Tag Archives: legend

Aug14

Messenger: The Legend of Muhammad Ali by Marc Bernardin illustrated by Ron Salas

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Messenger: The Legend of Muhammad Ali by Marc Bernardin illustrated by Ron Salas

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I’m always curious how books about Muhammad Ali will present his “Islam” and this 240 page graphic novel was no exception.  I was a little hesitant with the title, and with the foreword establishing that this book is akin to the heroic poems of Odysseus and Gilgamesh, and that “inspired by truth, and truth itself, aren’t the same thing.”  I did appreciate that it says if you are going to take a test on Muhammad Ali and this is your only source, you will fail.  It seems to recognize that Ali means a lot of very different things, to different people and this book at times is true and at times just feels true.  Broken into 12 chapters, 12 rounds, the author offers sources in the back, but leaves wiggle room for creative liberty.  I think if you are familiar with Ali’s life the book doesn’t provide anything shocking and you will enjoy seeing it play out in graphic novel form. If you aren’t familiar with him, the book is a little too choppy to paint a comprehensive biography and you will be confused and need outside clarification at times. I looked into the book before diving in, and many reviews say that the story makes his life accessible to middle grade and middle schoolers, the publisher says 10th-12th grade, and I think with the panel of a prostitute trying to talk to him, alcohol being offered to him, the recreation of him being positioned as a saint being martyred for a magazine cover shoot, comments about being with a lot of women, and some of the politics, the book is best suited for high schoolers.  

SYNOPSIS:

Framed around the lighting of the Olympic torch in 1996 the book then goes back and fills in the gaps on some of the big events of Muhammad Ali’s life:

Round One: Schwinn. 1954. Having his bike stolen and being introduced to boxing.

Round Two: Olympian. 1960. Winning Olympic gold.

Round Three: Church. 1961. Meeting Malcolm X.

Round Four: Sonny Liston. 1964. The fight.

Round Five: Media. 1967. Interview with Howard Cosell.

Round Six: Martyr. 1968. Esquire cover shoot.

Round Seven: Defendant. 1971. Draft evasion charges and fight with Joe Frazier.

Round Eight: Candle. 1974. Meeting a child with leukemia.

Round Nine: Rumble. 1974. Rumble in the Jungle.

Round Ten: Patient. 1980. Early signs.

Round Eleven: Shepherd. 1990. Iraq hostage negotiations with Saddam Hussein.

Round Twelve: Survivor. 1996. Lighting the Olympic torch.

WHY I LIKE IT:

It does articulate that he parted ways with Nation of Islam in chapter 11, Elijah Muhammad and Nation of Islam is pretty prominent in the book up until then, and then in Iraq it does show him praying salat, mentioning the blessings of Allah swt in freeing the hostages, and noting he is going as the most recognizable Muslim American.  I always enjoy reading about Ali and Cosell’s relationship, so I particularly enjoyed those scenes and like the premise of the book established, who knows if they are true, but they feel true and in many ways make Ali seem almost fictious with his equal parts arrogance, humility, humor, and insight.  I had to do a bit of outside reading about the Esquire cover shoot, and the Iraq hostage situation, the book did not seem to make it clear, and got me to thinking perhaps some of the other chapters only seemed clear because I had read about those incidents before.  

Normally I like books to be sourced and a book that is biographical to be accurate, but I almost wanted this book to just be extravagant.  To have fun with the persona of Ali and make him into something of legend that the foreword seemed to hint at.  What I thought was going to make him even more so “the greatest” seemed to just provide a safety net of protection to imagine what was going on in Ali’s head during the 12 rounds highlighted.

FLAGS:

There are some offers of alcohol which he refuses, some pointed political positions, a prostitute in a hallway invites him for free, he refuses. He recreates a martyr scene even once he established he was Muslim and wasn’t ok with it, but a phone call to Elijah Muhammad’s son, made it ok because it was for money, there is a lot to unpack there for kids.  He makes a comment about being with a lot of women at one point, not in your face, but in a graphic novel, to dedicate a panel to it, makes it stand out.  Racism, hate, bigotry, prejudice.

TOOLS FOR LEADING THE DISCUSSION:

I am a bit on the fence with this book.  I think it would work for a high school book club, but with a lot of context.  If you are discussing Ali, this would be a suitable supplement in a high school classroom.  If you are an English teacher talking about Homer and heroic poetry, I think this would be a great contemporary example. I don’t know that I would stop mature middle schoolers from reading it, but I don’t know that I would be suggesting it either.

If the book seems like a good fit for you, you can order it here.

Feb10

Hamra and the Jungle of Memories by Hanna Alkaf

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Hamra and the Jungle of Memories by Hanna Alkaf

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This 400 page middle grade retelling of Little Red Riding Hood bursts with Malaysian culture, magic, action, and adventure.  The main character and her family are Muslim and hijab, duas, zikr, halal, Qur’an and salat are included throughout.  The mix of legends and characters from Malaysian culture in building the fae world is not contrasted with religious faith, but assumed to both coexist without issue.  The book is clean for ages nine and up and the only concepts worth noting are some intense life and death situations, close male and female friendships, dementia, and the element of fantasy.  The book is set during the Covid-19 pandemic which will ultimately date the book as it doesn’t convey the tone for readers unfamiliar with the curfews, social distancing, controversies, and masking.  Those who have just lived through it, will not need the framing, but in a few years I do fear that the book will be lacking in fully understanding why the tourists, parents, and markets are so absent.  As with all of the author’s books there are also dated pop culture references, that slow the narrative down for today’s readers.  The book grabs you from the start and the second half flies by smoothly, but the middle quarter is a bit slow as the world building is not robust, and the reader is thrust into a magical world that is just accepted without pause, and the reader is asked to accept it at face value as well.

SYNOPSIS:

It is Hamra’s birthday, but the independent 13 year old is not being celebrated- everyone has forgotten: her mother is a front line worker, her father helping those with limited resources, and her aging grandfather and her are left to care for her memory slipping grandmother.  When Hamra, Little Red, storms off to the jungle to collect some herbs, in an act of spite, she defies the rules drilled in to her 1- Always ask permission before you enter.  2- Don’t challenge what you can’t even see. 3- Never use your true name. 4-Never take what isn’t yours. 5-If you hear someone calling your name, never, ever look behind you. She also doesn’t listen to the regular reminders to tie her shoes.  Simple rules, that when broken set the story in to motion.  Along with her best friend Ilyas, the two will strike a deal with a weretiger for their transgressions that takes them on a journey to try and save Opah, themselves, and prove their quest a success.  The characters they meet, the clues they unravel, the legends they understand, and the scenic islands they explore are as lush as the love Hamra has for her family and the drive she has to return home safely.

WHY I LIKE IT:

I love the way Islam is truly part of the characters, and a natural extension of how they see the world and act within it.  I wish there was stronger world building blending the world of the known and the fantasy for the reader.  The writing of the Malaysian setting is beautifully unapologetic and I love that there is not a glossary or overly explained descriptions, it is immersive and I appreciate that, but the framing of the two worlds I felt was a bit disjointed and needed some fleshing out.  At times it feels more telling than showing in detailing the depths of the legends or the superstitions that are true for the story.  I did enjoy the characters’ quirks and stubbornness, there is not a lot of arc and growth, but with the intensity of the adventure and culture, I didn’t feel it lacking in development.  For much of the book I didn’t quite appreciate the Covid-19 framing, but by the end I understood that it was a way to have the tourist spots void of people, the parent’s out of the way; a little more development though would have had the uncertainty of so much more fully realized.

FLAGS:

Fear, trickery, danger, loss, death, music, musical references, dammit is said.  There is some violence, close male and female friendships, and a possible trigger of dementia in a loved one.  There is myth, legend, magic, fairies, fae, and fantasy, if you are ok with the concepts in general the presentation is clean even with mixing religion and these concepts.  If you are uncomfortable of fantasy and Islam coexisting, this book draws the two worlds very close.

TOOLS FOR LEADING THE DISCUSSION:

I have taught two of her books in middle school book club discussions, and I would teach this one as well.  It is enjoyable to see Malaysian Muslim characters so confident in their identity and having adventures that are enhanced by their faith and culture while focusing on larger themes of friendship, family, forgiveness, and adventure.

The book comes out in March of 2023, I’ve preorderd mine HERE and I hope you will as well.