Tag Archives: hope

We Hunt the Flame by Hafsah Faizal

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We Hunt the Flame by Hafsah Faizal

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A mature upper middle school/high school aged fantasy romance, written by a nikabi and filled with ancient Arab imagery and Arabic words.  Story-wise it read to me like a mashup of Hunger Games and Ember in the Ashes, and while the overall story is good, the first 60 pages of world building were utterly confusing to me.  I told myself I would read at least 100 pages and then decide if I wanted to continue, luckily before I hit 100 pages I found a glossary of terms, characters, and places online, and the story moved from world building to character development and I enjoyed the rest of the ride.

SYNOPSIS:

In a world that is slowly being taken over by the dark magic that is the Arz, a deadly forest that surrounds the country of Arawiya, one girl in one of the five Caliphates, Zafira, dares to venture into the darkness to hunt game and prevent her people from starving.  Unfortunately the Caliph of her state looks down upon women and this regular heroic act must be done with her impersonating a man and keeping her efforts as covert as possible.  Life for Zafira is hard as she not only juggles this masquerade, but her father has recently been killed, her mother is mentally absent, her best friend is getting married, the Arz is growing, and the people around her are starving.

In more or less alternating chapters we also learn of Nasir, the ‘Prince of Death’ who is an assassin for the Sultan who has also now taken over as Caliph of Sarasin.  Forced to kill innocent people by his heartless father, Nasir also is mourning the loss of his mother,  as he tries to earn his father’s approval and find some validation for his current life.

The two characters come together when an immortal witch summons Zafira to retrieve a magic book from a cursed island beyond the Arz and Naisr’s father sends him to intercept her.  The majority of the book takes place on the island of Sharr, an island that is not only a location, but a living consuming character, and involves a variety of other enchanted beings from the various states.  An immortal Safin, Benyamin, one of nine elites, Kafirah, and Altair, a general from Sarasin that weaves them altogether and complicates everything.   This group, the zumra, must work together to save Arawiya, while constantly evaluating how much they can trust one another, as well as themselves.

WHY I LIKE IT:

I love the detail and was pleasantly surprised with the pacing.  The chapters are short and kept the plot from dragging for 471 pages.  Having read it and enjoyed it, I don’t know that I can properly discuss it though.  There are things that I just accepted and moved on with without pondering over, because I don’t know if I understood it well enough to even ask the question aloud.  That being said, I feel like I got the story and I understood where the characters were coming from and I closed the book feeling satisfied and willing to read the next one in the series.  The characters grow and develop and they have a satisfying arc without being overly cliche or predictable.  I think Nasir grows much more than Zafira and knowing that the next book is more focused on him, intrigues me.  Altair is by far the most fascinating character and I hope to see more of him as well.

There is a map at the beginning of the book that I referenced A LOT, and truly I have no idea why the glossary and character list was not included in the book, as it is desperately needed. There are a lot of Arabic words and I would like to get an Arabic speaker’s perspective on how knowing what the terms meant affected the story comprehension. 

I like that Zafira has to find confidence in shedding her cloak and stepping in to herself, but I felt it told it more than it showed.  Some of the states are governed by women, the founders are women, that I didn’t feel her fear in hiding her gender.  Similarly, I wanted more information on who/what exactly the Lion of the Night was/is and where the affinities come from.  Perhaps minor points, but details that kept me from immersing myself in this fantastical land and kept me feeling like an outsider peering in and trying to connect with events just out of reach.

FLAGS:

There is a lot of killing, and some of it gruesome.  There is abuse and details of branding and a tongue being cut out.  There is alluding of sexual acts but nothing defined, random comments between characters and implications of girls in a room in the morning.  There is kissing and an intense makeout session that is used to achieve a battle goal, but it is detailed and the characters reflect on how it made them feel in terms of desire, longing, wanting, etc.  So, while it is there, it is there for a purpose other than titillation, that is why I think mature middle school could handle it.  There is a scene in a bar, but none of the main characters drink.  There is some language, albeit not in English.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I could do this with 6th graders in my middle school book club, but I will definitely suggest it for the high school one.  I think there are a lot of ways things can be interpreted and because it is a fantasy there is no right or wrong which would make the discussion fascinating.  The romance I think makes the book lean to being more female oriented, but I think there is enough action that boys will also enjoy it overall as well.

Book Website: https://www.wehunttheflame.com/

The book just came out, so I’m sure in the next few weeks and months there will be more tools, more interviews, and more details of what is to come in the series.

 

 

 

 

Unlikely Friends by Sahar AbdulAziz

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Unlikely Friends by Sahar AbdulAziz

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Another wonderful book by a Muslim author that doesn’t discuss Islam, but is expertly written and such a great read, that I wanted to highlight it here on the blog.  At 293 pages and involving a teen character I was really on the fence if this would qualify as “young adult,” so I reached out to the author to ask, and she, mashaAllah, responded! Unfortunately, she felt it wouldn’t quite qualify, even though it is a bit of a coming of age story.  So, why am I still reviewing it?  Because I think high schoolers (muslim and non) would really enjoy the book, and with finals nearly over, anyone in that demographic looking for feel good story that is pretty clean (Ramadan is nearly here), I think this book would be a great choice! And full disclosure, yes I’m biased, the librarian is the hero!

SYNOPSIS:

Told from multiple points of view the linear story brings together two introverts, Irwin and Harper, that have a lot of real and serious issues pressing them.  Their traumatic back stories are slowly revealed as the two unlikely friends come together to deal with their current predicaments.

Irwin is an old ornery librarian that doesn’t like people or change.  He is set in his ways and the stubborn Harper, a young high school student for some reason latches on to him.  He tries to shake her, but finds he is genuinely concerned about her and despite his better judgement finds himself helping her and getting tangled in to her messy home life.  

Surrounded by a cast of developed and diverse characters the fictional world of Irwin and Harper is both believable and realistic.  Irwin’s author neighbor is losing her memory, slowly, but noticeably, his deceased fiance’s daughter passes away shaking his routine, and his colleagues at the library are funny and annoying in their own ways.  Harper’s father is released from prison and her mother must make a stand to resist falling into old drug habits, all while trying to make ends meet and put food on the table.

WHY I LIKE IT:

I like that it reads so very smoothly.  You feel Irwin’s shell cracking and you see that he is so much more than just a stereotypical grumpy old man.  You also see Harper’s mother, Olivia concerned that her daughter and an old man are becoming friends.  You probably could predict how things will end up, but the way it is written you aren’t really worried, you are just enjoying getting to know the characters presented.  Overall, it really is a great lens to remind us all that friendship, real friendship is incredibly valuable.  In a world of filters and digital everything, sometimes our humanity is all we have.  I also like that people are given the chance to change and grow, the group of main characters are not stagnant or one dimensional, their challenges and dilemmas are brought in to the open and you feel for them as you would a real person.

The only two questions that stood out as inconsistent with the characters and story development are why didn’t Harper just get a job to help out her and her mother’s financial situation? Plenty of teens have jobs, so that seemed a little off to me.  Secondly, Olivia works at a supermarket presumably or a market of some sort, so it would seem that an employee discount or nearly expired food section would make their food insecure situation a little less severe.  Granted its fiction, but these two jarring concepts seemed to hold me back from completely being swept away.  

FLAGS:

The book is clean in terms of what is explicitly conveyed.  The details that make it possibly/probably not suitable for younger readers are the drug histories of Harper’s parents and what they did to acquire drugs, what they did when on drugs and what was allowed to take place around Harper when she was a child.  Darren, Harper’s father, believes that Harper was sexually abused by someone when he was high and this memory haunts him.  It isn’t explicit, but it is there.  Some mention of Olivia waking up in dealer’s beds is again mentioned in passing, but not detailed.  One could imagine two druggies trying to raise a child and get their next hit, but a lot of the understanding will come from the prior knowledge the reader has of such scenarios, not from the text itself. 

There is the idea that physical abuse was common between Darren and Olivia and is shown in Darren’s temper when he throws a vase against a wall after coming to Olivia and Harper’s home when released from prison.

There is some mention of Irwin’s fiance’s relationship with her ex-husband in that he cheated on her regularly.

So definitely, the book has elements for older readers, but the way the topics are discussed: drugs, abuse, infidelity, are not glorified or even detailed, more they set the stage in defining the current conflicts the characters face, the pasts they must over come, and the environments that they want to improve upon.  I think 15 and up could handle it.

TOOLS FOR LEADING THE DISCUSSION:

I’m thinking to recommend this book to the Sister that runs the high school book club.  I think there would be so much to discuss and myths to dispel that an older group would benefit from the experience and work the author does and writes about in this book.

Plus the fact that the author so easily responded to me, might inspire a group of teenagers to reach out and be equally inspired.

 

Razia’s Ray of Hope: One Girl’s dream of an Education by Elizabeth Suneby illustrated by Suana Verelst

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Razia’s Ray of Hope: One Girl’s dream of an Education by Elizabeth Suneby illustrated by Suana Verelst

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I usually love books about girls, and education and hope, but for some reason, I didn’t love this book.  I really like the pictures with their mixed media feel and textures, but I found small things annoying in the book, that based on other online reviews really put me in the tiny minority.  Most people seem to drool over this 32 page AR 4.1 picture book, I, however, think there are a lot of inspiring books about girls in Afghanistan dreaming of an education that one needs to do something different, and do it well to win me over.

So the basic premise, in this text heavy, tiny font, book, is that Razia learns they are building a new school close to her home in Afghanistan for girls, and wants to go.  Her grandfather also wants her to go, but one of her older brothers, Aziz, won’t allow it, so she isn’t allowed to go.  No historical lead up explaining why her grandfather talks about days when women were educated, and now it is a rarity.  No summation on the Taliban or the 17 years of war that the grandfather mentions.  So, unless the reader knows some background on Afghanistan, the story may not resonate with them or provide needed context for connection and appreciation.  Even the afterward, about the real founder of the school, offers very little context.  The brother’s decision is final until one day he falls ill and can’t read the medication directions, and Razia can, eventually he relents and she is allowed to go. The story hints that the rocks around the school are from the quarry he works at so he now feels confident she will be safe, and that his initial refusal was a concern for safety.  They hug and seem loving, and once school starts Razia has to learn as much as she can to be able to go home and teach Aziz and her mom.

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I like that when she initially is told no, she doesn’t sit and assume a helpless manner, but rather goes to the school and meets the founder herself.  I find it odd, and irksome that the head of the school is also named Razia and it isn’t even noted. I get that is her real name, but why have the two main characters in a book have the same name and then not even acknowledge it? I didn’t get why the little girl couldn’t have a different name, seems distracting to me, and imply that every girl has the same name in Afghanistan.  I also didn’t get the hierarchy. The grandfather wants her to go, the father and uncles have legit concerns of where she is needed in helping the family farm and orchard, but why did the brother’s opinion trump them all? There is no mention of Islam, but they wear hijabs and burkas, so I think the stereotype is implied.  And that was another thing, they made it seem like she would be corrupted if she went out alone or without the burka on, but then Aziz shakes the headmistress’s hand, as if that isn’t against religious and custom norms. I felt that the kindness of the brother at the end was disjointed too, a bit too forced. The grandpa seemed kind, but the rest of the family seemed cold and rigid and not overtly concerned with Razia’s well being and growth.  Yes, they did have a jerga, to discuss and consider it, but I felt like Razia never had a voice, and while education is important, having a voice is too.  More has to change in society and in literature to give me real hope, and this book sadly fell short.

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Yo Soy Muslim: A Father’s Letter to His Daughter by Mark Gonzales illustrated by Mehrdokht Amini

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Yo Soy Muslim: A Father’s Letter to His Daughter by Mark Gonzales illustrated by Mehrdokht Amini

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I feel like I preordered this book years ago, I have been so anxious to see what all the hype was about. When it arrived I tore open the box and read it on the short walk from the mailbox to the house, read it again standing in the kitchen, left it for a few days, and reread it now to write the review. SubhanAllah, it didn’t disappoint.

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It reads, as intended, as a powerful letter to a child.  There aren’t long winded morals or overly fancy words. It is direct in its many ways of telling you, that you matter, where you come from matters, that your foundation matters. That you are strong, and beautiful, always, even when the world may not think so. That you are Muslim, that you are from Allah, that you speak in Arabic and Spanish and dreams.  The verses become poetry that dance on the page with the illustrations telling the story as powerfully as the words.  The words in turn float and lilt around images as old as time and as innocent as dancing in the wind.

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The 32 pages fly by that you can’t help but read it again, slowly, savoring all the harnessed power and hope of a multi culture world, a multi cultural faith, that is truly beautiful.  Recognizing the humanity that we all share, yet feeling pride in your own unique skin is a balancing act that doesn’t need to be apologized for, and should be celebrated.

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I love that this book exists.  That it is available on Amazon.  That it is bold and colorful and hardbound, and so well done.  There is diversity in Islam.  There is diversity of belief in Indigenous populations, that there is so much inspiration in the world around us and in our past.  Are all messages that come through even for the youngest readers.

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