Tag Archives: checkpoints

May21

Birthday Kunafa by Rifk Ebeid illustrated by Noor Alshalabi

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Birthday Kunafa by Rifk Ebeid illustrated by Noor Alshalabi

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This 50 page wordless picture book allows readers to make up their own words to describe the progression of what is shown in the illustrations. With no right or wrong, the backmatter helps give context and points out key images that allow the story to resonate on multiple levels.  On the surface it is a birthday girl who is upset she cannot have kunafa, but when you truly look at the pictures, and see what is preventing her from moving from Jerusalem to Nablus, the reader is shown, she is not just a child wanting something she can’t have, but that she is being denied basic rights by an occupying force.  I love that the little girl represents so much more than just herself, and that her determination to cross checkpoints, is not just about acquiring dessert.  The book starts with a little girl on her birthday that could represent a little girl with her friends and family anywhere, but as the pages are turned you witness how beautiful Palestinian joy is, how much we take for granted the freedom to move, and how desperately we need to stand up for a free Palestine.  With no words, Islamic representation is limited to two hijabis in the illustrations.  The author and illustrator are Muslim. The book centers a birthday, there is dancing dabkah and an oud shown leaning up against a wall.

So often when thinking about Palestine, not just since October, we all find ourselves speechless.  There are no words, only tears when watching the news, reading headlines, or scrolling, and I find it incredibly timely for a wordless picture book about Palestine to be published.  There are a few labels so to speak throughout the book that I didn’t particularly find necessary, but they do not distract from the story, so they didn’t bother me.  I like that the book showed restraint in terms of the oppression that could have been shown.  It allows for the story of the little girl and her family to maintain the narrative.

The story that I understood the images to be telling is that it is a little girl’s birthday, the family is having a party, they have a birthday cake, but she wants kunafa, she tries to get some and along the way sees joy everywhere, until the checkpoints turn the images gray, and prevent her from moving forward.  So mama and her problem solve, they try and make their own, but it is not the same, so they devise a plan, and they try again.  They do not give up. There is no giving up.

The backmatter provides a recipe for kunafa, a two page spread about “Why Wordless Picture Books,” another spread about “Context Matters” giving information about Zionism and Palestinian resistance.  It is then followed by four pages entitled “Did You See?” where symbols are shown that appear in the pages and described.  Warning there are numerous sweet and savory foods shown, and it will make you very hungry.

The book is available here from Crescent Moon or here from Amazon.

Jan22

Palestine: The Special Edition by Joe Sacco

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Written between 1993 and 1995, and compiled as a complete set in 2001, this 285 page adult non-fiction graphic novel is not really something I can review, even if I knew how.  As we have passed 100 days of the escalation in Gaza, on top of the ongoing horrors of Israeli occupation, I am hoping to broaden my literary awareness to include not just children’s fiction and non-fiction about Palestine, but also adult works by those living it, those moved by it, and those reporting on it.

This particular “special edition” has a forward by Edward Said, and an introduction by the author and illustrator.  Once I started the actual story, I’ll be honest it took a few attempts to hook me, with the starting being in Cairo and being a little aggressive with alcohol and talk of women, but once I decided to just keep going, the book finds a bit of a rhythm.  It shows the author himself shaping his own opinion as he interviews, and sees, and reports on the events around him.  It is non-fiction, it is written by a journalist, at some points he acknowledges his bias, but the overall picture presented, is heart wrenching.  That the humiliation and torment and occupation of a people has been so well known and documented and ignored, in light of current events, and even in isolation, is devastating.  The exhaustion the writer feels just witnessing it, is palpable, and the complete ignorance of Israeli, former IDF soldiers none-the-less is stark.

The book is both a reflection of the time with internal political factions playing roles differently than they do in todays conflict.  There are also views about Iraq and Saddam Hussein, which might surprise readers today.  But the power of this book is what hasn’t changed, the torture, the imprisonment of children, checkpoints, illegal settlements, humiliation, restrictions from working, from moving, from being treated as equal.

I’m glad I read it, and spent time among the the ink filled pages. I am certain that many of the stories, particularly the ones from inside the prisons will stay with me and haunt me as I read headlines and scroll endlessly through the statistics occurring in real time.  How can we be so blind, for so long, how can a people endure so much and keep fighting, how does any of this make sense?

Aug16

Jasmine Falling by Shereen Malherbe

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Jasmine Falling by Shereen Malherbe

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This 184 page book about a girl figuring out her past, to accept her present, and plot her future. is not marketed, or perhaps even written as a YA novel, but I’m reviewing it because while the protagonist is in her 20s the book could be enjoyable to ages 15 or so and up, if they are willing to stop trying to understand a lot about the book and are content to just go along for the heartfelt ride.

SYNOPSIS:

Jasmine is half Palestinian and half British and when her wealthy mother passes but stipulates to claim her inheritance Jasmine must find her father, the book leaves England and heads to Palestine.  To further complicate things she has only 10 days to find a father who has been missing for years, in a land she has only visited once before many years ago.

Once in Palestine, the story takes her from one city to the next and one village to another with pit stops at various historical sites along the way.   With lots of fragmented memories, the shadow world of Jinns, and a race against time and around the obstacles of the occupation, Jasmine rediscovers Islam, her family history, and the fears that haunt her.  She also meets Josh, a character of questionable allegiances, motives, and background himself, that constantly finds himself able to help Jasmine and possibly himself.

From Jericho and Jerusalem and Batien, Jasmine hears stories about her father from people that know her family,  as she pieces it all together and reunites with her family members, she understands her past and works to determine what path her future should take.

WHY I LIKE IT:

I love the backdrop of Palestine and the history and the richness of culture that is brought to light in a surprisingly non political way.  The interaction of the different faiths among the villagers and the love of the land is truly palpable.

The part I struggled with was the holes in the story telling, for each page that brought Jasmine closer to answering her one question of where her father is, the reader was given 27 new ones that would never be answered.  Where did the wealth come from, how did Jasmine’s parents meet, what were the circumstances that made Jasmine’s dad leave, who is Richard, who was Ali, how old is Jasmine, why are there so many Jinns every where, why is there secret passages in the mountain, how come she trusted Josh, how could Josh get from one city to another in record time, why did the soldiers at the check points know of her family and specifically her father, and most importantly why every time she meets someone that knows her family, why does she run away.   It is incredibly frustrating that every time the story hints at what makes her father so famous, or sought after or memorable, or hint at why he disappeared, something interrupts them and the reader is left in the dark, only to have the book end and no really understanding conveyed.

I get why the story is told in pieces, but really the story is confusing in how it is told, and it doesn’t need to be.  The author can write and the last 50 pages are really great.  For as confused as I was so often, I kept reading because the story is good.  There is just a tad too much with diving in to the past to understand the present, the supernatural of the jinn, the reemergence of faded memories and dreams, the political climate, the letters from World War II, that the character dynamics are lost until the end.  I care about Jasmine and am curious about Josh, but a little more detail to the relationships the two main characters have with all the other minor characters that they encounter would really make the story soar, and clarify so much.

One thing I didn’t love was the presentation of Jinns, I know it is to add cultural richness and a bit of muddled confusion, but really the story I think is strong enough without the supernatural and character building could have benefited in its place. I also really, really, really wished there was a map and an afterward telling what parts about Palestine and history and the Holy Cities is fact, for those of us that have never been.

FLAGS:

Jasmine attempts suicide, jumping out a window.  Jasmine also gets drunk a few times in the book before deciding to stop drinking as she doesn’t like who she is when she does.  There is some violence and killing talked about but not overtly detailed.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I would do this as a book club book, but I definitely would encourage those with connections to Palestine to read the book.  And I am really hoping that someone, anyone, that has read the book will chat about it with me.  For all the questions I have, I’m optimistic that I just missed the answers and that they were in fact there.