Tag Archives: Syed M. Masood

The Last Man in Paradise by Syed M. Masood

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The Last Man in Paradise by Syed M. Masood

paradise

I’ll be honest, if I would have read the blurb (see below) about this book from another author, I probably would not have read the book.  From the description alone, I could assume that it will undoubtedly be uncomfortable, it is an adult read, it is going to be irreverent, and I will disagree with probably whatever messaging the impossible situation the characters are placed in, come out with. But, having read his two YA books, and really liking More than Just a Pretty Face, despite the raised eyebrows I get from Muslim book fans when I say that, I felt pretty confident that Islam would not be othered or villainized, and that the writing quality would make the cringey situations worth getting through to hear the commentary that would be forth coming.  I’ve felt with the author’s other work that the Muslim characters, own their flaws as individuals, not as representatives of their faith, so, I was willing to give this book a read.

The first quarter of the book was a little stilted, but by the midpoint, I could not put the book down, as the writing did not disappoint.  Would I recommend this book? No, not to the majority of followers of my platform, much like the satire of Zarqa Nawa’s Jameela Green Ruins Everything, I know that this style of ridiculous situations to reveal humanity, consideration, and introspection, while being entertained by very Islamic concepts, is not for everyone. Did the make-out scenes in the masjid parking lot, child abuse, sleeping around, drinking alcohol, talk of pubic hair and board games, grandpa on masjid grounds watching porn, hate crimes, involuntary manslaughter, and impersonating an imam giving khutbahs and performing ghusl, cross lines? Probably, but it is fiction, it is raising the stakes to show extremes, and let the reader opine on their perspective when faced with it. And no, I won’t write my typical review about Islamic rep, because reviewers like me got called out for that too, about policing representation and confining Muslim experience to looking like one thing.  The author went really meta and called himself out for the ending of his other adult book (that I haven’t read, but probably should), The Bad Muslim Discount, so clearly no one was out of the line of fire.

Suffice it to say, this book literary wise is an easy read, the craft is on point, it flows and is compelling (except for the end, SPOILER, who was going to look after Baba, that thread just dropped), for Muslims though it will be very uncomfortable. For non Muslims, or Muslims that don’t read to see themselves represented with the fervor that I do, I think Islam is not painted in a negative light or insulted by the text.  The characters are messed up, their flaws their own, but because they are Muslim, religion is part of their understanding and view of their existence.  I do wish there was at least one Muslim character that had it together, that might hint that as a whole we are not all one extreme or another.  I don’t like labels of “liberal” or “extreme” and the book provides commentary and nuance to those flawed dichotomies as well. The book is not heavily moral, (SPOILER) the protagonist does not come back to Islam (might not have been an identity to even come back to), but identifies as Muslim, there is no YA or MG revelation or singular take away. The book centers Islam, but somehow is not Islamic rep, it simply has Muslims dealing with the messiness of life, expectation, family, relationships, and honesty.

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Blurb copied from Goodreads:
A decade ago, Azaan, a rebellious teenager with dreams of becoming an actor, was exiled from Redding, California to a religious academy in Egypt by his imam father. His crime? Getting caught kissing Madison, the girlfriend he isn’t supposed to have.

But while letting his family believe he is studying to become a preacher, Azaan ditched school and embarked on an acting career. Given that he has minimal contact and nonexistent plans to return home, he figured no one would ever know. Now, however, Azaan’s grandfather has a dying he wants to see his grandson one last time. In order to maintain the story he’s told his family for years, Azaan decides to become a fake imam. Playing at being a religious leader, he finds a community in Redding on the brink of a scandal involving his family. It’ll be the most challenging role of his life.

Navigating his new identity and old relationships, Azaan reunites with Madison, connects with old friends, and uncovers a shocking truth about his family history that threatens to expose his father as a fraud. It turns out, Azaan isn’t the only one pretending to be something he isn’t.

Before he can finish weighing the consequences of exposing his father or protecting him, an untimely death shakes Azaan’s priorities. He is forced to grapple with his religion, future, and family in a way that is sure to break hearts, but might heal a few along the way.

My Big Fat Desi Wedding by Prerna Pickett, Aamna Qureshi, Syed M. Masood, Tashie Bhuiyan, Noreen Mughees, Payal Doshi, Sarah Mughal Rana, Anahita Karthik

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My Big Fat Desi Wedding by Prerna Pickett, Aamna Qureshi, Syed M. Masood, Tashie Bhuiyan, Noreen Mughees, Payal Doshi, Sarah Mughal Rana, Anahita Karthik

EDIT: I have been made aware that some/many of the included authors in this anthology have chosen to stay silent or “both side” the ongoing genocide in Palestine. Please be aware and be intentional and informed with your support

This 288 page YA short story anthology features eight stories of Desi weddings threaded together by an auntie with a bob haircut and a mole on her lip that appears and disappears into stories with magical realism, Tamil Brahman vampires, competing food dynasties, high school debate rivals, gorgeous clothes, delicious food, and sparks of romance.  Usually collections are hit or miss with writing quality and interest, but I found this collection enjoyable from start to finish.  My only real critique is that of the YA label and as a result some stories read more juvenile and at least one a bit more mature.  As a whole, the book, particularly for the genre, is fairly clean.  It is YA, it is romance, there are a lot of Muslim characters, with five of the authors being Muslim, but I would not classify any of the relationships or stories as halal.  That being said, I think mature teens 16 and up won’t find anything too alarming in the pages. There is music and dancing, close male female friends, secret relationships, a few kisses, some dances and hand holds, and a few that mention sex, condoms, and LGBTQ+ possibilities in passing, but most focus on weddings, culture, parental relationships, strong women, caste ideology, and hinting at happy every afters.  Many of the stories are simply set during a wedding or wedding prep, others are the bride or groom themselves, I don’t have a favorite or even a least favorite, as each has its own flavor, writing style, and focus.

SYNOPSIS:

Framed from an Auntie embarking on the wedding season, the short stories begin and follow one after another until the Auntie returns to conclude the book.

The Disaster Wedding by Prerna Pickett:  In a family where the words the females speak can come to fruition, an erroneous slip, claiming that her sister’s wedding will be a disaster brings on the challenges for the enemies to lovers side characters trying to not upset the marital couples multicultural Indian/American dream wedding.

A Cynic at a Shaadi by Aamna Qureshi follows a young Muslim girl nursing her broken heart from a recent breakup with her secret boyfriend.  Set during her cousins wedding, an upbeat optimistic boy makes her smile and gives her heart hope.

Sehra by Syed Masood involves a Muslim marrying a non Muslim girl that has the family refusing to attend.  The groom-to-be’s brother is torn and wants to attend, but he never goes against his parents.  His best friend who has grown up with the family and is facing her own community othering because of her “Mickey Mouse” hijab style, is planning to go, and together the two friends help wrap the groom’s turban.

Fates Favorites by Tashie Bhuiyan features magical realism with the words of soul mates appearing on skin.  The words appear and disappear sometimes unseen and possibly even as a result of one’s subconscious, thus the couples don’t always find one another, but when they do, the relationships can be magical.

The Wedding Biryani by Noreen Mughees is possibly the most religious of the short stories with high school debate rivals finding themselves cooking at the masjid for a couple that doesn’t have a family to celebrate the marriage.  Themes of losing a parent to death and simply leaving are present, as well as some internal reflection of boundaries, Allah swt, and body image.  The conclusion is the teens meeting up to dance.

A Confluence of Fates felt like the longest short story, and while many Zoroastrians it notes did come to India, the story focuses on Iranian Zoroastrian culture.  It is almost a story within a story as a couple gets a second chance at their relationship with the backdrop of a marriage play during the wedding unfolding in the background.

A Wedding Recipe for Disaster by Sarah Mughal Rana has competing family businesses: one Punjabi and the other of Pashtun culture, coming to a head when the offspring of the rival companies decide at the girl’s wedding to someone else, that they should be together.  With vibes of a Romeo and Juliet style family feud, the happy ending has readers craving achar and contemplating racism within the community.

And finally, A Very Bloody Kalyanam By Anahita Karthik goes gothic with a Tamil Brahmin vampire wedding occurring when offspring from two enemy cults imprint on each other.  This story is more mature with talk of sex, but has an emotional forgiving between the bride and her parents that makes the vampires lovable.

FLAGS:

It focuses on romance, and none of the stories are “halal.”  Music, relationships, boy girl friendships, Talk of sex, hints at LGBTQ+ identities, mention of condoms, vampires, magic, magical realism.

TOOLS FOR LEADING THE DISCUSSION:

Probably not a book to seek out for an Islamic school shelf, high school can probably handle it and understand it is not halal.