Category Archives: Story Time

Mar1

Samira and the Skeletons by Camilla Kuhn

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Samira and the Skeletons by Camilla Kuhn

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Quite possibly there is nothing Islamic about this book, but the main character’s name, Samira, is traditionally an Islamic name and thus it caught my attention.  I also think one could argue that the mom in one of the pictures (see picture below) is possibly wearing a hijab.  So, probably I shouldn’t include it on the blog, but the book is so disturbingly creepy, in a fantastical way, that I thought, why not.

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Samira learns that everyone has a skeleton and bones one day at school, and it frightens her.  She starts seeing everyone’s skulls instead of their outward body parts and she refuses to accept that she has such morbid parts or that her friend Frida does too.  Knowing that she is chewing with teeth, skeleton parts poking through, at lunch is too much and she can’t even be near Frida.  When she gets home she tells her mom she wants to be free of her skeleton, and her mom agrees.  Yes, agrees! They resolve the tooth fairy will be delighted to get a whole skeleton, not just a few teeth.  So the mom, gets some tools and preps a table to perform the surgery required to remove her skeleton.  Luckily Samira runs for it and finds Frida, and alas the girls accept that they have skeletons and use humor to diffuse the fears they have of what lurks beneath their skin.  That is of course until the next day at school comes, and they learn that they have muscles, just like steak.

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The imagination of the girls is quite remarkable.  I love that it starts with a lesson and that information about skeletons and animals, such as jelly fish that don’t have them exist, is sprinkled through out.  I also like the approach, its weird, but in a delightfully fun way.  It also lends itself well to a discussion of how we are more alike than different.  Our outward appearance doesn’t define us when we are all made up of bones and muscles.  The story doesn’t address it, but some kids might infer it or connect the dots with a little prodding.    img_3064

The book is not AR, but I think most 5 year olds and up can read it or follow along giggling all the way through.  It probably isn’t for every child, but those with a darker sense of humor will enjoy all 34 pages.

Feb26

Nasreen’s Secret School: A True Story From Afghanistan by Jeanette Winter

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It is widely written about, even amongst children’s literature, that in parts of the world, girls are not allowed to go to school, but that many find ways to do so anyway.  What sets this book apart is that it is based on a true story, and while there is some hope for Nasreen, overall it is a really melancholy tale without a happy ending.  At 40 pages, author Jeanette Winter once again conveys a story that shows compassion instead of judgement and undeniable admiration for her characters.  Written on a 4.2 level, the story packs a lot into small, simple sentences, and her illustrations do not shy away from the realities of Afghanistan.  While I was surprised to see that twice the book was challenged, in 2014 and 2016, for showing Muslims praying and for violence, I was glad that it was never banned.   The strength and determination of Afghani women should not be silenced, it should be shared and celebrated.

 

The story is told from the point of view of Nasreen’s grandmother.  She is heartbroken that her granddaughter is not allowed to attend school and practice the arts as she was, and even her daughter-in-law, were able to do as children.  Since the Taliban has come things are dark.  Things get worse when one night soldiers come and take Nasreen’s father with no explanation.  When he doesn’t return, Nasreen’s mother leaves to find him, displaying her own strength to independently take on a society that doesn’t permit her to go out alone.  Unfortunately she does not return either, and Nasreen stops speaking.  Grandma learns of a secret school for girls.  Determined that Nasreen should know of the outside world, great risks are taken for many girls to learn in a private home a few doors down.  Dodging Taliban soldiers and neighborhood boys helping keep their school a distraction starts to pay off as Nasreen finds a friend and starts to open her heart.  The book ends with mom and dad still missing, but hope for Nasreen to see through the window education has opened for her, inshaAllah.

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Feb23

Malcolm Little: The Boy Who Grew Up to Become Malcolm X by Ilyasah Shabazz illustrated by AG Ford

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Malcolm Little: The Boy Who Grew Up to Become Malcolm X by Ilyasah Shabazz illustrated by AG Ford

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I had hoped to have a handful of selections to review for Black History Month, but alas I started too late in collecting titles, inshaAllah next year I will be better organized.  I did want to share this beautiful book though, as a great story of hope and love, that I don’t think is often included when we study Malcolm X or talk about him today.  This is the story of his parents and the philosophy of equality they tried to raise him in before hatred and bigotry destroyed his family, before he went to prison, before he became “Detroit Red,” a member of the Nation of Islam, before he became a civil rights leader, a Muslim, before he became Malcolm X.  This is a story, based on love, written by his daughter to give children of all ages something to think about.

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The story of Malcolm Little, is a story that I feel cannot be rushed, it is very heavy in text and at 48 pages, the warm beautiful pictures make it accessible in pieces to younger children, but it is written on an AR 6.5 level (sixth grade fifth month).  The book tells about how his mother and father met, believed in universal equality and justice, and started a family where these values took center stage.  The family suffered for their beliefs and their home was burnt down, but they rebuilt and the family continued to find strength and see the power of possibility.  The books shows the lessons taught in everyday activities such as raising a garden, doing laundry, reading books, doing homework, and even fishing.

When Malcolm’s father was killed, however, and his mother taken away, the family was forced to separate and Malcolm to deal with an unwelcoming world, more or less alone.  The book ends with Malcolm in 7th grade so, to young readers who have maybe only heard his name in passing the book is full of hope and roots for the man he would become.  It is almost a fairytale start to a man who would be cut down in his prime years later.  They will understand how unfair society treated his family, how warm and educated and strong his mother, Louise was, and how inspiring his father as a preacher was. The takeaway will be how Malcolm’s upbringing and personality allowed for him to rise up and refuse to stay down during horrific events in his life.

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For older elementary and middle schoolers it is a story of possibility, of how quickly things can change, and the effect of hate.  They should also see how institutionalized and normative the oppression of African Americans was and how it really wasn’t that long ago.  When Malcolm’s English teacher Mr. Ostrowski tells Malcolm that he as an African American should not have such high expectations, readers should realize that the acts of the Ku Klux Klan may be viewed as “extreme” but society as a whole was systematically enabling such bigoted acts.  The lessons passed on to Malcolm by his parents are universal themes of hope and love and equality that still have to be stood up for today, and even young listeners can grasp that, and also grasp that because of their skin color alone they were seen as second class citizens.

The book shows depth to a historical character that gives some insight to what made him so dynamic.  Many young readers will be surprised at how quickly Malcolm’s world unraveled, and some of the reasons why, while empathizing with the injustice of it.  The Author’s Note at the end is also fascinating as it details the family members and their stories about the characters in the book.   I liked the softness of the book and the smaller lessons for children that it presented.  It didn’t shy away from the violence and prejudice that the Little family faced, but presented it through a lens of optimism to hopefully inspire children to carry on with the social activism that still needs to be done.

 

 

Feb19

A Tale from Turkey The Hungry Coat by Demi

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A Tale from Turkey The Hungry Coat by Demi

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It really bothered me that I didn’t love the version I read of  The Parrot and the Turkey about Nasreddin Hodja, especially after finding out how entwined he is in Turkish culture, and reading some of his tales online.  So, when I found that Demi had also rewritten and illustrated a tale from his collection I was anxious to check it out.

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The  Hungry Coat is a charming story and Demi does a great job of bringing it to life with her pictures and storytelling abilities.  The book is 36 pages and a 4.1 on AR.  The text isn’t overwhelming in volume, but to read it definitely requires a bit of an older child’s vocabulary.  Words like caravansary, hostel, banquet, frisky, and commotion are scattered through out.  However, to listen to the story and to understand the message Nasrettin Hoca (an alternate spelling) is conveying, is easily enjoyed by children four and up.  The story flows very smoothly and the catch line of “Eat, coat! Eat!” makes the story absolutely delightful.

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Nasrettin Hoca always keeps an apple in his pocket for any goats he might pass while he is out and about.  One day he helps round-up a goat that has gotten lost, and in all the commotion had become quite a mess and lost too much time to go home and change his clothes before heading to a friend’s house for dinner.  Deciding to go in his patchy, smelly clothes, Nasrettin soon finds that none at the dinner party will sit by him, or even sit facing him.  He slips out quietly from the gathering and has an idea.  He goes home and preens himself, and returns to the party where he is greeted with attention and kindness.  At dinner he begins placing the food in his coat, rather than eating it.  Each time he opens his coat he commands it to eat.  After he fills his coat he pats his belly to the bemusement of all around him as they ask him what he is doing.  He makes his point that when he came in his old coat he wasn’t fed, but when he came dressed so beautifully he was, and thus clearly the coat was invited to dinner, not him.  Everyone cheered and learned the lesson.

“A coat may be fine, but a coat does not make a man.”

The illustrations are rich and detailed, but I did find myself a little put off when Nasrettin seemed to go from looking like an old little man, to being very effeminate.  The inconsistency bothered me a bit, which surprised me for a Demi illustration.  Also, it is worth noting that there is mention of wine in the story, that many may find off for a children’s book, particularly one about Muslims (Nasrettin was an Imam and a Dervish, so he may have drunk, I’m just saying it surprised me).  The last two pages of the book are an afterword about Nasrettin Hoca in real life and the influence of his folk tales and lessons.

Feb16

Snow White: An Islamic tale by Fawzia Gilani illustrated by Shireen Adams

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Snow White: An Islamic tale by Fawzia Gilani illustrated by Shireen Adams

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A lot of the twists that I was surprised by and endeared to in Fawzia Gilani’s Cinderella, seemed lacking in her re-telling of Snow White.  Perhaps it is the mere fact that Cinderella has a legacy of being re-told from different cultural perspectives and in different time periods, where Snow White doesn’t, that made this book stumble where her other sailed much more smoothly.

The basic premise of this Snow White version is naturally the classic tale.  Snow White is the envy of her stepmother, in this case however, it isn’t a magic mirror, but a jinn who answers her questions. Once the huntsman is convinced not to kill her, and a boar’s heart and liver are taken instead,  Snow White finds the companionship and shelter of the dwarves.  In this re-telling, it is a female crew with countless skills that they are happy to pass on to their newest friend.  When the evil stepmother finds out Snow White still lives she concocts poisonous dates to present in disguise to Snow White who is awaiting the appointed iftaar time.  The dwarves arrive home too late to save Snow, but see who has done the evil deed.  The Prince makes his brief appearance as he arrives at the cottage, makes dua’a for Snow and then sends his mother to nurse her back to health.  In fairy tale tradition a wedding soon follows, but the evil step mother has one more trick up her sleeve, she poisons a comb that Snow is surely to use as she prepares for the big day.  The dwarves cannot thwart the stepmother and Snow is only saved when the stepmother in all her vanity accidentally picks up the comb to fix her own hair.  Over time she recovers and Snow forgives her and they all presumably live happily ever after.

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Perhaps it isn’t fair to compare the two books, but I would imagine they are often purchased together and I feel like there are some notable differences that are worth mentioning.  In Cinderella, the setting is Andalusia and they are all about the same skin tone.  Snow White seems to resort back to old stereotypes and the stepmother seems to be the only one with a darker complexion with all the others being more fair.  Granted her name is Snow White, but it is established on the first page that her mother prays for a child with a “heart as pure as snow,” so really that doesn’t hold up.  Also, where I felt that Cinderella could work for Muslims and non Muslims alike, I think this one would be a hard sell for non Muslims.  There are a lot of references to dua’as of Noah and Job, there is Ramadan, the role of the jinn, she even does tayammum at one point and readers may be confused why sometimes she is in hijab, and when home with the women she is not.

Like Gilani’s Cinderella, the book is very thorough in being Islamically appropriate.  The sisterhood is a nice twist and the Prince has a really small part.

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The illustrator is the same, yet for some reason the pictures seem a bit dull in this book.  The bottle of poison is shimmery, but the other illustrations seem muted and almost rushed.  The book is 41 pages with a glossary and Reference for Quran in the back, and is very text heavy.  Probably 3rd or 4th grade level with some assistance on the Islamic concepts.

Feb6

Owl & Cat Islam is… by Emma Apple

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Owl & Cat Islam is… by Emma Apple

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The book’s charm is its simplicity.  The text is minimal and the illustrations a small portion of the page.  But at 59 pages the book finds power in showing what Islam is to muslim and non muslim children alike.

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To say that I liked the book is an understatement, I loved it! It is perfect for bedtime and story time for kids 1 to 4.  Ages 5 and up can read it themselves in mere minutes.  The pictures not only are the story, but add a wonderful sprinkling of humor.  I mean really lets eat a mouse, better yet lets share it! EEEW! Oh wait animals and cats do eat mice!

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But why I really like the book, is because while it reminds Muslim children of all the subtle things that make up what Islam is.  It also builds bridges for children who know Muslims, or whose parents want them to widen their knowledge, as it lends it self so effortlessly to seeing how we are all the same.  Yes it mentions the names of Islamic Prayers and that Muslims read the Quran, and tells the five pillars in a non preachy way, but it also says, “Islam is Family,” and “Islam is Respecting our parents” and “Islam is Telling the truth.”  Much more alike than different.  A lesson even the littlest reader can understand and hopefully remember.

Feb4

The Sky of Afghanistan by Ana A. de Eulate illustrated by Sonja Wimmer

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An Afghani girl dreams of peace in this illustrated 24 page poem.  She soars and flies like the kites against the wind and giggles and learns and hopes with her feet on the ground.  The book is written on a third grade sixth month AR level, but even at that the poem is hard to follow for elementary age children.  The voice doesn’t sound like a child’s, it is far more reflective and mature for how she is presented.  The text, not really a story, wanders and alludes to what obstacles face Afghani’s but doesn’t detail them.  The author assumes the reader knows that Afghanistan has been under war for decades, that war is painful and gloomy and gruesome.  Adults maybe can find the hope for peace and the struggles inspiring, but I don’t think children will really have a clue as to what the text is about. Luckily the pictures are AMAZING.

 

The illustrator does an amazing job in keeping the story light and hopeful and showing the culture without judgement or despair.  The domes of the masjids, the hijabs, the mendhi on the hands and even the smiling faces beneath the niqabs are done with lightness, kindness and beauty.  There is even a touch of whimsy that reminds the reader that this is supposed to be from a child’s perspective.

The sky can be full of kites, I think to myself,

but it can also be full of dreams…

And mine flies up high, high into the sky,

towards the stars…

The book overall is poetic and artistic.  I can see children enjoying the illustrations and maybe falling asleep to the melodious words, even if they can’t really make sense of them. The book says that profits go to charity, and that the book was translated from Spanish.   For the illustrations alone, the book has merit and older children may be inspired to take something difficult and turn it into something beautiful with their words.

 

Feb2

Sitti’s Secrets by Naomi Shihab Nye illustrated by Nancy Carpenter

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Sitti’s Secrets by Naomi Shihab Nye illustrated by Nancy Carpenter

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Sitti’s Secret was published in 1994 and given the events of the week, I’d say it is more relevant today than it was when written.  And if by some chance the events of the week haven’t affected your children, then the poetry and soul of the book still makes it an amazingly powerful story.

Mona travels from America to Palestine to visit her grandma, her Sitti.  Without the ease of speaking the same language, Sitti and Mona learn to communicate and build a tight bond cut too short by a vacation coming to an end.  When Mona returns she sees the news and writes a letter to the President, telling her Sitti’s secrets, telling him they would be great friends, and telling him they only want peace.

Truly Nye is a poet, even in Turtle of Oman her words transport you to a place where time slows down and the connection between a child and a grandparent make you nostalgically yearn for a simpler time.  Having spent my summer’s abroad visiting my grandma I could relate to so much of this book and truly had to still my heart.  The little things, like examining your grandma’s hand, or hanging out laundry, or brushing her hair. Even that dreaded final hug as you prepare to leave,  I could relate and it was enchanting.

No where in the book does it mention the Middle East or Islam, only at the beginning does she hint at it by dedicating the book to her 105 -year-old Sitti in Palestine, it mentions that she speaks Arabic and a few words are sprinkled in. And the Grandma does wear a scarf.  Other than that the book is by and large not political.  If you know that Nye has a Palestinian father and American mother and often writes semi auto biographical pieces, the book can take a bit of a different role to the reader.  Many reviews criticize the activism upon her return (the letter to the President), and found it disjointed to the rest of the story.  But in today’s climate I found it empowering and hopeful.  The world will only find peace when we put a face to those that are different to us, and even children can change our stereotypes.  I love that my children are seeing that they can make a change in the world today, and to see it reinforced in literature was gratifying.

The book is 32 pages and written on an AR 3.9 level.  The illustrations are beautiful.  They bring the words to life in a tender and heartfelt way.  The detail is subtle but deep and i have found myself thumbing back through the pages to get lost in the illustrations multiple times.  I think the book works on different levels for different age groups.  If you have a family that has to overcome great distances to be together, even younger readers will be able to identify with the story’s tenderness.  If you are in 3rd-6th grade and are aware of what is happening in the world you will be inspired.  If you just are looking for a sweet book, subhanAllah it manages to fulfill that category too.

Jan26

Princess Siyana’s Pen by Zainab Merchant

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It is hard to not compare a big, brightly colored Princess book to the golden standard of a Disney princess story, which obviously isn’t fair. But for as much as I wanted to love this strong Muslimah and her doe-y eyes as she saves herself and the kingdom, I felt the author let me down.  The plot feels overly familiar, it is like a mix of Rapunzel in Tangled (minus the tower and Mother Goethel), Anastasia (not Disney, but in the same genre), throw in Jafar and (a nice) Iago from Aladdin, sprinkle in Islamic wisdom and insights, and tada you have Princess Siyana.

Siyana is the daughter of King Tariq and Queen Fatimah, the wonderful rulers of Lusitania.  While still a baby, the evil Chief Advisor Shargor kidnaps the young princess and leaves her in the neighboring mountainous kingdom of Baetica.  As her kingdom searches for her, a traveler in Baetica finds her and gets her to Ms. Salma at El Sol Orphanage.  Her life is good growing up. She shares her knowledge of modesty and salat with the younger girls at the orphanage, and has a very close relationship with Ms. Salma.  Meanwhile, in Lusitania, Shargor has imprisoned the King and Queen and is ruling unjustly and ineffectively.  When Siyana is 16 years old Ms. Salma surprises Siyana with a trip to Baetica for an interview at Baetica Academy, Siyana’s dream school.  While there, a tornado tears the two apart, and Siyana is rescued by an elderly couple.  This couple is struck by her name and fill her in on the story of the missing princess.  Siyana boldly journeys to the castle, storms in, frees her parents, forgives Shargor and presumably they all live happily ever after.

The author puts not just Islamic values of forgiveness, and kindness to others in the story, but pushes the point of hijab and talking to Allah (swt) as well.  Siyana discusses how at the orphanage they don’t cover, but when they go out they do.  One of the younger girls even asks her, “why wear such a pretty dress if no one can see your hair?”  Hijab comes up a few times through the book and isn’t too awkward.  However, I felt the concept of writing letters to Allah (swt) a little forced and less smooth, especially considering it is the title action of the book.  Once a week the girls at the orphanage write letters to God with special pens Ms. Salma had given them. They then drop these letters in the lake.  A bit odd for the environment in my opinion, but I get it I’m cynical.  In her first letter she writes about wanting to help others and even remarks, “Oh my Lord, my Guide, my Everything, How I’ve missed you, even though I talked to you just an hour ago in my Salaah!” The author has Ms. Salma explain that you can always talk to Allah (swt) and that duaas and letters are good, but remembering Him in your heart is the best.  Siyana writes two letters in the book, and the letters aren’t long, but it seems like the lead up in to them and after them, explaining the connection to God through many different forms is good, and which are better, and which are required, etc., gets a bit wordy.  Again I do acknowledge my own unease with writing letters so formally to Allah (swt) in literature. I have now reviewed a few books were it presents itself, and in all cases I find it weird, and I don’t know why.  Interestingly the Author never uses the word Allah (swt), but she does use hijab and salaah.  And there is space at the back of the book to write your own letter to God.

I do like that the plan is for Princess Siyana to rule the kingdom and that she is traveling for educational reasons when the tornado strikes.  I also like that Ms. Salma seems to be a strong independent woman and that Siyana, doesn’t wait around for someone to save her parents, she takes control, trusts Allah, and saves the day.

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The book is beautiful and big.  The illustrations are radiant and well done.  At 40 pages long, there is also a recipe for Macaroons and amaze at the end, the story is quite long in both the number of pages, and in the amount of text on each page.  I would place it on at least a 3rd or 4th grade level for reading, and possibly a KG or 1st grade level for story time.  The book isn’t dry, but it would definitely test a 3 or 4 year old’s attention span.  Obviously it is an Islamic alternative to the mainstream princess story, but at $19 and the way it is beautifully presented, I guess I wanted more than just Islamic morals infused into something so familiar.  I feel like the author could do more, it is definitely within her writing ability and the publisher, Sun Behind the Cloud, who it seems is responsible for the illustrations as well, definitely know what they are doing.

There is a youtube teaser: https://www.youtube.com/watch?v=6qS_Jw2rp8Q

and an interview with the author https://www.youtube.com/watch?v=HCclUg9pUXI

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Jan11

Tales of Nasreddin Hodja: The Parrot and the Turkey prepared by Gamze Alici illustrated by Sinem Zengincelebi

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img_2803I ordered this book a while ago online.  There is a whole series of Nasreddin Hodja, so I picked a title at random.  I read it when it arrived and the story seemed to wander more than my attention span could follow.  So naturally,  I had my children read it, and they said it seemed funny, but they didn’t understand it.  I glanced through it again and figured maybe it was one of those beloved cultural characters that just lost some of their charm in translation.  In this case, Nasreddin Hodja is a folktale type character born in the 13th century from Konya, Turkey, who is the star of short stories that teach a point in a silly way.  The opening page tells a bit about him and what you can hope to learn in the story, but it didn’t help understand why the book was so fragmented.

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In my latest move, I found the book again, read it again, and was stumped again. But luckily this time I contacted a Turkish friend instead of putting it back on the shelf and realized this book does not do Nasreddin Hodja justice, he is a hoot.  The book, not so much.

So first, a review of the book.  The book is beautiful and fun to look at.  The colorful glossy pages and clear font invite readers between ages 6-9 to read it and younger kids to have the story read to them.  The illustrations are delightful and after hearing about Nasreddin Hodja I think they convey his silly, yet wise persona.

Unfortunately the story is long.  At 32 pages with a fair amount of text on each page the author seems to try and take three tales and connect them into one coherent story.  The result is an abundance of detail that doesn’t move the story to his poignant conclusion and instead results in unresolved tangents.  For example in the first part of the story, he goes to the market to buy a few things for an alfresco breakfast with his wife.  Along the way he stops at a fountain to drink some water, he then begins shopping and after listing off dozens of vegetables and fruits, and details how he buys each item and what season they come from, he gets to his commentary of how silly a man selling a parrot for a ton of money is.  He then returns home to get his turkey to make the point to the parrot vendor that if he is asking 50 pieces of silver for a parrot that can talk, he will sell his turkey who can think for 100 pieces of silver.

This story covers about 17 pages of the book, but the same tale as told on the website http://www.readliterature.com/hodjastories.htm is only a few short sentences.

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One day The Hodja was walking around in the market place. He saw a bright-coloured bird for sale for 12 gold coins. Hodja was amazed. He approached the crowd gathered around the bird and its seller.

How can a bird be so expensive?’ he asked the people watching the bird.

This is a special bird,’ they explained, `it can talk like a human being!’

This gave Hodja an idea. He went straight to his home, grabbed his turkey and brought him to the market place. He stood near the man selling the parrot.

Turkey, for sale, ten gold coins!’ he yelled.

Hodja Effendi, how can a turkey be worth ten gold coins?’ the shoppers protested.

There is a bird there for 12 gold.’ insisted the adamant Hodja.

But Hodja Effendi, that bird can talk like a human being.’ the people tried to reason. But Hodja was unbending.

And this turkey can think like a human being.’ he countered.

Obviously I can understand what the writer was trying to do. But, unfortunately it doesn’t work.  Mina Javaherbin did something similar when retelling Rumi’s poems in children’s book form, but she had better luck.  Perhaps if the author would have kept them shorter and not embellished them to teach so many lessons about vocabulary and seasons and colors it would have actually had a begining, middle and end.  Early readers will find the pages over bearing and fluid readers will see the holes in the narrative.  Perhaps if each story were only a few pages there would have been a plot and take-away-lesson. Unfortunately as written Hodja’s message gets lost and the reader takes very little if anything away from the book.

When you research some of Nasreddin Hodja’s stories they are fun, and it becomes easy to see why children (according to my friend) dress up as him in school and he is quoted and referenced so widely and lovingly.  His stories work well in an oral tradition, obviously, and if you follow my mother’s advice (a preschool teacher for a few dozen years) and “tell” a story to little kids instead of “read” it, this book can get some use.  In story time with 3 to 5 year olds showing the pictures and talking about what is going on, on each page before winding around to the point allows them to to interact with the pictures and story and the reader to impart some of this beloved characters insight on to the audience.

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