11

Tales of Nasreddin Hodja: The Parrot and the Turkey prepared by Gamze Alici illustrated by Sinem Zengincelebi

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img_2803I ordered this book a while ago online.  There is a whole series of Nasreddin Hodja, so I picked a title at random.  I read it when it arrived and the story seemed to wander more than my attention span could follow.  So naturally,  I had my children read it, and they said it seemed funny, but they didn’t understand it.  I glanced through it again and figured maybe it was one of those beloved cultural characters that just lost some of their charm in translation.  In this case, Nasreddin Hodja is a folktale type character born in the 13th century from Konya, Turkey, who is the star of short stories that teach a point in a silly way.  The opening page tells a bit about him and what you can hope to learn in the story, but it didn’t help understand why the book was so fragmented.

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In my latest move, I found the book again, read it again, and was stumped again. But luckily this time I contacted a Turkish friend instead of putting it back on the shelf and realized this book does not do Nasreddin Hodja justice, he is a hoot.  The book, not so much.

So first, a review of the book.  The book is beautiful and fun to look at.  The colorful glossy pages and clear font invite readers between ages 6-9 to read it and younger kids to have the story read to them.  The illustrations are delightful and after hearing about Nasreddin Hodja I think they convey his silly, yet wise persona.

Unfortunately the story is long.  At 32 pages with a fair amount of text on each page the author seems to try and take three tales and connect them into one coherent story.  The result is an abundance of detail that doesn’t move the story to his poignant conclusion and instead results in unresolved tangents.  For example in the first part of the story, he goes to the market to buy a few things for an alfresco breakfast with his wife.  Along the way he stops at a fountain to drink some water, he then begins shopping and after listing off dozens of vegetables and fruits, and details how he buys each item and what season they come from, he gets to his commentary of how silly a man selling a parrot for a ton of money is.  He then returns home to get his turkey to make the point to the parrot vendor that if he is asking 50 pieces of silver for a parrot that can talk, he will sell his turkey who can think for 100 pieces of silver.

This story covers about 17 pages of the book, but the same tale as told on the website http://www.readliterature.com/hodjastories.htm is only a few short sentences.

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One day The Hodja was walking around in the market place. He saw a bright-coloured bird for sale for 12 gold coins. Hodja was amazed. He approached the crowd gathered around the bird and its seller.

How can a bird be so expensive?’ he asked the people watching the bird.

This is a special bird,’ they explained, `it can talk like a human being!’

This gave Hodja an idea. He went straight to his home, grabbed his turkey and brought him to the market place. He stood near the man selling the parrot.

Turkey, for sale, ten gold coins!’ he yelled.

Hodja Effendi, how can a turkey be worth ten gold coins?’ the shoppers protested.

There is a bird there for 12 gold.’ insisted the adamant Hodja.

But Hodja Effendi, that bird can talk like a human being.’ the people tried to reason. But Hodja was unbending.

And this turkey can think like a human being.’ he countered.

Obviously I can understand what the writer was trying to do. But, unfortunately it doesn’t work.  Mina Javaherbin did something similar when retelling Rumi’s poems in children’s book form, but she had better luck.  Perhaps if the author would have kept them shorter and not embellished them to teach so many lessons about vocabulary and seasons and colors it would have actually had a begining, middle and end.  Early readers will find the pages over bearing and fluid readers will see the holes in the narrative.  Perhaps if each story were only a few pages there would have been a plot and take-away-lesson. Unfortunately as written Hodja’s message gets lost and the reader takes very little if anything away from the book.

When you research some of Nasreddin Hodja’s stories they are fun, and it becomes easy to see why children (according to my friend) dress up as him in school and he is quoted and referenced so widely and lovingly.  His stories work well in an oral tradition, obviously, and if you follow my mother’s advice (a preschool teacher for a few dozen years) and “tell” a story to little kids instead of “read” it, this book can get some use.  In story time with 3 to 5 year olds showing the pictures and talking about what is going on, on each page before winding around to the point allows them to to interact with the pictures and story and the reader to impart some of this beloved characters insight on to the audience.

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Nov7

Bedtime Ba-a-alk by Rukhsana Khan illustrated by Kristi Frost

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Bedtime Ba-a-alk by Rukhsana Khan illustrated by Kristi Frost

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I know, I know another book by Rukhsana Khan, but really how great is she.  She writes books with religious references sometimes, cultural ties sometimes, and sometimes just fun books. I love that kids of all backgrounds associate her with good stories, and that she hasn’t limited herself to just one demographic.  img_1893

Bedtime Ba-a-a-lk has no religious or cultural connections and is just about a girl dealing with rogue sheep in her mind that don’t want to be counted.  The AR level is 2.6 but I don’t know that 2nd graders and below would really “get” the story.  The vocabulary is great, with a little assistance: balk, conjuring, deliberate, snub, mutiny, haunches, eider-down, furrowed, etc..  And the concept of a girl creating her imaginary dream world and conversing with the characters in it, is grand, but I look forward to testing out which age groups grasp it, and which ones just think it is a funny story with an obstinate ram.

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The book is 30 pages and beautifully, playfully illustrated.  The pictures are just “fuzzy” enough to give a sleepy feel, and bold enough to stretch the imagination.  The lines do not rhyme, but flow easily.  The font is large and inviting, and well placed on the page.  The book is clean, and the girl in her pleading with the sheep uses “please” and good manners in her firm demands.   It does use the word, stupidly and darn, once each, but overall a silly fun read.

 

 

Oct6

One Hundred Ice Creams by Sumayyah Hussein illustrated by Derry Maulana

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This book on my first reading reminded me a lot of Amira’s Totally Chocolate World in that it takes a religious idea, in this case Jannah or heaven, and uses a child’s excitement for a favorite food to explore it.  Not a bad technique, and alhumdulillah the author was able to stay on the idea of heaven and add some additional information then just the silliness of having all the ice cream you could imagine.  The book is 36 pages and can probably be read by a first or second grader independently and appeal to story time ages of preschool 4 and up.  The book unfortunately takes a while to get going. I struggled with the first few pages, which I found really wordy, and puzzling.  The kids seem to be about 6 years old in the illustrations and in their mannerisms, but they start off the book complaining about homework and needing a break from it, which even my own children found confusing and remarked on it.  There also seems to be some unnecessary description too, in setting the stage: the day, the vehicle, the season, that it’s their favorite park, that they haven’t been there in a while, that they took a breath of fresh air, that they waited 10 minutes, etc..

Thankfully I think once the reader’s get that the park is crowded, that the kids couldn’t enjoy the swings and slide and decide to explore the nearby woods, the story finds its rhythm and engages the reader quite well.  A few minor hiccups throughout the book are again, the abundance of details that don’t further the story and aren’t developed. The river is described when they cross the bridge, and then there is another one, or possibly the same one, as this one is now rushing, and it jars the story as there seems to be a lot of rivers in this park.   There is also a rabbit that pops up and excites the kids and then shows up at the end again, which is cute and brings the story to a happy close, but I don’t really love how the parents dismissed it.  Why not let the kids see that he is scared of them and figure out that he doesn’t know they won’t hurt him/her,  rather than have mom tell them they won’t see him again and dad quickly steering them in another direction. Granted this is my personal preference, but I like when kids figure stuff out in books and solve things themselves, rather than how perhaps it is in real life, with mom and dad constantly calling the shots.ice-creams1I really like how when discussing Jannah, they talk about the rivers of milk and honey, and I absolutely loved how they talk about Grandpa (hopefully) being in Jannah and being young and strong.  I couldn’t figure out why when in the woods and marveling at nature the characters didn’t use Islamic expressions like, mashaAllah, subhanAllah, and inshaAllah, and when I read it aloud I had to add them when we got to the pages about Grandpa.  It seemed awkward not too.  The book is clearly for Muslim children, there is a reference page in the back with the ayats from the Quran and hadeeth that tell us about Paradise, and the characters are discussing an Islamic concept, so I’m not sure why their language isn’t reflective of that.ice-creams-2

The illustrations are simple and colorful and complimentary to the story.  I don’t know why the color of the character’s skin is yellowish green.  It seems to match the ice cream and on some pages seemed more noticeable then others.  Dad’s face when he is swatting the fly is a little angry and the color of the skin makes him look mean.  Not sure why the flies are mentioned. And the illustration is not reflective of his personality in the rest of the book.
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Overall the book has a good message, I think I have just loved all the books at Ruqaya’s Bookshelf so much, that my expectations may have been a little too high.  I’ve never written a book and I have no idea what the publishing process for this book was, but I feel like a a few minor adjustments from an editor or proofer would have made this book absolutely phenomenal.  That is not to say it isn’t a good book,  children undoubtedly, will get a tangible understanding of Jannah after reading the story.  An additional plus is that it is on their level in both content and in perspective, meaning that there is lots to chat about after.  Concepts that the children can discuss based on what they understood from the story with little prodding from an adult.  Points from how the kids are treated at the playground, to adding what they would want they are in Jannah, and ultimately steps we can take to increase our chances of getting there, inshaAllah.

Sep20

Laila and Pesto the Fly by Rania Marwan illustrated by Fatima Asheala Moore Jewel Series Story #1 Cheating

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I ordered this book with the hopes that it would be the first book of a wonderful series teaching values in an Islamic context.   It says that it is book #1 in the Jewels Series and it focuses on cheating.  However, the book was published in 2009 and I can’t find any other books in the series.  Sadly, I can possibly see why.  The book is not great.  The illustrations make it so tempting even if all the girls are gorgeous and the illustrations simple, they would seemingly work well with a book aimed at 4 to 8 year olds, and just 24 pages long.

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Unfortunately the text is lacking and doesn’t create a story worth reading more than once. The sentences are repetitive. And the same words are used over and over.  The first page alone says the word “play” four times in three sentences.  It is about 4th grade girls that play, watch cartoons and essentially hold lessons/ book clubs for each other once a week.  A lot going on for a book that on the second page says the word “flies” three times in three sentences.  Needless to say the repetition makes it hard for a story time selection, and the run on sentences hard for young readers.  The first page features a font that is probably about a size 20 and the next page it drops down to one that is about 11, the third page is about a 14 and the trend of the ever-changing font size continues throughout the book.

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Example of repetitiveness from Laila and Pesto the Fly

The story idea is a good one at its core.  A girl teaches her friends about flies.  Then the fly talks about Laila and how she is kind and honest. Then the next sections returns to Laila not being ready for a math test and she is tempted to cheat when Pesto, the fly, distracts her and writes a message for her in glitter.  I’m not sure how the glitter stays on the page, but, the message is received by Laila and emphasized by the author sharing a hadith, “He that deceives us is not one of us.” The last page of the book is a bulleted list emphasizing the harms of cheating, and how to overcome the temptation as the girls urge you to join their Cheat Deceit Foundation.

Overall, the book is awkward and doesn’t work for me.  There are a lot of better books out there.  That being said, if the author wrote another book, I may give her another chance, it isn’t hopeless. It just needs some tweaks. The fly is a silly likeable character, but the group of friends are a monolith and have no individual roles.  The message is clear and important, and we need books like this, but alhumdulillah the standards have gone up, way up, and the writing quality isn’t where it needs to be to attract Muslim children or their parents.

 

Sep14

Nusaiba and the 5th Grade Bullies by Asmaa Hussein illustrated by Zul Lee

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As someone who deals a lot with reading and comprehension, I really misread the description of this book and assumed erroneously that it was a chapter book targeting 5th graders.  Oops, alhumdulillah, my confusion and slight disappointment didn’t last long as I got swept up in Nusaiba’s spunky imagination and endearing personality.  The message of the book is powerful.  Not only does Nusaiba have to deal with bullies, but she has to wrangle with accepting herself, even if that means being different.

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Nusaiba is almost to school when she overhears some 5th grade boys making fun of her mom and what she is wearing.  Nusaiba’s mom is wearing a hijab, and the story is set up to imply that that is what they find “weird.”  This morning encounter bothers Nusaiba all day, and while she doesn’t talk to her teacher about it when asked, she does spill the beans to her best friend Emily.  The next day Nusaiba distances herself from her mom and asks to walk to the school gate alone.  The bullies don’t say anything, but Nusaiba feels guilty about leaving her mom like that. Later that day when Mom picks Nusaiba and Emily up from soccer they swing by a local hijab shop for some clothes shopping.  I don’t know why, but I found the premise for taking the girls clothes shopping a little forced.  It seemed too words of a setup, and I couldn’t help but wonder why Emily would be dragged along.  As mom tries on skirts for work, the girls in their boredom get swept up in using the scarves as costumes and transforming themselves from queens, to underwater divers, to fisherwomen, to mountain climbers, to fantastic cleaners ready to clean up all the scarves on the display.  Her mom lets her pick one to buy, and she decides to wear it to school the next day.  It is noteworthy that Emily doesn’t try on any of the scarves.  She is an amazingly supportive friend, and even in make-believe is right there with Nusaiba, but she doesn’t put one on, and I kind of want to know the author’s reasoning or purpose as to why.  So the next day at school, Nusaiba asks her mom to again walk with her, and when the 5th grade boys call her mom an “odd-ball.” Nusaiba finds her courage to confront them.  Nusaiba and the reader discover the boys are making fun of Nusaiba’s mom, but it isn’t for her hijab.  Nusaiba and her mom set the boys straight and giggle in the process, as Nusaiba realizes she can be anything she dreams.

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The book is 44 pages and probably about a second grade mid year reading level.  The pictures are big and bold and beautiful making it a great option for story time to ages 4 and up.  The pictures do an amazing job complementing the story and going back through to look at them after the “twist” at the end was even more delightful.  The illustrator draws you into Nusaiba’s world and you really do cheer her on when she stands up for herself. The book easily lends itself to discussion, and there is also a question guide at the end, incase you get stumped. It reads more like a school assignment, but it could obviously be re-worded to engage a child at bedtime or in a read-a-loud environment.  The font is a nice size, however, I found it distracting. On some pages it is white on others black, on some it has a shadow and on others it does not.  I’m certain most people would not notice, but for some reason it was jarring to me.  Alhumdulillah, alhumdulillah, if that is the only negative in a book, I think everyone who reads it will be glad to have a copy of their own to read again and again and again and again and….

 

Aug25

King For A Day by Rukhsana Khan illustrated by Christiane Krome

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Its time for Basant, the Lahore, Pakistan kite flying festival, and Malik and his siblings are ready.  Ready to launch Falcon into the sky, ready to set other kites free, and ready to put the bully next door in his place.  While some kids have huge kites, and some have many, Malik has just Falcon, a speedy little kite that Malik prays can get the job done.

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Once again Rukhsana Khan does a remarkable job of taking a universal theme, adding some culture, and finding artists to empower minorities without making it an issue, all in a 32 page children’s book.  Written on an AR level of third grade ninth month, readers see characters handling a bully by beating him “on the court” so to speak, a character having confidence in his abilities, yet still asking Allah swt for help, and a boy in a wheel chair celebrating a fun spring time festival with his family.

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The illustrations are rich with texture and angles, which contrasts the font and text presentation.  Little kids probably won’t be tempted to pick this book up, but as a read-a-loud first and second graders will enjoy the story and the kite flying action.  Third and fourth graders will enjoy reading the book independently, and find themselves cheering for Malik, appreciating his kindness, and wanting to pick up a kite and head out themselves.  The author includes a note at the back which provides more information about Basant and how it is celebrated.  Although it takes place in Pakistan and is a festival not celebrated in America, there isn’t a “foreign” feeling to the book, as kids can relate to bullies, wanting to be the best and the satisfaction of succeeding and feeling like a “king for a day.”

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Aug23

The Secret Message: Based on a Poem by Rumi by Mina Javaherbin illustrated by Bruse Whatley

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The Secret Message

Once again Mina Javaherbin retells a Rumi story in a fun, charming way to children that probably have never heard his stories before.  The illustrations bring this 32 page tale written on an AR 4.6 level to life.  While written for older elementary children, this book works well for kindergarteners and 1st graders in story time as well.  The pictures and descriptions make for an engaging story for all levels and the twist at the end make you want to go back and read it again and again.

A wealthy Persian merchant brings a parrot from India to call and sing to those passing by to come in to the shop.  The parrot helps make the merchant famous and before long he has completely sold out of all his wares.  He plans to return to India and asks his family what they want him to bring back, he even asks the parrot.  The parrot asks for nothing but a message to be delivered to his friends about how he misses them and about his new home and cage.  The story follows the merchant to India and through it, showing and telling about the sites and goods.  On the way back the merchant stops in a tropical forest to deliver the parrot’s message.  The birds listen carefully and then one by one, fall off their branches with their backs on the ground and their feet in the air.  When the merchant returns he delivers the message and the same thing happens to his parrot.  (SPOILER). Sad that he has caused his parrot to die, he takes him out of the cage where in an instant the parrot flies out of the hole in the domed ceiling all the way home to his friends in India.

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Islam isn’t shown, and I debated including it, but culturally it is relevant with the character journeying from Iran to India and the author being from Iran.  Plus it is based on a Rumi poem.  There is nothing un Islamic in the book, and there is plenty of little places in the book to get kid’s opinion on the action, thus making it a book definitely worth your time.

 

 

 

Aug21

Silly Chicken by Rukhsana Khan illustrated by Yunmee Kyong

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Silly Chicken is a story about sibling rivalry, except there isn’t a sibling, there is a chicken.  Rani feels that her mom, Ami, loves a chicken, Bibi, more than she loves her.  Rani is jealous of the attention Bibi receives and finds the chicken in general, silly.  One day when Rani and Ami leave their home by tonga to visit her father’s grave, a dog gets in and when they return, Bibi is no more.  Ami is devastated and Rani is sure she closed the gate.  It isn’t until Bibi’s egg hatches by surprise, that the story comes full circle and Rani responds to Ami’s chiding that she loves the baby chick more than her mother, that the reader and Rani realize how silly that would be.

I really liked this 32-page, brightly and playfully illustrated book.  It is written on a AR 2.3 level and is fun out loud or at bed time.  The story takes place in Pakistan and a lot of reviews online remark that it is a good book about Pakistan or for showing Pakistani culture, critiques that I both agree and disagree with.  Every kid, everywhere, through out time, can probably relate to being jealous of something or someone occupying their mother’s attention.  The concept of a pet and loving it and being sad and feeling guilty, are all universal themes.  That being said, both the author and illustrator do a remarkable job of breaking stereotypes without drawing attention to them.  Ami and Rani are relatable and are clearly Pakistani, subtly removing an us and them stance.   Rani’s dad has passed away, but Ami and Rani seem to be doing well.  Ami seems very self-sufficient in daily activities and brave when they think a burglar may be present.  The two chat with neighbors and travel independently breaking down the erroneous stereotype that women cannot go out or be recognized without a male.  The mother wears hijab and traditional Pakistani clothes while Rani being young obviously does not cover.  Their clothes are bright and colorful and their expressions relatable and inviting.  The way that Bibi’s death is handled is age appropriate and a child could possibly think she simply was run off rather than killed, either interpretation would allow the reader empathy for Ami and be a great topic to explore with a child.  Enjoy!