Category Archives: Story Time

The Most Magnificent Mosque by Ann Jungman illustrated by Shelley Fowles

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The Most Magnificent Mosque by Ann Jungman illustrated by Shelley Fowles

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Three very naughty boys harass visitors to Cordoba’s Great Mosque in Spain.  Rashid, a Muslim, Samuel, a Jew, and Miguel, a Christian, run through the fountains, destroy the flowerbeds and throw oranges at people leaving their prayers.  Most days the boys can out run the gardeners, but one day they pelt the Caliph himself with a rotten orange.  The punishment from the Caliph is three months of hard labor working with the gardeners everyday on the mosque grounds.  On their breaks the boys explore the mosque and marvel at its beauty.  By the end of their sentence, the boys have such a love for the mosque and one another that they are forever bound.  As the boys grow and make their way in the world, they don’t keep in touch much.  However, when Cordoba is defeated in battle by the Christian king Fernando, it will be up to these three boys to convince the new king, that the Mosque shouldn’t be torn down.  And that the it is the pride of all people in Cordoba, Muslim, Jewish, and Christian alike.

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The book is 32 pages and an AR 4.0.  It does a good job of showing the three faith communities coming together to save something they all value.  It also shows a kind, yet purposeful punishment from the Caliph to the three boys.  While younger kids in story time will enjoy the concept of people working together, the book really finds its strength with students learning or familiar with Spain, particularly prior to the Inquisition.  There isn’t a lot of detail regarding the structure of the mosque, or the doctrine of each faith, that knowledge would have to come from outside the book, in order for it to be appreciated. There are some plot holes in the story and the book itself doesn’t make it clear what parts of the story are historically accurate and which are fiction.

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The illustrations are charming in their own way.  The watercolors do a good job bringing to life the mosque and gardens, and battle, but for me fall a little flat in depicting the three boys.  I don’t know if the text or illustrations are at fault for me not connecting to the story or finding an emotional resonance to what should be a very inspiring story. Perhaps it is a combination of the two.  I feel it is desperately in need of an author’s note detailing the factual origins of the tale,  Something to uplift and give hope to people of different faiths coming together in a peaceful way, that can be put into real world actions.

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Yaffa and Fatima: Shalom, Salaam by Fawzia Gilani-Williams illustrated by Chiara Fedele

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Yaffa and Fatima: Shalom, Salaam by Fawzia Gilani-Williams illustrated by Chiara Fedele

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Oh how full my heart is after reading this book, and wiping a tear from my eye.  When the daily news angers and frustrates, a story as sweet as two friends helping and worrying about each other gives hope to the future of the world. I know that is probably over reaching the impact of a children’s book, but sometimes it really is just one person helping another person, just finding similarities instead of differences, and above all having a big heart.

Yaffa and Fatima are neighbors and both grow dates.  The two women, one Jewish and one Muslim, share a lot of similarities they both fast, pray, celebrate, and help others. They often sell their dates next to each other in the market and then share their food and customs with each other.  During one growing season, rain is scarce, and each woman begins to worry about if the other has enough- not just to sell, but to eat as well.  Secretly they both help each other and prove the power of friendship and kindness is universal and powerful.

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The illustrations are smartly done.  This isn’t the book for bright and colorful or overly cartoonish depictions.  The simplicity of the words introduce the reader to Islamic traditions and Jewish traditions, but the purpose is to show their similarities and the illustrations mimic that sentiment beautifully.  The contrast of red and blue show the differences with the larger muted tones being the same. The warmth in the characters faces mirror the warmth of their actions and the detail is balanced with intriguing the reader without distracting from the text.  The illustrator does a good job of also showing the women covering their hair in public, albeit differently, but not within their homes. And of also showing the different ways the women worship without the words having to do so.

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The author has a note at the beginning acknowledging the roots of the story as a tale about two brothers in both Jewish and Arab traditions.  And at 24 pages it works for children of all faiths and all ages, two years old and up.  The book was recommended by a woman, who I hope to meet next week, when she and her Jewish community join us at the mosque for our monthly story time.  With a theme of friendship, this book will be the focus of what bridges and connections we can all make in our personal lives to make the wold a little better.  I can’t wait to share it with our children of both faiths!

 

 

 

The Storyteller by Evan Turk

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The Storyteller by Evan Turk

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Set in Morocco a long, long time ago near the edge of the great Sahara, a young boy goes in search of water.  But just as the city grew and grew and people forgot about the threat of the desert, people forgot about storytellers too.

This 44 page book weaves a tale of story within a story within a story, and combines different times in the past to illustrate how vital stories are to our existence.  Much like the thirst that only water can quench, the human soul needs connections.  With a Djinn threatening to cover the town in a sandstorm and the mysteries of the blue water bird, can a well told story really restore water and safety?  Written on a 4.9 level this book could get a bit confusing to a struggling reader, or a child trying to keep everything straight.  I found this book works best with kids that can get caught up in the story and the imagination of it all, without over thinking all the layers. It, like the story within the story suggests, works best to be listened too.  There is a lot of text, but it is very soothing and engaging.  The pictures are splendid, but in a dream like manner.  The book works well with sleepy children listening to your voice and getting lost in the pictures, making a storyteller out of the reader, and proving the engaging power of a story.  Second graders and up will enjoy listening to the story, and learning about desert life, and oral storytelling in lyrical way.  There is no Islamic element other than the hijab wearing women in the pictures, and the mention of a djinn.  There is is an author’s note at the end telling of the resurgent efforts of public storytelling in Morocco.

When a storyteller dies, a library burns-old Moroccan saying

What Does a Muslim Look Like? by Mohamed Abdel-Kader illustrated by Abdullah Badawy

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What Does a Muslim Look Like? by Mohamed Abdel-Kader illustrated by Abdullah Badawy

what does a muslim look like.jpeg This 22 page, simplistic book written in rhyming couplets, is such a timely and necessary book.  Much like Owl and Cat: What Islam Is… this book has value that extends far beyond its audience level (not AR but, I’d say three years and up), as the content breaks down stereotypes while being framed in a positive, non condescending way.

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A brother and sister pair, Jack and Jane, go about their day when at dinner Jack remarks that he learned that two of his classmates are Muslim and they look like them.  Thus arises the question, what do Muslims look like?  The book then goes on to break down stereotypes and broaden views in the same rhyming manner that keeps the book light and child friendly.  The conclusion is that like people of other faiths, everyone is different, and that no one should be judged on what is on the outside.

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The book appears to have been started on Kickstarter in 2012 and Alhumdulillah it got the needed funding to get published.  I got my copy through the public library system, and I am beyond thrilled that I found it where hopefully a lot of people can get their hands on it.  Reading the author’s campaign on where the concept came from, he would have had no idea how much more timely the book is now, then when it was first published.  I get asked quite regularly from old school friends, how they can introduce Islam or get the ball rolling  to talk to their kids about Muslims, and this book would be a great start.  Told from non Muslim kids perspectives, with very hip parents, the book does not discuss any tenants of faith or belief, it just identifies the many shapes and sizes and colors that Muslims come in.  It would work well to show that Muslims are everywhere not just in the news, without overwhelming even the youngest of readers.

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The pictures in the book are absolutely perfect in complimenting the story. They are not only silly, but also diverse as the book’s text would require.  Interestingly there are ladies with hijab and those without, and scarves are not mentioned in the text, and also noteworthy is there are no bearded men in the pictures.  Overall, a wonderful book that I would love to have on my shelf with extras to hand out.

Never Say A Mean Word Again: A Tale from Medieval Spain by Jacqueline Jules illustrated by Durga Yael Bernhard

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I love when tales from the past provide timeless lessons in relevant ways.  Inspired by a medieval legend about the Jewish poet Samuel Ha-Nagid, a royal advisor in Muslim Grenada, Jules creates a story that works for children of all ages and backgrounds.

The Grand Vizier’s son, Samuel, bumps into the tax collector’s son, Hamza, and the boys don’t rub each other the right way.  Later that day, Samuel spills his drink on Hamza and can’t convince him both were accidents.  Hamza calls Samuel some mean names and storms off.  Samuel and his father think the name calling is uncalled for, but the vizier does not solve his son’s problem and instead assigns him to “make sure Hamza never says a mean word to you again.”  Samuel imagines ways to teach Hamza a lesson or punish him, but some ideas are too complicated and some just silly.  This is proving to be a hard task.  The next day Samuel shows up to Hamza’s house with a lemon.  He thinks forcing Hamza to eat it is a good punishment for a mean mouth, however Hamza thinks the lemon is to help with the stain that ruined his clothes, and tells him his mother already tried that.  Caught off guard by Hamza’s reaction, the two somehow end up playing catch with the lemon and enjoying the afternoon together.  The next day he shows up to Hamza’s house with ink and paper thinking he will make Hamza write him an apology.  Hamza however, thought Samuel showed up to draw, and once again the boys enjoy an afternoon together.  This carries on until the boys are so used to seeing each other and having fun together, they become friends.  Samuel fears that he disobeyed his father and did not handle Hamza only to realize that by befriending his “enemy” he did in fact make sure Hamza never said a mean word again.

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The book is 32 pages with an Author’s Note about the real life events that the story draws upon.  The book is not AR, but the large bold typeface and the warm simple pictures make this book work great for story time with young children.  It compliments themes about bullying and making friends as well as being silly.  It works well for third graders and older ones too, as they might understand people of different faiths struggling to get along or people of different socio-economic classes, or even just imaging how they would solve a problem without their parents doing it for them.  I was pleasantly surprised by the book and how it handled the Muslim/Jew staging of the characters.  Especially right now in today’s world, this story has a poignant lesson for us all. If we all spent time together having fun, we too could end up being friends, or at least getting along.  I think the story and its lessons have merit and relevance, and thus a place on the bookshelf.

 

 

Samira and the Skeletons by Camilla Kuhn

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Samira and the Skeletons by Camilla Kuhn

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Quite possibly there is nothing Islamic about this book, but the main character’s name, Samira, is traditionally an Islamic name and thus it caught my attention.  I also think one could argue that the mom in one of the pictures (see picture below) is possibly wearing a hijab.  So, probably I shouldn’t include it on the blog, but the book is so disturbingly creepy, in a fantastical way, that I thought, why not.

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Samira learns that everyone has a skeleton and bones one day at school, and it frightens her.  She starts seeing everyone’s skulls instead of their outward body parts and she refuses to accept that she has such morbid parts or that her friend Frida does too.  Knowing that she is chewing with teeth, skeleton parts poking through, at lunch is too much and she can’t even be near Frida.  When she gets home she tells her mom she wants to be free of her skeleton, and her mom agrees.  Yes, agrees! They resolve the tooth fairy will be delighted to get a whole skeleton, not just a few teeth.  So the mom, gets some tools and preps a table to perform the surgery required to remove her skeleton.  Luckily Samira runs for it and finds Frida, and alas the girls accept that they have skeletons and use humor to diffuse the fears they have of what lurks beneath their skin.  That is of course until the next day at school comes, and they learn that they have muscles, just like steak.

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The imagination of the girls is quite remarkable.  I love that it starts with a lesson and that information about skeletons and animals, such as jelly fish that don’t have them exist, is sprinkled through out.  I also like the approach, its weird, but in a delightfully fun way.  It also lends itself well to a discussion of how we are more alike than different.  Our outward appearance doesn’t define us when we are all made up of bones and muscles.  The story doesn’t address it, but some kids might infer it or connect the dots with a little prodding.    img_3064

The book is not AR, but I think most 5 year olds and up can read it or follow along giggling all the way through.  It probably isn’t for every child, but those with a darker sense of humor will enjoy all 34 pages.

Nasreen’s Secret School: A True Story From Afghanistan by Jeanette Winter

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It is widely written about, even amongst children’s literature, that in parts of the world, girls are not allowed to go to school, but that many find ways to do so anyway.  What sets this book apart is that it is based on a true story, and while there is some hope for Nasreen, overall it is a really melancholy tale without a happy ending.  At 40 pages, author Jeanette Winter once again conveys a story that shows compassion instead of judgement and undeniable admiration for her characters.  Written on a 4.2 level, the story packs a lot into small, simple sentences, and her illustrations do not shy away from the realities of Afghanistan.  While I was surprised to see that twice the book was challenged, in 2014 and 2016, for showing Muslims praying and for violence, I was glad that it was never banned.   The strength and determination of Afghani women should not be silenced, it should be shared and celebrated.

 

The story is told from the point of view of Nasreen’s grandmother.  She is heartbroken that her granddaughter is not allowed to attend school and practice the arts as she was, and even her daughter-in-law, were able to do as children.  Since the Taliban has come things are dark.  Things get worse when one night soldiers come and take Nasreen’s father with no explanation.  When he doesn’t return, Nasreen’s mother leaves to find him, displaying her own strength to independently take on a society that doesn’t permit her to go out alone.  Unfortunately she does not return either, and Nasreen stops speaking.  Grandma learns of a secret school for girls.  Determined that Nasreen should know of the outside world, great risks are taken for many girls to learn in a private home a few doors down.  Dodging Taliban soldiers and neighborhood boys helping keep their school a distraction starts to pay off as Nasreen finds a friend and starts to open her heart.  The book ends with mom and dad still missing, but hope for Nasreen to see through the window education has opened for her, inshaAllah.

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Malcolm Little: The Boy Who Grew Up to Become Malcolm X by Ilyasah Shabazz illustrated by AG Ford

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Malcolm Little: The Boy Who Grew Up to Become Malcolm X by Ilyasah Shabazz illustrated by AG Ford

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I had hoped to have a handful of selections to review for Black History Month, but alas I started too late in collecting titles, inshaAllah next year I will be better organized.  I did want to share this beautiful book though, as a great story of hope and love, that I don’t think is often included when we study Malcolm X or talk about him today.  This is the story of his parents and the philosophy of equality they tried to raise him in before hatred and bigotry destroyed his family, before he went to prison, before he became “Detroit Red,” a member of the Nation of Islam, before he became a civil rights leader, a Muslim, before he became Malcolm X.  This is a story, based on love, written by his daughter to give children of all ages something to think about.

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The story of Malcolm Little, is a story that I feel cannot be rushed, it is very heavy in text and at 48 pages, the warm beautiful pictures make it accessible in pieces to younger children, but it is written on an AR 6.5 level (sixth grade fifth month).  The book tells about how his mother and father met, believed in universal equality and justice, and started a family where these values took center stage.  The family suffered for their beliefs and their home was burnt down, but they rebuilt and the family continued to find strength and see the power of possibility.  The books shows the lessons taught in everyday activities such as raising a garden, doing laundry, reading books, doing homework, and even fishing.

When Malcolm’s father was killed, however, and his mother taken away, the family was forced to separate and Malcolm to deal with an unwelcoming world, more or less alone.  The book ends with Malcolm in 7th grade so, to young readers who have maybe only heard his name in passing the book is full of hope and roots for the man he would become.  It is almost a fairytale start to a man who would be cut down in his prime years later.  They will understand how unfair society treated his family, how warm and educated and strong his mother, Louise was, and how inspiring his father as a preacher was. The takeaway will be how Malcolm’s upbringing and personality allowed for him to rise up and refuse to stay down during horrific events in his life.

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For older elementary and middle schoolers it is a story of possibility, of how quickly things can change, and the effect of hate.  They should also see how institutionalized and normative the oppression of African Americans was and how it really wasn’t that long ago.  When Malcolm’s English teacher Mr. Ostrowski tells Malcolm that he as an African American should not have such high expectations, readers should realize that the acts of the Ku Klux Klan may be viewed as “extreme” but society as a whole was systematically enabling such bigoted acts.  The lessons passed on to Malcolm by his parents are universal themes of hope and love and equality that still have to be stood up for today, and even young listeners can grasp that, and also grasp that because of their skin color alone they were seen as second class citizens.

The book shows depth to a historical character that gives some insight to what made him so dynamic.  Many young readers will be surprised at how quickly Malcolm’s world unraveled, and some of the reasons why, while empathizing with the injustice of it.  The Author’s Note at the end is also fascinating as it details the family members and their stories about the characters in the book.   I liked the softness of the book and the smaller lessons for children that it presented.  It didn’t shy away from the violence and prejudice that the Little family faced, but presented it through a lens of optimism to hopefully inspire children to carry on with the social activism that still needs to be done.

 

 

A Tale from Turkey The Hungry Coat by Demi

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A Tale from Turkey The Hungry Coat by Demi

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It really bothered me that I didn’t love the version I read of  The Parrot and the Turkey about Nasreddin Hodja, especially after finding out how entwined he is in Turkish culture, and reading some of his tales online.  So, when I found that Demi had also rewritten and illustrated a tale from his collection I was anxious to check it out.

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The  Hungry Coat is a charming story and Demi does a great job of bringing it to life with her pictures and storytelling abilities.  The book is 36 pages and a 4.1 on AR.  The text isn’t overwhelming in volume, but to read it definitely requires a bit of an older child’s vocabulary.  Words like caravansary, hostel, banquet, frisky, and commotion are scattered through out.  However, to listen to the story and to understand the message Nasrettin Hoca (an alternate spelling) is conveying, is easily enjoyed by children four and up.  The story flows very smoothly and the catch line of “Eat, coat! Eat!” makes the story absolutely delightful.

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Nasrettin Hoca always keeps an apple in his pocket for any goats he might pass while he is out and about.  One day he helps round-up a goat that has gotten lost, and in all the commotion had become quite a mess and lost too much time to go home and change his clothes before heading to a friend’s house for dinner.  Deciding to go in his patchy, smelly clothes, Nasrettin soon finds that none at the dinner party will sit by him, or even sit facing him.  He slips out quietly from the gathering and has an idea.  He goes home and preens himself, and returns to the party where he is greeted with attention and kindness.  At dinner he begins placing the food in his coat, rather than eating it.  Each time he opens his coat he commands it to eat.  After he fills his coat he pats his belly to the bemusement of all around him as they ask him what he is doing.  He makes his point that when he came in his old coat he wasn’t fed, but when he came dressed so beautifully he was, and thus clearly the coat was invited to dinner, not him.  Everyone cheered and learned the lesson.

“A coat may be fine, but a coat does not make a man.”

The illustrations are rich and detailed, but I did find myself a little put off when Nasrettin seemed to go from looking like an old little man, to being very effeminate.  The inconsistency bothered me a bit, which surprised me for a Demi illustration.  Also, it is worth noting that there is mention of wine in the story, that many may find off for a children’s book, particularly one about Muslims (Nasrettin was an Imam and a Dervish, so he may have drunk, I’m just saying it surprised me).  The last two pages of the book are an afterword about Nasrettin Hoca in real life and the influence of his folk tales and lessons.

Snow White: An Islamic tale by Fawzia Gilani illustrated by Shireen Adams

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Snow White: An Islamic tale by Fawzia Gilani illustrated by Shireen Adams

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A lot of the twists that I was surprised by and endeared to in Fawzia Gilani’s Cinderella, seemed lacking in her re-telling of Snow White.  Perhaps it is the mere fact that Cinderella has a legacy of being re-told from different cultural perspectives and in different time periods, where Snow White doesn’t, that made this book stumble where her other sailed much more smoothly.

The basic premise of this Snow White version is naturally the classic tale.  Snow White is the envy of her stepmother, in this case however, it isn’t a magic mirror, but a jinn who answers her questions. Once the huntsman is convinced not to kill her, and a boar’s heart and liver are taken instead,  Snow White finds the companionship and shelter of the dwarves.  In this re-telling, it is a female crew with countless skills that they are happy to pass on to their newest friend.  When the evil stepmother finds out Snow White still lives she concocts poisonous dates to present in disguise to Snow White who is awaiting the appointed iftaar time.  The dwarves arrive home too late to save Snow, but see who has done the evil deed.  The Prince makes his brief appearance as he arrives at the cottage, makes dua’a for Snow and then sends his mother to nurse her back to health.  In fairy tale tradition a wedding soon follows, but the evil step mother has one more trick up her sleeve, she poisons a comb that Snow is surely to use as she prepares for the big day.  The dwarves cannot thwart the stepmother and Snow is only saved when the stepmother in all her vanity accidentally picks up the comb to fix her own hair.  Over time she recovers and Snow forgives her and they all presumably live happily ever after.

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Perhaps it isn’t fair to compare the two books, but I would imagine they are often purchased together and I feel like there are some notable differences that are worth mentioning.  In Cinderella, the setting is Andalusia and they are all about the same skin tone.  Snow White seems to resort back to old stereotypes and the stepmother seems to be the only one with a darker complexion with all the others being more fair.  Granted her name is Snow White, but it is established on the first page that her mother prays for a child with a “heart as pure as snow,” so really that doesn’t hold up.  Also, where I felt that Cinderella could work for Muslims and non Muslims alike, I think this one would be a hard sell for non Muslims.  There are a lot of references to dua’as of Noah and Job, there is Ramadan, the role of the jinn, she even does tayammum at one point and readers may be confused why sometimes she is in hijab, and when home with the women she is not.

Like Gilani’s Cinderella, the book is very thorough in being Islamically appropriate.  The sisterhood is a nice twist and the Prince has a really small part.

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The illustrator is the same, yet for some reason the pictures seem a bit dull in this book.  The bottle of poison is shimmery, but the other illustrations seem muted and almost rushed.  The book is 41 pages with a glossary and Reference for Quran in the back, and is very text heavy.  Probably 3rd or 4th grade level with some assistance on the Islamic concepts.