Category Archives: YA FICTION

Aug27

Broken Moon by Kim Antieau

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Broken Moon by Kim Antieau

Broken Moon.jpg

I didn’t initially think the premise of the book was terribly original: a poor scarred girl in Pakistan working as a servant, cuts her hair to look like a boy and be free to move about and rescue her brother.  But the weaving in of the One Thousand and One Arabian Nights stories into the larger story, and the plot of kidnapping children to be camel jockeys in the Middle East, made the story good.  Really good, but not the book.  I really struggled with the format of the book.  It is written as letters by the main character Nadira to her young brother Umar.  The information seems too forced in this style, she is telling him how old he is, or retelling him things he said a few days ago.  Once they are together she has to clarify that now she is writing it to their mother, and then again alter it to be writing to those following her story.  It presents too many characters, that are awkwardly introduced because presumably he knows who they are, the reader does not, and bridging that gap makes the book halt the reader from diving head first into a really compelling story.  I feel like the book’s editors let the characters down, it would have been an easy fix to tell the story as Nadira told it to the Sheikha, and then when the story caught up with the present to continue it from there as written, without the guise of it being shared in letters or a diary format.  But, alas no one asked me.  Luckily the book is only 183 pages and written on a AR 4.2 level so it is a speedy read.  Do not let the fourth grade level, however, trick you into thinking it is content appropriate for a 10 year old. There is a lot of abuse, in every sub category of the word.

SYNOPSIS:

When Nadira was 12 years old she was attacked by a group of men seeking to avenge an alleged crime Nadira’s older brother committed against their daughter.  By this girl’s reputation allegedly being ruined by Nadira’s brother, the village decides that a female in his family should in exchange be ruined.  Nadira manages to fight and ends up with some external scarring, including a moon shaped scar on her face, a lot of internal scarring, but the book points out quite often that she got away from being sexually abused.  In her culture she is assumed to be ruined, and will never be married.  She begins to work as a servant to help the family financially as her older brothers have more or less disappeared and no longer are of any help to her family.  When her father dies, her mother and younger brother, Umar, rely on Uncle Rubel who is a horrible man who covertly sells Umar to the smugglers to become a camel jockey.  The family that Nadira works for seem kind, they stick to the norms and don’t include her in their fun and frivolity, but they don’t abuse or belittle her either.  They offer her, her mother, and Umar a place to live on the property, and assist her in finding someone to locate her brother.  Nadira, however, is strong and determined and takes matters into her own hands by cutting her hair to look like a boy, finding the smugglers, and convincing them to take her.  Once in the camp she wins over all the boys, by becoming Sherazad and telling a story to delay her being beat.  Her wit, tenacity, and perseverance is infectious and you find yourself cheering her on.  As she prepares for the races and to broaden her access to camps to find her brother at, she meets a western vet, a Sheikha who essentially owns her, and discovers that all the boys she lives with know she is a girl and love and respect her.  The climax involves her racing in the Sheikha’s Race where the winner is granted a wish by the Sheikha.  Can Nadira win? Can she find her brother? Can she save all the boys at the camp that she has taken in as her brothers? I won’t spoil it this time.  You’ll have to read it.

WHY I LIKE IT:

I like that the author did not cast judgement on a group of people.  Not all Pakistanis are bad, not all women are helpless, not all men are oppressive, not all employers are abusive, etc..  similarly, there is a western character, but she doesn’t swoop in and save the day, in fact I read her to be complacent in what she knew were obvious human rights violations.  I loved the relationship that Nadira had with her father.  The love of learning and love of his daughter is so sincere and beautiful that I think readers can see that the stereotype of daughters not being prized jewels in a family as being false.  I wish the mother would have been further developed.  She seems defiant, but not fleshed out, which is unfortunate. I also like the subplot of the gardener boy, Saliq.  A boy who completed some of his education in England, only to be made crippled by a horse, and sent back to be a servant.  He’s role and respect of Nadira furthers the notion that her scar does not define her, as he proposes marriage and pledges to support her in her efforts to continue rehabilitating kidnapped children and stopping the cycle.  I also like that the author doesn’t share her response, as if to emphasize that she is liberated and with or without a husband she is a complete person.

The characters are Muslim by culture, but there is no real mention of Islam or Islamic practices.  Before Nadira cuts her hair she wears a scarf, but that is neither her nor there.

FLAGS:

The premise of the book is an accusation of a sexual crime.  One of the stories she tells at the  camel camp to delay the beatings,  is the story of the lady who traps a merchant, a king, a carpenter, and a Kazi to free her lover.  She offers her body to the men and traps them in a cabinet naked after obtaining their signatures.  There is some kissing and some innuendos and references to sexual acts.  There are also references to the sexual abuse at the camps as well as descriptions of the physical ones that take place.  Not for the faint of heart or young and innocent. The boys at camp also discover that Nadira bleeds like their sisters, as a clue to them figuring out she is a girl, but compared to the sexual crimes, menstruation seems hardly like a flag, and I only mention it because the AR level is so low, not because there is any reason for shame or shyness in discussing an act all women endure.

TOOLS FOR LEADING THE DISCUSSION:

I think high school students could handle the book, and would allow a plethora of discussion options from child labor, civic responsibility, abuse, justice and the power of literature as a coping mechanism.  I wish the author would have included some information on camel racing and how they are regulated and jockeys are obtained, and maybe thrown in a recipe for masala chai as well.

There are no online websites or guides that I could find to accompany the book.

Aug16

Ten Things I hate About Me by Randa Abdel-Fattah

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Ten Things I Hate About Me

I’ve read and reviewed a few Randa Abdel-Fattah books and read and reviewed even more cheesy West-meets-East-and-my-parents-are-so-strict-so-I-will-rebel books, that with such a flimsy title referencing a movie which references Shakespeare, I didn’t expect much.  With such minimal standards, the book didn’t disappoint and the surprising warmth of many of the characters actually left a pleasant smile on my face.  I’ve had this book on my to-read list since it came out in 2006, and for some reason it is a bit hard to find now a days.  There seems to be a few covers out there, and I don’t know if they differ, but the one pictured above is the one I read, and it is 297 pages and written on an AR 4.8 level, but probably would appeal and be more content appropriate as a light read to 9th through 12 graders.

SYNOPSIS:

Jamilah Towfeek leads a double life.  At home she is a proud Lebanese Australian that goes to Madrassa, plays the darbuka drums in an Arab band, and identifies as Muslim.  She has recently dyed her hair blond and wears contacts to hide her Arab heritage and doesn’t allow her sister who wears hijab to pick her up from school where she is known as an all Australian girl, Jamie.  Her mother has passed away and her father is pretty strict about who she goes out with and her curfew.  They even have a contract posted on the fridge. Despite this, Jamilah and her dad seem to have an ok relationship and it is definitely something they both are fighting to improve.  Jamilah’s older brother is a bit of a rebel and goes out with girls to bars and the book definitely discusses the double standard.  He however, isn’t painted as “bad” or as presented as an outcast, he just does things differently, and must wage his own path to build a relationship with their father.  At school Jamilah has acquaintances more than friends, as she is constantly pushing people away.  The stage is set that she has to keep lying to her friends, but it is more in her head than in reality.  She doesn’t open up to her friends, nor they to her.  As a result the Jamie at school amongst her peers are presented as incredibly shallow, which is partially intentional I think, and partially, under developed.  She makes up excuses to not attend parties and it isn’t a big deal until the most popular guy at school starts to take an interest in her.  In frustration she starts opening up to someone who has started e-mailing her.  Her user name is Ten_Things_I_Hate_About_Me and the dialogues between her and Rage_Against_The_Machine reveal a lot about how she sees the world.  There is some tension with immigrants in Australian and Jamilah starts to realize that her silence is consent to the bigotry and bullying around her, and that there is no way to stay neutral.  There really aren’t any major plot twists, you can see a mile away who the mystery email boy is, and that he likes her, you can see that her friend Amy will come through, and that she will have to reconcile her two identities.  There are a few minor ones with her dad getting remarried and thankfully with her opting to not “hookup” with anyone in the end despite a climatic kiss in order to stay honest with her father.

WHY I LIKE IT:

I’m obviously older than the target audience and the characters, as is the author, but compared to a lot of the other books of similar content, I feel like this book stays the most grounded.  There are some pop cultural references, and obviously the kids are naive, but there are some universal truths and experiences brushed upon that I think a lot of high schoolers can relate to, not just immigrant Muslim ones.  The idea of having to be two different people at home and at school, family relationships, cultural identity, being true to yourself, dealing with the loss of a parent, taking a stand when you see something wrong, etc.. All that being said there is a huge gaping plot hole.  How her friends that have known her from elementary school when her mom brought Arab food suddenly don’t know she is Arab, or don’t pick up on her ethnic last name is beyond even a 5th grader to over look.  If you can tune out your internal sense of logic for the premise, the book is much more enjoyable, but it really is a stumbling point.

I wish that Jamilah was a bit religious.  She identifies as Muslim and clearly her sister is, but pretty much all of her actions and gripes come more from her culture than from her faith.  Many of her father’s friends drink, as they are either not religious, or Christian, which is fine, but part of me really wanted her to live up to the picture on the cover of the book and discover her religious stance alongside her owning up to her cultural one.  I love that at it’s core it is a book about a girl’s relationship with her dad and being true to her self, but somewhere her religion fizzled out of the narrative and I wish it hadn’t.  I Would have loved that she turned down the prospect of a boyfriend because it wasn’t Islamically permissible, in addition to her wanting to be honest with her father.  But, alas the author didn’t pursue that.  She did however, do a good job of not making it a judgement of culture or faith, just as attributes of her characters.

FLAGS:

There are racial slurs, drinking, dating, and kissing.

TOOLS FOR LEADING THE DISCUSSION:

Surprisingly I wouldn’t completely disregard this book for a Book Club selection.  It would be for older kids, ideally upper High School.  But I think especially in an Islamic School setting the discussion would be so much better than the book.  Many send their children to Islamic Schools to reduce the need for dual identities and I would love to see how the kids view the effectiveness of it.  I would also enjoy hearing students’ perspectives on going to formal dances with siblings or a group of girls, the double standards of boys in girls, and dealing with Uncle’s and Aunty’s constant opinions.

Author’s Website 

 

 

 

Aug1

Written in the Stars by Aisha Saeed

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written in the stars.jpg

It has definitely been done before in books dealing with the crossing of desi and the west with a female lead, that there must be: forbidden love, physical and or sexual abuse, a a sympathetic side kick, and evil parents or in-laws.  So, perhaps this book just assembles the ingredients in a new way, or my deliberate hiatus from said genre softened my heart with time.  But, either way Written in the Stars was an enjoyable read that didn’t get caught up in the dichotomous rhetoric of good vs. bad, us vs. them, right vs. wrong, and I found that refreshing.  It is in the AR database as a level 4.1 book, but there are sexual references and rape, so while it is written very simply and linearly, I would not let an elementary student read the book.  The protagonist is 17, so really the story line is more high school relevant.

SYNOPIS:

Naila is a senior at a Florida high school with scholarships and dreams to be a doctor. She has friends and stability at home. However, she also has a boyfriend, a big no-no to her conservative Pakistani immigrant parents.  When she sneaks out to prom and gets caught her parents drag her to Pakistan and secretly work to marry her off.  The premise isn’t very original, but the author keeps it interesting by having the boyfriend also of subcontinent descent, and Naila being naively clueless about what her parents and extended family are doing to her.  As she begins to realize what her parents’ end goal is, she gets desperate to return home, putting her against her family.  The story is quick and Naila is definitely a girl of action as she tries to escape, as she gets drugged, gets married and pregnant.  And remarkably she doesn’t spend too much time bemoaning her situation, which is nice as the book is only 284 pages with the Author’s Note, Glossary, Resources, and Acknowledgements.  A long the way you meet some kind characters and minor villains, you see a bit of the culture and Naila’s determination.  The parents are underdeveloped and I wish they were fleshed out so that the reader could see their perspective.  They are presented as pretty vile and cold and nothing more than that unfortunately.

WHY I LIKE IT:

At first I found it odd that religion was not in the book, like at all.  Her rules regarding boyfriends and male friends are presented as being cultural.  While in Pakistan and being shown around a cousin points out a mosque, tells Naila her father is in there, and if she wants to see inside they can come back when it isn’t pray time. That is it. So, the characters are Muslim, but Islam is not mentioned.  The author on the jacket flap states that she is Muslim and had a good arranged marriage.  So as I’ve reflected back on the book, I think I kind of like how she left religion out of it.  Albeit leaving a gap in the narrative, it allows the book to be seen in a character driven way more than a “that’s how they do it” sort of way and thus opening it up to a wider audience.  Also, seeing both good and bad in the same cultural population removes the idea that different is bad, which is often lacking in these “cultural” novels.  I really want to meet the author and see what her reasoning is, but I think it was deliberate and thus I’m growing to appreciate her restraint on bringing the religious tinge into the book.  I wish it was written a little more complexly.  In addition to more about the parents, I wanted to know more about Saif, the boyfriend, I wanted to know about the future of her cousin Selma, who was her confidant, and about the aunt that never married, just to name a few.

FLAGS:

There is kissing, and while not detailed, Naila is raped by her husband and it is implied and reflected on. There is some additional physical violence as well.

TOOLS FOR LEADING THE DISCUSSION:

I would consider this for a selection if I did a high school book club. Definitely not middle or elementary.  I would possibly suggest the book to older middle school if they could handle it.  There are lots of talking points, and some girls are so drawn to the romance genre that at least this one isn’t too over the top.

Curriculum Discussion Guide

Author’s Blog 

Jul21

Better Than a Thousand Months: An American Muslim Family Celebration by Hassaun Ali Jones-Bey

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Better Than a Thousand Months: An American Muslim Family Celebration by Hassaun Ali Jones-Bey

Better Than a Thousand Months.jpg

To be honest, I didn’t get the book.  I mean I understand that it was derived from stories the author told his children, and I’m guessing it was written to show similarities between Muslims and Christians, but I don’t understand how the 168 pages with lots of photographs and text from the Qur’an got published as a book.  That is not to say it isn’t without merit, it just leaves a lot to be desired.  The teacher in me really, really, really, wanted to pull out a purple pen and start editing.  I checked twice to see if I had an advanced copy or uncorrected proof, I even Googled the book to see what I was missing.  It doesn’t work for me as a completed book.  To me, however, it is a wonderful outline that is desperately wanting to be fleshed out.

SYNOPSIS:

A man in San Fransisco is sitting on the train when there is an earth quake, thus delaying his trip home.  As he dozes off he imagines interactions with his children that share his knowledge of Islam with them, and thus the reader.  The first interaction is with him and his young daughter discussing Christmas, and how Muslims view Jesus and the power of Allah the creator of all.  They jump in the “time machine” truck and drive through the hills of San Francisco reflecting on the concept of patience.  As Ramadan comes and the narrator dreams we get bits of how Muslims in America celebrate Ramadan, and some of the tenants of faith.  When he is awake we get some story about his family, how he came to Islam and his Grandma passing away.  But nothing is explained or even connected.  I have no idea how many children he has, what the story is with the step children and the confusion from having two daughters with the same name.  The story goes back and forth with his dreams being more “real” then his awake time, and both kind of moving in the same direction of explaining how Islam is practiced as a family in America (praying together, waking up for suhoor), the questions that arise from the children (how to pray at school, why Ramadan decorations don’t decorate the city), and how we are all more alike than different (same Prophets, similar stories).  The final dream sequence is sweet with the father and daughter showing, not just talking, about giving and charity, that I really want to send the author back to finish writing the book.  There are so many tangents that would give it depth that are stated in a few sentence paragraph that could so easily be developed in to whole chapters.  Unfortunately, as is, the reader is just left disjointed and confused.

WHY I LIKE IT:

I really like the premise, I like the literary flip of telling the story in the dream.  The ideas are just not presented smoothly.  I don’t think that a tween would get it, and the choppiness of the ideas bouncing around from short paragraph to short paragraph would dissuade even the most seasoned middle school reader.  The book has some good tidbits, but they are lost in the short glimpses of story and long passages of meaning of the translations from the Quran.  The Arabic Calligraphy is nice, but it isn’t stop in your tracks beautiful, and the font of the English translations are difficult to read.

FLAGS:

None, the book is clean.

TOOLS FOR LEADING THE DISCUSSION:

I tried to get my daughter to read it, but she was so lost and even asked if it was a collection of stories or a chapter book, that I couldn’t force her to finish.  If you can get through it, one could discuss how to “fix” some of the struggles the book has, thus emphasizing what the reader liked and imagining the back story for all the questions that arise but are ultimately not answered.

Jul11

Bestest. Ramadan. Ever. by Medeia Sharif

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Bestest. Ramadan. Ever. by Medeia Sharif

Bestest.-Ramadan.-Ever.-by-Medeia-Sharif

This book fails on so many levels: the writing quality, the title, the representation of Islam and Ramadan, messages about weight and beauty, and female self-worth to name a few.  This 299 page 5.0 AR book looked great as I was skimming through the library book catalog.  I knew it was young adult romance and saw that it would involve crushes and boys, and “typical” teenage stuff, but really this book has so few redeeming qualities for any demographic, I’m not sure why it was written, why it was published, and why the library shelves it.

SYNOPSIS:

Almira is a 15-year-old girl of Persian-Syrian descent living an all American life in Florida. She has good friends, is a good student, and is financially well off.  She is Muslim, but doesn’t really know what Islam is, “I’ve been to a mosque exactly twice in my life” she says.  She doesn’t pray, her parents only do on occasion, yet she feels “different.”  This over stretch is the first of many plot holes, that make the tone of the book more whiney and shallow, than the premise requires.  Having tried fasting the year before and been found cheating by her culturally strict grandfather, Almira is determined to fast this Ramadan to lose weight and prove she has willpower.  There is a glimmer that her shallowness will fade, but the weight issue is mentioned every few paragraphs and thus there is no pushing it away.  The author presents Ramadan as one giant weight loss program.  There is no mention that Ramadan as a spiritual time or reflective time.  Nope.  She is fasting to lose weight, and everyone around her is supporting it, by constantly commenting at how much better her size 8 is looking as the month progresses.  The biggest storyline in the book is that Almira wants a boyfriend.  Again, this is contrary to Islamic practices, but naturally crushes and crossing rules is a reality.  However, even to girls not faced with a religion that forbids boyfriends, the messages in this book regarding boys is pretty pathetic.  Almira changes her self to impress the boy, pretending to have interests that she doesn’t have.  She is willing to sacrifice her best friend since Kindergarten to get said boy, and while they mention that everyone treats them superficial based on their looks, they too treat each other the same way.  Almira and her friends get so much of their self worth and confidence from how boys ogle them that I found myself often cringing with disappointment.  Now, granted it is a YA book, and 15-year-old romances probably are pretty shallow, but again the whininess just starts to be too much.  There is a brief glimmer of hope when the family goes to the mosque and prays and breaks fast together, but it is short lived as Almira finally gets the boy, finishes Ramadan, and celebrates in a bikini on the beach, “And look at us, half naked on Eid,” she says to her Muslim friend, Shakira, as if that is the epitome of making it in America.

I don’t expect all books to have a message, but if you are going to have a moral message in a book, I would hope that a book written on a 5th grade level would have a good one.  This book’s lesson is to lie and lead a double life.  And no that is not me over simplifying and putting my own bias on the author’s storyline choices.  “I’ll sneak out with Peter whenever I can, while I show my parents a goody-two-shoes facade that will be impenetrable.  I can keep this secret,” thinks Almira as the book concludes (page 287) and everything is right in her world. She feels a tinge of guilt that she can’t talk to her parents, not guilt at her actions, which is really the epitome of my confusion to why the book has an Islamic implied title.  Ok I get maybe she wants a bit of cultural layers to add depth to the characters, but why structure the book on religion when religion is made to be such a joke by failing to give it any substance? Had she made it more cultural and the characters culturally are Muslim, even that would have worked better.  But, they aren’t.  The parents are really really one dimensional.  Mom is “hot” and even when the family is talking she is in the corner doing crunches.  She loves karaoke and doesn’t like grandpa is about all we know about her.  Nothing about her dreams, her family, her life growing up, her fears, her education.  Dad similarly is pretty flat.  He is a dentist and just looks at people’s teeth. He goes from being uber mellow and cool, to deleting pictures on her computer and yelling at her that she can’t date.  Neither trait seem to define him, and make an already shaky premise, more awkward.  Almira whines and complains about her parents, but they overall seem supportive and kind, again a plot hole that makes the book lose traction.  Grandpa is the scary old-world stereotypical character, that calls everyone a prostitute that doesn’t dress modestly, but goest out of his way to teach Almira to drive.  The grandma fades into the back ground, but oddly enough the author takes time to mention that recently she started wearing a scarf and used to wear heels and make-up, so did grandpa call her a prostitute? Again things don’t line up and once again the female characters are defined by their looks, and the males as being hot tempered and judgemental.  It is unfortunate that the foundation of the book is so weak.   Additionally, all the pop culture references, already start to date the book (it was written in 2011), most 15 year olds today probably are not obsessed with Robert Pattinson and Angelina Jolie. The author tries really  hard to sound like a teenager, that at times it seems overly forced.

WHY I LIKE IT:

Obviously I’m not a big fan of the book, so finding things I like is a bit of a stretch.  I have more hope that girls can be strong and independent and not completely boy and appearance obsessed.  And while I know that is wishful thinking, this book just validates the sad idea that self worth is tied to looking good in a swimsuit and having a boyfriend.  I feel like our daughters deserve more, are capable of more.  I like that Almira is willing to try new things, like fasting and going to the mosque. And I do like that she more or less puts up with her grandfather in a kind manner, even though they disagree about most everything.  In terms of the “romance” aspect at least the author didn’t go overboard.  The characters kiss and hold hands, it does stay within the PG-13 guidelines. So, Alhumdulillah, if a young Muslima picks it up thinking she might actually read about an amazing, spiritual Ramadan experience, she will be terribly disappointed, but at least she wont be exposed to something R-rated.

FLAGS:

The flags are with content, presentation, and writing style. There is no language.  The idea of violence, if her grandfather caught her with her boyfriend stoning her, seems out of place and not a realistic threat.  There is nothing negative per se about Islam, as there really is no Islam in it. I doubt even someone with no Islamic knowledge would equate anything in the book with Muslims.  They may wonder if in fact we lose weight during Ramadan, but that is about it.

TOOLS FOR LEADING THE DISCUSSION:

There isn’t much to discuss in the book, just criticize unfortunately. The author’s blog reveals that Islam and cultural characters seem to be a common back drop in her books, but I doubt I’ll muster up the desire to read any other novels of hers to see if they ever serve more than that.

Feb26

The Secret Sky: A Novel of Forbidden Love in Afghanistan by Atia Abawi

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The Secret Sky A novel of Forbidden love in Afghanistan

This was another book I stumbled upon in the Scholastic Teen Book Flyers, and I wanted to read it to see, once again, how Muslims are being portrayed in books presented and widely distributed in the school markets.    I didn’t figure given the “romantic element” it would be a candidate for our Book Club, but none-the-less wanted to know if it should at least be on our library shelves in the Middle School section.  The book is not in the Accelerated Reader data base, bur for content I would think 11th or 12th grade.  The book is written by a woman whose family left Afghanistan right before she was born and later returned as a television correspondent.  Her story is included as the introduction of the book and a glossary at the end make the total length 292 pages.

SYNOPSIS:

A boy from a landowning family, Samiullah, and a girl whose family works the land, Fatima, have known and played together their whole lives.  When Sami comes home, however, after realizing that the madrassa, religious school, he was sent to is a sham, he  finds he is still in love with his childhood friend.  Knowing that their families would never allow their union, Sami is in the midst of working up the courage to share his feelings with Fatima and try to convince her family, when Rashid, a cousin discovers them talking in the woods alone and rats them out.  The role of culture and religion make this turn of events a dire one for the couple.  As shame has been brought to Fatima’s family, her father arranges to have her married to a good friend of his, as a second wife.  Fatima’s mother, responds very harshly by beating her and pouring boiling water on her arms.  Sami is beaten as well, but not to Rashid’s satisfaction and thus he decides to go “tattle” to the local Taliban leader.  As the story unfolds it becomes clear that Mullah Latif is not religious in the least and that he has no conscious.  Latif and his gang leave a path of murder and suffering as they set out to make an example of the couple in the name of religion and culture.

WHY I LIKE IT:

The author actually does a pretty good job of making in clear that Latif and Rashid are one extreme of bad; manipulating religion to justify their acts.  As Rashid realized how little Latif even knows about Islam he sets to distance himself from the gang.  Latif at one point doesn’t even want to enter a mosque.  The opposite of the Latif character is Mullah Sarwar who is good, and kind, and gentle, and loving.  Overall the author doesn’t paint one group with a broad stroke, there are good and bad land owners, workers.  There is even a grandma who supports women being educated and marrying for love, contrasted with a mother who wants to see her daughter killed for her actions.  The story is also pretty universal and has some Romeo and Juliet similarities, simply set in Afghanistan.  Some of the culture shines through to add context and understanding outside of the story alone, and that is nice.  Fatima logically works through why she can’t marry her fathers friend.  And in some ways you see why the country struggles as it does in real life, and why there isn’t an easy fix.  Each chapter is told from a different perspective, either Fatima’s, Samiullah’s, or Rashid’s which does give a more rounded view of the events.  But in some cases, not quite enough.  One thing I didn’t find believable was how purely evil Rashid was one minute, and then his quick change (SPOILER).  The reader is not given much insight into him and yet he has such a huge influence on every aspect of the story that it seemed a little abrupt and unrealistic.

FLAGS:

The love story aspect is actually pretty clean and sweet in many ways.  The unexpected violence, however, is a huge flag to me. (SPOILER ALERT) It mentions in some detail that Sami left the madrassa when he caught the head of the school sodomizing a young village boy.  It isn’t graphic, but it is detailed enough to be noted.  Fatima’s younger sister is also killed when Latif breaks her neck with his bare hands, again incredibly brutal, horrific and sad.  Mullah Sarwar is murdered and hanged in the village.  All reasons why the book in my opinion is for older and mature audiences.

A small religious point, that I think most would be fine with, but just in case should be mentioned, is that Sami goes to pray at a shrine.  The author explains how it evolved as a place to pray to Allah for matters regarding love, but it could be construed as being inappropriate.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t teach this book to the ages I currently work with, but here is a little insight from the author about what she wanted the readers to take away from her novel: https://www.youtube.com/watch?v=M2rMD16g23E

 

 

Feb23

The Tyrant’s Daughter by J.C. Carleson

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the tyrant's daughterI was intrigued to see this book offered by Scholastic in the teen Reading Club Catalog as it sounded both action packed and cultural.  The jacket cover summary was vague in describing the characters as being from an “unnamed Middle Eastern country,” but with the slightly veiled girl on front, I figured they probably are Muslim, and I should at the very least how they/we are being portrayed.  The book is 295 pages long and that includes the story, the Author’s Note, and a  Truth in Fiction section.  The author is a former undercover CIA officer and the intense action, intertwined with cultural  understandings, leave the reader second guessing and on the edge until the end.  The AR level is 5.1, but with the profanity, sexual situations, and violence I would recommend the book to those in high school and up (15+).

SYNOPSIS:

Fifteen-year-old Laila flees her homeland, when her father, the head of the county, is killed.  Trying to fit in, in Washington, D.C. is not easy for a girl raised like a princess.  She has to navigate not only the social norms and high school drama that most kids her age do, but she also has to examine what type of ruler her father was and what price her privilege came at.   There are a lot of plot twists, and her mother’s efforts to broker deals with rebel fractions and CIA operatives, keep the plot moving forward.  The interpersonal relationships in the background give the characters some depth and memorable traits by contrasting the intensity of a country on edge with the daily dramas of daily life.  Surprisingly with so much going on, I thought the book was well written, my only major critique being,  I wish i knew more about Laila, the main character telling the story.

WHY I LIKE IT:

It’s a fun story, simple as that. The plausible political plot, the young adult characters with their own heightened sense of self worth, is well crafted by-in-large and the book was engaging.  I read it quickly because I wanted to see how it unraveled and it kept my interest.  Will I remember it a month from now? Probably not, but often books like this as YA or adult fiction are delicious empty calories and nothing more-or-less than that.

FLAGS:

The “royal” family is “Muslim.” Yes, the quotes are intentional, because they don’t identify as Muslim, yet those in America identify them as such.  A teacher asks her if she is ok with dissecting a fetal pig and she seems confused as to why that would be a problem.  A boyfriend is nervous to make a move, and again she seems taken aback that there would be a religious reason not to, as she sees it as a cultural one only.  Even at the end when she is discussing going back to her country her mother remarks that she hates wearing a veil and Leila says she never really minded it.  Laila’s mom drinks alcohol and always has, as many heads-of-states of Muslim countries are assumed to do. There is violence, some crude language, and some relationship situations.  Again I would not recommend it for younger teens.

One aspect that is worth noting is how the “bad guy,” Laila’s uncle, is painted as being “religious.”   I would hope that readers would realize that he is an extremist, an exception to the mainstream followers of Islam.  But I don’t know if they would.  He is harshly critical of how Laila and her mom dress calling them “whores,”  he uses religion as a means of power to oppress and condemn others and is just generally awful.  I think the author by largely leaving religion and the name of the country out of the book, isn’t making a judgement on the faith or region, as much as providing plausible pieces to craft an interesting story.  That is just my opinion though, and it could probably be changed.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t teach this book, or use it for Book Club, but the supplemental information in the back of the book is definitely interesting, and I think among friends, good discussions about the story’s origins would be fruitful, speculative and engaging.

In a high school setting you could definitely connect it to a Social Studies unit or the Arab Spring.

 

 

Jan27

The Red Pencil by Andrea Davis Pinkney illustrated by Shane W. Evans

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The Red Pencil.jpg

I didn’t realize the book was written in prose until I opened it up to read, and immediately taken-aback I rechecked the AR level and sure enough, this 309 page book that is written in prose and covers the genocide in Darfur, is written on a 4.2 level. And it is amazing. I forced myself to stop reading at one point so as to not rush the depth and soul of the simple words from being lost in haste.  It is truly, in my opinion, a beautifully remarkable feat to convey such horrific atrocities with such hope and integrity to young adults in a palatable and inspiring way.

“Allah is the light,” he says.

I ask,

“How do you find Allah’s light?”

Old Anwar says,

“Take the path that shines the brightest.”

SUMMARY:

Amira’s life on her family’s farm is by no means easy, but she has loving parents, a little sister, her beloved sheep, and a dream of going to school.  Her father advocates for her, but her mother, steeped in tradition, sees education only as a waste of time.  The illustrations and sparse words manage to convey fairly solid understanding of Amira’s life, optimism, and relationships with those closest to her.  Although warned of the dangers the Janjaweed could cause, Amira remains fairly unconcerned about the mounting political unrest around her, until it is too late.  When death and the destruction of her home force the surviving members of her family and neighbors to seek refuge in a camp many miles away, the reader sees how truly horrific her experiences have been.  She refuses to speak or rather cannot, when a chance encounter with an aid worker brings her the prospect of getting her voice back, through the empowerment of a red pencil.  With restored determination she convinces an elder neighbor to teach her, but it is not enough for Amira Bright.  Her sparrow needs to soar free.

WHY I LIKE IT:

You expect a book written in verse to have a lot of imagery and symbolism, and The Red Pencil does a good job of balancing the story and the description, to keep the book on track.  The linear story line remains focused on telling the story at hand, making it attainable for elementary and middle school children.  The Darfur conflict is complicated at best, and using verse to convey it from a young girl’s voice allows a lot of the politics and dirtiness of war to be side-stepped without dismissing it.  Amira’s optimism and hope is at times naive, but more as a reflection of her personality then out of ignorance. She sees things, and feels things, and must deal with things, no child should, but her spirit shines through and keeps the book from being depressing, while still being sad.

Today the red pencil does more

than beg for my hand.

It makes me a promise.

It tells me to try.

The characters are Muslim and they rely on Allah, and pray, yet Amira’s thirst for knowledge includes that of learning the Koran (Qur’an) as that knowledge too, has not been readily available to her  There is a lot to discuss in the book, both what is written and what the reader brings to it.  I look forward to teaching the book, and re-reading it once again to savor in the rich images.

Here,

Muma stoops.

Here,

she has nothing to reach for.

FLAGS:

Their is violence when the Janjaweed attack her family.  But I think it is conveyed in a manner suitable for 3rd grade and up.  It is not celebrated or glorified, it is traumatic and has repercussions that are respectfully conveyed.  There is also mention of a child bride, but not in so many words, that in all honesty I doubt most young readers will be as bothered by it as perhaps they should.

TOOLS FOR LEADING THE DISCUSSION:

There is a discussion guide in the back of the book along with an Author’s Note, Acknowledgements, Glossary/Pronunciation Guide, Character/Location Pronunciations, and Important Terms that Appear in the Book.

An Educators Guide: http://media.hdp.hbgusa.com/titles/assets/reading_group_guide/9780316247801/EG_9780316247801.pdf

A study guide and quiz: http://www.bookrags.com/studyguide-the-red-pencil/free-quiz.html#gsc.tab=0

The Red Pencil 1

Jan20

The Hijab Boutique by Michelle Khan

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The Hijab Boutique

I was really hoping this book would help out the sparsely populated early chapter book section.  And it should, at just 52 pages with beautiful full page pencil style drawings, it just somehow seemed confused instead.  The content is much more young adult in story line, but because of the short length, the characters seem flat and underdeveloped.  My fourth grader read it in less than a half an hour. Yet, I don’t think a 1st or 2nd grader would get much out of the book.  I don’t know what kind of editing process the Islamic Foundation puts its books through, but back when I was a teacher, I would have told the student they have a wonderful, wonderful rough draft with so much potential, they just need to flesh it out and add more detail so the reader connects with the characters. The back of the  book suggests the book for ages 10 and up and content wise that is fine, but it also has a list price of $7.95 and for something that can be read in less than a half an hour, it seems a little steep. If it didn’t have so much potential, perhaps I wouldn’t be so bothered, I just feel like if she stretched it out to being 200 pages, it could be so powerful.

Farah is a fifth grader at an all girls art school.  She has a best friend, who’s mom is a soap opera star, but some popular girls still make  her nervous.  When her Social Studies teacher assigns the girls to bring in something representing her mother, she can’t find anything to share about her mother that she doesn’t think is boring.  Farah’s father passed away two years prior and with money tight, Farah’s mom is opening up a Hijab Boutique.  No real details are given about her family life with her father or the impact his death had on her, which is unfortunate.  The story discusses why the mom started wearing hijab and why it is important, but makes it seem like Farah knows so little about her mother.  Again a hole that if explored would make the book that much more interesting. Not to mention that it could prod young girls to talk to their own mothers about such things.  To no one’s surprise Farah brings in some hijabs to represent her mother and Alhumdulillah the book ends on a positive note with little fanfare, catharsis or drama.

Farah and her mom are practicing Muslims who are an active part of their western community.  It would seem Farah is the only Muslim in her school and it doesn’t seem to be an issue.  They are all upper class and a bit snobbish, but there are no flags.  If your library has the book, reading it is by no means a waste of time.  I don’t know that you’d read it more than once if you purchased it, but 4th through 6th graders might enjoy the short read, and be inspired by fashionably fabulous hijabs while furthering their understanding about why Muslimah’s are required to cover.

 

 

Dec31

Ms. Marvel No Normal & Generation Why by G. Willow Wilson illustrated byAdrian Alphona & Jacob Wyatt

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Ms. Marvel No Normal & Generation Why by G. Willow Wilson illustrated byAdrian Alphona & Jacob Wyatt

I have to be completely honest these are the first comic books I’ve ever read from cover to cover.  So, while I’m in no position to review the art work, or historical role of the original Ms. Marvel or even have a valid opinion on the superhero story lines, I do want to cover the Islamic elements because even as someone as outside the comic book world as I am, I knew that Marvel’s new Ms. Marvel is a Pakistani-American Muslim girl from Jersey and that’s pretty big.

I was intimidated to read No Normal, I ordered it from Scholastic and have had it on my shelf for a while, I was excited, but nervous. But then I ordered the second one, which is also a collection of 5 comic books, and thought, let’s do this.  Both collections are easy reads, and the text and what to read first in each story frame is clear.  As with comics and graphic novels the pictures convey much of the story so there isn’t a lot of “explanation,” but the story is compelling enough, that even a novice like me didn’t get too hung up on what was going on and how it could be possible.   While it may tempt younger children, I would hold off until the reader is a teen, especially if the reader is Muslim.  There is a bit of drug use and alcohol in No Normal and obviously violence, but at it’s core it is a story of a girl trying to discover who she is and there is some angsty teenage stuff that someone who hasn’t gone through the emotions, might take as attacks on Islam, parents, and culture.

Kamala Khan is a high school student in Jersey City, New Jersey.  She has a Muslim friend, Nakia, who wears hijab, and non Muslim friends of both genders that seem to support her faith and culture, almost more than she does.  The story opens with her sniffing bacon and her friends humoring her oddness.  Having grown up with the same group of friends around her, they understand her quirks and nerdiness and she seems to fit in.  As with most teens though, she feels on the “outside” and Kamala right away tries to seem cool with the more popular crowd.  She  is struggling to find herself within her Pakistani culture, her American life, her Islamic beliefs and teenage friends, information all presented in the first few pages while at the local convenience store hangout.  A lot for Kamala to balance and she hasn’t even discovered her “powers” yet.

Kamala’s parents initially seem more “cultural” than religious as her father chastises Kamala’s brother Aamir for being too religious, yet is constantly on Kamala, presumably because she is a girl.  In a fit of defiance against her parents strict curfew, Kamala sneaks out of the house to attend a party, accidentally drinks alcohol (she spits it out) and gets caught in some “fog” that gives her morphing, stretching, embiggening, and quick healing powers.

As Kamala tests how her powers work, and what they mean, there are a few funny asides that appeal to Muslim readers: she attempts to use her Burkini as a base for her super hero disguise, and her mother threatens to send her to the Sheikh if she gets caught sneaking out again.  Her parents start to grow on you though, the mom is a very stereotypical immigrant mother who cares for her daughter in a worrying nagging way, the dad actually tries to communicate with Kamala and comes across a little more genuine toward the end of the first collection.  Her brother seems to be level headed, but a minor influence.  He sticks up for her and tries to help, but it doesn’t seem like they are that close.   The final scene in No Normal left a little bit of a bitter taste in my mouth and I was glad that I already had Generation Why to dive right into and not let the conclusion of the first one fester in my head.  Kamala shows up to a wedding late, complete in Shalwar Kameez (Pakistani clothing) and gets in an argument with her mom.  Kamala says, “You and Baba want me to be a perfect little Muslim Girl–straight A’s, med school, no boys, no booze, then some hand picked rich husband from Karachi and a billion babies.”  The mom says, “Your father and I want the best for our only daughter our expectations are high so that your successes will be many.”  It goes back and fourth then the mom says she is grounded and the book ends with Kamala retorting, “wanna bet…?”  While I’m sure most every Muslim American teen has felt this way, I don’t think I’d want my 9 year-old-daughter thinking that is how narrow success is defined, or that being the best you can be is a punishment. It’s probably a realistic gripe, but to have it be the last impression, naturally brought out my defensive instincts.

A lot of the awkwardness and stage setting in No Normal is resolved by Generation Why and I found I enjoyed it a lot more than I thought I would.  I might even be anxiously waiting to see what happens next.  Kamala is sent to the Sheikh and while she is intentionally vague about telling him what is going on with her, she does suffice it to say she is trying to help people and he responds by telling her to do it with as much honor and skill as she can. I love that he wasn’t putting her down, but rather trying to mentor her spiritually to find her self and do so honorably.  Really the only other religious/cultural scene is when Lockjaw a giant dog with transporting abilities shows up to help Kamala and her parents say he can stay, but outside because he isn’t clean.  I don’t know if non-Muslims will fully understand why, but it made me chuckle.  It also made me like her family a bit more.  They are strict, but not unreasonable.  They didn’t say, “no” they found a compromise.

Generation Why contains more action than back story.  I’m not entirely sure why Wolverine shows up, I have no idea who the lady in charge of stuff is with Captain America, and I’m not sure why no one finds it odd that the Inventor is a bird man, but hey it is fun.  And it definitely had me cheering on Ms. Marvel as she empowers her generation and learns that being American Muslim might be the easiest of her identity issues when she learns she is inhuman.  It gets a little cheesy, but the foundation of comic books being good against evil, lends itself to that right?

Overall, I think I would recommend both collections are read together, as it gives a better picture of what Ms. Marvel is and can be.  I think thus far the author has done a good job of showing that she is Muslim and that her faith adds depth to the character.  Her tenacity, persistence, determination, compassion for animals, her humor, her nerdiness, all make her very like-able and admirable.  I probably wouldn’t do it as a Book Club selection, because our school only goes to 8th grade and being an Islamic School I don’t know that most of the students feel the identity crisis until possibly much later if at all.  But I think the books would work well for discussion with older kids.  Topics of what youth can do, their role in preserving the planet, discovering your sense of self and purposes are all there in comic book, super hero, action packed form!

Kamala Khan