Feb14

Cinderella: An Islamic Tale by Fawzia Gilani illustrated by Shireen Adams

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I’ve seen this book countless times online and honestly have never given it a second glance.  I mean Cinderella is a classic fairytale and I have a few different versions from around the world, but an Islamic one? It seemed like it would be awkward or overly preachy and forced.  I should have given Fawzia Gilani’s version a chance though, she has surprised me with her other re-tellings of Eid Kareem Ameer Saab and Nabeel’s New Pants. And, mashaAllah, to her credit she manages to weave a decent story full of Islamic tenants, void of magic, and more feminist than the Disney or Grimm versions.

I’m not going to summarize such a familiar tale, but I will point out major twists.  Zahra is a practicing Muslim who is very devout in her prayers, fasting, and reading of the Quran. Her step-sisters nickname her Cinderella after some cinders from the fire burn holes in her clothes.  A bit of a stretch, from Zahra, but I think even the youngest readers will know the original Cinderella story and be ok with it.

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Cinderella is constantly remembering to be patient despite the treatment of her step family through various duaas, ayats in the quran, and fasting on the day of Arafah.  When an invitation to an Eid Party at the palace comes, she naturally is forbidden from going unless she completes all her chores.  Luckily her Grandmother returns from Hajj with servants to help clean the house and a new abaya to wear to the party.  At the palace the women and men are in different rooms, but Cinderella catches the King, the Queen, and Prince Bilal’s attention when passing in the hallway for being in full hijab.  She continues to impress the Queen, when she remains quiet during the athan, prays in jammat, and shows grace in her manners and speech. After winning over the mom, the slipper and happily ever after follow the traditional script, however, like the story of Yusuf (as) and how he forgives his brothers, Zahra forgives her step-family as well.

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The 41 page story is heavy on the text and is not AR.  I would imagine that it would be on a third grade level for Muslim children familiar with the vocabulary, and fourth grade for those that are not.  There is a glossary at the back, but not all of the Arabic words are included, and I’m not sure that the context would allow for them in some cases to be understood.  This book would be hard to do in a story time setting because of the length, at bedtime, however, the pictures are detailed and rich enough that one-on-one could hold a five or six year olds’ attention.

Overall the story doesn’t feel forced, and you’ll find your self smiling at some of the “islamicifaction” of the plot.  Most of it flows really well.  I love that it isn’t focused on her appearance alone.  I also like that she isn’t helplessly waiting to be saved or alleviated from her burdens.  By and large it doesn’t feel like a love story, Prince Bilal is pretty much a minor story point.  The book works for Muslims and non-Muslims alike.  It isn’t preachy, but it definitely is strong in it’s moral messages. I think non Muslims will find the Islamic version just as fun as the hundreds of other “twists” on Cinderella and Muslim children will love to see someone like them living happily ever after as well, inshaAllah.

 

 

Feb11

The Treasure at Bayan Bluffs by Farah Zaman illustrated by Kim Zaman

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The Treasure at Bayan Bluffs by Farah Zaman illustrated by Kim Zaman

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At 231 pages this book claims to be for ages 9 to 18 and that’s a pretty large spread for a mystery, yet alone an Islamic fiction one by a first time author.   In a tone reminiscent of Nancy Drew and the Hardy Boys,  it should really should just say 9 and up, I was hooked!

SYNOPSIS:

Adam and Layla along with their younger twin brothers Hassan and Hakeem from America are visiting their family home of Bayan Bluffs in Midan for the summer.  Their grandfather and great aunt and a few long time servants aren’t much entertainment for the children, so their parents arrange for their college friends kids’ Zaid and Zahra from Crescent City, a few hours away, on the other side of Midan to join them.  The children get along right away and decide to try and solve a mystery of a hidden treasure that they have heard bits and pieces of over the years.  Their search for the Moon of Masarrah starts innocently enough, but quickly escalates as they learn they aren’t the only ones searching for the missing gem.  As they learn more about the jewel and the circumstances of its disappearance the gem and the murder of Adam and Layla’s great grandfather get further entwined.  With a few of the suspects still alive and many of their family members still in the city, the children soon find they themselves in danger as well.

WHY I LIKE IT:

The biggest reason I like it, is it is well written.  There aren’t confusing passages, or too many characters or boring preachy paragraphs.  The plot is good, the dialogue believable and the fact that they are Muslim children, just depth to the story.  They plan to meet after asr or before Jummah, and they say inshaAllah and mashaAllah, and its just a really good balance of who they are, but not all they are.  In retrospect, maybe they all get a long a little too well, but it isn’t syrupy and they have some minor annoyances, so it doesn’t hinder the story.  The only thing I caught myself looking back on was the age of the twins.  At times they seem like toddlers and at other times much, much older.  Even the author says they are “about six years old,” and having a six year old myself, I do believed that they can vacillate to both extremes in any given moment and thus I accepted their antics and let it go.  Additionally I wish she included a map.  It isn’t confusing, but it would have been great to look back upon as the action speeds up, and would definitely help younger readers visualize the details.  The terrain vocabulary for anyone younger than nine might need some explanation.  There is a glossary at the end for some of the Arabic words, and for some of the specific ships and weapons mentioned.  Their are a few illustrations that I think help the younger readers, they aren’t needed for the story, but they don’t impede it either.  I wasn’t crazy about them within the story, but I did appreciate that they show the girls in hijab and the illustrator clearly put a lot of work in to them.

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I wish that the cover was more appealing, for a story that was so good, I wish it begged to be picked up.  InshaAllah word of mouth will carry the book, so that more like it are written and published.

FLAGS:

None, mashaAllah it is clean and wholesome.  There are good and bad Muslims and no judgement is put in a religious context.  There is some violence, but it is nothing even a seven year old would find offensive.  Alhumdulillah.

TOOLS FOR LEADING THE DISCUSSION:

I would love to do this as a Book Club book for 5th through 8th grade.  The writing quality and the different characters the students would be able to identify with, would make it a lot of fun.  There isn’t any deep or though provoking discussion points to accompany the book, but I think the genre is hard to come by and Muslim kids seeing Muslim kids solving a crime and going on a treasure hunt, is just exciting.  I couldn’t find any study guides or even much information on the book or author, but none is needed to enjoy the story.  Farah Zaman if somehow you see this review, know that I hope you keep writing, and I thoroughly enjoyed your book!  Happy Reading Everyone!

 

 

Feb8

Silent Music: A Story of Baghdad by James Rumford

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Silent Music: A Story of Baghdad by James Rumford

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A children’s book about Arabic calligraphy, war, and a boy in Iraq, I would imagine doesn’t appeal to a large population of readers.  Written on an AR level 3.8 and 32 pages long, I wish it did.  For the children, and adults that do take the time to find the rhythm in the simple words, and pause to get lost in the intricately detailed pictures, the book is a gift.

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Ali, like kids the world over, loves soccer and music and friends.  But most of all he loves calligraphy and secretly admires his hero, Yakut, a calligrapher from Baghdad who lived 800 years ago.  When the bombs start to fall he finds solace in the silent music of creating something beautiful instead.

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The way the calligraphy is described is poetry in action, “Writing a long sentence is like watching a soccer player in slow motion as he kicks the ball across the field.”  And poignantly he shares with the reader that war is so much easier than peace, by showing how much easier the word HARB (war) flows from his pen, compared to the stubborn shaped letters in the word SALAM (peace).

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The book does not detail the war or the atrocities over the years the people of Baghdad have endured.  But by mentioning war and the need to escape, will hopefully allow discussion to flow about Iraq, about Islam, about calligraphy and ultimately about peace. There is an author’s note at the end that helps facilitate this further discussion.

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Feb6

Owl & Cat Islam is… by Emma Apple

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Owl & Cat Islam is… by Emma Apple

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The book’s charm is its simplicity.  The text is minimal and the illustrations a small portion of the page.  But at 59 pages the book finds power in showing what Islam is to muslim and non muslim children alike.

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To say that I liked the book is an understatement, I loved it! It is perfect for bedtime and story time for kids 1 to 4.  Ages 5 and up can read it themselves in mere minutes.  The pictures not only are the story, but add a wonderful sprinkling of humor.  I mean really lets eat a mouse, better yet lets share it! EEEW! Oh wait animals and cats do eat mice!

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But why I really like the book, is because while it reminds Muslim children of all the subtle things that make up what Islam is.  It also builds bridges for children who know Muslims, or whose parents want them to widen their knowledge, as it lends it self so effortlessly to seeing how we are all the same.  Yes it mentions the names of Islamic Prayers and that Muslims read the Quran, and tells the five pillars in a non preachy way, but it also says, “Islam is Family,” and “Islam is Respecting our parents” and “Islam is Telling the truth.”  Much more alike than different.  A lesson even the littlest reader can understand and hopefully remember.

Feb4

The Sky of Afghanistan by Ana A. de Eulate illustrated by Sonja Wimmer

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An Afghani girl dreams of peace in this illustrated 24 page poem.  She soars and flies like the kites against the wind and giggles and learns and hopes with her feet on the ground.  The book is written on a third grade sixth month AR level, but even at that the poem is hard to follow for elementary age children.  The voice doesn’t sound like a child’s, it is far more reflective and mature for how she is presented.  The text, not really a story, wanders and alludes to what obstacles face Afghani’s but doesn’t detail them.  The author assumes the reader knows that Afghanistan has been under war for decades, that war is painful and gloomy and gruesome.  Adults maybe can find the hope for peace and the struggles inspiring, but I don’t think children will really have a clue as to what the text is about. Luckily the pictures are AMAZING.

 

The illustrator does an amazing job in keeping the story light and hopeful and showing the culture without judgement or despair.  The domes of the masjids, the hijabs, the mendhi on the hands and even the smiling faces beneath the niqabs are done with lightness, kindness and beauty.  There is even a touch of whimsy that reminds the reader that this is supposed to be from a child’s perspective.

The sky can be full of kites, I think to myself,

but it can also be full of dreams…

And mine flies up high, high into the sky,

towards the stars…

The book overall is poetic and artistic.  I can see children enjoying the illustrations and maybe falling asleep to the melodious words, even if they can’t really make sense of them. The book says that profits go to charity, and that the book was translated from Spanish.   For the illustrations alone, the book has merit and older children may be inspired to take something difficult and turn it into something beautiful with their words.

 

Feb2

Sitti’s Secrets by Naomi Shihab Nye illustrated by Nancy Carpenter

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Sitti’s Secrets by Naomi Shihab Nye illustrated by Nancy Carpenter

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Sitti’s Secret was published in 1994 and given the events of the week, I’d say it is more relevant today than it was when written.  And if by some chance the events of the week haven’t affected your children, then the poetry and soul of the book still makes it an amazingly powerful story.

Mona travels from America to Palestine to visit her grandma, her Sitti.  Without the ease of speaking the same language, Sitti and Mona learn to communicate and build a tight bond cut too short by a vacation coming to an end.  When Mona returns she sees the news and writes a letter to the President, telling her Sitti’s secrets, telling him they would be great friends, and telling him they only want peace.

Truly Nye is a poet, even in Turtle of Oman her words transport you to a place where time slows down and the connection between a child and a grandparent make you nostalgically yearn for a simpler time.  Having spent my summer’s abroad visiting my grandma I could relate to so much of this book and truly had to still my heart.  The little things, like examining your grandma’s hand, or hanging out laundry, or brushing her hair. Even that dreaded final hug as you prepare to leave,  I could relate and it was enchanting.

No where in the book does it mention the Middle East or Islam, only at the beginning does she hint at it by dedicating the book to her 105 -year-old Sitti in Palestine, it mentions that she speaks Arabic and a few words are sprinkled in. And the Grandma does wear a scarf.  Other than that the book is by and large not political.  If you know that Nye has a Palestinian father and American mother and often writes semi auto biographical pieces, the book can take a bit of a different role to the reader.  Many reviews criticize the activism upon her return (the letter to the President), and found it disjointed to the rest of the story.  But in today’s climate I found it empowering and hopeful.  The world will only find peace when we put a face to those that are different to us, and even children can change our stereotypes.  I love that my children are seeing that they can make a change in the world today, and to see it reinforced in literature was gratifying.

The book is 32 pages and written on an AR 3.9 level.  The illustrations are beautiful.  They bring the words to life in a tender and heartfelt way.  The detail is subtle but deep and i have found myself thumbing back through the pages to get lost in the illustrations multiple times.  I think the book works on different levels for different age groups.  If you have a family that has to overcome great distances to be together, even younger readers will be able to identify with the story’s tenderness.  If you are in 3rd-6th grade and are aware of what is happening in the world you will be inspired.  If you just are looking for a sweet book, subhanAllah it manages to fulfill that category too.

Jan26

Princess Siyana’s Pen by Zainab Merchant

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It is hard to not compare a big, brightly colored Princess book to the golden standard of a Disney princess story, which obviously isn’t fair. But for as much as I wanted to love this strong Muslimah and her doe-y eyes as she saves herself and the kingdom, I felt the author let me down.  The plot feels overly familiar, it is like a mix of Rapunzel in Tangled (minus the tower and Mother Goethel), Anastasia (not Disney, but in the same genre), throw in Jafar and (a nice) Iago from Aladdin, sprinkle in Islamic wisdom and insights, and tada you have Princess Siyana.

Siyana is the daughter of King Tariq and Queen Fatimah, the wonderful rulers of Lusitania.  While still a baby, the evil Chief Advisor Shargor kidnaps the young princess and leaves her in the neighboring mountainous kingdom of Baetica.  As her kingdom searches for her, a traveler in Baetica finds her and gets her to Ms. Salma at El Sol Orphanage.  Her life is good growing up. She shares her knowledge of modesty and salat with the younger girls at the orphanage, and has a very close relationship with Ms. Salma.  Meanwhile, in Lusitania, Shargor has imprisoned the King and Queen and is ruling unjustly and ineffectively.  When Siyana is 16 years old Ms. Salma surprises Siyana with a trip to Baetica for an interview at Baetica Academy, Siyana’s dream school.  While there, a tornado tears the two apart, and Siyana is rescued by an elderly couple.  This couple is struck by her name and fill her in on the story of the missing princess.  Siyana boldly journeys to the castle, storms in, frees her parents, forgives Shargor and presumably they all live happily ever after.

The author puts not just Islamic values of forgiveness, and kindness to others in the story, but pushes the point of hijab and talking to Allah (swt) as well.  Siyana discusses how at the orphanage they don’t cover, but when they go out they do.  One of the younger girls even asks her, “why wear such a pretty dress if no one can see your hair?”  Hijab comes up a few times through the book and isn’t too awkward.  However, I felt the concept of writing letters to Allah (swt) a little forced and less smooth, especially considering it is the title action of the book.  Once a week the girls at the orphanage write letters to God with special pens Ms. Salma had given them. They then drop these letters in the lake.  A bit odd for the environment in my opinion, but I get it I’m cynical.  In her first letter she writes about wanting to help others and even remarks, “Oh my Lord, my Guide, my Everything, How I’ve missed you, even though I talked to you just an hour ago in my Salaah!” The author has Ms. Salma explain that you can always talk to Allah (swt) and that duaas and letters are good, but remembering Him in your heart is the best.  Siyana writes two letters in the book, and the letters aren’t long, but it seems like the lead up in to them and after them, explaining the connection to God through many different forms is good, and which are better, and which are required, etc., gets a bit wordy.  Again I do acknowledge my own unease with writing letters so formally to Allah (swt) in literature. I have now reviewed a few books were it presents itself, and in all cases I find it weird, and I don’t know why.  Interestingly the Author never uses the word Allah (swt), but she does use hijab and salaah.  And there is space at the back of the book to write your own letter to God.

I do like that the plan is for Princess Siyana to rule the kingdom and that she is traveling for educational reasons when the tornado strikes.  I also like that Ms. Salma seems to be a strong independent woman and that Siyana, doesn’t wait around for someone to save her parents, she takes control, trusts Allah, and saves the day.

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The book is beautiful and big.  The illustrations are radiant and well done.  At 40 pages long, there is also a recipe for Macaroons and amaze at the end, the story is quite long in both the number of pages, and in the amount of text on each page.  I would place it on at least a 3rd or 4th grade level for reading, and possibly a KG or 1st grade level for story time.  The book isn’t dry, but it would definitely test a 3 or 4 year old’s attention span.  Obviously it is an Islamic alternative to the mainstream princess story, but at $19 and the way it is beautifully presented, I guess I wanted more than just Islamic morals infused into something so familiar.  I feel like the author could do more, it is definitely within her writing ability and the publisher, Sun Behind the Cloud, who it seems is responsible for the illustrations as well, definitely know what they are doing.

There is a youtube teaser: https://www.youtube.com/watch?v=6qS_Jw2rp8Q

and an interview with the author https://www.youtube.com/watch?v=HCclUg9pUXI

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Jan11

Tales of Nasreddin Hodja: The Parrot and the Turkey prepared by Gamze Alici illustrated by Sinem Zengincelebi

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img_2803I ordered this book a while ago online.  There is a whole series of Nasreddin Hodja, so I picked a title at random.  I read it when it arrived and the story seemed to wander more than my attention span could follow.  So naturally,  I had my children read it, and they said it seemed funny, but they didn’t understand it.  I glanced through it again and figured maybe it was one of those beloved cultural characters that just lost some of their charm in translation.  In this case, Nasreddin Hodja is a folktale type character born in the 13th century from Konya, Turkey, who is the star of short stories that teach a point in a silly way.  The opening page tells a bit about him and what you can hope to learn in the story, but it didn’t help understand why the book was so fragmented.

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In my latest move, I found the book again, read it again, and was stumped again. But luckily this time I contacted a Turkish friend instead of putting it back on the shelf and realized this book does not do Nasreddin Hodja justice, he is a hoot.  The book, not so much.

So first, a review of the book.  The book is beautiful and fun to look at.  The colorful glossy pages and clear font invite readers between ages 6-9 to read it and younger kids to have the story read to them.  The illustrations are delightful and after hearing about Nasreddin Hodja I think they convey his silly, yet wise persona.

Unfortunately the story is long.  At 32 pages with a fair amount of text on each page the author seems to try and take three tales and connect them into one coherent story.  The result is an abundance of detail that doesn’t move the story to his poignant conclusion and instead results in unresolved tangents.  For example in the first part of the story, he goes to the market to buy a few things for an alfresco breakfast with his wife.  Along the way he stops at a fountain to drink some water, he then begins shopping and after listing off dozens of vegetables and fruits, and details how he buys each item and what season they come from, he gets to his commentary of how silly a man selling a parrot for a ton of money is.  He then returns home to get his turkey to make the point to the parrot vendor that if he is asking 50 pieces of silver for a parrot that can talk, he will sell his turkey who can think for 100 pieces of silver.

This story covers about 17 pages of the book, but the same tale as told on the website http://www.readliterature.com/hodjastories.htm is only a few short sentences.

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One day The Hodja was walking around in the market place. He saw a bright-coloured bird for sale for 12 gold coins. Hodja was amazed. He approached the crowd gathered around the bird and its seller.

How can a bird be so expensive?’ he asked the people watching the bird.

This is a special bird,’ they explained, `it can talk like a human being!’

This gave Hodja an idea. He went straight to his home, grabbed his turkey and brought him to the market place. He stood near the man selling the parrot.

Turkey, for sale, ten gold coins!’ he yelled.

Hodja Effendi, how can a turkey be worth ten gold coins?’ the shoppers protested.

There is a bird there for 12 gold.’ insisted the adamant Hodja.

But Hodja Effendi, that bird can talk like a human being.’ the people tried to reason. But Hodja was unbending.

And this turkey can think like a human being.’ he countered.

Obviously I can understand what the writer was trying to do. But, unfortunately it doesn’t work.  Mina Javaherbin did something similar when retelling Rumi’s poems in children’s book form, but she had better luck.  Perhaps if the author would have kept them shorter and not embellished them to teach so many lessons about vocabulary and seasons and colors it would have actually had a begining, middle and end.  Early readers will find the pages over bearing and fluid readers will see the holes in the narrative.  Perhaps if each story were only a few pages there would have been a plot and take-away-lesson. Unfortunately as written Hodja’s message gets lost and the reader takes very little if anything away from the book.

When you research some of Nasreddin Hodja’s stories they are fun, and it becomes easy to see why children (according to my friend) dress up as him in school and he is quoted and referenced so widely and lovingly.  His stories work well in an oral tradition, obviously, and if you follow my mother’s advice (a preschool teacher for a few dozen years) and “tell” a story to little kids instead of “read” it, this book can get some use.  In story time with 3 to 5 year olds showing the pictures and talking about what is going on, on each page before winding around to the point allows them to to interact with the pictures and story and the reader to impart some of this beloved characters insight on to the audience.

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Jan9

Jannah Jewels by Umm Nura illustrated by Nayzak Al-Hilali

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Strong muslim girls  (check)

Historical fiction (check)

Elementary level chapter book (check)

Beautifully illustrated (check)

Action, adventure, fun (check, check, check)

Really what more can you want from a book, or better yet a series of books?

The premise of Jannah Jewels is four Muslim girls each with specific skills that travel back in time to various places in the world to retrieve artifacts to save the world before the “villians” do.  Along the way they share knowledge of hadith, Quran, and Muslim achievements and advancements while meeting with influential Muslims.  I mean really, what is there not to like.  This is historical Islamic Fiction for 2nd through 5th grade at its finest, yay!

So far there are nine books in the series, and based on the premise that they must find 12 artifacts to put in a golden clock, I would assume there will be 12 books.  I decided to review only the first two as I think they set the stage and give the reader a good feel for the series’ standards, the tone, and direction the consequent books will follow.  The series is to be read in order and they range in length from 69 pages to 165.  Each book has a description of the main characters, a visual of the supporting characters and is followed after the story by a sneak peek at the next book, a glossary, and some manga anime of the heroines.  Some of the books are co authored (Ustadha S. Karim & Tayyaba Syed), but based on the website http://www.jannahjewels.com Umm Nura is the main author and creator of the series.

SYNOPSIS:

Hidayah sees a woman with a bow and arrow and watches her for many days until finally she musters the courage to meet her.  This meeting is the start of Hadiyah’s training in present day with the Master Archer.  The story however, starts with a prologue of the past and how different approaches to archery have lead to a rift between those entrusted to keeping evil at bay.   The collision of those actions and today occur as Hidayah and her friends Jaide, Sarah, and Iman are chosen to retrieve artifacts scattered around the world and throughout time.  They must bring these artifacts and place them in the golden clock before Jaffar and his son Khan do, to obtain a secret locked away inside.  Each girl has incredible skills and strength as well as fears and doubts.  The stories are action pact as well as enlightening and empowering.  The girls are smart, strong, and supportive of one another and they use team work to make for a smart inspiring read.

In the first book the foundation is laid and the details of time travel and the task are put forth, it is a tiny bit cumbersome, but is quickly believable and accepted as the action picks up.  The Jannah Jewels travel to Timbuktu and meet with Mansa Musa to rescue a lost manuscript.  In the second book they journey to China aboard the ships of Chinese Muslim Admiral Zheng He to recover a medicinal plant.  The recap of the first book and the premise of what has to be done is seamless and quick.  Thus allowing the story to move further below the surface to provide more insight into who the four girls are, and understanding into what occurred in the past that made the Jannah Jewel adventures necessary.

WHY I LIKE IT:

I love historical fiction, so Islamic historical fiction is like a gift, when done right.  To give young muslims a glimpse at some of the remarkable accomplishments and contributions Muslims have made throughout time, in a manner they don’t even know they are learning it, is so needed.  Our kids should know about Mansa Musa, Al-Kindi, Fatima Al-Fihri, Sultan Muhammad II, and more, and sadly many are not tempted to pick up a non fiction book to learn about them.

The Jannah Jewels are also admirable and have the ability to inspire our girls to be better Muslimah’s through their examples of intelligence, strength, and deen. Each book reveals more about their hobbies, passions, and past, and does a good job of giving them each their own personalities. That being said, these books are engaging for both boys and girls.  My own children have read the first four multiple times as have I.  Initially I didn’t think my son would be interested as it seems like a very “girl power” type read, but the story is strong enough and the characters have depth that they work well for all kids and their parents.

In addition to the stories, visually the books are absolutely gorgeous and appealing.  The manga anime style of art is bright and colorful on the covers, and detailed and complimentary throughout the text.

 

FLAGS:

None, alhumdulillah

TOOLS FOR LEADING THE DISCUSSION:

The website is engaging for those wanting to know about the characters and writing team.  The FAQ section is good background as well.  www.jannahjewels.com

The books aren’t complicated as they are for elementary aged children, that anything more than the story is not needed.  If your readers are like mine, however, you will need some reference books or google on hand for those that would like to learn more.  I think these books would be great in a classroom setting to get students reading.  I also think they would work well in 1st grade for read a loud story time.  I don’t know that they would be ideal for book club, but definitely could be used to compliment lessons in Language Arts and Social Studies.

Nov7

Bedtime Ba-a-alk by Rukhsana Khan illustrated by Kristi Frost

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Bedtime Ba-a-alk by Rukhsana Khan illustrated by Kristi Frost

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I know, I know another book by Rukhsana Khan, but really how great is she.  She writes books with religious references sometimes, cultural ties sometimes, and sometimes just fun books. I love that kids of all backgrounds associate her with good stories, and that she hasn’t limited herself to just one demographic.  img_1893

Bedtime Ba-a-a-lk has no religious or cultural connections and is just about a girl dealing with rogue sheep in her mind that don’t want to be counted.  The AR level is 2.6 but I don’t know that 2nd graders and below would really “get” the story.  The vocabulary is great, with a little assistance: balk, conjuring, deliberate, snub, mutiny, haunches, eider-down, furrowed, etc..  And the concept of a girl creating her imaginary dream world and conversing with the characters in it, is grand, but I look forward to testing out which age groups grasp it, and which ones just think it is a funny story with an obstinate ram.

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The book is 30 pages and beautifully, playfully illustrated.  The pictures are just “fuzzy” enough to give a sleepy feel, and bold enough to stretch the imagination.  The lines do not rhyme, but flow easily.  The font is large and inviting, and well placed on the page.  The book is clean, and the girl in her pleading with the sheep uses “please” and good manners in her firm demands.   It does use the word, stupidly and darn, once each, but overall a silly fun read.