I approached reading this 358 page book with a plan: as much as possible I began with no expectations and rid myself of any Lemon Trees comparisons. And after I finished this book, which I read in two days, I have now waited a week before writing this review up, to sit with its lingering effects and takeaway impact. I did this because a YA coming of age book with a female Muslim protagonist in a new school facing Islamophobia, has been done before, the premise isn’t remarkable necessarily (like Lemon Trees), on its own. I also am not a fan of magical realism. All that to say, I really, really enjoyed the book, and appreciate what it accomplished, and the unapologetic Islam and strength of voice it did it with. A few friends remarked that teen them would have loved it, so I’d like to add that 45 year old me, also loved it. The magic realism isn’t a small thread, it is a plot point, and it adds imagery and power to a book that raises the stakes on every level. It provides a balance to the heaviness felt by Jihad’s grief, loneliness, and present bullying. I felt in many ways it also softened the questionable “halal or harmness” of the book. The relationship between Jihad and Jamie does place them in classrooms and cars alone together and sure that close of a friendship between a boy and a girl is not typically encouraged, but I would let teens read this. The book is not overly angsty, emotions are there but no acting on it, in my opinion the focus is Jihad and her finding her strength, which as a Muslim going through so much, is really empowering to see. I think young Muslim readers might find bits of her story that they relate too, but inshaAllah no one is being bullied that hard, is grieving that loss alone, is feeling that abandoned, and coupled with the “magic,” I don’t think that Jihad’s choices will normalize any haram, but rather leave the readers inspired to not lose hope. The book has a lot of Islam, not necessarily a lot of spirituality though, for me it fits with the character and what she is enduring, that she just doesn’t have any bandwidth to feel anything more. The beautiful prose brings you into the character and keeps the focus on the protagonist, the unapologetic positioning is consistent and a reminder to us all that when well done, our OWN voice stories are not just accessible and relatable to us, but to all.
SYNOPSIS: I really don’t want to spoil this book, so I’m going to just copy the publisher’s blurb for the summary portion, you are welcome.
Seventeen-year-old Jihad Dabbagh has always seen life with a heightened sense for colors, one of many magical blessings the women in her family possess. But Jihad’s gift changes depending on her mood. When depression sets in, the world is a colorless oasis, and in the wake of her mother’s sudden death, the world has become a permanent shade of grey.
Broken by tragedy, Jihad’s family doesn’t believe her color loss. Her father sends her to the elite Braxton Academy to finish her senior year. There, Jihad’s name and hijab put a target on her back. Her haven comes in the form of an old sketchbook carved from a tree in her hometown in Syria—a country she only knew through her mother’s stories. Jihad hasn’t picked up a brush in over a year, but finds herself channeling the colors of her hurt, pain, and grief as she paints the story of her mother’s journey in Syria.
When graffiti of that same mural starts magically popping up all over New York, her art goes viral and the world takes notice, the threat of legal consequences is imminent. To reclaim her voice, Jihad will have to paint a new future for herself and Braxton, guided by the resilience of her mother’s story.
WHY I LOVE IT:
I love that regardless of what I would have done in many of the situations Jihad is put in, I can totally see, and argue, why Jihad does what she does. I think that is a testament to the writing, and while some of the relationships or side character arcs might make the most craft focused readers long for more, I was fully seeing Jihad’s world through her eyes, and ok with it. Even when major events happen to side characters, it really feeds in to how it affects Jihad and her character arc and growth.
I love the Islam and unapologetic way it is presented. There was one error about washing the bottom of her shoe while making wudu at school, but the Islam feels very real, the actions, the framing, the practice, the struggles, and it was quite refreshing.
I think in the past we have seen identity books really “other” Islam or culture and this book definitely raises the bar, by not doing that. We have also seen books that normalize haram relationships, or spend page after page trying to position the couple to not be haram at the expense of boring the reader, and I think this book is so natural in weaving it all together, that I really hope it becomes the new standard, and new chapter, pun intended, for YA Muslamic books. The book has threads of “romance,” bullying, Islamophobia, neglect, grief, family drama, violent crime, magic, but for me at the heart, once that all falls away and I sit thinking back, a week later on what I recall, it really is Muslim female strength and empowerment.
FLAGS:
Death, loss, bullying, Islamophobia, abandonment, violence, manipulation, grief, loss, boy girl friendship, threat of sexual assault, threat of violence, unwanted touch, vandalism, graffiti, systemic failure, racism, stereotypes.
TOOLS FOR LEADING THE DISCUSSION:
I would love to do this as a book club read with high schoolers. Let’s make this happen!!!
Anything I write about this YA book will fail miserably in conveying how powerful, beautiful, lingering, moving, emotional, and overall masterfully written every one of the 432 pages are; it just might be my favorite book of the year. I do know that this will be my new standard for Muslim OWN voice stories, as the authenticity was absolutely engulfing, I’m not Syrian and I could feel it and naturally, I also verified it. There is no pandering to a western gaze, the story and characters pull you in and show you Syria from the ground, there is no telling, there is no lecturing, it is mesmerizing storytelling at its finest. The book has mental health issues, war, and a sweet “halal” romance, that I think upper YA, 16 plus, can handle and appreciate. I hope every adult will spend time with this book, it truly is incredibly well done, alhumdulillah.
SYNOPSIS:
Homs is under the protection of the Free Syrian Army, but that isn’t enough to keep pharmacy student Salama and her family safe. Her mother is killed, her father and brother taken, and so she moves in with her best friend Layla, her pregnant sister-in-law, her only family left. Working as a doctor in the hospital where anyone remaining is given responsibilities far above their skill level, education, and experience- every day is a struggle to survive.
Haunted by the physical manifestation of her fear, “Khawf,” who urges her to fulfill her promise to her brother of keeping Layla safe and getting them out of the country, Salama at eighteen years old has to find a way.
Before all the pieces come together to escape, a boy enters the picture, Kenan, who gives Salama hope, who distracts her from the death and destruction that has consumed their lives. A boy unwilling to leave his beloved homeland.
WHY I LIKE IT:
I’m a crier, but this book brought out ugly angry tears, shocked tears, heartbroken tears, sentimental tears, you get the point, this book held me in its grasps and never let go. I.COULDN’T. PUT. IT. DOWN. If this is the author’s debut novel I can’t even fathom what is yet to come.
I love that the characters are Muslim, and that they pray together, that they plead with Allah (swt) and meet at the mosque. It is who they are, it is not up for debate or in need of explanation, it is what it is and it is not anything to discuss. The parts where a character pleads with Allah for death over being taken, absolutely wrecked me. Just as efforts to keep everything halal between Salama and Kenan made me beam. (If I’m completely honesty, I did on occasion get frustrated, I mean come on they are being shot at, bombed, nearly sexually assaulted, scoop her up in your arms and console, her, I know haram, but it is fiction and I was invested, and there is a war. Thankfully, I am not an author and she kept it all clean and her characters much stronger and mindful of the shortness of this world.)
I love that there are political voices, but that it isn’t a political book trying to give back story to the conflict. In so many ways the news has failed to keep a light shining on Syria and books such as this, remind those of us outside Syria without strong connections to the land, that the conflict is still raging. If this was a journalistic article it would be a human interest piece, it is character driven. Readers see themselves in the characters that live lives that most of us of privilege could never imagine, yet here we are spellbound by the characters, their choices, their dreams, and their safety. This book shows the power of fiction in opening our eyes to the horrors that are happening in our time, by giving us a face and a character to care so deeply about, that we are spurred to action and determined to not remain apathetic.
FLAGS:
Death, torture, physical abuse, sexual assault, fear, loss, coercion, war, murder, torture, child abuse, crimes against humanity, starvation, mental health, PTSD.
TOOLS FOR LEADING THE DISCUSSION:
I would love to use this book in a high school book club. The story and themes of the book would open themselves up to discussion so effortlessly and the beauty of the writing would be a gift to share with students.