Tag Archives: Dinara Mirtalipova

The Ramadan Drummer by Sahtinay Abaza illustrated by Dinara Mirtalipova

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The Ramadan Drummer by Sahtinay Abaza illustrated by Dinara Mirtalipova

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This book reads very much like an early work in progress.  It doesn’t seem to know if it wants to be a book about foods and hunger in Ramadan, or about a Ramadan drummer waking people up for suhoor, or being a fantasy where you can hear people’s thoughts in your dreams and when you awaken you can get blessings for being kind.  Sure maybe it could be all of the above, unfortunately as written, it falls short in being much of a cohesive story at all.  Many of the details have no baring on the plot, the transitions from food, and fasting and pants feeling tight to dreaming about the Ramadan drummer that he heard about once in passing, is very abrupt and none of the children I read it to ages four to eight could sit through it. With no Islamic centering it is never clear other than to “think of the poor,” why this small child is fasting, and who is going to be doing the rewarding for kindness in Ramadan.  For Muslim and non Muslim kids alike, this book will not make much sense, I’m afraid, nor be memorable, even if they can get through it. The idea of a Ramadan Drummer appears in a lot of books, and perhaps this fantasy reinterpretation could have been fun, but with the lack of Islamic content, a clear story line, and the focus being on hunger, the book doesn’t do much for me.

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The book starts out with Adam being hungry, his stomach is a wild beast, roaring and grumbling for food.  He is told fasting helps people think of the poor, but he can’t “think on an angry stomach.”  The next two pages are about food, then his aunt and uncle come over, wishing everyone a “blessed Ramadan,” and then they break their fast. No Salams are given, iftar is not named, but they mention a Ramadan drummer. Adam is eating so much his pants are tight, they then pull out dessert.  That night he can hardly fall asleep because he ate more cookies than he should.  The lack of self control is an odd thing to stress without any insight into moderation, especially in Ramadan when controlling the nafs is such a present test.

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That night he dreams he meets the Ramadan drummer, they listen to the wants and thoughts of the neighbors, he wakes up in the morning to pancakes and then he responds to what he learned in his dream.  It is sweet that he spreads kindness to the neighbors, with the Ramadan drummer only having to tell him, “during Ramadan, every act of kindness is reward tenfold.”  I have no idea if Adam is already kind and this was just extra motivation, it never says who will be doing the rewarding, I wish it shared what was being chanted to wake people up, and I wondered if this is going to be an every night occurrence, but alas there are no answers.

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The book ends with Adam still hungry, but his heart being full whereas his stomach is not.  There is then a lengthy Author’s Note that mentions “Muslims will not eat or drink from sunrise to sunset,” clearly getting the start time wrong.  Throughout the text it says “before sunrise” leaving the time a bit vague, but not wrong.  The Illustrator’s Note calls a Mullah, a Muslim priest, which struck me as odd.

It seems so odd to have a Ramadan book void of even basic religious mentions. Why would you stress about getting up, let alone getting up on time, if there are no rules and requirements to your fast. The whole reason for the fast is an act of worship, how the worship is done matters. By removing religion: the lack of salams, prayer, duas, connection to Allah, etc., it makes fasting seem like an act in isolation and it makes it just about food, which shortchanges the month of Mercy. Ramadan is joyful, it is so much more than a month of just being hungry.

Leila in Saffron by Rukhsanna Guidroz illustrated by Dinara Mirtalipova

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Leila in Saffron by Rukhsanna Guidroz illustrated by Dinara Mirtalipova

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I had really wanted to love this book about a young Pakistani girl living outside of Pakistan learning to love all her different parts.  Unfortunately, the book was so scattered that no point was made, no message conveyed, and sadly, no excitement at being represented in literature really felt, .

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This 32 page book isn’t bad, it just really isn’t memorable.  It starts out with Leila arriving at her Naani’s house for dinner as her parents and her do every Friday.  Her maternal grandmother comments that she likes Leila’s saffron buttons.  Leila beams at this because she doesn’t know that she always likes being herself.

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Tonight, they are joined by lots of extended family and Leila is on the lookout for parts of herself that she likes.  She feels safe with her family, and likes being told she looks like her aunt when she smiles.

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The book then kind of abandons the theme of finding parts of oneself to like, and moves on to cultural trinkets to enjoy.  She identifies camels on shelves and Arabic books too, and can’t wait to go on her first trip to Pakistan someday to get her own “Arabic books” and “special ornaments.”  I’m not sure why they books aren’t in Urdu, but none-the-less without any written connection to Islam, they are in Arabic, thus giving, erroneously, the reader the impression that is the language of Pakistan.

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Leila then helps her Naani cook which almost seems like an additional theme of the book: the passing on of traditions.  The book doesn’t really stay here though either, and has Leila running outside to get cilantro from the neighbor Miguel.  Possibly another theme in addressing multicultural neighbors or just how to be a good neighbor, is now being brought up, but nope, the book bounces back to dinner with the family.

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When it is time to leave, Naani invites Leila upstairs while her parents wait to leave.  Here she goes through fabric and scarves rich in color and textures and likens them to ethnic foods.  She then tries on her favorite one, but acts like she has never tried it on before or seen it before, I’m really not sure, the language is a bit awkward to me.  Anyway she opens her eyes in a surprise and likes what she sees, she likes her self, all her parts.

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I wish this book for preschool and kindergarteners, would have streamlined the message it wanted to convey most.  I like finding pieces of yourself and liking the completed you, but I don’t know what the pieces really are in the book.  Yes I could assume and figure it out, but I’m not 5 years old.  The book should have articulated it clearly.  Or if the book wanted to celebrate culture and family traditions, it should have stuck to that.  It really seems all over the place no matter how many times I read it.

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The illustrations are rich and vibrant.  They definitely give a lot to look at and the expressions on the characters faces will probably make the little ones giggle.  There are a few Urdu and Arabic words used in the story that are defined on the back cover.

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The characters aren’t identified as Muslim, none of them wear hijab, but they say Salam and have Arabic books, so one can assume. I picked up the book at the library and don’t regret it, but I probably wouldn’t buy it or unfortunately, check it out again.